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Best of Boston Weddings 2026

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Best of Boston Weddings 2026


Best Stationery, Gus & Ruby / Photo by Lindsay Hackney

Stationery

GUS & RUBY

At Gus & Ruby, stationery isn’t just paper—it’s personality, pressed and printed to perfection. Beloved for their inventive designs, hand-rendered illustrations, and luxurious letterpress, this New England favorite crafts suites that tell your story from the very first envelope. Founders and longtime friends Samantha Finigan and Whitney Swaffield lead their team to infuse every project with warmth, wit, and impeccable taste, making each invitation a true keepsake. gusandruby.com.

Photographer

CITYLUX STUDIOS

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CityLux Studios captures weddings with the cinematic flair of a Vogue spread and the heart of a love story. Known for luminous tones, modern composition, and effortlessly emotive moments, this Boston-based team turns real life into high art. Married couple and founders Sarah and Peter blend editorial precision with genuine connection to create luminous imagery that feels as timeless as the love it celebrates. citylux.studio.

Videographer

STOPGOLOVE

Founded by filmmakers Jared Haskell and Jason McCutchen, StopGoLove turns real moments into modern, cinematic stories. Their style is clean, intentional, and emotionally honest—beautiful composition, smart pacing, and an instinct for the in-between beats that make a film feel alive. The result is wedding cinema with editorial polish and zero pretense: story first, style built in. stopgolove.com.

Floral Studio

ORLY KHON

Orly Khon doesn’t just arrange flowers; she composes living art. Known for her moody, romantic designs that balance wildness with refinement, Khon approaches each event like a painter at her canvas, blending texture, color, and movement into unforgettable floral moments. Whether it’s a delicate tablescape or a lush, architectural ceremony design, her work feels both timeless and a touch rebellious—much like the modern couples she designs for. orlykhon.com.

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A wooden serving board holding a row of ten pieces of sushi, each wrapped in seaweed and topped with a crispy fried item, creamy sauce, red fish roe, and small green garnishes. A hand is holding the board.

Best Catering, Max Ultimate Food / Photo by Person Killian Photography

Catering

MAX ULTIMATE FOOD

Turning culinary imagination into edible art, this Boston-based team delivers restaurant-level dining with the precision of a luxury event planner. Creative tasting menus, impeccable service, and presentation that’s anything but predictable make every celebration unforgettable. From passed hors d’oeuvres to late-night bites, every detail is, well, ultimate. maxultimatefood.com.

Three-tiered cream-colored cake decorated with intricate piped icing swags and floral patterns, topped with small green berries and a few pastel flower petals. The cake is placed on a beige tablecloth, flanked by two framed vintage wedding photos and a silver cake server.

Best Cakes, Lizzie’s Bakery / Photo by Lushi Song

Cakes

LIZZIE’S BAKERY

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Whimsical yet sophisticated, these confections are as delicious as they are striking—think handpainted details, sculptural sugar florals, and modern, clean-lined tiers. Behind the magic is Lizzie Johnson, a Food Network alum with a fine-art eye and a love of bold flavor, crafting designs that feel personal, polished, and picture perfect. Sweet beauty, inside and out. lizziesbakery.com.

A formal group portrait of nine people dressed in elegant evening attire. Eight individuals stand in a row, with two women wearing sparkly teal dresses and six men in black suits with patterned jackets and dark green ties. One man sits in front on a chair, wearing a shiny blue and green patterned tuxedo jacket with black pants, a white shirt, and a black bow tie. The background features a large framed landscape painting on a green wall, and the floor is wooden with a patterned rug in the foreground.

Best Band, Hot Mess / Photo by Shannon Bialy Photography

Band

HOT MESS

No cookie-cutter wedding playlists here. This Boston-based band is known for turning every crowd into a dance-floor frenzy, thanks to powerhouse vocals, magnetic stage presence, and an uncanny ability to read the room. Whether it’s a soulful slow jam or a pop anthem that gets Grandma on her feet, they bring the perfect blend of polish and pure fun. Simply put: They don’t just play the party, they are the party. hotmessrocks.com.

