New York
How Maddrey Became the N.Y.P.D.’s Top Officer Despite Years of Scandal

Over the years, Jeffrey B. Maddrey toiled as a beat cop in half a dozen Brooklyn precincts. He nurtured hundreds of officers he oversaw as an inspector. He quelled violent crime in a dangerous part of Brownsville.
But not until he shepherded officers through the pain and anger of seeing one of their own shot dead in 2011 did he attain the high profile that would later undo him.
After the officer, Peter Figoski, was killed while trying to stop a robbery, Mr. Maddrey became the face of law enforcement in the 75th Precinct. He spoke to reporters about the murder and led a weeklong search for the fatal bullet. At the funeral on Long Island, he handed the Figoski family a folded American flag.
Mr. Maddrey “has certainly been in our sights for a while as someone deserving of recognition,” said then-Commissioner Raymond Kelly at a ceremony in which he posthumously promoted Officer Figoski to detective and elevated Mr. Maddrey to deputy chief.
The base of support Mr. Maddrey built in those years with Brooklyn pastors, rabbis, anti-violence groups and politicians — including, crucially, Eric Adams, a former police captain who would become mayor — vaulted him to the highest uniformed rank of the nation’s largest police department. It insulated him during a string of scandals — until the one that ended his career.
In December, a lieutenant and former subordinate, Quathisha Epps, accused Mr. Maddrey of demanding sex in exchange for hundreds of thousands of dollars in overtime. Mr. Maddrey, who was chief of department, resigned. Federal agents have searched his home, and the department’s Internal Affairs Bureau has launched its own investigation.
Mr. Adams, who is facing federal corruption charges, has defended how he had pushed Mr. Maddrey to the upper echelons of the Police Department.
In an interview last week with Corey Pegues, a retired deputy inspector and host of a YouTube channel, Mr. Adams said Mr. Maddrey “was beloved in Brooklyn North,” Mr. Adams said, referring to the territory that Mr. Maddrey once oversaw.
Mr. Pegues said Mr. Maddrey had weathered repeated scandals with few repercussions. “You gave him that second or third chance,” Mr. Pegues said. “How many chances do you give him?” Mr. Adams said, “People gave me 10 chances.”
“I needed someone with that police experience and great interaction” with the public, Mr. Adams said. “He went beyond the call of duty.”
The mayor’s relationship with Mr. Maddrey dates back at least two decades.
In 2006, the year Mr. Maddrey was promoted to deputy inspector, Mr. Adams was elected to represent a Brooklyn district in the New York State Senate. Both Mr. Maddrey and Mr. Adams spoke at community board meetings, and they were invited to talk with students in Bedford-Stuyvesant about policing.
In 2015, a year after Mr. Adams became Brooklyn borough president, Mr. Maddrey was chosen to lead the 10 precincts that compose Patrol Borough Brooklyn North, another major career leap. The two went to an awards banquet for the Mo Better Jaguars youth football team; a school gymnasium where students played double Dutch; and an event in Bushwick to improve police relations.
By then, Mr. Maddrey had long been a large presence in the borough, said the Rev. Robert Waterman, a pastor at Antioch Baptist Church in Brooklyn who has known Mr. Maddrey for more than two decades.
Mr. Waterman said they met when Mr. Maddrey, then an inspector in the 81st Precinct, had invited him to talk with veteran officers and recruits about concerns over neighborhood policing. He said Mr. Maddrey took children to special events and suited up as Santa Claus for Christmas.
“I had never known him to be anything but an officer who had not only walked the beat, but was part of the beat of the neighborhood,” he said.
Mr. Maddrey first became fodder for the city’s tabloids in 1993. Then a rookie, he was leaving a woman’s apartment building in Staten Island when two men approached him, including the woman’s suitor. The suitor’s friend fired several shots, striking Mr. Maddrey in the left wrist.
But his real troubles began in 2016, a year after he had been promoted to assistant chief and the head of Brooklyn North. They arrived in the form of a lawsuit: A subordinate with whom he was having an affair accused him of beating her, prompting her to pull out a gun, according to court filings. Mr. Maddrey, she said, tore it away. The suits were tossed out, but James O’Neill, then commissioner, docked Mr. Maddrey 45 vacation days.
