Milwaukee, WI
T-Pain hosts first Wiscansin Fest at the Rave in Milwaukee
“That is (expletive) enormous for me,” a surprised T-Ache mentioned earlier than about 4,000 folks on the Rave’s Eagles Ballroom Saturday — and followers watching a livestream on the LiveOne app and the singer and rapper’s Twitch web page.
Simply three years in the past, T-Ache reached a low level in his profession, he mentioned Saturday, when he needed to scrap a deliberate tour as a consequence of poor ticket gross sales.
So he took a leap, went impartial, minimize his administration and, three years later, put collectively the Highway to Wiscansin Fest tour. It was a sold-out run, culminating in his inaugural Wiscansin Fest, a three-stage, practically nine-hour occasion T-Ache personally curated, boasting 18 acts, from fellow hip-hop veterans and associates like Lil Jon and Juvenile, to rising stars like Bleu and Erica Banks.
“There’s nothing else that may describe what I am feeling in my coronary heart proper now aside from pure, unmitigated gratitude,” T-Ache mentioned from the stage Saturday.
As flabbergasted as T-Ache appeared, the truth that this new milestone was centered round Wisconsin is much more unreal.
In 2008, nearly actually on a whim, T-Ache pronounced Wisconsin “Wiscansin” to make it rhyme with “mansion” on what would change into certainly one of his largest hits, “Cannot Consider It.”
A decade later, seemingly out of the blue, he launched a faux and humorous “Wiscansin College” webpage full with a brand new Wiscansin merch line, with Wiscansin Fest increasing his rising Wiscansin empire.
“That is (expletive) 12 months one,” he yelled Saturday throughout his set. “It is solely going up from right here.”
This is a take a look at the highs (and sure, a pair lows) of his inaugural Wiscansin Fest.
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T-Ache reaches a brand new peak (and will get a day named after him)
Saturday marked a milestone for T-Ache in a profession loaded with them — from two Grammys and 13 nominations, to fifteen songs that reached the highest 10 on the Billboard Sizzling 100, to profitable Season 1 of Fox’s “The Masked Singer.”
However constantly prime of thoughts for the person of the hour have been the followers who made his goals come true. Throughout his set, he actually mentioned “Thank You” 50 instances, and in the midst of an electrifying “I am Sprung,” stopped the present when he noticed a fan in misery, ensuring they received water and that area was cleared up entrance to get them out of the pit and checked over by medics.
“(Expletive) hydrate everyone,” he mentioned. “Be sure to deal with your self. I give a (expletive) about each certainly one of you on this (expletive), and I wish to be sure you have a very good time.”
It is clear his followers had a good time, with T-Ache going above and past for his fest finale, staying on stage two hours, a full hour later than initially scheduled.
The practically nonstop mash-up of hits was head-spinning — “Purchase You a Drank (Shawty Snappin’), “Bartender,” his Kanye West collaboration “Good Life” — the DJ-backed combine typically slipping into instrumental cameos from huge rap hits like Travis Scott’s “Sicko Mode” and Megan Thee Stallion’s “Savage.”
Wrongly accused earlier in his profession of masking a poor singing voice behind his influential use of Auto-Tune, T-Ache’s fairly pipes have been clear from behind the filter for songs like “U Up,” whereas a brand new music, “That is Simply Suggestions,” confirmed how propulsive his move continues to be.
In fact, “Cannot Consider It” with that “Wiscansin” line killed it, and a bunch of inflatable cows bounced across the pit for T-Ache and Flo Rida’s joint hit “Low.”
Then close to the set’s finish, for the DJ Khaled observe “All I Do Is Win,” that includes T-Ache, a bunch of different artists from the invoice and members of his entourage — together with Lil Jon, Mija, and Krizz Kaliko — got here on stage to cheer him on. So did T-Ache’s spouse Amber Najm, who he praised for encouraging him to maintain going when he thought of quitting. His dad and mom, sister, niece and nephew have been within the crowd, too.
And after a candy little speech by which Lil Jon praised T-Ache’s generosity, the rapper actually received his flowers — really, a number of framed gold and platinum data certifying a few of his hits.
And that wasn’t all. Whereas on stage, an overwhelmed T-Ache was learn and given an official proclamation from Milwaukee Mayor Cavalier Johnson declaring June 11 “T-Ache Day” within the metropolis.
Lil Jon brings enormous vitality
Has any artist ever gotten extra mileage from a single four-letter than Lil Jon’s pronunciation of the phrase “Yeah”? There’s an irresistible energy in his phrasing, and when he fired it off like a rocket launcher at the beginning of his set Saturday, the group exploded.