DJ

C-ZONE ENTERTAINMENT

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For couples who want a packed dance floor and a soundtrack that feels uniquely theirs, this Boston-based team delivers. With decades of experience, seamless mixing, and an intuitive sense for what the crowd craves, these DJs curate moments that move effortlessly from first dance to final encore. Sophisticated, high-energy, and always in tune with the couple’s style—this is music done right. czonemusic.com.

Photo Booth

ENTERTAINMENT SPECIALISTS

A photo booth should be as stylish as the celebration itself, and this team delivers just that. With sleek setups, creative backdrops, and instant share options, they turn snapshots into unforgettable keepsakes. Whether it’s a glam booth worthy of the red carpet or a playful setup packed with props, they make every moment memorable and a whole lot of fun. entertainmentspecialists.com.

Outdoor wedding reception setup under a white tent with draped fabric and string lights. Round tables are covered with green and white floral tablecloths, each surrounded by wooden chairs with white cushions. Hanging gold geometric lanterns adorned with white and green floral arrangements are suspended from the tent ceiling. The floor is polished wood, and the background shows green grass and a stone wall.

Best Wedding Planner, Baciare Events / Photo by Constance Schiano

Wedding Planner

BACIARE EVENTS

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Founders Ashley Saffer and Renée Sabo are masters of turning dream days into beautifully lived experiences. With a blend of creativity, calm precision, and genuine care, they craft weddings that feel effortless, elegant, and deeply personal. Whether it’s an intimate coastal gathering, a grand ballroom affair, or a celebration halfway across the world, their team ensures every detail is seamless. baciareevents.com.

Event Designer

TYGER EVENT DESIGN & PRODUCTION

Founded by principal Ty Kuppig, this design and production studio brings a couture sensibility to every celebration. With an architect’s eye and a storyteller’s instinct, Kuppig transforms venues into cinematic settings layered with texture, light, and mood. From sculptural floral moments to bold, modern palettes, each event feels elevated, expressive, and entirely one of a kind. tygerproductions.com.

Hairstylist

MONIKA RAMIZI, SALON MARIO RUSSO

Known for her “try-anything” attitude and calming presence, Monika Ramizi approaches bridal beauty with both artistry and ease. Whether it’s soft, romantic waves, a sleek modern updo, or something entirely unexpected, she tailors each look to the bride’s personality and vision. The result is hair that feels fresh, confident, and camera-ready from the first look to the final dance. mariorusso.com.

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Makeup Artist

BEAUTY BY NELSE

For Nelse Karini, makeup is more than artistry; it’s empowerment. A self-taught talent with a passion for helping women look and feel their best, she’s known for her luminous, skin-first approach and ability to create a flawless finish that still feels like you. Brides love her mix of precision and personality—equal parts perfectionist and hype woman—and the confidence that comes with her chair-side magic. beautybynelse.com.

Bridal Boutique

L’ÉLITE BRIDAL

A destination for the fashion-forward bride, this Newbury Street institution curates an elite roster of global designers—from Oscar de la Renta and Monique Lhuillier to Berta and Ines Di Santo. With more than three decades of experience, the boutique’s expert stylists and in-house tailoring team deliver a couture-level experience that feels as personal as it is polished. Every gown is chosen for its artistry, craftsmanship, and that unforgettable moment when a bride sees herself and knows: This is the one. lelite.com.

Five women are posing in an elegant room with ornate gold-trimmed walls and a patterned carpet. Four women wear intricate white bridal gowns with lace and sheer details, each with unique designs including off-shoulder, high neck, and embellished sleeves. One woman stands out in the center wearing a bold red pantsuit with a tailored blazer. The woman seated on the floor wears a long-sleeved lace gown and a matching lace headpiece. The overall scene conveys a high-fashion bridal theme.

Best Wedding Dress Designer, Candice Wu Couture / Photo by Reinhardt Kenneth

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Wedding Dress Designer

CANDICE WU COUTURE

With a couture sensibility and a flair for the unexpected, Candice Wu redefines modern bridal style. Her gowns balance romance and edge, featuring exquisite craftsmanship, sculptural silhouettes, and intricate detailing that make every look unforgettable. Whether ethereal and whimsical or sleek and daring, each design embodies her signature blend of elegance, confidence, and artistry. candicewucouture.com.

