Northeast
Medical examiner says subway madman had drugs in system in Marine vet’s chokehold trial
NEW YORK CITY – The prosecution is expected to rest on Monday in the trial of Daniel Penny, who is charged with manslaughter in the New York City subway death of Jordan Neely.
Penny’s defense will then get underway. On Monday morning the 26-year-old Marine veteran’s team was expected to continue cross-examining Dr. Cynthia Harris of the City Medical Examiner’s Office, who began testifying last week.
Harris, who conducted the autopsy on Neely after he died following an aggressive outburst on a subway car, testified Friday that Neely had synthetic drugs in his system when he died but had been killed by asphyxiation.
The Manhattan forensic pathologist said she had ruled the 30-year-old Neely’s cause of death to have been asphyxia from compression to his neck. The toxicology report showed he also had drugs in his system, although she said she could identify them broadly as “a synthetic cannabinoid,” but not in specific terms or at what dose.
“We found in the blood a synthetic cannabinoid – a relatively new drug in the scheme of drugs,” she said. “They’re synthetic and more potent than marijuana. In a class of drugs, they fall under the category of stimulants – they rev the body up, fall into the same class of drugs as, say, cocaine.”
DANIEL PENNY TRIAL RESUMES AS FELLOW MARINE VET EXPLAINS CHOKEHOLD TRAINING ON WITNESS STAND
Daniel Penny arrives for his trial at the Manhattan Criminal Court building in New York City on Friday, Nov. 15, 2024. Penny, a Marine veteran, is charged with second-degree manslaughter and criminally negligent homicide in the 2023 death of Jordan Neely on a New York City subway train. (Adam Gray for Fox News Digital)
There was no damage to bones in his chin, neck or midline structures, she said. She found scrapes and bruises on his face, neck, torso and arms, petechiae (small red spots caused by bleeding) in his eyes and damage to his spleen from sickle cell trait.
Prosecutors played video of the chokehold again and Dr. Harris commented as she went through it.
At one point, she said he was conversing, showing that he had “air moving through his vocal chords.” She described Neely straining to breathe and making hand gestures, which she said were a signal for help.
Assistant District Attorney Dafna Yoran asked about witnesses testifying that Neely hadn’t gagged or gasped or said that he couldn’t breathe.
“Sometimes people make noises when they can’t breathe, and sometimes they don’t,” she replied.
Cynthia Harris, M.D. arrives for Daniel Penny’s trial at the Manhattan Criminal Court building in New York City on Friday, Nov. 15, 2024. Penny, a Marine veteran, is charged with second-degree manslaughter and criminally negligent homicide in the 2023 death of Jordan Neely on a New York City subway train. (Adam Gray for Fox News Digital)
She also said that she believes that Neely died around two minutes, nine seconds into the video, after his face turned purple and he began “twitching” in death throes.
“I believe that at this point he has lost consciousness, and what we will see in the form of these twitchings represents brain injury,” she said.
Under cross-examination she later said she couldn’t tell his time of death from the video.
“I can’t tell you when exactly he died, philosophically, but the video is of a man dying,” she said.
Penny is on trial for the May 1, 2023, death of Neely, a homeless man with a lengthy criminal record and history of mental illness who stormed onto the train and started making death threats, according to witnesses.
As he screamed about going to prison for life, raised his fists and lunged at people, Penny grabbed him in a headlock and wrestled him to the ground. Other riders helped hold him down as they waited for police to arrive. Neely died.
Dr. Harris’ testimony began Thursday, after Joseph Caballer, the Marine martial arts instructor who had taught Penny about chokeholds, told the jury that the point of the maneuver is to take control of a threat until they are unconscious.
Caballer explained the difference between blood chokes and air chokes – moves that alternately deprive the aggressor of bloodflow to and from the brain or oxygen. Dr. Harris described on Friday what she had seen in the video.
Joseph Caballer exits Manhattan Supreme Court in New York City on Thursday, Nov. 14, 2024. The 30-year-old former Marine testified at the trial of Daniel Penny in the chokehold death of Jordan Neely on a New York City subway in May 2023. (Adam Gray for Fox News Digital)
“If you only compress the vein, but you have not applied enough force to compress the artery, there are a few things you see when that happens,” she said. “You become congested or purple in color. The veins become distended, because they’re full of blood. If the pressure continues, then the capillaries develop pools of blood or petechiae.”
She had the ADA stop the video and said that she sees that the veins in Neely’s face are distended and his face appears purple, much darker than the skin on his arms.
Under cross examination from Penny defense attorney, Steven Raiser, Dr. Harris said acknowledged that a colleague found the petechiae to be small and “not conclusive.” She agreed that it would be fair to say that the small petechiae isn’t a direct sign that death was caused by a chokehold.
The initial finding on May 2, 2023, was that the cause of death was “pending further study.” Then she made a decision after seeing the chokehold video, she said.
