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See How One Designer Brought a Connecticut Colonial Home Back to Life

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See How One Designer Brought a Connecticut Colonial Home Back to Life


While some might be fearful of purchasing an older home on the market, historic properties often possess undeniable character that their newer counterparts lack. The classic architecture, distinctive molding, traditional fireplaces and other quirky yet charming features are what make them so appealing. Yet without the proper touch, these properties don’t always feel like home.

Faced with the difficulty of highlighting the old while simultaneously embracing the new, interior designer Diane Rath, principal designer and owner of The Rath Project, took on a 1920’s classic colonial recently purchased by young homeowners. After moving to Connecticut from New York City with their toddler, this growing family of three felt their home needed the new life and energy they radiated.

Collaborating with her clients, Rath searched for the perfect color palette and furnishings to reflect their youthful energy and style. The main challenge? To revive a home that still had life to live. “We didn’t want to take out any of the original character,” says Rath. “Instead, we wanted to highlight it.”

Den & Office

Relying on the patterned rug and antique art she sourced, Rath added a splash of the couple’s youthful personality to the den without taking away from the colonial feel of the space. “We’re still giving tribute to the past and the oldness of the home, but they’re that new generation,” says Rath. The art she and the homeowners chose embodies that new life.

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Designed by Diane Rath, The Rath Project. Photography by Erin Kestenbaum
a room with a desk and chair

Designed by Diane Rath, The Rath Project. Photography by Erin Kestenbaum

Because the den connects to a narrow office space, Rath coordinated the rugs in both rooms. “That pop of color that runs down the center of that space really helps elongate it and make it feel bigger than it actually is,” explains Rath.

Kitchen

After remodeling the space to improve functionality, Rath helped the couple refresh their kitchen, again drawing inspiration from what was already there.

“We reworked the space a bit, but picked up that green from the original countertops and brought it throughout. We decided to highlight the color with the green pendant and Cole & Son wallpaper. So really that marble was the jumping off point for all of the other green touches we added,” says Rath.

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a living room with a fireplace

Designed by Diane Rath, The Rath Project. Photography by Erin Kestenbaum

Living Area

After deciding that this room was going to be the hangout spot for everyone – their friends, kids and kids’ friends included – the homeowners wanted it to be sophisticated and colorful, and they had one specific shade of blue in mind: New York State of Mind by Benjamin Moore. Considering her clients’ wishes, Rath incorporated the color and painted the bookshelf in two different finishes: she went glossy on the shelves themselves and matte on the drywall above the fireplace.

In the corner of that room, Rath kept a round table that was left from the previous owners. “We had someone repaint it and bring that back to life as well. We found some vintage chairs from a local thrift shop and then had them recovered in a really cool plaid fabric,” says Rath.

a living room with a fireplace

Designed by Diane Rath, The Rath Project. Photography by Erin Kestenbaum
a dining room table with chairs

Designed by Diane Rath, The Rath Project. Photography by Erin Kestenbaum
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Dining Room

Then, Rath tackled the dining room. “That wallpaper, if you look closely, it’s little tiny martini glasses, and I fell in love with that. It felt old; it had this Art Deco vibe,” says Rath. “It felt so elegant, but also whimsical at the same time.”

Even though it’s one of the more formal, traditional spaces in the house, the dining room still has elements of young, fresh energy — not only with the wallpaper choice, but also when it comes to the seating. If you take a closer look, the back side of the chairs is upholstered in a unique velvet jungle print, adding new life to otherwise antique pieces of furniture.

a room with a table and chairs

Designed by Diane Rath, The Rath Project. Photography by Erin Kestenbaum
a wooden cabinet with a mirror and flowers on it

Designed by Diane Rath, The Rath Project. Photography by Erin Kestenbaum

Primary Bedroom

Less feminine than some of the other rooms, the primary bedroom was designed with a blue bed, walnut end tables and black accents throughout. “The blue bed was always something we had in mind in a velvet material. It’s handsome, but it’s luxurious,” says Rath.

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a bed with a blue and white comforter

Designed by Diane Rath, The Rath Project. Photography by Erin Kestenbaum

Girl’s Bedroom

Using ornate carved wood she found at a local antique center, Rath helped construct a princess bed for the couple’s first daughter. In the other corner of the room, she installed a charming wallpaper.