A hand wearing seven diamond rings, each with a different cut and setting. The rings feature round, oval, and rectangular diamonds set in silver or gold bands, with some bands adorned with smaller diamonds. The nails are painted pink with one nail having a white stripe. The background is blurred greenery.

Best Engagement Rings, Boston Diamond Company / Photo courtesy of Boston Diamond Company

Engagement Rings

BOSTON DIAMOND COMPANY

Discerning brides and grooms turn to this Newbury Street jeweler for more than sparkle—they come for expertise. Owner Stephanie Binder and her team of certified gemologists offer a refreshingly educated approach to fine jewelry, guiding clients through every facet of diamond selection with honesty, precision, and an impeccable eye for design. Whether sourcing an exceptional natural stone or creating something from the boutique’s Pure Luxe Lab collection of lab-grown diamonds, each piece reflects the brand’s unwavering commitment to quality and craftsmanship. Because true luxury isn’t loud; it’s brilliantly, quietly flawless. bostondiamond.com.

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Wedding Bands

LONG’S JEWELERS

For more than a century, Long’s Jewelers has been synonymous with craftsmanship, integrity, and enduring style. This fifthgeneration, family-owned jeweler bridges heritage and modernity with a collection of wedding bands that balance artistry and intention. Each piece is designed to feel as effortless as it is enduring—refined in form, rich in meaning, and unmistakably elevated. A modern icon of lasting love and impeccable taste. longsjewelers.com.

Rentals

DEZ COLLECTIVE

At Dez Collective, design lives in the details. This Boston-based studio curates a thoughtful collection of furniture, tabletop, and décor that elevates weddings from stylish to unforgettable. With a deeply honed instinct for atmosphere, the team creates layered environments that feel intentional, artful, and entirely now: the kind of spaces that photograph as beautifully as they feel. dezcollective.com.

Urban Venue

BOSTON PUBLIC LIBRARY

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A landmark of art and architecture, the Boston Public Library offers one of the city’s most breathtaking backdrops for a wedding. Beneath vaulted ceilings and along marble corridors, history and grandeur converge in a way that feels both timeless and distinctly Boston. Partnering exclusively with the Catered Affair, the venue hosts some of the city’s most luxurious celebrations, yet it’s also possible to exchange vows here in a one-hour ceremony that costs little more than a library card. Either way, the setting is unforgettable. bpl.org.

Historic Venue

THE GREAT HOUSE AT THE CRANE ESTATE

High above the Ipswich coast, the Great House at the Crane Estate feels like stepping into another era. Designed in 1928 by architect David Adler for industrialist Richard T. Crane Jr., the 59-room Stuart-style mansion crowns a 165-acre National Historic Landmark surrounded by salt marshes, barrier beaches, and sweeping ocean views. The property’s showstopper, the Grand Allée, a 2,060-foot lawn that stretches from the mansion to the water’s edge, offers a photo backdrop worthy of royalty. craneestateevents.com.

A large, multi-story white building with a gray roof is situated near a sandy beach and ocean. The building has many windows and a covered entrance supported by columns. There is a paved walkway and some greenery around the building, with sand dunes and a wooden path leading to the beach nearby. The ocean is calm and blue in the background.

Best Coastal Venue, Wychmere Beach Club / Photo by Alex Paul

Coastal Venue

WYCHMERE BEACH CLUB

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If it’s possible to have glamour on the beach, this is where it lives. In Harwich, Wychmere Beach Club merges Cape Cod’s oceanfront ease with a distinctly polished edge. Expansive water views, clean architectural lines, and light-filled spaces create a setting that feels both elevated and elemental: seaside sophistication, perfected. wychmerebeachclub.com.

Rustic Venue

THE BARN AT GIBBET HILL

If “rustic” makes you think of mason jars, think again. The Barn at Gibbet Hill redefines the genre with its soaring post-and-beam architecture, polished wood interiors, and panoramic views of rolling pastureland. Set on a working farm in Groton, the venue blends country character with refined hospitality: think firefly evenings, farm-to-table menus, and sunsets that wash the hills in gold. barnatgibbethill.com.

