A number of days in the past I assumed I used to be within the midst of an odd early morning dream. However as I lay in mattress in a half-sleep state, nonetheless attempting to decipher the dream world from actuality, I realised that the yelling I assumed was coming from my unconscious was truly coming from the road under my bed room window. It was barely 6am, and an indignant and distressed girl was loudly telling her accomplice that she was carried out with their relationship.
I reside on a really quiet residential avenue by New York Metropolis requirements, so within the interludes between the screaming, it was eerily quiet. Quickly she spoke once more, yelling to somebody down the telephone that she needed “to get away from him”. There was “nothing left [for her] in New York”.
I obtained off the bed and appeared out of the window to see the girl standing on the sidewalk along with her suitcases, and the person simply exterior the entrance door. A automotive pulled up. The driving force obtained out and put the girl’s circumstances within the trunk as she climbed within the again seat. It appeared to me that her accomplice had crossed some line. And that she was now crossing her personal.
The entire incident triggered a low wave of unhappiness to return over me. It felt unusually emblematic of what seems like a bigger world fracturing round us, and it’s made me assume for the previous few days in regards to the thought of crossing traces, actual and symbolic ones. All of us make traces in our heads and hearts, which might or can’t be crossed in {our relationships}, in our neighbourhoods, in our cities, in our international locations. And in some unspecified time in the future, most of us should reckon with the query of what occurs when these traces do get crossed.
The portray “Route 66”, by the modern artist Dean Mitchell, is an outline of a desolate stretch of highway alongside the celebrated US freeway that when related Chicago to Los Angeles. We come to the brown and gray painted canvas at an intersection of roads, gazing on to the flip that will put us on to Route 66. The panorama earlier than us is barren. There aren’t any vehicles or folks within the body, nothing to recommend which historic interval we’re in. As a viewer, we face a cease signal, the purpose the place we should pause to think about what our subsequent transfer can be.
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US Freeway 66 formally existed from 1926 to 1985. I’m most conversant in it from Nat King Cole’s 1946 track recommending travellers to “journey my method, take the freeway that’s the perfect / Get your kicks on Route 66.” These lyrics, written by Bobby Troup, a white musician and actor, supply a carefree imaginative and prescient of the freeway. However I believe that Mitchell, a 65-year-old African-American man, was effectively conscious of the distinctive risks posed to black individuals who travelled stretches of that route.
Route 66 was sparsely populated and handed by many counties containing “sunset cities”, locations that prohibited black folks from coming into after the solar went down. Any black one that discovered themselves in a kind of locations after darkish confronted the prospect of racially motivated violence. The dangers have been so nice that in 1936, Victor H Inexperienced, a black postal employee, revealed TheNegro Motorist Inexperienced Ebook giving recommendation on the place it was protected to cease to eat, relaxation or get gasoline. Your life relied on realizing upfront what traces might be crossed safely and the place.
In an effort to cross a line, traces first should be drawn. And line making, actual or symbolic, is a technique of gatekeeping, demarcating place and energy, and distinguishing between “us and them”. Choose from any variety of international locations, cities, neighbourhoods: traces are nonetheless being drawn and the security and hazard of crossing them continues to be being thought of.
I don’t know that any of us can escape the moments in life the place, like this determine, we’re delivered to a call level that requires us to assume by and negotiate what traces we’re prepared to cross. Often crossing a line comes with some sacrifice and discomfort, stepping by the scary and unfamiliar so as to attain the opposite aspect. Lately I discover myself considering not solely of the tragic circumstances of these fleeing Ukraine, each Ukrainians and different nationals, but in addition in regards to the Russians who’ve chosen to go away their nation or to remain and protest, having decided that their president has himself crossed an irredeemable line.
Tió’s stark portray is a poignant reminder that we every stand alone in summoning up the braveness, knowledge or willingness to take advantage of difficult choices. Although it may possibly really feel like a lonely place to be, it could even be precisely what you must hear and heed your individual voice.
The artist Caitlin Connolly attracts, paints and sculpts, her work reflecting her curiosity in ladies’s interiority, and the way ladies transfer on the earth. I like her illustration “Climbing Mountains with Youngsters”. The grand determine of a girl takes up the centre of the body. The skirt of her tent-like costume billows out, including to her larger-than-life look. A younger woman hangs on to her neck, and she or he additionally holds the hand of a barely older little one who’s stepping precariously and reluctantly behind her. The girl is forging forward throughout a jagged line of mountaintops, her naked ft stepping determinedly on the pointed rock edges, as if detached to the problem.
