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Saudi Arabian comedy breaks new ground in portrayal of women

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Saudi Arabian comedy breaks new ground in portrayal of women

In Saudi Arabian tv comedy Jameel Jeddan, a younger lady falls right into a coma after a highway accident. She wakes up 5 years later to a modified nation, the place girls are allowed to drive and the non secular police who as soon as roamed the dominion’s cities have vanished.

What follows is a darkish comedy that breaks the mould for the way Saudi girls are depicted on display within the conservative kingdom. The present on Shahid, the content material streaming arm of Saudi state broadcaster MBC, is the primary within the nation to be created, written and led by a girl, Sarah Taibah.

“Girls are normally portrayed in Saudi content material because the love curiosity or spouse or mom, you don’t see them as a flawed protagonist or anti-hero,” stated Taibah. “It was contemporary to painting an offended uncooked character who was unapologetically pure and didn’t attempt to look totally different.”

The present, whose six-episode run ended this month to essential acclaim, isn’t overtly political, however takes place towards the backdrop of the reforms sweeping the conservative nation. Crown Prince Mohammed bin Salman, the day after day ruler, has over the previous six years upended social and financial norms, as he tries to develop new industries and create jobs for his youthful inhabitants. The dominion has been searching for to rehabilitate its picture because the 2018 homicide of Jamal Khashoggi and has trumpeted the social reforms as a part of that effort.

The extent of the reforms is made clear when within the first episode, Jameel — who went right into a coma earlier than the reforms passed off — appears to be like on with astonishment as a younger lady drives previous her in a sports activities automobile. “Wow, even girls can drive now? Superb,” she says. In subsequent episodes she dances in public along with her new love curiosity and dines out with him — behaviour unparalleled previous to the reforms.

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Author and actress Sarah Taibah performs lead character Jameel within the TV collection © Shahid

Jameel searches for her lacking father over six episodes, as she adjusts to her new life again in highschool. Alongside the way in which, she browbeats a boy into courting her, medication a double-crossing pal at her wedding ceremony earlier than burning down the ballroom and sends her tiresome stepbrother to hospital by pummelling him with a chair on the dinner desk.

Her portrayal contrasts with feminine characters conceived by male writers, who will not be solely certain how girls behave amongst themselves. “Between girls, we don’t usually see friendships. Normally it’s cliched,” Taibah stated.

Taibah stated she wished to flip stereotypes. Her character’s title means “stunning” in Arabic, however within the masculine sense. Her love curiosity is a person known as Nour, which is a unisex title within the Arab world. “I wished the lead feminine to have a male title and the lead male [to] have a unisex title that’s normally related to females. I wished to set a special temper and world the place we break the stereotypical roles.”

A still from ‘Jameel Jeddan’ showing Sarah Taibah and Saad Aziz
Jameel along with her love curiosity Nour, who’s performed by Saad Aziz © Shahid

Sure scenes in Jameel Jeddan remind the viewers of a number of the deep-seated resistance to vary. The socially liberal reforms are in style with many Saudis, however others consider Prince Mohammed has gone too far — and too quick.

In a single episode, their automobile breaks down. Jameel tries to flag down a passing automobile for assist however Nour reminds her that they aren’t “in California” and as an single couple might face questions. They may dance collectively, however Jameel and Nour have a platonic relationship on display.

Taibah and different actresses credit score Prince Mohammed’s reforms for his or her potential to sort out tougher topics. Final 12 months, the federal government hosted a movie pageant in Jeddah, attracting stars from throughout the area. At instances, this glitz sits uneasily with Prince Mohammed’s low tolerance for dissent. He has jailed critics, together with activists and bloggers. This contains girls activists who campaigned for the proper to drive, which the federal government granted in 2018.

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“The present management sees younger creatives as allies in pushing for cultural change and presenting a brand new imaginative and prescient of the nation in international cultural boards, equivalent to movie festivals and artwork biennales,” stated Kristin Diwan, a senior resident scholar on the Arab Gulf States Institute in Washington.

Exhibits equivalent to Jameel Jeddan had been additionally essential to the government-owned MBC’s drive to compete with Netflix for audiences within the area, stated Mazen Hayek, a media marketing consultant and former MBC spokesperson. Netflix has carried exhibits that would not discover a dwelling on Arabic broadcasters, together with Takki, an edgy Saudi manufacturing that tackles points equivalent to poverty. It was initially uploaded to YouTube in 2012 as a result of no channel would contact it.

