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Megan Thee Stallion Twerks Out the Vote for Harris in Atlanta: 'We're About to Make History!'

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Megan Thee Stallion Twerks Out the Vote for Harris in Atlanta: 'We're About to Make History!'


“I want to start off by saying Hotties for Harris!” Megan Thee Stallion announced as she took the stage at the Georgia State Convocation Center in Atlanta.

The three-time Grammy winner was there to perform at Vice President Kamala Harris’s first campaign rally in the city as the presumptive Democratic nominee. Naturally, Megan wore a bright blue pantsuit fit for a Hottie – complete with a cropped blazer and button down, skin-tight bottoms, and a necktie to match. She took care to sensor her tracks and keep the twerking modest as she and a crew of dancers burst into “Girls in the Hood,” her 2020 flip of an Eazy-E classic. 

As she performed her viral hit “Mamushi,” the crowd sang along, but soon, the real reason the rap star was there emerged as she transitioned into “Body.”

“Now I know my ladies in the crowd love their bodies,” she said fresh out of the Mamushi dance break. “And you want to keep loving your body — you know who to vote for!” As she performed the “Savage” remix, she told the crowd that “real savages” vote.

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“I’m so happy to be here Atlanta! We’re about to make history with the first female president,” the artist declared. “The first Black female president! Let’s get this done!”

Megan is no stranger to advocacy. In 2021, Congresswoman Sheila Jackson Lee, who died on July 19, presented Megan with a Humanitarian Award from their district. When Roe v. Wade was overturned in 2022, she called out the decision while performing at Glastonbury Festival in the U.K, and led the crowd in a chant of “My body, my motherfucking choice,” echoing a lyric in her 2022 song “Gift & A Curse.”

The rapper has continued to highlight the line on the road, giving it a standout moment at Washington D.C.’s Broccoli City Festival on Sunday, just two days before the rally.

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In 2020, when she made her Saturday Night Live debut as a musical guest, Megan spotlighted the killing of Breonna Taylor, a Black emergency medical technician in Kentucky who was shot by police when plainclothes officers executed a no-knock warrant at her home obtained with a falsified affidavit. A backdrop for Megan’s performance at the time read “Protect Black Women” and she used vocal clips of activist Tamika Mallory condemning Kentucky Attorney General Daniel Cameron’s management of the case. It also included a portion of a famous 1962 speech by Malcolm X, in which the civil rights leader says: “The most disrespected, unprotected, neglected person in America is the Black woman.”

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Soon after that Saturday Night Live performance, she published an op-ed in the New York Times titled “Why I Speak Up for Black Women.” In it, she connected being shot by Tory Lanez to other instances of misogynoir — a term for misogyny specific to Black women — in acts of violence, as well as health care, pop culture, and politics. “I’m not afraid of criticism,” she wrote. “We live in a country where we have the freedom to criticize elected officials. And it’s ridiculous that some people think the simple phrase ‘Protect Black women’ is controversial.”



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Atlanta, GA

Thieves steal dozens of bikes meant for underprivileged kids from Atlanta nonprofit

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Thieves steal dozens of bikes meant for underprivileged kids from Atlanta nonprofit


An Atlanta nonprofit is asking the public for help after it was the victim of a brazen theft earlier this week.

Propel ATL said that thieves cleared out an entire trailer of bicycles meant for underprivileged kids sometime on Tuesday night or early Wednesday morning.

Jeremiah Jones, the nonprofit’s advocacy manager, said that someone broke into the trailer and took 26 bikes and 24 helmets.

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Nonprofit Propel Atl said someone stole dozens of bikes and helmets meant to go to children from their trailer this week.

CBS News Atlanta


The equipment was part of a program that gives bikes to children from low-income schools and teaches them how to ride.

“My heart sank when I got the call that all the bikes were gone. I said, ‘Surely not all of them.’ And all of them are gone,” Jones said. “This class is solely for kids, and this crime is affecting them.”