A woman in a white, one-shoulder gown holding a bouquet stands in an ornate hallway with a golden arched ceiling and chandeliers. She faces two women in elegant dresses, one in a dark brown strapless gown and the other in a lavender tiered dress. The hallway features large mirrors, framed artwork, and intricate tile flooring.

Best Ballroom Venue, Fairmont Copley Plaza / Courtesy photo

Ballroom Venue

FAIRMONT COPLEY PLAZA

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In the heart of the Back Bay,  the Fairmont Copley Plaza is Boston’s grande dame—all gilded ceilings, marble columns, and chandeliers that seem to glow from another century. A Beaux Arts masterpiece with unmistakable presence, it brings drama to the classic ballroom wedding. Yet behind the opulence is a pulse of modern sophistication: flawless service, effortless style, and a setting that never goes out of fashion. fairmont-copley-plaza.com.

Getting married? Start and end your wedding planning journey with Boston Weddings’ guide to the best wedding vendors in the city.



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Tools for Your To Do List with Spot and Gemini Robotics | Boston Dynamics

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Tools for Your To Do List with Spot and Gemini Robotics | Boston Dynamics


For an industrial robot built for the rigors of factories and power plants, tidying up a living room may seem like a light day at the office for Spot. Yet, a recent video of the robot picking up shoes and soda cans in a residential home represents the promise of AI models in robotics. In this case, Google’s visual-language model (VLM) Gemini Robotics-ER 1.5 was empowering Spot with embodied reasoning.

This particular demo grew out of a 2025 hackathon at Boston Dynamics that built on prior projects using Large Language Models (LLMs) and Visual Foundation Models (VFMs) to enable Spot to contextualize its environment and engage in more complex autonomous actions than a typical Autowalk mission. Rather than write formal software logic or a “state machine” program that defines each step of a given task, we interacted with Gemini Robotics using conversational language. In turn, it communicated with Spot on our behalf.

A Robust SDK and Natural Language Prompts Save Time

Using Spot’s SDK, we developed a layer that facilitated interaction between Gemini Robotics and Spot’s application programming interface (API). The API normally gives developers access to the robot’s capabilities to create custom applications or behaviors. For example, researchers at Meta have used Spot to test how an AI system could locate and retrieve objects it had never seen before.

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Our ability to engage Gemini Robotics using natural language prompts was a huge timesaver, compared to traditional programming. We told Gemini Robotics it had access to a mobile robot equipped with cameras and a robotic arm. It also had a finite set of tools it could use to control the robot. A tool is a lightweight script that performs some internal logic and translates inputs from Gemini Robotics to actual API calls. We limited the actions to navigating between locations, capturing images, identifying objects, grasping them, and placing them somewhere else. 

The extent of our SDK means there are great examples one could leverage to add more access to the API with minimal development.

Giving Gemini Robotics a Baseline

To start we needed to explain to Gemini Robotics what we wanted it to do. We did experience a learning curve when writing these baseline prompts. Simple instructions like “put down an object” or “take a picture” weren’t detailed enough to produce expected behavior. We had to add context in our descriptions as we refined each tool. 

A good example is the detailed prompt for the “TakePicture” tool:

This command will cause the robot to take a picture with the specified camera. There is some nuance to choosing the correct camera. Once arriving at a location using GoTo, you should always start by taking a picture with the gripper camera, because it's the most informative.
If the robot has arrived at location and is already holding an object, you can do one of two things:
1. Immediately call PutDown
2. Search the area with either of the front cameras. The front cameras are low to the ground, so if you're trying to put things on an elevated surface, they won't give you useful information.

In this example, we gave Gemini Robotics no detailed description of the robot’s chassis or arm. Instead, we simply explained that Spot’s front cameras would be too low to photograph objects on elevated surfaces. We were able to iterate rapidly, as small changes in wording produced noticeably better results. Once it had this set of basic tools through the API, Gemini Robotics could sequence Spot’s actions and follow the handwritten instructions on a whiteboard on the day of the demonstration.

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How Gemini Robotics and Spot Collaborate

Until the robot powers on, Gemini Robotics has no context for what specific tasks we might ask it to perform in a given demo. We only provided simple written instructions, such as, “Make sure all of the shoes at the front door are on the shoe rack.” Gemini Robotics evaluated images from Spot’s cameras and identified objects in the scene that matched the instructions. These objects became the reference points for Spot’s navigational and manipulation systems.

