Austin, TX
Austin’s Blanton Museum reimagines its grounds as a place for a university campus, city and community
The Blanton Museum of Art’s recently completed $35m renovation of its grounds centres on a reimagined outdoor space that acts as both a gateway and a gathering place. Bringing together three major site-specific installations and led by the architecture firm Snøhetta, the redesign makes a statement that there is a museum here at the University of Texas at Austin (UT)—something that was once easy to overlook when its stately but subdued Spanish Revival buildings blended into the campus.
At one end of the museum’s 200,000 sq. ft footprint is Ellsworth Kelly’s Austin, evoking a secular chapel with its coloured glass windows since its installation there in 2018, and on the other are 12 new towering tulip-like shade structures by Snøhetta. Between them is a panoramic mural by the Cuban American artist Carmen Herrera—her only major public mural commission before she died in 2022 at age 106. Visitors now pass through the mural’s centre as they enter the galleries building, which faces the museum’s administration building across this revamped corridor. Called Verde, que te quiero verde (Green, How I Desire You Green), Herrera’s large-scale panels of green slashed with white recall her 1956 painting Green and White, the pinwheeling pattern now framed by the archways of the loggia that span the Blanton.
“There’s an interesting syncopation between the precise geometries and hard lines of the mural and the curvilinear shapes of the loggia that you see from your approach,” says Vanessa K. Davidson, the Blanton’s curator of Latin American art.
Herrera had previously created only two other (smaller) murals, in 2017 and 2020 for New York City Public Schools. Before focusing primarily on abstract painting, Herrera studied architecture at the University of Havana. She expressed her longtime interest in public work in a letter to the Blanton, writing: “The idea of murals always fascinated me as a lover of architecture; it is a delicate balance to any architect or painter. A space is somehow affected or altered by the altering of its surfaces. I love the challenge and respect the responsibility in the choices that are made.”
VIsitors to the Blanton sit in front of Carmen Herrera’s Verde, que te quiero verde (Green, How I Desire You Green) Photo: Casey Dunn, courtesy the Blanton Museum of Art, Austin, Texas
This thoughtfulness in transforming space extends throughout the renovation, such as Snøhetta’s architectural interventions on the museum buildings themselves with two buoyantly yellow vault shapes echoing the loggia arches, one playfully inverted to frame a staircase that acts as an elevated lookout.
Craig Edward Dykers, a co-founder of Snøhetta, studied at UT and drew on that experience. “We wanted to give the school a strong presence for the future, but we also knew that the campus aesthetic was somewhat conservatively focussed on the past,” he says. “Through our knowledge of the campus, we were able to create a completely contemporary narrative with inventive forms and structure, while still incorporating iconic elements of the past—such as the arches of the nearby buildings.”
This renovation project broke ground in March 2021 and was finished earlier this summer, but the Blanton’s metamorphosis from a small teaching museum to an institution presenting art on an international stage happened gradually over time, with the completion of Kelly’s Austin establishing its first exterior landmark six years ago.
Blanton director Simone Wicha says she has been interested in making the museum as much a community as a cultural space since she took the role in 2011. “Most museums have traditionally had these big, soaring atriums,” she says. “These [Snøhetta] shade structures play a really important practical role, but also provide a sense that you have entered into our atrium, and our atrium is, in a very Austin way, this outdoor space that is not singular to the museum experience. People linger, and it’s part of our civic life.”
Although Herrera became involved later in the process, Wicha wanted to specifically assign the commission to a Latin American artist in order to reflect the museum’s major Latin American art collection. In this way, the new exterior elements are in dialogue with the interior galleries.
Snøhetta’s architectural interventions include a playful elevated outlook onto the courtyard, an echo of the original building’s loggia arches (with Herrera’s mural visible in the back) Photo: Casey Dunn, courtesy the Blanton Museum of Art, Austin, Texas
Wicha also sees the museum as being in a larger conversation with the Texas State Capitol, a building directly connected to the Blanton since the 2022 completion of a green pedestrian mall. Especially at a time when budget cuts and proposed legislation continue to threaten the arts, the museum is in a prominent position to showcase the power of creativity—like how Snøhetta’s native-flora landscapes recognise a future of extreme heat and drought. The eye-catching petal structures funnel rainwater to irrigate the plants below, from the spiky-leafed dwarf palmetto to the green grassy bursts of Cherokee sedge.
“We can make the art museum part of a statement on the importance of the arts,” Wicha says, noting that this has extended to working with faculty to bring students from all disciplines into the museum. “One of the things that is really important to me is that the museum be a place like you would think of a library on the campus, it’s just part of your experience.”
That engagement now extends beyond the museum’s walls in unexpected ways, including a dedicated outdoor gallery for sound. Its debut installation is by Bill Fontana, who made field recordings in the Texas Hill Country, such as of cave bats and local birds. This auditory experience gives the grounds a permeable yet distinct feel. Likewise, an elevated walkway that meanders between historic live oaks at the museum’s southern edge is a path for both visitors and commuters on the adjacent Martin Luther King Jr Boulevard.
“We put a lot of thought into this arrival onto campus and this dual mission,” Wicha says. “There are so many ways that you come to the museum, and we wanted to make sure the moment you walked in, you had an art experience and a beautiful, welcoming, clear understanding of where you were.”