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Atlanta police are reviewing security footage from the area. Jones said you could see people taking the bikes out of the trailer, carrying them down a hill, and bringing them into a nearby parking lot.

The nonprofit is now trying to raise more than $10,000 to replace the bikes.

Propel ATL is also asking who may have information about the theft to contact them at programs@letspropelatl.org.



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Atlanta, GA

Man arrested for knocking kids off bicycles

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Man arrested for knocking kids off bicycles


A man was arrested at a concert last week after he shoved two kids off their bicycles, causing one of them to fall into a fountain, Sandy Springs police said. FOX 5 Atlanta’s Brittany Edney reporting. 

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Atlanta, GA

Same DNA, new address: Muchacho expands to West Midtown

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Same DNA, new address: Muchacho expands to West Midtown


Photo by Luke Beard

When Muchacho first opened along the Atlanta Beltline and Memorial Drive, it became known as a place shaped as much by its surroundings as by its menu. That site, housed in a 100‑year‑old train depot, set the tone for how the brand approaches expansion: start with the bones of a building, then let the space tell the story. The newly opened Muchacho West Midtown follows that same philosophy.

“We like to celebrate unique attributes of each property and work with the palette we’re given,” says founder and owner Michael Lennox. While the original Muchacho is defined by its long, narrow footprint and Spanish tile roof—features reminiscent of its former life as a train depot—the West Midtown location leans into an industrial past rooted in automotive culture: a former Meineke car care shop. Big windows reference former garage doors, while retro racing details appear inside.

Inside Muchacho on the Westside

Photo by Luke Beard

Still, the connective tissue between the two locations is clear. Both spaces draw heavily from Muchacho’s Southern California skate‑and‑surf roots. At Muchacho West Midtown, familiar playfulness appears via a blue‑orange‑yellow racing stripe pattern, a three‑dimensional pegboard gallery wall used to hang art and plants, and vintage Meineke signage. A life‑size cardboard cutout of George Foreman, once the pitchman for Meineke, underscores Lennox’s willingness to lean into humor and nostalgia. “It’s a playful brand,” he says.

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A functional halfpipe for skateboarding anchors the outdoor experience and will double as a performance space for bands and DJs. In about a month, a 4,000‑square‑foot “tropical secret garden” with tall bamboo lining the perimeter will open on the south side of the property. Another 1,500 square feet of patio space wraps the west and north sides, currently welcoming about 80 guests. Altogether, the West Midtown location will accommodate about 215 guests, making it comparable in size to the original, with a little more outdoor space.

Crispy chicken sandwich

Photo by Luke Beard

Muchacho West Midtown opened with the same core menu that made the Beltline location a staple: tacos, breakfast burritos, coffee, cocktails, and beer. Standouts like migas, chilaquiles, carne asada, and al pastor continue to be available. Over time, however, Lennox says each location is expected to develop its own personality, driven by the chefs who have “a pretty wide creative latitude.” Chef Betty Aparicio, formerly of Chido & Padre’s, steers the kitchen on the Westside.

“We want to nurture some immediate familiarity while providing space for some special moments you can only have at each location,” Lennox says.

Margarita

Photo by Luke Beard

One of these special moments will take place April 4 at a grand opening party dubbed MuchachoFest. Expect bands, a fortune teller, a mini skate park in parking lot, food and drink specials, and giveaways. “It’s going to be a fun day in West Midtown,” Lennox says.

A third Muchacho location will debut in the old Revival space in Decatur this summer. In addition, the Electric Hospitality team is bringing Ladybird Grove & Mess Hall to the Westside. Slated to launch in May on 11th Street, the convivial restaurant and bar will feature a 5,000-square-foot courtyard with an airstream bar, stage, and Crepe Myrtles, and a 45-seat island bar inside. Formerly a single-story warehouse from 1950s or ’60s, Ladybird West Midtown will offer the same food and beverages as its Eastside sibling with room for the chef and mixologist to add their unique touches.

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