“Shahid is supposed to be a world platform for Arabic content material. It’s meant to be critical competitors to Netflix,” Hayek stated. The federal government had consolidated its management over the broadcaster after it swept up dozens of tycoons, together with the channel’s head, and detained them within the Ritz in 2017. The federal government stated it wished to retrieve ill-begotten positive aspects. Critics stated it was a powerplay by the ascendant Prince Mohammed.

Taibah stated she was joyful that she and like-minded artists had been now discovering a platform. “I believe there’s simply extra space for us. Even individuals who didn’t give us house, they’re now realising the significance of our voices, particularly if they need an trustworthy reflection of our era.”

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Auto Fire in Ventura County Is Small but 0% Contained

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Auto Fire in Ventura County Is Small but 0% Contained

Firefighters are tracking a new blaze in Southern California, the Auto fire, which began burning Monday evening in Ventura County, northwest of downtown Los Angeles.

As of 4 a.m. Eastern time on Tuesday, it had spread to 56 acres and was 0 percent contained, although its progress had been stopped, according to Cal Fire.

The fire’s name comes from its origin, near Auto Center Drive in the city of Ventura, about 60 miles from downtown Los Angeles. It is significantly smaller than the major fires that have been burning in the Los Angeles area over the past week, the 23,000-acre Palisades fire and the 14,000-acre Eaton fire.

The Auto fire appears to have erupted in the Santa Clara River bottom. The Ventura County Fire Department said that the blaze “was confined to the river bottom, and no structures were threatened,” adding that its cause was under investigation.

There were no immediate reports of injuries caused by the Auto fire. But with winds picking up throughout Southern California, officials have warned that the risk of new fires forming or existing ones spreading will be high for the next few days.

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EU reassesses tech probes into Apple, Google and Meta

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EU reassesses tech probes into Apple, Google and Meta

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Brussels is reassessing its investigations of tech groups including Apple, Meta and Google, just as the US companies urge president-elect Donald Trump to intervene against what they characterise as overzealous EU enforcement.

The review, which could lead to the European Commission scaling back or changing the remit of the probes, will cover all cases launched since March last year under the EU’s digital markets regulations, according to two officials briefed on the move.

It comes as the Brussels body begins a new five-year term amid mounting pressure over its handling of the landmark cases and as Trump prepares to return to the White House next week.

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“It’s going to be a whole new ballgame with these tech oligarchs so close to Trump and using that to pressurise us,” said a senior EU diplomat briefed on the review. “So much is up in the air right now.”

All decisions and potential fines will be paused while the review is completed, but technical work on the cases will continue, the officials said.

While some of the investigations under review are at an early stage, others are more advanced. Charges in a probe into Google’s alleged favouring of its app store had been expected last year.

Two other EU officials said Brussels regulators were now waiting for political direction to take final decisions on the Google, Apple and Meta cases.

The review comes as EU lawmakers call for the commission to hold its nerve against US pressure, while Silicon Valley chiefs hail Trump’s return as the start of an era of lighter tech regulation.

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Mark Zuckerberg, Meta’s chief executive, on Friday called on the president-elect to stop Brussels fining US tech companies, complaining that EU regulators had forced them to pay “more than $30bn” in penalties over the past 20 years. 

Zuckerberg, who recently announced plans to abolish fact-checking on Facebook and Instagram — potentially running foul of EU rules — said he was confident the incoming Trump administration wanted to defend American interests abroad.

The implications of Trump’s presidency were a factor in the review, one of the officials said, while insisting his victory had not triggered it.

The commission said it remained “fully committed to the effective enforcement” of its rules. The ongoing cases were “not yet ready at technical level”, a commission spokesperson said, arguing that such investigations took time because of their complexity, novelty and the “need to ensure that commission decisions are legally robust”.

When asked about the FT’s report on Tuesday, the spokesperson said: “There is no such review taking place . . . What we do have are upcoming meetings to assess the general readiness of an investigation. No decision can be taken yet on any of these cases.”

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Before Trump’s victory, EU regulators had been pursuing aggressive action against the world’s biggest tech groups, passing a clutch of reforms aimed at opening markets and setting a regulatory framework for Big Tech.

Under the Digital Markets Act, a law seeking to curb the market abuse of big platforms, Brussels launched investigations last March into Apple, Google and Meta.

The commission has also come under pressure to use the full powers of the Digital Services Act, a set of rules aimed at policing content online, to curb the growing influence of tech billionaire Elon Musk in European affairs. 