Austin, TX
America 250 celebration: Texans who fought for independence honored in Austin – Texas – The Black Chronicle
(The Center Square) – As part of Texas’ celebration of the founding of the United States, a new monument was unveiled in Austin commemorating 69 patriots who fought for U.S. independence who later came to Texas.
Texas is also celebrating its first U.S. Navy fleet week in state history in the Houston area, where roughly 1,000 sailors and Marines are participating in nearly 200 events as part of the America 250 celebration. This also includes commemorating the Texas Navy, which helped win Texas’ independence from Mexico 190 years ago this April, The Center Square reported.
Gov. Greg Abbott and the leaders of the Texas Society Sons of the American Revolution unveiled a new monument honoring Texas revolutionary war patriots at the Texas State Cemetery in Austin.
Abbott, a direct descendent of a patriot who supported the cause of American independence, was also inducted into the Sons of the American Revolution and received the Silver Good Citizenship Medal.
“It is appropriate to remember that today, April 18th, 251 years ago, the Battles of Lexington and Concord occurred with the shot heard around the world,” Mel Oller, president of the Texas Society of the Sons of the American Revolution, said.
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On the evening of April 18, Paul Revere rode from Boston to Charlestown warning colonists that British troops were coming. Several hundred Minute Men and colonial militia fought British soldiers the next morning in Concord and Lexington, the first battles of the American Revolutionary War.
The commemoration in Austin was important “to reflect on the courage, sacrifice and enduring principles that gave birth to the United States of America,” Oller said. “This monument stands as a tribute to those patriots and reminder to future generations of the ideas that continue to shape our Republic.”
“Texans played a role in the war too, and it’s important to recognize them, and the sacrifices they made for our freedom,” he said.
“The history that is etched the United States into the annals of the greatest country in the history of the world,” Abbott said. As others try to rewrite American history or “try to condemn the glory of what America has been able to achieve,” Abbott said Texas was focusing on teaching children about U.S. and Texas history. “We must educate every generation about why it is that America grew from just a tenuous 13 colonies into the most powerful country in the history of the world.”
“There could hardly be a better time to dedicate this monument than during our 250th celebration of freedom, of independence,” he said. It’s “an enduring testament to the heroes who fought for that freedom that is unique to America.”
One of the greatest gifts Revolutionary War heroes gave Americans was freedom, Abbott said, “but freedom is not a one-time event. The fight didn’t end with the Treaty of Paris. It’s an everyday process, perpetually. Just as the patriots took to the hillsides to battle the Red Coats, modern day Patriots” continue to fight for freedom, including the failed policies of Marxism, he said. Many Texans’ ancestors “died for a country they would never get to see. Stories of these heroes must be told. Generations of Americans must be reminded of who they are and what they fought for.”
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There are 69 American Revolutionary War heroes listed alphabetically on the monument who later settled in Texas, including native Tejanos who fought for American independence, according to TSSAR.
Listed first is John Abston, who enlisted in the militia in Virginia when he was 18. He fought alongside and under men like John Crockett, father of Davy Crockett, in one of the most pivotal battles of the war: the Battle of Kings Mountain, in South Carolina. He later moved to Collin County, Texas.
Another is José Santiago Seguín, the grandfather of Texas Revolutionary hero Juan Seguín, the first and only Tejano to be elected to the Republic of Texas Senate. He also fought with Sam Houston in the Battle of San Jacinto.
Another is Peter Sides, who fought with a North Carolina regiment against the British. He later joined the Gutierrez-Magee expedition in 1812 and was killed in 1813 at the Battle of Medina in what is now Bexar County. The battle is “known as the bloodiest battle on Texas soil. The rebels’ bodies were desecrated and their body parts were removed and scattered,” the TSSAR explains.
Another is William Sparks, who joined a North Carolina militia when he was 17. He and his family later moved to Nacagdoches, Texas; his sons and grandsons fought for Texas independence.
Listed at the bottom of the monument is Ira Hobart Evans, a Congressional Medal of Honor recipient and the youngest Speaker of the Texas House who founded the Texas Society of the Sons of American Revolution.
AUSTIN (KXAN) — Texas’ highway system dropped two spots since 2025, and now ranks at No. 27 in the country for its cost-effectiveness and overall conditions, according to the Reason Foundation’s 2026 Highway Report.
The report assessed pavement conditions, fatalities, deficient bridges, infrastructure costs and congestion levels across the United States. Texas earned the following rankings:
- 33rd in urban interstate pavement conditions
- 21st in rural interstate pavement conditions
- 39th in urban arterial pavement conditions
- 12th in rural arterial pavement conditions
- 3rd in structurally deficient bridges
- 26th in urban fatality rate
- 42nd in rural fatality rate
- 41st in traffic congestion
“More than 42,000 of the nation’s 618,923 highway bridges, nearly 7%, are still structurally deficient. Arizona, Nevada, and Texas reported the lowest percentages of deficient bridges,” the report said.
The full report can be found online.
AUSTIN (KXAN) — Small hail peppered the Austin area as strong thunderstorms moved through Saturday.
A few of the storms dropped rain and up to pea-sized hail in San Marcos, Dripping Springs and the Austin metro area.
A Severe Thunderstorm Warning was issued for Williamson County around 8:15 p.m., and then canceled shortly after. However, it was enough for the Two Step Inn music festival in Georgetown to cancel shows for the rest of the evening. Event organizers say the festival will run as planned Sunday.
KXAN’s First Warning Weather team is monitoring the storms. We will update this post as the evening continues.
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