We will see that this have to be a painful and treacherous journey. She can’t be resistant to that actuality. However many people additionally know there’s a peculiar resilience and fortitude that turns into obvious when a girl decides she should do a sure factor, together with defending those she loves. Typically now we have to cross formidable traces not only for ourselves, however as a result of we’re dedicated to the welfare of others.
The sky in Connolly’s picture is blue. It feels hopeful, regardless of the treacherous journey. I believe again to the girl I heard on the road on the sting of daybreak. It appears there may be all the time some hint of darkness within the selections we make. However there can even all the time be some thread of sunshine, irrespective of how skinny. Possibly that’s what offers us the power to cross the road within the first place.
E-mail Enuma at enuma.okoro@ft.com
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John Everett Benson, a master stone carver, designer and calligrapher whose chisel marked the deaths of presidents, playwrights, authors and artists, as well as generations of American families — and whose elegant inscriptions graced museums and universities, government buildings and houses of worship — died on Thursday in Newport, R.I. He was 85.
His son Christopher said he died in a hospital but did not specify the cause.
Mr. Benson practiced the ancient and exacting art of carving into rock; slate was his preferred medium. He did so, precisely and gorgeously, on cornerstones, gravestones and monuments, as his father had before him, working out of an atelier in Newport called the John Stevens Shop. Founded in 1705, it is one of the oldest continuously run businesses in the country.
The art Mr. Benson practiced is mostly devoted to mortality, the brief span of a life, though it is designed for eternity, or something close to it. It is often described as the slowest writing in the world. Mr. Benson could spend a day carving a cross; a gravestone might take three months.
For the inscriptions for the East Building of the National Gallery in Washington, designed by I.M. Pei in the 1970s, he averaged an hour and a half carving each letter, some of which are nearly a foot tall. He and his team at the time, two young carvers named John Hegnauer and Brooke Roberts, spent months completing the painstaking work.
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He carved the words on the pedestal that supports Secretariat’s statue at Belmont Park; he also carved John D. Rockefeller Jr.’s credo into a slab of polished granite in Rockefeller Center. His elegant slate alphabet stone — alphabet stones are where lapidary artists show off their chops, their calligraphic feats and flourishes — lives in Harvard’s Houghton Library. He also worked on the National Cathedral in Washington, Yale University and the Boston Public Library, among other institutions.
Mr. Benson, who was known as Fud, was 25 when began his first major commission: to mark John F. Kennedy’s grave at Arlington National Cemetery and carve selections from his speeches onto a low wall made from seven granite blocks. (He changed into clean bell bottoms when Jackie Kennedy came to the shop in Newport to approve his design.)
Stone carvers on public sites invariably draw a crowd. And, inevitably, someone will ask, “What if you make a mistake?” As Mr. Benson, Mr. Hegnauer and Mr. Roberts worked at another site, the Kennedy Center for the Performing Arts, onlookers asked and asked, so much so that Mr. Benson requested that a flyer be made to put an end to the incessant questioning.
Q: What happens if they make a mistake?
A: Don’t worry, they won’t.
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“Why go to all this kind of trouble to get a name on a building?” Mr. Benson said in “Final Marks: The Art of the Carved Letter” (1979), a documentary about his work made by Frank Muhly. “Why carve it into the stone? Why carve it in this particular fashion?” He added: “There’s a tremendous emotional appeal about a carved letter. It partakes of the substance of the building. And of the carved letters, this particular style” — Mr. Benson favored what is known as a V-cut — “shows very clearly that the letter is made of the same stuff as the building itself. There are lots easier ways to do it, let me tell you.”
John Everett Benson was born on Oct. 8, 1939, in Newport, R.I., one of three children, and grew up in an 18th-century clapboard house overlooking Narragansett Bay. His mother, Esther Fisher (Smith) Benson, known as Fisher, was a Philadelphia-born Quaker who used “plain speech” at home, deploying “thee,” “thy” and “thine” for “you,” “your” and “yours.”
His father, John Howard Benson, was an artist who had become enamored of the stone carver’s art. He bought the John Stevens Shop with a $1,200 loan in 1927, when he was 26, and began to revive its business.
The elder Mr. Benson was, like his son, a polymath skilled at calligraphy and carving, and he elevated the practice, reaching back to the Roman tradition of carving large, elegant capital letters designed first with a brush and ink on paper. In his time he was known as the country’s finest stone carver, and he worked on many commissions, including the Metropolitan Museum of Art and the Rhode Island School of Design, where he was a professor.