In addition to the similar investigation of Google’s owner Alphabet, the commission has been looking at whether Apple favoured its own app store, as well as Facebook owner Meta’s use of personal data for advertisements.

Brussels is also consulting Apple’s rivals on the tech group’s proposals to make its iOS operating system compatible with connected devices.

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Denmark’s Margrethe Vestager and France’s Thierry Breton, both of whom took a tough line against US tech companies, stepped down from the commission in November.

“Priorities may be shifting,” said one. “The [digital rules] come from the previous commission.”

The commission’s chief spokesperson said on Tuesday: “There may be a political reality [in the US] that puts pressure on the technical work . . . we will be looking and assessing on the basis of concrete measures and actions from the new [Trump] administration.”

EU lawmakers have called for regulators to hold firm. Stephanie Yon-Courtin, an MEP who was involved in drafting the tech rules, said EU probes could not be sacrificed to avoid diplomatic fallout.

In a letter to Ursula von der Leyen, the commission president, Yon-Courtin said the DMA “cannot be taken hostage”.

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She added: “Please reassure me that your cabinet and yourself are fully supporting the effective implementation of the DMA, without further delay.”

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This skateboarding economist suggests we need more skateparks and less capitalism

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This skateboarding economist suggests we need more skateparks and less capitalism

A young skateboarder riding in front of the Ferry Building on the Embarcadero in San Francisco California.

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“The Skateboarding Ethic and the Spirit of Anti-Capitalism.” That was the title of an unusual paper presented at the annual meeting of American economists this year. The title was clearly a reference to a famous 1905 book by German sociologist and economist Max Weber, The Protestant Work Ethic and the Spirit of Capitalism. And I really wanted to know what this economist was going to argue, and, even more, who he was.

This year’s economics conference was spread out across hotels around San Francisco’s Union Square. On the first day of the conference, it was raining hard, and I ran from my hotel to another one down the street to see this paper be presented.

Sopping wet, I entered a small, basement conference room before the presentations began. “Is this where the skateboarding paper is being presented?” I asked the room.

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Sure enough, a Gen Xer with baggy blue jeans, Vans skate shoes, and a tweed blazer with elbow pads — the only fashion item that screamed “I’m an academic” — stood up and turned around. “Yes, I’m presenting the skateboarding paper here,” he said.

This tweed-jacketed, Vans-wearing man was Thomas Kemp. He’s an economist at The University of Wisconsin–Eau Claire. Kemp says he’s been skateboarding for 40 years, and he continues to skate every day he can (it gets harder to skate during Wisconsin’s winters, so Kemp says he snow skates as well).

For a long time, Kemp published pretty standard economic papers. Papers with titles like, “The Impact of Water Clarity on Home Prices in Northwestern Wisconsin” and “Estimation of product price elasticity of demand.”

“When I was a graduate student, I was actually going to write about skateboarding, but I was told ‘that’s not a good idea,’” Kemp says. But Kemp is more established now. In fact, he’s the chair of his economics department, so he’s more willing to ollie onto the topics he’s the most passionate about.

Kemp’s transformation began a few years back, when he discovered the burgeoning academic literature on skateboarding. “I was just blown away, like, ‘Wow, people are doing academic work on skateboarding,’” Kemp says. And that’s when he did his 180 kickflip.

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“ I literally dropped everything else I was working on and started writing papers on skateboarding,” Kemp says.

The Value of Skateparks

Kemp has now published a series of economic papers about skateboarding. One paper, recently published in The Journal of Economic Analysis, is titled “Shred Central: Estimating the user benefits associated with large public skateparks.” Kemp estimated the consumer benefits of the Lauridsen Skatepark in Des Moines, Iowa. At 88,000 square feet, it’s the largest skatepark in the United States.

One of the issues with the economics of skateparks is they’re generally free to use, which makes it difficult to figure out how much they’re actually worth. This is a common problem for public goods, like parks, beaches, rec centers, and so on. Determining the value of a skatepark is important to figure out whether, for example, communities should build more skateparks, and how big and tricked-out those skateparks should be. Despite the popularity of the sport — estimates suggest there may be as many as 9 million skateboarders in the US — “public resources devoted to skateboarding lag far beyond other leisure activities such as softball, tennis, or soccer,” Kemp writes.