Nonetheless, in 2020 Mr. Maddrey was made head of the Community Affairs Bureau, which educates New Yorkers about policing and crime prevention. The appointment set the stage for his push to the top after Mr. Adams was elected the next year.
The new mayor, who continued to identify himself closely with the department and took a strong hand in its affairs, supported a quick succession of high-level promotions for Mr. Maddrey. He became chief of housing, then chief of patrol and, by the end of 2022, chief of department — the person who oversees operations, crime-fighting strategies, quality of life initiatives and all of the agency’s 33,500 officers.
Even after that, problems emerged. Mr. Maddrey faced disciplinary charges from an oversight board in 2023 for voiding the arrest of a retired officer accused of brandishing a gun at three boys in Brooklyn.
Keechant Sewell, then the police commissioner, agreed with the board. But that June, she resigned after months of talk that allies of Mr. Adams had been undermining her.
Her Adams-appointed successor, Edward A. Caban, dismissed the case against Mr. Maddrey. In the interview with Mr. Pegues, Mr. Adams denied exerting pressure on Ms. Sewell or Mr. Caban.
Then there were the lawsuits. Cases filed in the past two years claim that Mr. Maddrey had an officer in the traffic unit transferred after he issued Mr. Maddrey’s female friend a ticket; that he protected a former officer and senior adviser to Mr. Adams who was accused of sexual harassment; and that he defamed an anti-violence activist.
Christopher Mercado, an adjunct assistant professor at John Jay College of Criminal Justice and a retired Police Department lieutenant, said none of the disciplinary or legal accusations were enough to hinder Mr. Maddrey’s career.
“He’s friendly. He shakes everyone’s hand. He comes in the room and fills the room,” said Mr. Mercado, who has attended events with Mr. Maddrey. “He came up at a time when there were few African American executives at the department, and the community adored him.”
And, Mr. Mercado said, even as Mr. Maddrey’s personal problems intensified, he tackled policing problems aggressively, impressing executives.
“They’ll say: ‘Oh, they grinded it out. They handed that shooting well. They were there at that riot. They protected their cops,’” Mr. Mercado said.
“If you’re a guy like Maddrey, and you’re willing to do all of that, even if you have had issues in the past, people at the top might look the other way,” he added.
Looking away became impossible last month.
Lieutenant Epps, a single mother of three children, told the federal Equal Employment Opportunity Commission that Mr. Maddrey had humiliated her during unwanted sexual encounters, many at his office at police headquarters in Manhattan. In an interview with the New York Post, she said that, on one occasion, she pleaded with him to stop, crying out, “You’re hurting me.”
During the 2024 fiscal year, Lieutenant Epps had made $204,453.48 in overtime, roughly doubling her salary while working under Mr. Maddrey — the most of any department employee.
She and Mr. Maddrey were both suspended amid the federal investigation.
Mr. Maddrey’s lawyer, Lambros Lambrou, did not respond to requests to interview the former officer. But in an interview last month on NBC New York, Mr. Maddrey denied demanding sex in exchange for overtime pay. He said his relationship with Lieutenant Epps was a consensual “office fling.”
Mr. Maddrey then recited the high points of his career, talking about his relationships with people in Brooklyn and how crime overall fell while he was chief of department.
“I’ve given so much to the city — so much — and I’ve never asked anyone for anything in return,” he said. “Countless people can never repay me for what I’ve done for them.”
Mr. Adams is no longer in a position to repay him: Mr. Caban, who is being investigated by the F.B.I., resigned in September, and two weeks later, Mr. Adams was federally indicted on corruption charges. Last month, he appointed Jessica Tisch as commissioner. She has already reassigned many officers and several top police officials, including at least one allied with the mayor.
Mr. Adams has distanced himself from Mr. Maddrey. “I’ve never defended any accusation of any inappropriate behavior,” the mayor said in an interview last month with Fox 5 New York.
