Lifestyle
Zorthian Ranch, 'a magical, deep labyrinth' of art, suffers major damage in Eaton fire
For years rumors swirled about a cult living on the secluded property at the end of Fair Oaks Avenue in the San Gabriel Mountain foothills bordering Altadena. There were stories of wild bacchanals involving nudists, and grand parties attended by the likes of artist Andy Warhol, jazz musician Charlie Parker and Nobel laureate physicist Richard Feynman.
Since 1946, the Zorthian Ranch had served as a haven for artists and creatives who wanted to escape the confines of urban living and find their bliss in a rustic paradise. The sculptor who founded the ranch, Jirayr Zorthian, transformed discarded objects into art. His family carried on that legacy after his death in 2004, and the property lived on as a sort of outdoor museum featuring artwork by established and new artists alike.
But last week, the Eaton fire ripped through the property, leaving mostly ashes in its wake. Jirayr’s son, Alan Zorthian, who oversees the ranch, fought alongside others to save the 40-acre estate and its eclectic collection of sculptures and artwork.
The Zorthian Ranch, pictured in March 2019, came to encapsulate an eccentric, untamed slice of Altadena.
(Hannah Taylor)
The ranch had survived wildfires in the past. Its caretakers had firefighting equipment, hoses and standpipes at the ready to draw water across different points of the property. But this firestorm, driven by hurricane-force winds, proved too fast and overwhelming. The blaze consumed every structure on the property save for two — the main house where Alan was raised and a mid-century home known as the “green house.”
But Alan’s one bedroom cottage, his father’s studio, the various barns and outbuildings that supported the farming operation and countless pieces of art are gone.
“I don’t know if I can duplicate 57 years of work,” Alan, 66, said this week, referencing the years his father devoted to establishing the ranch. A steel container that stores some of his father’s artwork survived, he said, but he’s afraid to open it; the outer shell shows signs of heat damage.
“I start to feel bad about the cultural infrastructure that we’ve lost,” Alan said. “But then I look around and I see what other people have lost. I mean, our whole area has lost everything.”
A stand pipe at Zorthian Ranch ran dry as Alan Zorthian attempted to fight the flames of the Eaton fire.
(Myung J. Chun / Los Angeles Times)
After erupting Jan. 7, the Eaton fire devastated large swaths of Altadena, a community of 42,000 residents, destroying more than 4,600 structures and killing at least 16 people. In some areas, entire blocks of homes were razed. The Bunny Museum, Pasadena Waldorf School and Zane Grey Estate are among the historic landmarks destroyed.
The Zorthian Ranch had come to encapsulate an untamed slice of Altadena: It was a brazenly bohemian scene, cloaked by forest, that attracted a range of artists, scientists and musicians. Bears, coyotes and mountain lions were regular visitors. Beehives, pig pens and horses coexisted. On clear days, the ranch offered a nearly panoramic view of downtown L.A. and Catalina Island.
Alan evacuated the property during the early hours of Jan. 8, leaving behind key documents and nearly all his belongings. He was forced to abandon his Jeep after the wooden bridge connecting the upper and lower portions of the ranch was incinerated. He crossed a deep gully full of ember and ash to escape.
“That was a barn,” he noted, pointing to a pile of rubble. His office, where he worked on architectural projects, was gone. Near the ruins of what was once his father’s art studio, he bent to pick up a piece of shattered white Masonite board. It was all that remained of a painting his father had crafted after an acrimonious divorce with his first wife.
The painting, titled “The Divorcement,” depicted Jirayr’s former mother-in-law in an unflattering light, and as part of the divorce settlement, could not be shown while Jirayr and his ex-wife were alive. But after their deaths, the painting was hung in a multipurpose room that doubled as a gift shop.
“There’s nothing left,” Alan said, defeated. He dropped the piece, which landed with a sharp crack. “It’s all gone.”
The “Wall of Passion,” which Jirayr Zorthian created as a tribute to physicist Richard Feynman, survived the Eaton fire.
