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Mpls. nonprofits say federal cuts could hurt HIV prevention work

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Mpls. nonprofits say federal cuts could hurt HIV prevention work


Adrianne Jackson, 39, regularly gets tested for HIV after witnessing a family member contract the virus.  

“That’s what made it possible for me to understand how it’s contracted and where to get tested,” Jackson said. 

Thanks to an HIV prevention clinic put on by the Aliveness Project and the Indigenous Peoples Task Force at the American Indian Center on Thursday, Jackson was able to get her test for free. 

But free clinics like these are in jeopardy after the Trump administration has threatened to cut $700 million in funding for HIV prevention from the Centers for Disease Control and Prevention (CDC). The move would affect hundreds of clinics and organizations nationwide.

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“If they did that it’d be a horrible decision,” said Jackson. “Events like this make it possible for people who don’t know where to get tested to get help.”

Adrianne Jackson poses for a photo after she took an HIV test at the American Indian Center on March 20, 2025, in Minneapolis. Credit: Chris Juhn for Sahan Journal

The federal cuts come as two other Minnesota nonprofits, Rainbow Health and the African American AIDS Task Force, closed last year, in part due to state funding cuts. The Aliveness Project took over case management for many of those clients.

The south Minneapolis nonprofit has worked for 40 years to help people living with HIV through case management, food and housing support, free testing and low-cost medications.

The Aliveness Project receives nearly $700,000 a year from the CDC, primarily for HIV prevention work, such as the free clinics, said development manager Sonya Bieza. 

That work is a cost-effective way to help slow the spread of HIV, she said. 

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“It’s just such a slap in the face,” she said. “A lifetime of medical costs for a person living with HIV can be in excess of $500,000 — who has $500,000?”

Minnesota has close to 10,000 people living with a HIV diagnosis, according to the state Department of Health. The state estimates another 1,100 Minnesotans have HIV but are unaware of their status. 

A report released by the agency last year showed 324 new infections statewide in 2023, which was a 24% increase from 2022 and the highest increase in more than a decade.

New HIV cases disproportionately affect communities of color, with 66% of new cases being nonwhite patients. Men who have same-sex sexual relations and people who use intravenous drugs are much more at risk of contracting the virus.

The HIV prevention and care team with the Indigenous People’s Task Force is in the fourth year of a five-year contract with the CDC that pays the organization $441,000 per year. Calvin Hylton, the team’s HIV program manager, said the funding allows them to target their HIV prevention efforts and resources on Native American adults who use intravenous drugs.

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The loss of funding for that last year would be devastating, and derail the progress they’ve made over the last four years, Hylton said.

“Our program tests on average over 700 people each year for HIV and connects people living with HIV to critical resources to decrease their viral load,” he said. “Our piece of that effort would be completely disrupted and put our community in jeopardy and at risk for another HIV outbreak.”

Sonya Bieza, development manager at the Aliveness Project, poses for a photo on March 20, 2025, in Minneapolis. Credit: Chris Juhn for Sahan Journal

At Thursday’s clinic, Minneapolis Mayor Jacob Frey said the federal funding cuts aren’t just hitting public health programs. He cited a letter from the Trump administration weeks ago threatening to cut all federal funding to the city.  

“We’re talking about $70 million,” Frey said. “This is money for things like emergency management, this is money that supports our bomb squad … this is money for affordable housing and shelters and health care for our communities.”

Another letter came the next day rescinding many, but not all, of the proposed cuts, which the mayor said illustrates what state and local agencies are contending with. 

“We’re all kind of left scratching our heads about what in the world is going on,” he said. “The decisions that are coming down are neither wise nor smart, and they certainly aren’t done in the best interest of the communities that we all are charged with serving and keeping safe and healthy.”

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Bieza said she has heard from people who come into their clinic that they’re scared of losing access to the services available at the Aliveness Project. But, she said, despite the uncertainty, the clinic will remain open. 

“We want people to know we’re still here, we’re still open and we’re going to figure this out,” she said. “We’re just leaning on our community more than ever.”





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Minneapolis, MN

Fan behind Anthony Edwards’ orange bracelet has beaten cancer

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Fan behind Anthony Edwards’ orange bracelet has beaten cancer


The story behind Anthony Edwards wearing a bright orange bracelet since last season has received a positive development, after Timberwolves fans learned Luca Wright has beaten leukemia.

Anthony Edwards, Luca Wright connection

What we know:

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Last January, the 6-year-old Minnesotan met “Ant” for the first time following a game against the Detroit Pistons, proclaiming him to be his favorite player, and asking him to wear a bracelet that symbolizes leukemia awareness, resilience and support for those affected. During the interaction, the fan had created a sign with a to-do list: “1. Beat Cancer. 2. Be The Next MJ.”

Leukemia is a type of cancer that spreads throughout the bloodstream, infecting bone marrow and a person’s lymphatic system by rapid production of abnormal white blood cells that can’t fight infection.

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Since then, the Wolves’ MVP has worn a bracelet that proclaims, “Love Like Luca” on it for every game he has played, vowing to wear it “until he hangs up his sneakers.”

Ant has gone on to explain how the gesture connected with him given that he lost both his mother, Yvette, and grandmother, Shirley, to cancer when he was 14 years old. The No. 5 jersey he wears currently is a tribute to them both.

Luca bracelet latest

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Dig deeper:

More than a year later, Wolves fans have received the update they hoped for – now 7-year-old Luca has beaten his cancer.