“He has had an exceptional police record,” he added. “Those are the knowns. I cannot defend or speak on the unknowns.”
In October, Mr. Maddrey spoke at Linwood Street and Sutter Avenue, a corner the city had renamed in honor of the officer who was shot there.
“What Pete Figoski did for this community should always be recognized,” Mr. Maddrey said, tapping the lectern for emphasis and pointing to a new street sign bearing Detective Figoski’s name.
Mr. Maddrey was met with a round of applause. Two months later, he resigned.

New York
Read the Ruling on the Judgment Against Trump in the E. Jean Carroll Case

Case: 24-644, 09/08/2025, DktEntry: 134.1, Page 28 of 70
statements at issue in this case were made three years earlier than the statement
in Carroll II, the statements were identical in material respects because both
accused Carroll of fabricating the sexual assault allegations for improper
purposes. Compare supra pp. 6-8 (June 2019 statements), with supra pp. 13-14 (October 2022 statement). 14
The truth or falsity of Trump’s statements in both 2019 and 2022
turned on whether Carroll was lying, that is, whether Trump sexually assaulted Carroll in 1996, irrespective of the specific sexual act committed. 15 The jury in
14
–
For example, in the 2022 statement which the Carroll II jury determined to be false — Trump stated, among other things: “I have no idea who [E. Jean Carroll] is.” Carroll, 690 F. Supp. 3d at 401. In the June 21, 2019 statement at issue here, Trump said: “I’ve never met this person in my life.” App’x at 1887. Moreover, in the 2022 statement, Trump said: “She completely made up a story that I met her . . . and, within minutes, ‘swooned’ her. It is a Hoax and a lie,” “it never happened,” and “for the record, E. Jean Carroll is not telling the truth, is a woman who I had nothing to do with, didn’t know, and would have no interest in knowing her if I ever had the chance.” Supp. App’x at 108. In the June 21, 2019 statement, Trump said: “Shame on those who make up false stories of assault to try to get publicity for themselves,” “I would like to thank Bergdorf Goodman for confirming that they have no video footage of any such incident, because it never happened,” and “[f]alse accusations diminish the severity of real assault.” App’x at 1887.
15
In other words, the application of issue preclusion to the falsity element is proper because Trump’s 2019 and 2022 statements did not turn on the specific sexual act he committed. He did not deny, for example, digital penetration specifically. In all statements, he denied any sexual assault, full stop. The Carroll II jury found Trump’s 2022 statement to be false because it found that he sexually abused Carroll. See Tannerite Sports, LLC v. NBCUniversal News Grp., a division of NBCUniversal Media, LLC, 864 F.3d 236, 242 (2d Cir. 2017) (Under New York law, “to satisfy the falsity element of a
28
New York
13 Off Broadway Shows to See in September

‘The Wild Duck’
Henrik Ibsen’s searing dissections of bourgeois hypocrisies appear to be in sync with our angry times. The Norwegian playwright is even getting high-profile movie adaptations, with the Tessa Thompson-starring “Hedda” dropping in October. In New York, Simon Godwin’s production of this semi-obscure effort from 1884, about a family’s secrets coming to light, follows recent revivals of “An Enemy of the People,” “A Doll’s House” and “Ghosts.” (Through Sept. 28, Theater for a New Audience)
‘Mexodus’
In their hip-hop musical, Nygel D. Robinson and Brian Quijada portray an enslaved man and the sharecropper-turned-soldier he meets at the Rio Grande. The story looks at a different kind of Underground Railroad while also connecting to our current turbulence with an era-transcending message of solidarity. David Mendizábal directs the two-man show, which is part of Audible Theater’s series. (Sept. 9-Oct. 11, Minetta Lane Theater)
The Small Rooms Where It Happens
Grier Mathiot and Billy McEntee’s lovely “The Voices in Your Head” was staged for about 20 people at a time in a storefront church last year. McEntee’s “Slanted Floors” goes even smaller: The actors Kyle Beltran and Adam Chanler-Berat portray a couple living out their domesticity under the watch of five audience members in a Brooklyn apartment. (Sept. 9-Oct. 10, Slanted Floors Play).