“I based my decision on the autopsy findings coupled with the video,” she said. “I didn’t wait for toxicology, because no toxicological report would change my opinion. He could have come back with enough fentanyl to kill an elephant and walked onto the train and got put in a chokehold, and that’s how he died.”
DANIEL PENNY THOUGHT HE WAS PROTECTING A DIVERSE SUBWAY CAR, BUT PROSECUTORS HIGHLIGHT RACIAL UNDERTONES
Demonstrators hold up a Michael Jackson-style jacket to represent Jordan Neely at the Manhattan Criminal Court building in New York City on Friday, Nov. 15, 2024. Daniel Penny, a Marine veteran, is charged with second-degree manslaughter and criminally negligent homicide in the 2023 death of Neely on a New York City subway train. Neely was a former Jackson impersonator. (Adam Gray for Fox News Digital)
Although Neely still had a pulse after Penny let go, Dr. Harris said that wasn’t unusual.
“This is an asphyxial death,” she said. “In an asphyxia death, the brain dies first. It’s deprived of oxygen. Other tissues and organs in the body are not as sensitive as the brain. They too will die, but the brain dies first.”
According to case notes introduced into evidence, Neely’s death was initially suspected to be from cardiac arrest, and he had “no visible trauma.”
During her testimony, Dr. Harris referred to the manner of death as homicide, and the defense objected. The judge ordered those comments stricken from the record.
She also said that the synthetic drugs in Neely’s system “would not help the heart” during a struggle.
Dr. Harris returned Friday morning to pick up where she left off when court adjourned the day before.
The prosecution was expected to rest its case after her testimony. Penny’s defense team are expected to call their first witness Monday – but Dr. Harris will return to the stand for a third day of testimony first.
On Tuesday, a man who appeared on video helping Penny hold Neely down testified.
Eric Gonzales told the court that at one point he said Penny hadn’t held Neely tightly enough, that he had felt a pulse when they both finally let go, that he had been granted immunity from prosecution in exchange for testifying – and that he had initially lied to investigators.
This undated photo, provided by Mills and Edwards, LLP, in New York, Friday, May 12, 2023, shows Jordan Neely, left, with Carolyn Neely, an aunt. (Courtesy Mills & Edwards, LLP via AP)
Penny faces up to 15 years in prison if convicted of the more serious charge of manslaughter.
He also faces a count of criminally negligent homicide.
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New York
‘Every Child Walking by Stared at My New Purple Hair’
Along the Park
Dear Diary:
It was April Fools’ Day, and the weather kept changing from sunny to drizzle, as if the gusty wind was moving the sun back and forth behind a cloud.
I put my jacket on and off as I walked along Prospect Park. The trees were still bare, but spring was slowly awakening with yellow forsythias, and every child walking by stared at my new purple hair, hungry for color.
A guy in the bike lane yelled, “Hey!”
I turned to him.
“Sorry,” he said, pointing to someone else. “I’m talking to this guy.”
“But you actually look familiar,” I said.
“So do you,” he said, laughing.
I entered the park to hear pop music near the band shell. Two people with a portable speaker were dancing.
I wanted to join the party, but I realized that I hear the music, so I’m in the party. I danced along from a distance.
From high above, hundreds of blackbirds swooped down like falling peppercorn into the black-and-white woods ahead. As I got closer, I saw specks of tiny green buds emerging on each tree limb.
I left the park, passing three people who had converged because their dogs could not contain their joy. The people laughed like old friends, but within seconds they had walked off separate ways.
As I passed Seeley Street, I overheard a friend through the open window, cheering on a drum student.
I laughed. I should be getting home before the possible rain, I thought, but today, everywhere was home.
— Mare Berger
S. Klein’s Basement
Dear Diary:
It was around 1960, and my mother, my sister and I were in the bargain basement at the S. Klein department store on Union Square.
My sister, 13, was trying on winter coats in the aisle between the bins and discussing two final options with my mother when a woman riding the escalator up to the ground floor weighed in.
“Take the red!” she called out.
We took the red. I miss S. Klein’s.
— David Hammond
Brooklyn Warehouse
Dear Diary:
I woke up to my alarm at 2:45 on a Saturday morning, then maneuvered trains and city blocks through darkness to an unremarkable warehouse in Brooklyn.
Inside was a cathedral of music. Hips gyrated, and arms exalted rhythm. Fog embraced kissers, dancers, exhilaration, prayer, meditation, community.
I found my intention and connected with my spirit and the energy of bodies around me, alone and together, holding friends as family and strangers as friends.
I departed at 8:45 a.m. to a cold, golden morning, feeling lighter, freer, learned and loved.
A shopkeeper opening up for the day called out from behind me, his question nearly drowned out by the morning traffic.
“Hey, what’s happening over there?” he asked.
“Just a little dance party,” I replied. “Nothing crazy.”
— Carlie Cattelona
Helping Hand
Dear Diary:
I ride my bicycle 99 percent of the time. It’s just me and the city. I move fast enough to keep things interesting, but slowly enough to catch the weather changing or feel the mood of the people on the sidewalks.
