It was the green apple on the record’s label that caught Martin Sexton’s eye. Before Sexton had written the ’90s gem “Diner,” the deeply underrated LP “The American,” or any of the aces in his catalog, the singer songwriter was a sixth grader raiding his older siblings’ album collections. One day he came across “Abbey Road” and that green apple label in the basement.

“Having heard of the Beatles, I thought I’d give this one a play on the old Sears turntable,” Sexton told the Herald. “Though it was badly damaged, scratched, skipping, popping, and dusty, there was no hiding the brilliance. The songs reached out and grabbed me.”

“‘Abbey Road’ is the album that lit my fire as a kid,” he added. “Today it remains the most influential album that informs my writing, performing and recording style.”

Sexton recently decided to celebrate his old favorite with a tour devoted to the album — the Martin Sexton Abbey Road Show comes to City Winery Jan. 31 and Feb. 1 (tickets still remain for Jan. 31). For many locals, it’s a welcome return for an artist who got his start busking in Boston and went on to headline the Orpheum.

“The Beatles in general have always been my favorite band,” he said. “From the early days to ‘Revolver’ to ‘Sgt. Pepper’ to the ‘White Album,’ their range is incomparable. I always wanted to put my own spin on ‘Abbey Road’ specifically. It’s basically what I was doing as a 16-year old sitting by the hi-fi with a guitar dreaming of the day I could perform to an audience.”

If you haven’t spun the record in a while, you might forget how deep and dynamic it is. “Abbey Road” is a masterpiece by three master songwriters spanning a dozen rock and pop styles over 17 tracks. “I Want You (She’s So Heavy)” is an eight-minute epic that nods to acid rock, heavy metal, and jazz fusion. “Her Majesty” clocks in at under half a minute (although Sexton points out it has “16 chords crammed into this 23-second gem”).

“I was surprised at the simplicity of some of the chord changes and also at how complex others were,” he said. “The arpeggiated E7 flat 9 in ‘I Want You (She’s So Heavy)’ is a chord I’d never heard of and the hardest one I’ve ever learned to play, and it’s just freakin’ brilliant. I spent the summer in the Adirondacks leading up to the tour wood-shedding these tunes. ‘Sun King’ was the easiest and ‘Because’ was probably the hardest.”

Oh, by the way, Sexton is doing the whole album solo. It will be just him and his acoustic guitar.

“I try to make the guitar be the band, using it as a drum kit, a bass, etc., and using my voice as other things as well,” he said. “For example, I focused on George’s guitar solo on ‘Something’ by whistling it note for note to pay it homage.”

Next up might be a covers album, which he’s never done. But he is writing fresh originals. In fact, working on this project pushed him to write more of his own stuff. Hopefully that means Sexton will be back in town — his hometown, if you talk to many of his fans — soon doing his own songs.

“Wherever I’m playing in the world I always hear from someone who first saw me in Harvard Square,” he said.

For tickets and details, visit martinsexton.com

The New Orleans Pelicans are 12-34 on the season after back-to-back blowout losses to the Memphis Grizzlies and Charlotte Hornets. New Orleans is most likely out of playoff contention, and the focus should be on future building. The upcoming trade deadline could be a time to secure that.

Many contending teams in the league use the trade deadline to acquire pieces for a potential championship run. ClutchPoints writer Brett Siegel recently explored the NBA landscape ahead of the trade deadline in a couple of weeks, and Pelicans’ guard Javonte Green is a name who could be on the move to a contender.

“While they can’t move out of the second apron, the Celtics are another team exploring avenues to potentially save some money by trading Jaden Springer’s $4 million contract,” Siegel writes.

He continues, “Pelicans swingman Javonte Green is a player the Celtics hold interest in, sources said, but New Orleans doesn’t want to take back more money. The Bucks, Nuggets, and New York Knicks have also been mentioned as teams holding a level of interest in Green.”

New Orleans is slightly above the luxury tax and will most definitely move to dip under it. The team received a slight relief after guard Dejounte Murray missed Saturday’s game against the Hornets. Murray had incentives written in his contract for playing in 65 games this season, which now can’t happen because of his missed time.