(Myung J. Chun / Los Angeles Times)
Jirayr Zorthian and his family fled the Armenian genocide when Jirayr was 11. They ended up on the East Coast, and Jirayr eventually studied fine arts at Yale University on a scholarship. He served in the military during World War II, and after his Turkish language abilities were no longer needed, was tasked with creating propaganda. He painted a 157-foot mural titled “Phantasmagoria of Military Intelligence Training.” Photocopy plates of the mural survived the fire.
In 1945, Jirayr and his first wife, Betty Williams, bought 27 acres in the foothills of Altadena. After they divorced, Zorthian kept the land and continued to expand along the rugged foothills. He married Dabney, Alan’s mother, and together the couple ran the “Zorthian’s Ranch for Children” summer camp for more than 25 years.
With friends and fellow artisans, they would throw alchohol-fueled parties where Jirayr would dress in a toga, as “Zor-Bacchus,” and nude women would feed him grapes. They famously hosted tryouts for the Doo Dah Parade queen, an irreverent counter to Pasadena’s Rose Parade.
A view of downtown Los Angeles from a fire-damaged terrace at Zorthian Ranch.
(Myung J. Chun / Los Angeles Times)
For Alan, growing up on the ranch meant learning how to live off the land. He fed the pigs and horses and helped at the summer camp. Feynman even helped him with his algebra homework, he recalled. But when he turned 21, a trip to Europe exposed him to a life beyond the ranch, and he left to study architecture in San Diego.
He found himself back at the ranch in 2006, after both his parents died, to help manage it with his sister Alice. Over the years, their father, who opined on the wastefulness of Americans, had accumulated discarded objects and found ways to introduce them into his art. The property was cluttered with telephone poles, car doors, old trailers, broken concrete.
Alan said he was determined to create a “museum with no walls” that would showcase art created at the ranch. His daughters, Julia and Caroline, grew up spending weekends and summers there, running around property decorated in intricate sculptures and meeting people from around the world.
“The place itself was a sort of magical, deep labyrinth that was full of nooks and crannies of strange objects, out in the elements to be enjoyed by whoever wanted to walk by,” said Julia, now 29.
A bull and a cow that proved too difficult to evacuate during the Eaton fire remained in their pen at Zorthian Ranch and survived.
(Myung J. Chun / Los Angeles Times)
She moved to the ranch as a young adult, dropping out of college to help her father manage the ranch when it hit a precarious period of financial instability. They needed to find a way to stay true to their roots, she said, while also creating a viable business.
In recent years, the family transitioned the property into a working farm. They maintained four gardens, growing squash, potatoes, watermelons and oranges, and sold their honey. A community of about 20 people lived and worked at the ranch as docents, hosting drawing and yoga classes. Airbnb became a primary source of income, as artists rented out structures on the property, including Jirayr’s former art studio.
The family has launched a GoFundMe to keep the ranch afloat. So far, they’ve raised a little more than $100,000, with notes from people who remembered their time there.
But already, Alan said, he’s getting calls from real estate agents vying to buy out area residents and develop their land. The family is intent on keeping the property and returning the ranch to its former glory. As Alan sifted through the debris, he eyed a melted strip of aluminum.
“I guess we’ll have to make art out of this damn fire,” he said.
Lifestyle
‘The Invite’ is a marriage comedy with sex and heart
Lifestyle
L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?
I met Dan on Hinge.
He lives in Woodland Hills, and I live in Venice. In Los Angeles, this is considered a long-distance relationship. In another city it might be nothing. Here, it’s a factor.
But I believe that with the right person, you can make anything work, so I stay open. I’m a native New Yorker, and if I were living in Brooklyn and a guy lived on the Upper West Side, that would be a 45-minute subway ride, which is truly nothing in New York. So with that same logic, I try to have flexibility with men in L.A.
When we started planning our first date, Dan suggested three options: a hike on mushrooms, a wine tasting or a walk on the beach.
A hike on mushrooms is something I’d only do with someone I already trust, not someone I just met online. I don’t do first-date hikes because I don’t like feeling trapped if the guy’s a dud. So I chose the wine tasting.
Then I learned the wine tasting was in West Hills.
On a Friday night, driving there from Venice would be insane. So I said I didn’t want to meet there because of the traffic. He suggested Malibu. That was also not ideal on a Friday.