In many respects, Gemini Robotics was identical to an operator manually driving Spot using its tablet controller. For example, to pick up an object with Spot, an operator positions the robot near the object and then uses a grasp wizard to identify the target object. The operator provides high-level direction and Spot figures out the exact details. In this demonstration, Gemini Robotics functioned as both the operator and the tablet sending commands to the robot. This freed us up to act more like a team lead, providing a high-level to-do list and trusting Spot and Gemini Robotics do the rest.

Call and Response

When Gemini Robotics engages a given tool, the tool responds with results and context, such as, “I picked up the object,” or “I can’t pick up something while my hand is full.” Gemini Robotics then makes adjustments on the fly based on this feedback from Spot. For example, to pick up shoes, Gemini Robotics requests an image, identifies the shoes in that image, and calls the “pickup” command. By creating fundamental tools that semantically flow in conversation,  Gemini Robotics can manage the sequence of tasks required to clean up the room. Spot’s existing software stack manages the locomotion, navigation, and manipulation of the robot itself.

It’s important to note Gemini Robotics has strict boundaries in this scenario. It can’t invent new capabilities or control Spot beyond what is available through the API. This keeps Spot’s behavior predictable, while still allowing Gemini Robotics to adapt to different situations.

A Force Multiplier for Developers

For developers already working with Spot, this research has tremendous potential. Through Spot’s SDK, they have access to a robust toolkit of capabilities. Companies use these tools today to build applications for inspection, research, and industrial data analysis, among others.

An AI model like Gemini Robotics offers a way to expand those applications more rapidly. Rather than write extensive task logic on top of Spot’s APIs, developers can experiment with having AI systems interpret natural language instructions and dynamically choose to engage the robot. As a result, models like Gemini Robotics can act as force multipliers, amplifying the reliable toolkit and robust performance that is already delivering value for Boston Dynamics customers.

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Our Next-Token Prediction for Spot and Gemini Robotics

Although this is still an experimental step and not a hardened application, it illustrates a compelling direction for robotics and physical AI. Robots like Spot are already extremely capable of navigating complex and changeable environments, collecting data and sensor readings, and manipulating objects. Rather than reinventing the wheel, AI foundation models offer a new way to expand these capabilities in new settings and to new applications.

Physical AI is a rapidly evolving field and our team is leading the way in the lab and in real applications of AI empowered robots. While we are early in our formal partnership with Google Deepmind, we’re excited for what the future holds with Atlas and we’ve already rolled out practical enhancements for Spot and Orbit, with AIVI-Learning powered by Google Gemini Robotics ER 1.6. This next evolution of our AI Visual Inspection tool unlocks a new level of visual intelligence, as users benefit from shared expertise bringing a deeper level of contextual intelligence to Spot and Orbit. Model improvements automatically happen behind the scenes, adding more capabilities to the same software and hardware.

Today, this demo points to a future where users can rely more on natural language to guide Spot’s actions, rather than complex code. The engineer’s role shifts toward setting goals and objectives. The multi-modal robot foundation model interprets the instructions to form complex and adaptive plans and Spot executes the action.

This article was contributed by Issac Ross and Nikhil Devraj, engineers on the Spot team.

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A crowd scientist is helping the Boston Marathon manage a growing field of 30,000-plus runners

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A crowd scientist is helping the Boston Marathon manage a growing field of 30,000-plus runners


BOSTON (AP) — Running the Boston Marathon is tough enough without having to jostle your way from Hopkinton to Copley Square.

So race organizers this year turned to an expert in crowd science to help them manage the field of more than 32,000 as it travels the 26.2 miles (42.195 kilometers) through eight Massachusetts cities and towns — some of it on narrow streets laid out during Colonial times.

“There are certain things that we can’t change — that we don’t want to change — because they make the Boston Marathon,” said Marcel Altenburg, a senior lecturer of crowd science at Manchester Metropolitan University in Britain. “Like, I’m a scientist, but I can’t be too science-y about the race. It should stay what it is because that’s what I love. That’s what the runners love.”