Fud was 15 when he began apprenticing in the shop, and his first commissions were gravestones for two clients’ pets. He was 16 when his father died of a heart attack in 1956. His mother ran the business while he studied sculpture at the Rhode Island School of Design, and he took over the shop after he graduated in 1961.
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Mr. Benson was eloquent, erudite and prone to grand gestures. He was agile enough to perform a Fred Astaire chair trick — stepping from seat to chair back in a graceful arc — though he sometimes overestimated his abilities. During a youthful fascination with firearms, he shot himself in the leg. He was better on the fiddle, and played traditional Irish music and sea chanteys with a local band, the Reprobates, in Newport’s bars.
In addition to his son Christopher, a painter, Mr. Benson is survived by his wife, Karen Augeri Benson, a lawyer, whom he married in 1988; another son, Nick, a stone carver; and four grandchildren. His marriage to Ruth Furgiuele in 1959 ended in divorce in the early 1970s. Mr. Benson’s older brother, Thomas, a sculptor and art and antiques restorer who died in 1987, was a founder of the Newport Museum of Yachting. His younger brother, Richard, known as Chip, a noted photographer and printer, died in 2017.
Mr. Benson’s last monumental work was the Franklin D. Roosevelt Memorial in Washington, designed by Lawrence Halprin as a series of outdoor “rooms” made from red South Dakota granite onto which Mr. Benson carved the president’s notable quotations and speeches, including the “Four Freedoms” speech.
In 1993, Mr. Benson turned the business over to his son Nick and returned to sculpture. Like his father, Nick began his apprenticeship at age 15. His father’s praise was hard won, Nick recalled, and was delivered sort of sideways: “Well, Jesus,” he might say, “it doesn’t look like you need me.”
Nick Benson carved the World War II, Martin Luther King and Dwight D. Eisenhower memorials in Washington, and he won a MacArthur “genius” grant in 2010 for preserving the art of hand letter carving.
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Mr. Benson’s headstones were his bread and butter. His orders, from a who’s who of Americans, were backlogged for months and even years. He made Tennessee Williams’s headstone out of pink Tennessee marble, as he did for George Balanchine. Lillian Hellman’s, a flat slate marker on Martha’s Vineyard, is engraved with the years of her birth and death and is embellished with a delicate feather quill. (Curiously, he ended up carving the gravestone of Ms. Hellman’s nemesis, Mary McCarthy, when she died in 1989, five years later.)
Jean Stafford declared in an article for The New York Times in 1971 that she had ordered hers ahead of time, “because I knew they would make me something beautiful.” (She died eight years later.) Rachel Lambert Mellon, known as Bunny, ordered hers in 1999, when she commissioned one for her husband, the philanthropist Paul Mellon, who died that year. She kept hers in her library in Virginia until her own death in 2014.
“They’re simple, well-established objects,” Mr. Benson told the writer Philip Kopper in 1977. “All you can do is try to make the lettering as beautiful as you can. And that’s a darlin’ way to spend a day or two.”
Roula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.
Leaders of France’s leftwing New Popular Front moved to shore up their new alliance for forthcoming snap elections after it was rocked by a far-left party purge of moderates.
Far-left leader Jean-Luc Mélenchon enraged colleagues and the leaders of other parties late on Friday when he removed several of his critics and proponents of the alliance from his party’s list of candidates.
He included in the list Adrien Quatennens, a protégé and controversial MP from Mélenchon’s France Insoumise — France Unbowed, or LFI — party, who has a conviction for domestic violence, prompting a furious reaction from other NPF leaders.
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On Saturday, Mélenchon was defiant about his purge, telling news outlet 20minutes.fr that “political coherence and loyalty in the left’s largest parliamentary group are imperative for governing”.
But on Sunday, Quatennens withdrew his candidacy in what appeared to signal a partial retreat by Mélenchon.
“If you don’t think I should be prime minister, I won’t,” he told France TV, addressing his NPF comrades.
The creation of a united leftwing front is a crucial development in the run-up to the elections on June 30 and July 7. It could seriously harm the prospects of candidates for Emmanuel Macron’s centrist alliance by making it much harder for them to qualify for the second-round run-off.
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The leftwing parties are deeply divided on the economy, EU policy and Ukraine, but have buried their differences to maximise their chances against Marine Le Pen’s far-right Rassemblement National.
They have united behind a joint programme with a radical tax-and-spend agenda, adding to investors’ jitters ahead of the election. Mélenchon said the left’s programme envisaged tax rises worth €123bn a year.