I was getting annoyed — this was a pink flag because in my dating world, the guy is supposed to come to the woman’s neighborhood in the early days. I’ve gone out with plenty of men from the Valley who effortlessly suggested they come to me. It’s not rare or impossible.
I suggested he come to the Westside. I didn’t specifically say Venice, and in hindsight, I probably should have. He landed on Brentwood, which was manageable for both of us. On our first date, we met at an Irish pub on Wilshire Boulevard. He was cuter and more interesting than I had expected, and with the Guinness flowing, we had fun.
When I got home, he texted me: “Well, I like you 🙂 Less the tik tok and the lack of rock music in your life, but it’s not a deal breaker — there are other qualities 🙂 What are your thoughts?”
I noticed the slight negativity but was mostly dazzled that a man texted immediately after the date to say he liked me. In the modern dating economy, this felt rare.
The next day, both of our evening plans fell through, so we made a last-minute date. The wine tasting he originally suggested still sounded like fun, and although it meant me driving to the Valley, I was up for it now that we’d met.
We sipped flights at Malibu Wines & Beer Garden in its airy, romantic courtyard and played a flirty version of Truth or Dare. Halfway through, he dared me to kiss him.
We ended with sushi on Ventura Boulevard and a short make-out session in his car. He invited me to Thanksgiving at his uncle’s, which felt too soon, but also sweet.
After the second date, he texted and said he had his kids that week and was also hosting an event on Thursday, so his only day to meet was Wednesday. I said great.
On Tuesday night, he checked if we were still on, and I said yes.
Then he texted: “I’m flexible on time but not on location. I have a big event on Thursday, hopefully you can come to me again.”
My stomach tightened. This again?
So I texted back: “I drove to you last time, which was a bit of an exception for me especially in the early days, but the wine tasting location sounded special. Usually guys come to my area. How about we switch it up this time?”
He replied: “I appreciate the effort! Because of my event, I’d rather be close to a computer just if needed … Here is what i offer:
— I’ll come to your area anytime next week/end
— Lunch/dinner on me
I want to continue where we stopped last time 😉 No pressure of course, but let’s snuggle”
I responded: “Ok let’s meet next week. Snuggles sound nice … let’s see what happens …”
Then he wrote: “So I won’t see you tomorrow?”
I replied: “Unless you wanna come to me and bring your laptop along, let’s rain check until you have more flexibility.”
He said: “Dang, you are hard. I’ll let you know tomorrow around midday if it’s ok.”
And then — surprise — he decided to come.
He drove to Venice for a 5 p.m. date. He said his ETA was 5 p.m., and it ended up being 5:25 p.m., typical 405 Freeway.
When he showed up, he was in a cranky mood. On our way to KazuNori in Marina del Rey, I thanked him for picking me up and told him I think it’s hot when the guy comes to the girl.
“You’re just saying that because you want me to come to you more,” he said, not playfully, but aggressively.
That was basically the end for me. But there I was, in his car, heading to dinner. So I stayed pleasant and tried to make the best of it.
I shared that in the early stages of dating, I find it’s good etiquette for the guy to come to the woman’s neighborhood. He immediately disagreed and started ranting about how dating rules are ridiculous and how they swing in women’s favor. He resented paying for dates and declared he wasn’t looking to “sponsor a woman’s life.”
“If women want equality and equal rights,” he said, “then it should apply all across the board, including dating, and the man shouldn’t have to pay.”
I said women don’t actually have equal rights because we get paid less than men and often receive lower salaries than men in the same position.
I tried to change the subject and reset the mood, but he insisted we keep hashing it out.
I tried to explain masculine/feminine dynamics: providing and protecting, giving and receiving.
“What does the man get out of this arrangement?” he asked.
It was like watching someone’s personality warp into Mr. Hyde. Then he brought up another point: He’s a single dad of two kids, so he gets tired; and because I don’t have kids, that should factor into who drives where.
At this point, I was barely engaging and focused on eating my hand rolls, and I couldn’t wait to get home.
The check came, and I happily split it, wanting nothing further from him.
In the car back to my place, he remarked: “It’s obvious we’re never gonna see each other again.”