A collaboration between Hansol Jung (“Wolf Play”) and the collective The Pack, co-directed by Jung and Dustin Wills, “Last Call, a Play with Cocktails” takes place in various New York City apartments, so the audience size varies depending on where the show lands on any given day. One constant: There will be drinks. (Sept. 19-Oct. 13, En Garde Arts)
‘Family’
Alec Duffy’s original staging of “Family,” an early work by the playwright-turned-filmmaker Celine Song, took place in a Brooklyn apartment for audiences of about 30. The production — outré, operatically gothic, near-feral at times — is returning for an encore run, but in a more traditional theatrical space. Let’s see how Duffy recalibrates the show. (Sept. 12-28, La MaMa)
‘The Essentialisn’t’
“Can you be Black and not perform?” Such is the question driving Eisa Davis’s new piece, in which she leads a cast of four. A Pulitzer Prize finalist for her haunting play “Bulrusher” and the co-creator of the concept album “Warriors” with Lin-Manuel Miranda, Davis remains a frustratingly underrecognized writer and performer with a lyrical, fiercely poetic voice all her own. Here is an opportunity to watch her confront and subvert the expectations placed on Black artists. (Sept. 10-28; Here Arts Center)
‘The Other Americans’
John Leguizamo’s stage career is paved with solo shows, sometimes autobiographical, in which he brings to life a gallery of characters. At first glance it looks as if his latest piece might be more of the same since it involves a Colombian American New Yorker, like the writer-performer himself. But while Leguizamo does play that central character, Nelson, he is far from alone onstage: “The Other Americans,” directed by Ruben Santiago-Hudson, is a family drama with an actual cast — it’ll be exciting to watch Leguizamo jostle with costars. (Sept. 11-Oct. 19, Public Theater)
‘Caroline’
Chloë Grace Moretz was only 17 when she starred in Scott Z. Burns’s “The Library” at the Public Theater, in 2014, but her screen career was already buzzing. Still, few expected that it would take over a decade for Moretz to return to the New York stage. At long last here she is again, under the direction of the ever-reliable David Cromer (whose recent credits include “Dead Outlaw” and “Good Night, and Good Luck”). The three characters in Preston Max Allen’s new play are all members of one family, with Moretz in the middle as the daughter of the character played by Amy Landecker (“Transparent”) and the mother of young Caroline (River Lipe-Smith). (Sept. 12-Oct. 19, MCC Theater)
‘Are the Bennet Girls OK?’
After its successful country musical “Music City” last year, the Bedlam company returns to one of its foundational authors: Jane Austen (Kate Hamill’s adaptation of “Sense and Sensibility” was an early Bedlam hit in 2014). Now Emily Breeze’s new take on “Pride and Prejudice” looks like it’s going to have fun with the Regency superstar’s best-seller: “I haven’t reread the source material since I skimmed it in high school,” Breeze claims. (Sept. 14-Oct. 19, West End Theater)
‘When the Hurlyburly’s Done’
After dedicating a decade to his “Rhinebeck Panorama” project, which includes the Apple, Gabriel and Michael family cycles, the writer-director Richard Nelson set out for war-torn Kyiv to work with the local Theater on Podil on a staging of his 2008 play “Conversations in Tusculum.” So inspired was he by the experience that he wrote the company this piece, about Ukrainian actors performing “Macbeth” in 1920. The resulting production (in Ukrainian with English supertitles) settles at Nelson’s frequent artistic home, the Public Theater, for a short run. (Sept. 16-21, Public Theater)
‘Weather Girl’
These days weather reporters like Stacey (Julia McDermott) are called upon to deliver apocalyptic accounts of a world either drowning in floods or bursting into flames along with their forecasts. Written by Brian Watkins (the creator of the time-travel Western series “Outer Range”), this solo play straddles satire and warning. (Sept. 16-Oct. 12, St. Ann’s Warehouse)
‘And Then We Were No More’