Every so often, I have to take the train. On very rare occasions, it’s me, the train and my bike, a combination no one ever seems thrilled to encounter.
Because I know this, I try to shrink myself into an apologetic bicycle origami project once I’m on the train. I fold. I hover. I whisper “sorry” to people who haven’t even seen me yet.
On one such evening, I was trying to avoid anyone’s shins while hauling my bike up a flight of stairs after getting off the train, when I felt someone close behind me.
Terrified that I’d clipped someone, I whipped around to see a smiling woman who had one hand casually gripping the back of my bike.
“I got you,” she said, like we were old friends moving a couch.
I told her I had it under control.
“Two hands are better than one,” she said. “I got you.”
So we climbed the stairs together: me, my bike and a total stranger, moving in perfect, unspoken coordination. At the top, she let go, nodded and vanished into the crowd.
— Evan Abel
Central Park Zoo
Dear Diary:
Years ago, our nanny would take our son and daughter to the Central Park Zoo, where they could be set free from their stroller.
It was safe because the children loved the zoo and always stayed in the nanny’s sight and because the zoo’s walls meant there was no way they could leave.
One spring day when I was not working, I decided to accompany them all on a walk through the park, with the kids in their stroller.
As we passed the zoo, a guard at the entrance beckoned our nanny over and had a deep consultation with her.
She was laughing when she came back.
“He wanted to know who was that strange woman walking with me,” she said.
— Georgia Raysman
Read all recent entries and our submissions guidelines. Reach us via email diary@nytimes.com or follow @NYTMetro on Twitter.
Illustrations by Agnes Lee
Boston, MA
Workers at the ICA in Boston opt to unionize – The Boston Globe
Employees at the Institute of Contemporary Art / Boston are gearing up for contract negotiations with the Seaport museum after quietly opting to unionize last month.
Just over 90 employees, in roles ranging from visitor services to development to curation, are now being represented by the UAW Local 2110, a New York-based union, as they prepare to go to the bargaining table, seeking better pay and other job protections.
The ICA voluntarily recognized the union shortly after the workers went to museum leadership in early April, said Maida Rosenstein, UAW Local 2110’s director of organizing. That meant the employees could sidestep a formal election through the National Labor Relations Board and instead conduct a card-counting process.
“That all happened quite quickly,” said Rosenstein.
“Our experience with getting voluntary recognition was that the ICA was reasonable about the process,” she added. “So hopefully that will continue through the bargaining process.”
The next step, Rosenstein said, is for the workers to elect a bargaining committee from among their ranks, and then draw up some specific proposals. “We’re hopeful of being able to be negotiating this summer,” she said.
In a statement, the ICA’s director, Nora Burnett Abrams, who stepped into the top job last May, noted that “our exceptional staff are at the heart of what makes the museum so special.”
“We are voluntarily recognizing our employees’ choice to be represented by a union and view the decision to organize as an expression of their deep dedication to the institution,” Burnett Abrams said. “We look forward to working collaboratively and in good faith with Local UAW 2110 toward a collective agreement.”
The ICA is just the latest local institution to see labor action among its workforce. UAW Local 2110 also represents employees at the MFA Boston, who voted to unionize in 2020 and secured compensation increases and other benefit improvements when they ratified their first contract in 2022. Workers at MASS MoCa in North Adams, the Emily Dickinson Museum in Amherst, and the Portland Museum of Art in Maine are also represented by UAW Local 2110.
Carter Seggev, a 28-year-old events coordinator at the museum, said seeing the MFA go through its own unionization process served as something of a blueprint for the ICA workers.
“It has been a very helpful beginner example, to sort of be like, ‘Oh, yeah, they can do it,’ and especially that scale,” he said.
Rosenstein said a chief concern among workers is improving pay, which is currently “very slightly above minimum wage at the entry level,” she said. Other concerns include protections against layoffs and other “health and safety” provisions, such as adequate rest and seating for visitor-facing employees.
For Seggev, who earns $50,000 a year at the museum, better pay is only one piece of the puzzle. He wants more transparency from museum leadership into policy decisions — and a greater say in the institution’s future.
“I like the ICA a lot. It’s a fun workplace, and I would love to have more of a voice in making sure that everyone is being considered and everyone’s needs are being taken into account,” he said. “For me personally, that’s been the biggest driving force.”
He added that, since workers went public with their organizing efforts, he’s been happy with leadership’s willingness to talk with workers about their aims. He was also encouraged by the museum’s voluntary recognition of the union.
“I know that is a very rare thing, and so far, the communication has been very positive,” he said. “I think everyone’s sort of looking forward to working together to make the ICA better.”
The ICA, which has been housed in a gleaming glass building perched on the waterfront since 2006, had an operating surplus of about $800,000 in the fiscal year that ended in June 2025, according to its latest publicly released financial statements. That was up more than a quarter-million dollars from the previous year.
Dana Gerber can be reached at dana.gerber@globe.com. Follow her @danagerber6.
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