Obvious, but did it need to be stated?
Then he showed me a Spotify playlist he’d made for me of his favorite electronic music, because he knows I like EDM.
“Oh, that’s sweet,” I said.
“Yeah, that’s how I show interest. Through things like this, not who drives to who,” he replied.
When I got out of the car, we wished each other luck, and I headed inside and shut the door.
Two hours later, he sent me the playlist. I’ve yet to listen to it.
It wasn’t the distance that ruined it. It was the resentment. I’m not looking for a man who feels burdened by the effort. I’m looking for a man who sees the value of courting a woman in the first place.
The author is a writer, comedian and former psychologist who lives in Venice. She is the creator of the new vertical series “Manfari.” She’s on Instagram: @solange_neue and @manfari.show.
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
Lifestyle
Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report
Lonnie Bunch III is the 14th Secretary of the Smithsonian. He’s pictured above in September 2017.
J. Scott Applewhite/AP
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J. Scott Applewhite/AP
In a memo addressed to staffers sent Tuesday, the secretary of the Smithsonian, Lonnie G. Bunch III, defended the institution after the White House issued a 162-page report that characterizes the National Museum of American History as a place which has become “subject to institutional capture by a radical, activist ideology that is fundamentally opposed to telling the noble, honest story of the great country we know and love.”
In his email, which NPR has obtained, Bunch wrote in part: “While there will always be room for improvement, this report is not a fair characterization of the work and totality of the National Museum of American History. At the Smithsonian, our work is driven by scholarship, accuracy and an uncompromising commitment to tell the fullness of America’s story. As public servants and the keepers of this institution, we are charged with helping a nation find understanding, hope and clarity and as part of that duty, we are dedicated to excellence, reflection and growth.”

He continued: “We remain focused on what grounds us: a steadfast commitment to scholarship, nonpartisanship, independence, accuracy and integrity. For nearly 180 years, the Smithsonian has worked alongside partners across government — from the White House to Congress to our governing Board of Regents — guided by our enduring mission to increase and diffuse knowledge. That purpose remains: to pursue knowledge with rigor and to serve the American public with clarity and care.”
The White House report was issued on July 4 by the Domestic Policy Council under the title “Saving America’s Story: How Ideological Capture at the Smithsonian Institution’s National Museum of American History Erases Our Heritage.”

The council faults the National Museum of American History on a multitude of fronts, saying it underemphasized the Founding Fathers and early colonial and Revolutionary history; was not sufficiently celebratory of the country’s 250th anniversary; and that it engaged in “anti-white,” “illegal alien” and transgender activism.
It also accuses the museum of trying to “indoctrinate” teachers and students through its exhibitions, programming and teaching resources.
In the report, the council also specifically criticizes museum director Anthea Hartig, who has led the National Museum of American History since 2019 and is concurrently the president of the Organization of American Historians, calling her “an activist advancing an ideological agenda contradictory to the museum’s founding purpose of fostering patriotism.”

The Trump administration has made the Smithsonian museums one of its primary targets in its efforts to reshape cultural narratives to align with its viewpoints. In August 2025, the White House requested a “comprehensive internal review” of eight Smithsonian museums, including the National Museum of American History, following an executive order issued by President Trump in March 2025 in which he called for the removal of “improper ideology” from the Smithsonian’s offerings.
According to the Smithsonian’s charter, all of its 21 museums, 14 education and research centers, and the National Zoo are meant to be run independently of the federal government. The Smithsonian is overseen by Bunch and a board of regents, which includes Vice President Vance, Supreme Court Chief Justice John Roberts and other members appointed by Congress.
In an interview with NBC’s Meet the Press on Sunday, Bunch spoke about the Smithsonian’s 250th anniversary special exhibition at the Smithsonian Castle, which is called “American Aspirations.”
He told NBC: “It’s really important for people to understand that America is much an ideal as it is a place, that it’s a series of aspirations that have really shaped who this country is. And so for me, what is so powerful is to say, ‘Let us honor the words of Thomas Jefferson and the founders, but let us use those to challenge us to be better.’”
Jennifer Vanasco edited this story.

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