In a sign of the commitment to the new alliance — which spans Eurosceptic far-left populists and pro-EU social democrats — former socialist president François Hollande said he would run for parliament as an NPF candidate.
However, Mélenchon’s purge of his party just hours after the New Popular Front’s campaign launch created serious strains within the alliance. Olivier Faure, the socialist chief, called it “scandalous”.
“It’s totally petty, small of him, settling scores when the challenge now is to prevent the far right from taking power,” Alexis Corbières, one of the MPs removed as a candidate, told France Info.
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Another, Raquel Garrido, posted on X: “Shame on you, Jean-Luc Mélenchon. This is sabotage. But I can do better. We can do better.”
Political parties are scrambling to assemble their lists of candidates for the election before the deadline of 18.00 on Sunday.
Hollande’s candidacy in his home region of Corrèze took his colleagues by surprise. If elected, Hollande would become only the second former head of state to take a seat in the National Assembly since the start of France’s fifth republic. The other was Valéry Giscard d’Estaing.
Hollande said it was “an exceptional decision for an exceptional situation”, given that the far right is closer to power than at any moment since France’s liberation from Nazi occupation in 1945.
To salvage as many seats as possible, Macron’s centrist alliance is trying to strike reciprocal local deals not to stand against each other with centre-right candidates that refuse to back RN.
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The centre-right Les Républicains party is also in disarray after its leader Éric Ciotti unilaterally agreed an alliance with the far right
Furious colleagues on the party’s executive unanimously voted to expel Ciotti, but the decision was overturned by a Paris court on Friday night, leaving it unclear who was in charge of the list of candidates.
People arrive before Republican presidential candidate former President Donald Trump speaks at the “People’s Convention” of Turning Point Action Saturday in Detroit.
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Sporting a “Pretty Girls Vote Republican” baseball cap and several buttons, including one reading “Gun Rights are Women’s Rights,” Lauren Kerby was surprised to be asked who she plans to vote for in the fall.
“Obviously Trump,” she said with a laugh. “I came here for a reason.”
Here is the ‘People’s Convention’, run by Turning Point Action, the advocacy wing of Turning Point USA, one of the largest national organizations focused on engaging students on conservative issues.
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Turning Point – which rose out of concerns about free speech on college campuses, has grown into an unapologetically pro-Trump machine, focused on organizing for the former president ahead of the 2024 election.
It hosts events like these, attracting voters like Kerby and hundreds of others like her who want to party, young conservative style.
And this is certainly a Trump show. At the Huntington Place Convention Center in downtown Detroit, a bejeweled presidential seal with Trump’s face in the center rests on the hood of a gold-painted Mercedes-Benz. At a nearby booth among dozens, vendors are selling “America First” cowboy hats and shirts reading, “Voting Convicted Felon, 2024.”
The festivities this year come as Turning Point Action works to significantly expand its organizing presence in key swing states ahead of the general election, including Michigan, home to this year’s conference.
Just five months out, enthusiasm for Trump is high among younger attendees. NPR spoke with more than a dozen voters under 30, who remain committed to Trump, motivated by to vote for him largely because of his isolationist ideas and focus on the economy and immigration.
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Supporters cheer as Republican presidential candidate former President Donald Trump speaks at the “People’s Convention” of Turning Point Action Saturday, June 15, 2024 in Detroit. (AP Photo/Carlos Osorio)
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Their unwavering support stands in contrast to sentiment of many younger Democratic voters, who remain unsure or unenthused about backing President Biden again.
Trump took the stage Saturday night as the event headliner. He ticked through his proposed second-term agenda and criticized Biden’s record, making little mention of the youth-focused nature of the event, outside of publicly thanking Turning Point founder and longtime supporter, Charlie Kirk, who is a millennial.
“[Kirk’s] got his army of young people,” Trump said. “These are young patriots. They don’t want to see… what’s been happening in our country.”
The former president’s remarks came after two days of speeches from conservative firebrands and high-profile Trump allies, including Republican National Committee co-chair and Trump’s daughter in law Lara Trump, former presidential candidate Vivek Ramaswamy, Rep. Matt Gaetz (R-Fla.) and Rep. Marjorie Taylor Greene (R-Ga.)
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This year’s conference also comes just over two weeks after a New York jury found Trump guilty of criminal charges, a decision that could negatively impact his chances with younger voters. The latest Harvard youth poll, published in March, found a potential guilty verdict increased Biden’s lead by 10 percentage points among young Americans overall.