He’s received a lot goodwill he simply might coast — and he form of did throughout “Get Low,” letting followers sort out the refrain and level to the Rave’s window and its wall. However in entrance of frantic visuals that recast Jon as a video-game character, the rap vet’s 25-minute set was a breathless, heart-racing, song-blurring medley of signatures — together with a nod to his look on Daddy Yankee’s “Gasolina” remix and his “Flip Down For What” shouts for the DJ Snake smash. And, after all, there have been these sensible yeahs for Usher’s “Yeah.”
Juvenile (and his son) get ’em hyped
The 1,000-person capability basement venue within the Rave was manner too small for Juvenile, with followers stretching out past the doorways. However the rap veteran — together with his son serving as hype man, and Milwaukee’s Djay Mando behind the turntables — thrived on the electrical energy inside that small, packed, sweaty room, delivering rhymes with ferocity, his white shirt swiftly soaked, earlier than closing out his “old-school social gathering” with the explosive one-two punch of “Sluggish Movement” and “Again That Azz Up.”
Bleu is a giant letdown
At a few half-hour every (other than T-Ache), Wiscansin Fest units have been brief to start with — honest, given all of the acts on the invoice. However some followers may need felt shortchanged by the brevity of Bleu’s set. Third on the lineup record, Bleu ended up performing for 15 to twenty minutes of his allotted half-hour, together with his laid-back vitality and the DJ’s clumsy, anticlimactic fade-outs between songs extinguishing any vitality {that a} bloated countdown video generated earlier than he took the stage. Bleu just lately rebranded himself, dropping the Yung from his moniker, however Saturday’s set suggests his reside present is in want of a serious overhaul.
Hannibal Buress raps (and jokes round, too)
“If this rap (expletive) don’t work out, I’ll return to creating enormous films,” Hannibal Buress mentioned with amusing. A stand-up since he was 19, and at present one of many largest names in comedy, the 39-year-old Chicago native launched a debut hip-hop EP this spring named after his new rap altar ego — Eshu Tune. Wiscansin Fest was his musical pageant debut.
It was tough going at instances, with the visuals incessantly not lining up with the songs, however comedians like Buress thrive on chaos, and he appeared elated that the set might crash and burn at any second. He turned the technical snafu right into a goofy four-minute freestyle, and watching him scream and dash within the pit whereas ballerinas danced gracefully on stage at one level was a surreal, humorous sight. The songs, too, had laughs. “1-3 Pocket” was, as Buress proclaimed, “the toughest observe about bowling that ever exists,” whereas throughout “CMDGT” he referred to as out for more and more ridiculous samples — from Alex Trebek to Al Roker to Karl Rove — because the music progressed.
O.T. Genasis loses followers, nonetheless wins
O.T. Genasis proclaimed his two-step mission assertion early in his set: to get “turnt up,” and to get “turnt the (expletive) up, (expletive).” Sadly, greater than two-thirds of the folks within the sweltering basement for the earlier Juvenile set fled for contemporary air or extra spacious phases. However the sparse crowd didn’t part Genasis, who had a good time driving the rapper’s swagger by “I Look Good” and “All people Mad,” a music that utilized to completely nobody within the crowd.
Erica Banks twerks with followers on stage
Erica Banks proclaimed herself the “Movement Queen” throughout her set Saturday, and whereas there are an entire lot of girls (together with Milwaukee native Lakeyah) striving for that crown proper now, Banks made a reasonably assured case. Past her vocal command by sex-positive bangers, she already has nice stage command and a transcendent capability to let her self-love aura shine over her largely feminine followers packing her set. Six ladies have been handpicked by Banks to take the stage for her finale, the place they twerked and slapped one another’s butts for Banks’ Nelly-sampling breakout hit “Buss It.”
It was a pleasant gesture for T-Ache to have some Wisconsin illustration on the highest of the invoice for Wiscansin Fest, within the type of Milwaukee native Ok Camp. However to be trustworthy, Camp’s metropolis ties have by no means been notably pronounced — he’s all the time represented Atlanta — and he appeared to be working additional time boasting about his “hits upon hits upon hits” for a hometown crowd in a largely empty Eagles Ballroom Saturday. However the followers who have been there have been loyal by and thru, carrying a lot of the load with singalongs for “Marilyn Monroe” and “Snug,” and one fan was invited on stage to sing and rap with Camp by “Pleasant.”