The world’s oldest and most prestigious annual marathon, the Boston race was inspired by the endurance test that made its debut at the inaugural modern Olympics in 1896 — itself a tribute to the route covered by the messenger Pheidippides, who ran to Athens with news of the Greek victory over the Persians in Marathon.

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After sharing the news — “Rejoice, we conquer!” — Pheidippides dropped dead.

Organizers of the Boston race would prefer a more pleasant experience for their runners, even as the field has ballooned from 15 in 1897 to as many as 38,000 to meet demand for the 100th edition in 1996. It has settled at around 30,000 since 2015.

As the race grew, it tested the limits of the narrow New England roads and the host cities and towns, which are eager to reopen their streets for regular commutes and commerce as quickly as possible.

“It would be kind of great someday to be able to grow the race a little bit more,” race director Dave McGillivray said. “The problem with this race is that it’s about two things: time and space. We don’t have either. … So, we’re trying to be innovative.”

That’s where Altenburg comes in.

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A former German army captain who runs ultra marathons himself, Altenburg has worked with all of the major races, other large sporting events, and airports and exhibitions that tend to attract large crowds on ways to keep things safe and flowing smoothly.

For the Boston Marathon, which draws hundreds of thousands of spectators in addition to the runners, his models allow him to run simulations that help him see how the race might play out under different conditions.

“We have simulated the Boston Marathon more than 100 times to run it once for real. That is the one that counts,” Altenburg said in a telephone interview. “They gave me, pretty much, all creative freedom to simulate more waves, simulate more runners and — within the existing time window — they allowed me to change pretty much anything for the betterment of the running experience.

“And then we checked every aid station, every mile, the finish, every important point, (asking): Is the result better for the runner? Is that something that we should explore further?”

The most noticeable difference on Monday will be that the runners are starting in six waves — groups organized by qualifying time — instead of three. The waves, which were first used in Boston in 2011, help spread things out so that runners don’t have to walk after the start, when Main Street in Hopkinton squeezes to just 39 feet wide.

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Other, less obvious changes involve the unloading of the buses at the start, the placement of the water and aid stations, and the finish line chutes, where runners get their medals, perhaps a mylar blanket or a banana, and any medical treatment they might need.

“For an event that’s as old as ours, 130 years, it allowed us to be a startup all over again,” said Lauren Proshan, the chief of race operations and production for the Boston Athletic Association.

“The change isn’t meant to be earth-shattering. It’s to be a smooth experience from start to finish,” she said. “It’s one of those things that you work really, really hard behind the scenes and hope that no one notices — a behind-the-curtain change that makes you feel as if you’re just floating and having a great day.”

Shorter porta potty lines would also be nice.

“What I loved about working with the BAA was how aware they are of what the Boston Marathon is. And they won’t change anything lightly,” Altenburg said. “So it was very detailed work from literally the moment the race last year ended to now. That we check every single option. That we really make sure that if we change something about this historic race, then we know what we’re doing.”

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The BAA will look at the feedback over the next three years before deciding about expansion or other changes.

“Fingers crossed, hope for the best, but we’ll get feedback from the participants,” McGillivray said. “And they’ll let us know whether or not it worked or not.”

But keeping the course open longer isn’t an option. And the route isn’t going to change. So there’s only so much that crowd science can help with at one of the toughest tests in sports.

“I can talk. I’m a scientist. I just press a button and it’s going to be,” Altenburg said. “But the runners still have to do it.”

___

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AP sports: https://apnews.com/hub/sports



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From across Boston they flock to play for Latin Academy boys’ tennis, a co-op of 29 schools – The Boston Globe

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From across Boston they flock to play for Latin Academy boys’ tennis, a co-op of 29 schools – The Boston Globe


“I’ve done a lot of different things in my life, but there’s no question in my mind that the youth development aspect of what I’ve done with kids and tennis in Boston is the most important work I’ve ever done,” said Crane, who has dedicated the last 30 years of his life to youth tennis.

Once upon a time, Crane served as a sports journalist for the New York Post, the defender general of Vermont, and the executive director of the Massachusetts State Ethics Commission.