“It was one of the first things I pulled for the design of the project. Before any of the main spaces, I found this wallpaper. It’s a Schumacher paper and just felt so fun and playful. And they immediately were like, ‘Yes.’ So that paper was the jumping off point for all of the other little elements that came together in that room,” says Rath.

a bed in a room

Designed by Diane Rath, The Rath Project. Photography by Erin Kestenbaum
a white dresser with a mirror and a chair in front of it

Designed by Diane Rath, The Rath Project. Photography by Erin Kestenbaum
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Gender-Neutral Bedroom

With a baby on the way, Rath’s clients wanted more of a gender-neutral space where they could comfortably grow their family. Through the pop art and colorful carpet, Rath worked to create a playful yet functional bedroom with both a crib for the couple’s soon-to-be child and daybed for an accompanying adult.

a bedroom with a daybed

Designed by Diane Rath, The Rath Project. Photography by Erin Kestenbaum
Headshot of Laura Millar

Laura Millar (she/her) is the assistant editor for Good Housekeeping, where she covers home design. Prior to joining Good Housekeeping in 2024, she wrote for NBC’s TODAY.com where she covered everything from entertainment news to product reviews to pop culture updates.



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Connecticut

Alicia (Plikaitis) Helen Junghans Obituary

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Alicia (Plikaitis) Helen Junghans Obituary


It is with profound sadness that we announce the passing of Alicia Helen (Plikaitis) Junghans, 80, of Ellington, Connecticut. Alicia passed away peacefully in hospice care at UCONN Health on May 7, 2026, after a courageous 15-year battle…



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Body recovered from Connecticut River near Chester-Lyme Ferry, DEEP says

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Body recovered from Connecticut River near Chester-Lyme Ferry, DEEP says


LYME — A body was recovered from the Connecticut River on Saturday, according to officials from the state Department of Energy and Environmental Protection. 

At about 1 p.m., a vessel on the river reported seeing a body in the area of the Chester-Lyme Ferry, DEEP said.

The Environmental Conservation Police, along with the Connecticut State Police Major Crimes Unit and Lyme and Cheshire fire departments, responded to the area and recovered the body, DEEP said. The body has been sent to the state chief medical examiner, DEEP said. 

Bill Flood, a media relations manager for DEEP, said the body was identified as a male and appeared to have been in the water for an extended period of time.

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The medical examiner will determine the manner of death and EnCon is investigating, Flood said, noting there is no believed threat to the public. 

This is a developing story and will be updated.



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Sorry New York And Chicago, Connecticut Has A Pizza License Plate Now – Jalopnik

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Sorry New York And Chicago, Connecticut Has A Pizza License Plate Now – Jalopnik






Even as a born-and-raised New Yorker, I have a relatively open mind when it comes to pizza. When I’m out on the road, I’ll eat at any pizzeria as long as I can see the oven from the counter and buy pizza by the slice. However, the idea of any place outside the Big Apple proclaiming itself “the Pizza Capital of the United States” is just sacrilege. Connecticut doubled down on its ludicrous claim last weekend by approving the rollout of a special “Pizza State” license plate. This is the worst affront to the craft since Chicagoans started shilling their crust-bowl casserole as pizza.

Let’s actually take a look at this license plate. One peek, we all know the rules. “The Pizza State” plate features a similar blue-to-white gradient as on the standard Connecticut license plate. The aforementioned self-proclaimed moniker replaces the state’s official nickname, “The Constitution State,” beneath the plate number. To the right of the number is an image of a pizza slice ripped straight from Microsoft’s ClipArt library. It’s a flat image that looks nothing like what’s served in New Haven. Connecticut drivers will be able to pick up a “Pizza State” plate for $65.

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This is a pizza war for good

The only undisputedly good aspect of the “Pizza State” license plate is that its introduction will help feed Connecticut’s hungry. According to CT Insider, the $28.6 billion budget bill approved by the Connecticut General Assembly last weekend, which authorized the plate, also directly appropriated funding to Connecticut Foodshare. The sitewide food bank will also receive $50 from each $65 license plate fee, as it continues to provide millions of free meals to food-insecure people.

Back to the pizza debate at the heart of the matter. Governor Ned Lamont declared Connecticut the country’s pizza capital back in 2024 as part of a marketing campaign to promote the state. That declaration could have grounds for war in a different century, but individual states apparently don’t fight wars against each other anymore. Connecticut had better go back to being a UConn Husky-obsessed suburb before New York makes Greenwich the next Toledo.

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