Some remaining ideas
With 18 acts throughout seven and a half hours on three phases, the Rave employees and occasion producers had their work minimize out for them. However they pulled it off, giving followers easy accessibility to reveals, clear messaging about scheduling, and units that largely began and ended on time. Even rest room and beer traces have been brief, and there have been loads of spots inside and outdoors the constructing to get away from the music.
There was one huge shortcoming, although. Traces for the three meals vans out entrance have been painfully sluggish and barely organized. I used to be in line for an hour and barely moved earlier than giving up, and one of many vans ran out of meals by 5:30 p.m. Possibly subsequent time, they will transfer the merch stand inside to totally different spots within the constructing to unlock area for an additional meals truck, or get meals choices contained in the constructing too.
And I do count on there will be a subsequent time. T-Ache mentioned so himself.
“The primary annual Wiscansin Fest has gone so (expletive) properly,” he proclaimed throughout his set. “I’ve to do that (expletive) each (expletive) 12 months.”
Contact Piet at (414) 223-5162 or plevy@journalsentinel.com. Comply with him on Twitter at @pietlevy or Fb at fb.com/PietLevyMJS.
Milwaukee, WI
Longtime Brewers Announcer Bob Uecker Dies At Age 90
Summertime in Milwaukee will never be the same.
For the last 54 years, Bob Uecker’s voice let Milwaukeeans know that another long, cold winter had come to an end, that spring had finally arrived and with it, Milwaukee Brewers baseball and another summer of sunshine and warmer weather.
Uecker provided the soundtrack for those months, bringing Brewers games to fans as they made their way to summer cottages, enjoyed days on the lake or just relaxing in their own backyards.
This summer, though, will be different after Uecker passed away Thursday at the age of 90, following a brief and private battle with cancer.
“He’s really the heart of Milwaukee baseball,” Brewers owner Mark Attanasio said.
That might be an understatement because in many ways, Uecker epitomizes Milwaukee baseball.
Long before he called his first Brewers came in 1971, the Milwaukee native was a standout prep baseball player for Boys Tech High School. After graduating in 1956, he became the first local player signed by the hometown Milwaukee Braves, who brought him to the big leagues in 1961.
Uecker would spend six seasons in the majors and was part of a St. Louis Cardinals team that won the World Series in 1964. After closing out the 1967 season in Atlanta, where the Braves moved following the 1965 season, Uecker retired and started his broadcast career with WSB-TV.
Milwaukee, though, was always home and Uecker return to the city where he became a scout for the fledgling Brewers franchise, which Bud Selig had brought to town after a one-year run as an expansion team in Seattle.
While scouting wasn’t Uecker’s forte, Selig knew where his friend would shine and sent him up to the broadcast booth where he joined Merle Harmon and Tom Collins, a spot he’d never relinquish.
Along the way, Uecker’s natural gift for entertaining and comedy led to more than 100 appearances on the Tonight Show with Johnny Carson, who gave Uecker the nickname “Mr. Baseball,” syndicated shows like “Bob Uecker’s Wacky World of Sports,” a starring role in the ABC sitcom “Mr. Belvedere” and starring roles in classic films like “Major League.”
Oh, and enshrinement in baseball’s Hall of Fame.
But no matter where Uecker’s fame led him, he never strayed too far from his hometown and never considered giving up his “real job” with the Brewers, so much so that up until recently, he never worked under a contract.
“Every year we asked,” said president of business operations Rick Schlesinger. “And every year he said, ‘No, a handshake is good enough for me.’”
Uecker called some of the franchise’s greatest moments, including it’s first — and to this date, only — trip to the World Series in 1982 but was also behind the mic during a lot of forgettable years, during which his humor kept fans tuning in every night.
When the franchise’s fortunes started to turn for the better, Uecker was still there helping teach a new generation of players what it meant to play in Milwaukee and brining their successes to a new generation of fans.
“He had the unique ability to relate to all of us,” former Brewers outfielder Ryan Braun said. “He’d lived the game through our eyes. He understood how challenging a season could be at different times. And so to be able to go to him just to talk about life more so than baseball, was something that I think we all looked forward to. The season can get challenging. It can feel stressful at times. I think he was just a source of consistency and calm for all of us, and we valued his opinion, right? He just always had a unique ability to say the right thing, to give good advice, to make you laugh, to not take things as seriously and to just bring joy to our lives.”
The Brewers never made it back to the World Series before Uecker passed away and it will be somewhat bittersweet if they get there without him making the call, but time marches on and as different as it will be, so will the Brewers, who are planning ways to honor their franchise icon this season.
“Bob Uecker is not replaceable,” Attanasio said. “He was a true man of the people, without saying he was a man of people.”