What’s next:

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Ant has since responded to the news with his own social media video, calling it “God’s gift” and saying, “Let’s do this Luca.”

No word yet on whether he intends to keep wearing the bracelet, though he’s previously said he has a stash of replacements near the team bench should one ever be broken.

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The Source: Information provided by the Minnesota Timberwolves public relations department.

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Family of Minneapolis brothers killed by cousin says their deaths were preventable:

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Family of Minneapolis brothers killed by cousin says their deaths were preventable:


A Minneapolis family is struggling to make sense of a tragedy that has left them heartbroken. 

Family tells WCCO 14-year-old Xavier Barnett and 23-year-old Akwame Stewart were killed Monday.

The brothers were very different, but equally loved. Barnett was a good student and athlete. Stewart was a painter, creative and thoughtful. Two brothers, loved and full of promise, gone. 

Police say the accused shooter is their cousin, 23-year-old Eddie Duncan.

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Court records show Duncan was released on bail Monday on charges of fleeing law enforcement and possession of a gun modified with an “auto sear switch.”

Court records also show Duncan was ordered to undergo a psychological evaluation, but not until next month, on March 24.

Deasia Freeman, Barnett and Stewart’s sister, says this loss could have been prevented. 

“They all failed us. We got two innocent lives gone for no reason. Didn’t do nothing to nobody,” Freeman said.

Family members say the system and Duncan’s family let them down.

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Freeman says Duncan’s family saw the warning signs and still bailed him out

“If you knew this man was thinking like this, y’all should have kept him in there and he should not even have bail,” she said. 

The Hennepin County Attorney’s Office says they noted Duncan was a public safety risk and asked for a high bail, much higher than a typical request. 

“In Minnesota, there is a constitutional right to bail, and the bail amount is set by the Court. Our office noted a public safety risk with Mr. Duncan and asked the judge to set bail at $70,000, or $35,000 with conditions; both of which are higher than we would typically request in this scenario. The judge set bail in that amount. Mr. Duncan posted $35,000 bail with conditions of release, as is allowed under the Minnesota Constitution, and was released from custody. Our thoughts are with all those impacted by yesterday’s violence. This was a terrible tragedy for this family and our community,” a spokesperson for the Hennepin County Attorney’s Office said.

For Freeman and her family, the hardest part isn’t just the legal process but living each day without their brothers. 

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Even in the heartbreak, she says the memories of the good days, the laughter and love they shared will carry them through.

“I wish I could get just one more phone call from them asking me where I’m at,” Freeman said as tears rolled down her face. 

Court records confirm Duncan left the scene of the crime and fled to nearby Brooklyn Center. There, a search warrant says Duncan “fired a gun at officers, striking two squads,” when police arrived. That’s when officers returned fire, shooting and killing him.

Three officers have been placed on critical incident leave as the Minnesota Bureau of Criminal Apprehension leads the investigation into Duncan’s fatal shooting.

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First-of-Its-Kind Photography Festival Comes to Minneapolis | Minnesota Monthly

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First-of-Its-Kind Photography Festival Comes to Minneapolis | Minnesota Monthly


MODE by Flickr

The Twin Cities has long been a hotbed of creative inspiration and artistic storytelling—from world-class cultural institutions to large-scale art and film festivals that propel emerging makers and creators into the spotlight. But, for the first time, local photographers are primed to receive a multi-day that is uniquely their own—geared toward all things visual, digital, and candid.  

Today, global photo-sharing platform Flickr announced the launch of MODE by Flickr, a three-day photography festival set to take place Sept. 18-20—right in the heart of Minneapolis. A first-of-its-kind event, the inaugural lineup will gather some of the biggest names inartvisual media, from Emmy-nominated director and National Geographic photographer Keith Ladzinski to renowned culinary photographer Penny De Los Santos, as well as sponsorship support from global media companies including Fujifilm, HOVERAir, and more.  

Whether attendees are coming to network, learn, or simply, admire, MODE will feature a variety of welcoming spaces designed to foster a dynamic exchange of creative energy. Expect immersive workshops led by industry legends, hands-on demonstrations, mind-expanding exhibitions, and special programming designed by Black Women Photographers’ Polly Irungu and Inside Out Project.  

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“MODE is photography in motion—alive, interactive, and deeply rooted in community,” said Ben MacAskill in a prepared statement, President and COO at SmugMug and Flickr. “For more than 20 years, Flickr has brought the world’s photographers together online. Now, we’re bringing that spirit away from devices and connecting in the real world with a festival built for creativity and the future of photography and visual arts.”  

Designed around seven thematic pillars, MODE aims to bring the full spectrum of photography to life—uniting world-shifting storytelling, emerging tools, business insights, motion-driven media, cultural diversity, analog processes, and environmental responsibility. These seven pillars will float through each diverse experience, from live portrait shoots, tech demos, and editing workshops to photojournalism panels, film screenings, and instant-film activations. 

Flickr’s choice of Minneapolis as its launchpad feels telling of an overarching alignment of values—the city a mirror for MODE’s core mission of celebrating creativity and community while prioritizing diversity, inclusion, and accessibility. To support this mission, the festival will be equipped with accessible venues, thoughtful sustainability measures, diverse programming, and a careful artist selection process that prioritizes representation and artistic vision.  

Tickets are available now, starting at $300 for Flickr Pro members, and between $330 and $660 for general admission and VIP passes. For more information on ticketing, and updated programming announcements, visit modefestival.com. 





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