The Pelicans signed Javonte Green this offseason after losing key bench players like Naji Marshall and Dyson Daniels over the summer. Green is averaging 21 minutes per game, 6.1 points, and 3.4 rebounds per contest. Green has been one of the healthiest players on the Pelicans this year, playing in 41 of the team’s 46 games.

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They’ll square off against a threesome from Jupiter Links featuring legend Tiger Woods.

“The players are sort of chomping at the bit,” said Mark Lev, president and CEO of Boston Common Golf. “I’m not sure you would ever see Rory playing Tiger in a competitive outdoor environment moving forward — you’d need both guys to be in the same group in the final round, and hopefully that happens — but what’s great about TGL is you know who’s going to be playing who.”

There are a lot of unknowns, too.

One is, how will Lev and Boston Common Golf create buzz, never mind loyalty, for a team that features one New Englander in Bradley, an Irishman in McIlroy, an Aussie in Scott, and Japan’s Hideki Matsuyama, who will make his debut in the team’s third match, in mid-February.

Having David Ortiz on site rooting for Boston Common Golf Monday night won’t hurt, but it will take more than Big Papi.

“I like to consider it a marketing opportunity as opposed to a marketing challenge,” said Lev, who also heads up Fenway Sports Management, the marketing and sponsorship arm of Fenway Sports Group, which owns the team as well as the Red Sox and Liverpool FC.

“Owning the teams that FSG owns who play their games or matches in their own town, obviously, when you’re looking to build fandom, there’s nothing more effective than that,” said Lev. “What we’ve tried to do so far is create that connection, we’ve had a docuseries created around the making of our team that aired on NESN and the Golf Channel. And certainly Keegan and his connection to this region is a huge asset for us. And we’re looking to build that connection, we’re going to be announcing at the match a commitment our team and players are making to donate 5,000 rounds of golf to an organization called Youth on Course that will provide tee times for kids in and around Greater Boston.”

These are still early days for Boston, Jupiter, and the other teams, from Los Angeles, San Francisco, Atlanta, and New York.

“It will be a slow build,” said Lev. “But I think as our players play and show what they’re all about, they’ll endear themselves to fans in New England just like players on the sports teams in Boston do right now.”

Beyond trying to forge a bond with fans from each team’s region, the league as a whole has its hopes pinned on how the game attracts and keeps viewership.

The first match garnered an average of 919,000 viewers, and in Week 2, when Woods debuted, the number crept to 1.05 million.

Last week, the match between New York and Atlanta featured Justin Thomas, Rickie Fowler, Matt Fitzpatrick, and Patrick Cantlay, but no mega-stars.

The result was an average viewership of 682,000.

That’s quite a drop-off, but one that Lev said the league is not making too much of given the small sample size of matches. He focused on the 868,000 average, which he said “exceeded expectations.”

For the 18-to-49-year-old demographic advertisers prize, Lev said TGL’s 43 percent of its viewership in that age group tops most of the major sports leagues and the median age of 51 is lower than the NFL, MLB, NHL, and the Premier League.

With time slots being bumped around each week, Lev said viewership has been much higher than previous programming on ESPN.

“I think everybody’s really pleased with that. It’s a great foundation to build from,” he said.

It’s fair to say that the TGL considers the matchup between McIlroy and Woods, who are co-founders of the league, to be the biggest draw to date.

With players mic’d up, non-stop music played, and 1,500 fans in attendance encouraged to express themselves, TGL is deliberately charting a different look and feel from your standard golf tournament.

“There are no ‘Quiet, Please’ signs that are being held, quite the contrary,” said Lev, who noted fans in the arena can sit back and watch the play unfold in front of them, as opposed to picking a group at a traditional tournament to walk alongside for 18 holes. “When they’re hitting chip shots from around the green, they’re no more than 5 feet away from the fans in the stands.”

The players have been adjusting to more than the noise.

Besides hitting into a screen, players have noted the differences reading putts under television lighting than sunlight, plus other subtleties.

“Tiger was talking about how the artificial grass around the green complex, the chipping area, there’s a real difference between when they’re chipping down the grain versus into the grain,” said Lev.

The result is a work in progress, as TGL strives to retain a competitive element with the entertainment factor.

“There’s a little bit of building the plane as we’re flying it here,” said Lev.

Monday night, “Boston’s team” scans its boarding pass and takes off.

Michael Silverman can be reached at michael.silverman@globe.com.