Milwaukee, WI
Reusse: There’s only one Bob Uecker — forever a baseball funnyman and Milwaukee’s famous ‘cheeser’
Paul Molitor came to the Brewers as a rookie infielder in 1978 and stayed for 15 seasons — for the glory, for the downturn, but always with Uecker being on the field and the clubhouse before a game.
“In those early years, Ueck still was throwing batting practice,” Molitor said. “In spring training in Arizona, he’d be there in uniform at 7:30 in the morning, and always threw the first round of hitting.
“We also flew a lot of commercial flights back then. The team would get on first, then the other passengers came on. It was never, ‘Hey, there’s Rollie Fingers, there’s Robin Yount,’ it was always, ‘There’s Ueck. We love ya, Ueck.’ ”
Molitor said, in his view, Uecker had the best quality a celebrity meeting people could ask for: “He didn’t have to work at being funny. He was naturally comedic.”
Uecker was honored by the Baseball Hall of Fame for his excellence in broadcasting in 2003. Haudricourt put it this way: “Ueck was the absolute master of self-deprecation. I was in Cooperstown when he got the Ford Frick Award. They said to him, ‘You have 10 minutes.’ Ueck said, ‘I need 20.’
“And all those old Hall of Famers up there, the guys who come back every year and can’t stand long speeches … they were rolling in the aisles, tears rolling down their faces, elbowing each other in the ribs.”
Milwaukee, WI
Remembering Bob Uecker
Obviously, this is a Milwaukee Bucks blog. However, today, it’s more than that. Today, it’s not just a Milwaukee Brewers one as well, but a Milwaukee one.
Today, we lost an absolute legend in Bob Uecker.
Let me be frank. I don’t know where to start with this, so I’m just going to type out whatever comes into my head.
Bob Uecker embodied baseball to perfection. In its simplest form, baseball is a children’s game where all that’s needed is a ball and a stick.
When Ueck talked baseball, everyone felt transported back to that euphoric, childhood state where so many of us first found our love for the game.
Ueck achieved that in such an easy way — by being himself. Whether it was a close nail biter of a finish or the Brewers were getting trounced 14-1, it was always a must-listen. You never knew what stories would unfold with him behind the mic.
In a day and age where stats and accolades are endlessly analyzed and arguments of who’s the GOAT are overwhelmingly debated, Bob Uecker was the exact opposite.
By constantly making himself the butt of every one of his jokes, he brought not just laughs, but a sense of nostalgia association with the game of baseball from childhood, where smiles and laughter are the synonymous definitions of the game.
When I think of Ueck, that’s what I think of — my childhood.
Growing up, my family didn’t have cable. In fact, we’d finally get cable in 2008, which was the year the Brewers made their first playoff appearance since 1982.
Contrary to what my then 7th grade-self was thinking, I’m glad we didn’t have cable up until then. It allowed me to listen to Ueck on the airwaves.
It created an endless amount of memories that I’ll cherish the rest of my life.
I’ll never forget Eddie Pérez’s walk-off HR against the Reds in 2003 and Ueck’s, ““It hit the pole!” call. And then Wes Helms’ walk-off HR against the Expos in 2004. For that one, my brother and I were listening to a radio under our bed after we had been told it was bedtime, only to jump out of bed and run around the house (the excitement began before Ueck even started his second “Get up!” call.).
Then, you have the shared experiences that so many of us will treasure together. Sitting outside on a warm summer night, crickets chirping, the radio on, a warm breeze hitting your face, the smell of the grill tickling your nose, and Ueck’s voice gracing the airwaves.
When you sit back and remember those moments, you think back to the simplicity of it all. Bob Uecker, by being himself and just speaking words into a microphone, crafted himself as the voice of summer. And to me (and I’m sure many of you), that exact scene is, and will remain, the definition of summer.
So tonight, I welcome you all join me by heading out and to grabbing a pack of Usinger’s bratwurst and a pint of Cedar Crest ice cream to go along with it. That’s what I’ll be having for dinner.
And afterwards, I’ll be headed down to Miller Park (yes, I still call it that) to lay flowers by Ueck’s statue. If you’re in the Milwaukee area, please join me in doing so.
Ueck was Milwaukee. He was Wisconsin. Milwaukee Brewers games will never be the same. However, it’s through conversation with fellow fans that we’ll mourn, celebrate, smile, and joke about Ueck’s life — because that’s what he’d want us to do.
So, with that being said, I welcome you all to leave comments about some of your favorite Uecker calls. I know it’ll help me and I hope it’ll help you too.
RIP, Mr. Baseball. We’ll never forget you.
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