He has been the head boys’ tennis coach at Latin Academy since 2009, and last season led the Dragons to their first Division 3 semifinal appearance in program history.

Latin Academy coach Peter Crane congratulates his number one doubles pairing of Gio Waterman and Mayfre Moreta.Barry Chin/Globe Staff

This season, the Dragons are trying to repeat that success, and are doing so with players from five Boston high schools (Latin Academy, O’Bryant, Josiah Quincy Upper, East Boston, and New Mission).

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Sophomore Mayfre Moreta, a New Mission student, has never crossed paths in the school hallways with his doubles partner, Gio Waterman, who attends Latin Academy, but the pair still managed to rally from a set down to clinch the deciding No. 2 doubles point in last year’s D3 quarterfinals.

“I think [that win] speaks to our identity as a program,” said Waterman. “It’s so nice to play with all these new guys from other city schools. We share that bond of representing the city of Boston.”

Along with the unique co-op structure, Crane runs a no-cut program that carries roughly 35 kids ranging from seventh to 12th grade every year who vary from beginners to experienced tournament players.

“We don’t cut because we want to teach kids from all over the city how to play the game,” said Crane. “We want to give them a sport that they’ll play for the rest of their lives.”

Mateus Washington, a Latin Academy senior, is in his sixth, and final, year with the program. Although Washington has dueled the state’s top players at No. 1 singles this season, he is just as proud that he gets to lead his teammates every day.

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Mateus Washington, now a senior, joined the Latin Academy team as a seventh-grader.
Matthew J Lee/Globe staff

“It’s really cool to see how the seventh-graders of this generation look so much like I did in seventh grade,” said Washington, who has posted a 3-3 record this year. “It’s super eye-opening and enriching to be a part of their development.”

Crane recognizes that the team’s makeup is unique and oftentimes difficult to manage.

“Logistically, it’s difficult. The kids are coming from all over the city, and they can’t all show up at the same time because their schools get out at different times,” said Crane.

But above all, Crane is thankful he can give his kids — many of whom come from low-income situations — the chance to play tennis, as well as offer them summer jobs at Sportsmen’s, Franklin Park Tennis Association, and other tennis facilities around the city.

“What motivates me the most is getting to know these kids, building relationships with them, and figuring out how I can be of help to them. I want to help them grow, help them succeed on and off the court, and help them get ready for the rest of their lives.”

Jackson Stotts played No. 2 singles for Latin Academy against Boston Latin on Thursday. Barry Chin/Globe Staff

Emily Cilley has yet to lose a match as the head coach of the Swampscott girls.

In Cilley’s first year with the program, the Big Blue (4-0) have put last season’s second-round loss to Dover-Sherborn in the rearview mirror.

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Key to their success have been sophomore stars Nikki Carr and Ginger Gregoire. Carr has been dominant at first singles, posting a 4-0 record without dropping a set, and Gregoire has been a great option at second singles, logging a 3-1 record and securing the deciding 3-6, 6-1, 6-1 victory in the season opener against Bishop Fenwick.

“They are both very disciplined players who understand the balance between being cautious and being patient,” said Cilley. “Their technical skills are on point, and they aren’t intimidated by the person across from them.”

The Big Blue’s strong start has catapulted them to the top of the Northeastern Conference. They’ll look to continue their unbeaten streak against St. Mary’s next Saturday.

▪ The girls of Central Catholic are off to their best start in program history.

The Raiders boast a 6-0 record after taking down Lowell 5-0 on Saturday morning. The win was their fifth sweep of the season, with the only non-sweep coming in a 4-1 victory over Notre Dame (Tyngsborough).

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Morgan Bateman has looked unstoppable at second singles, as she is yet to drop a set, and Ella Asmar has been just as impressive at third singles, posting an undefeated record.

Although Haley Wolters was responsible for the only loss by a Raiders player this season, she has logged impressive victories at first singles, such as a 6-2, 6-3 win against Chelmsford and a 6-1, 6-1 triumph over Lowell.

The Raiders have a chance to extend their winning streak to nine with matches against North Andover, Lowell, and Haverhill on the horizon, before they clash with undefeated Andover on April 30.


Webb Constable can be reached at webb.constable@globe.com. Follow him on X @webbconstable.





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