The most intriguing pairing this month may well be that of Elizabeth Marvel and Tim Blake Nelson. They are not onstage together, though: Marvel stars in this new play by Nelson, who somehow finds time to write (he also has a novel, “Superhero,” coming out in December) in between gigs as an ur-character actor (next up: the film “Bang Bang” and the series “The Lowdown”). Marvel plays a lawyer in a near-future society where the justice system is even more out of whack than our current one. (Sept. 19-Nov. 2, La MaMa)
‘Torera’
The title character of Monet Hurst-Mendoza’s play is a young Mexican woman, portrayed by Jacqueline Guillén, who yearns to make a space for herself in bullfighting — which the WP Theater’s site noncommittally refers to as “a controversial practice that we neither condemn nor condone.” Tatiana Pandiani choreographs and directs. (Sept. 20-Oct. 19, WP Theater)
‘Crooked Cross’
Sally Carson’s play premiered in Britain in 1935 and takes place just a couple of years earlier, in Germany — you can guess what the title refers to. The show, based on Carson’s own novel, presciently tracks the rise of Nazism through the prism of a divided Bavarian family. (Sept. 20-Nov. 1, Mint Theater)
‘All Right. Good Night.’
N.Y.U. Skirball plays a vital role in the New York cultural ecosystem by programming radical theatermakers from around the world, albeit for blink-and-you’ll-miss-them runs. Such is the case with this piece by the experimental German company Rimini Protokoll (“Remote New York”) in which Helgard Haug intertwines the disappearance of a Malaysia Airlines flight in 2014 with her father’s slide into dementia. Bonus: a live score by the exquisite Berlin-based musician Barbara Morgenstern and Zafraan Ensemble. (Sept. 25-27, N.Y.U. Skirball)
New York
Take a Closer Look at These ‘Great’ New York City Trees

Species Magnolia grandiflora
In 1968, this magnolia tree, then over 40 feet tall, was supposed to be cut down to make way for an apartment complex. Hattie Carthan jumped into action. Ms. Carthan, an environmentalist and activist in the Black community, moved to Brooklyn in 1928 and had a deep love for trees. In 1966, she founded the Bedford-Stuyvesant Beautification Committee, which planted more than 1,500 trees and also taught youth groups about caring for them — not a popular mission at the time. “When I first suggested that we buy trees, I almost got thrown out of the block association,” Ms. Carthan told The New York Times in 1975. “They said, ‘Oh, trees make leaves and you have to sweep.’”
Ms. Carthan was so determined to save the magnolia on Lafayette Avenue, which was estimated to have been planted in about 1885, that she campaigned for it to be designated by the city’s Landmarks Preservation Commission as a living landmark — and won. Today it is the sole remaining landmark tree in New York City.
In 1972, Ms. Carthan created the Magnolia Tree Earth Center, which, despite her death in 1984, continues to educate young people about environmental issues. The center is facing financial hardship, but there is hope that it will be revitalized, said Wayne Devonish, the chairman of its board. “We need to embrace all that it represents in terms of being like a little urban oasis, smack dab in central Brooklyn,” he said. “If we show the tree, and the center, love, hopefully there’s another good 100 — or 200 — years.”
-
Health1 week ago
Who Makes Vaccine Policy Decisions in RFK Jr.’s Health Department?
-
Finance4 days ago
Reimagining Finance: Derek Kudsee on Coda’s AI-Powered Future
-
Lifestyle1 week ago
Bobbi Brown doesn’t listen to men in suits about makeup : Wild Card with Rachel Martin
-
Business1 week ago
How Nexstar’s Proposed TV Merger Is Tied to Jimmy Kimmel’s Suspension
-
North Dakota4 days ago
Board approves Brent Sanford as new ‘commissioner’ of North Dakota University System
-
Technology3 days ago
These earbuds include a tiny wired microphone you can hold
-
Crypto3 days ago
Texas brothers charged in cryptocurrency kidnapping, robbery in MN
-
World1 week ago
Russian jets enter Estonia's airspace in latest test for NATO