Much like their unwavering support in the election, though, voters at the event are unphased by his conviction. His mugshot is displayed on the posters and t-shirts of attendees.
To 20-year-old James Hart, the verdict has little effect.
“I don’t really think, at this point, anyone’s feelings changed. I think everyone knows who they’re going to vote for. We know Trump. Trust me – we know Joe Biden,” said Hart. “We know their policy. We know how they’re going to act. And I trust Trump.”
Where young conservatives stand
For Kerby from Berkeley, Mich., supporting Trump partially stems from his push for isolationism, including limiting U.S. aid to Ukraine in its war with Russia.
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“He’s focused on what’s happening here,” she said, pointing instead to Trump’s focus on reducing illegal immigration.
“Not saying that other places don’t matter, but we should matter first,” Kerby’s friend, Elaina Luca, 21, added. “When you’re in a family, you make sure that your family is okay first.”
Luca is also backing Trump. As a mom with two young kids, she’s most concerned about rising prices.
“When I drive around and see a nice house, I like to look up how much it’s sold for,” she explained. “In today’s economy, it’s like, ‘Oh, wow, how did these people even afford that? …And it’s like, ‘Oh no, they bought it in 2012 for like $150,000 and now it’s worth like $1 million.”
“How am I supposed to get a house to raise my children to live in?” she wondered aloud, “I don’t want to pay for a house for the rest of my life.”
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Turning Point’s 2024 strategy
Former President Donald Trump walks on to the stage to give the keynote address at Turning Point Action’s “The People’s Convention” on Saturday in Detroit, Michigan.
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While Turning Point’s non-profit side has held student conferences for nearly a decade, also sprinkled with appearances from Republican politicians and conservative media figures, this conference marks just the second for Turning Point Action.
The activist network has morphed into a more pronounced political force, planning to ramp up its organizing ground game ahead of the election.
“It’s night and day,” said Turning Point Action spokesman Andrew Kolvet. “Any activities we did, in 2022 for example, in the midterms, was like the Stone Age compared to the level of sophistication and just the resources that we’ve poured into this project to develop it.”
Kolvet is talking about the group’s “Chase the Vote” initiative, a get-out-to-vote campaign focused on reaching low-propensity voters in swing states that launched earlier this spring. Trump recently endorsed the program during a separate Turning Point event in Arizona, another pivotal state in 2024.
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Turning Point hopes to raise $100 million to build up on the ground organizing staff and plans to work with the Trump campaign on canvassing – a notable change from past election cycles following new guidance from the Federal Election Commission.
Despite the roots of Turning Point, the program is not solely focused on young voters, though Kolvet said that will always be tied to Turning Point’s work.
Growing up under Trump, now it’s time to vote
Despite enthusiasm for Trump at Turning Point, Republicans face a steep challenge to bringing in more young voters. Voters under 30 have traditionally voted for Democrats andin 2020, Biden won the age group by a 24-point margin.
Plus – young voters tend to be aligned with Democrats on their key issues – notably on abortion access, addressing climate and curbing gun violence. And despite struggling in polling, Biden still maintains a lead with young voters overall in multiple youth polls.
But among some young conservatives, albeit a proportionally smaller group, Trump’s style of Republican politics – once fringe and now mainstream – is overwhelmingly what they want for their political future.
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An attendee wears a “Team Trump” cowboy hat as people watch speakers during Turning Point’s “Peoples Convention” on Saturday in Detroit.
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“The pro-Trump, MAGA element definitely appeals more towards young conservatives and young Americans in general,” said 19-year-old Ohio student, Gabe Guidarini, a member of the College Republicans of America. “It actually addresses the problems that they face.”
He argued young people have trouble connecting to “old school Republican rhetoric” focused on cutting taxes and government spending, because they are not able to progress financially. And given the time period Gen Z has grown up during, Trump’s deviation from political norms is appealing, he explained.
James Hart agrees. Though the 20-year-old now lives in Tallahassee, he grew up in Detroit. “I was raised Democrat,” he said.
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That is, until 2016, when his family flipped for Trump.
“His personality is what got my family to say. ‘Hey, you know, maybe the Democrats aren’t the greatest,’” he said. “Honesty is the best policy. And up here in the Midwest, we’re honest. We say it like it is. And Trump did that.”
Now, as Hart gets ready to vote for the first time, his mind is made up.
“I think most young people are going after Trump-like candidates,” he said. “We want the fire. We want the passion. We’re tired of the same old, same old. We want bold policy that actually is going to lead with results.”