Kemp argues that the distance skaters (and BMXers, roller bladers, and other recreationists) are willing to travel to go to the skatepark provides a good way to estimate the value of it. Traveling requires time and money, so the distance users are willing to travel provides an indication of how much they think a skatepark is worth.

In “Shred Central,” Kemp surveyed skateboarders at Lauridsen Skatepark, and found they “will travel great distances at significant cost to ride a park of high perceived quality.” Crunching numbers on use of the park and travel distance, Kemp estimates that the user benefits of this skatepark are “$61 per user per day and roughly $488,000 annually.” This high estimate for the value of the skatepark suggests that there’s a shortage of high-quality skateparks around the country and that community leaders should build more of them. Rad!

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“The Skateboarding Ethic and the Spirit of Anti-Capitalism”

In his 1905 book, The Protestant Work Ethic and the Spirit of Capitalism, Max Weber argued that Protestant Christianity, especially Calvinism, promoted ethics, like thrift and hard work, that helped nurture the birth of capitalism and rapid economic growth in Northern Europe.

Like Protestants, skateboarders, Kemp argues, have their own set of ethics that can affect their economic lives. And, in Kemp’s view, these ethics can come into conflict with capitalism. For example, skateboarders are known to skate on private property and in front of businesses in search of cool, skateable features. It’s one reason why community leaders have been building skateparks: to encourage skaters to skate in sanctioned areas that are less disruptive to business.

Kemp sees a similar process in history with stickball and baseball. During his presentation, Kemp showed a picture of baseball legend Willie Mays playing stickball in the street when he was young. Like with skateboarding, Kemp says, many leaders saw stickball as a nuisance that disrupted commerce. Kids would shut down streets and disrupt traffic to play the game. They would hit balls and dent cars and break windows. This “irritation to commerce,” Kemp suggests, inspired communities to start building baseball diamonds in community parks and institutionalize the game into more organized and less disruptive baseball leagues.

Willie Mays playing stick ball with Harlem kids.

Willie Mays playing stick ball with Harlem kids.

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“The drive towards creating skateparks appears to me to be on a similar trajectory to what we saw with stickball into baseball,” he says. “That said, we’re now 50-plus years into skateboarding history, and so far, skateboarding seems to be relatively immune from that institutionalization. It’s just as common to see kids skateboarding out in the streets as it is in a skatepark, perhaps even more so.”

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Kemp was the last person to present a paper during this particular conference session. The paper presented before him was much less fun, highlighting physical and mental health problems plaguing our society, including the rise of depression, anxiety, and deaths of despair. The author blamed our economic and health systems, which “prioritizes profits over people’s health,” for making these problems worse.

In important ways, skateboarding is a product of capitalism. For decades, for-profit companies have developed and manufactured better skate decks, trucks, and wheels. They’ve marketed the sport. They’ve popularized it. They’ve made it more accessible. Kemp acknowledges that. But he also sees ethics within the culture of skateboarding that can help people overcome the challenges they may face in our capitalist society.

The skateboarding ethic, Kemp says, is “an ethic of resiliency. I fall, I get up, I do it again.” It’s an ethic of “self-betterment. The skateboarder is always trying to do another trick. They’re trying to do the trick better with more style. They’re trying to do it in different places. They’re comparing themselves to their past selves and not necessarily other skateboarders.” And it’s an ethic that isn’t really concerned with competition with others. Skateboarding, he says, is a non-zero sum game. “In other words, if I do the trick, it doesn’t matter that the other skateboarder didn’t do the trick. I’m not in competition with them. I don’t win, they lose, or I lose, they win. No, we’re all winning — hopefully — compared to our previous selves.”

Skateboarding, Kemp suggests, can help us become more resilient. It can help us build more pride in ourselves. It can help us fight isolation and build community. And it can help us exercise, alleviate stress, find joy, and escape the 9-5 grind.

“Skateboarding has something to show us about living life in these challenging times that we find ourselves in,” Kemp says.

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Kemp’s presentation, appropriately, took place in San Francisco, which is widely recognized as one of the best and most hardcore skateboarding cities in the world. Skaters here are known to “bomb” hills like daredevils, reaching high speeds and doing incredible tricks. And the city has really come to embrace skateboarding. For example, the San Francisco Museum of Modern Art currently has a skateboarding exhibit called “Unity Through Skateboarding” (which, apparently, my son and wife really enjoyed while I was attending this conference).

“San Francisco is legendary,” Kemp said. “Of course, this is a work trip. But, hopefully, I’ll get some skating in while I’m here.”

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