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This Kansas photographer’s view of the Flint Hills tells of ‘fire and death and rebirth’

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This Kansas photographer’s view of the Flint Hills tells of ‘fire and death and rebirth’


When photographer Jim Richardson first pitched National Geographic Magazine on a story about his home state of Kansas, his editors at the time were focused on covering some of the most dramatic scenery in America.

“The biggies were getting all the attention,” Richardson remembers, almost two decades later. “The Grand Canyon, Zion National Park, and all the rest of those places that get inundated every summer with tourists.”

“I thought, why not propose something on the Flint Hills?” he says.

National Geographic is best known for photography, in-depth articles, and coverage of science, geography, history and global culture. At its peak, the magazine had a global circulation of more than 10 million copies per issue.

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“You really had to be on your game for the pictures to rise to the level that they would make it into the pages of National Geographic,” Richardson says. “You were looking for great weather, great drama.”

His assignment in the Flint Hills was a high-profile chance to spotlight one of the last remaining tallgrass prairie ecosystems in the world — a 4.5 million acre grassland spanning eastern Kansas and into north-central Oklahoma — and it was practically in Richardson’s backyard.

Riders patrol the edge of a raging grass fire on the prairie. Photographer Jim Richardson captured the drama of the annual ritual in the Flint Hills.

After more than five decades making pictures all over the world, Richardson’s been looking back at his Flint Hills project as he painstakingly digitizes his work.

His images from the Flint Hills gives Kansans a chance to experience an annual ritual that most will never have a chance to experience up close.

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The sun is obscured by clouds of smoke during a controlled burn near Council Grove, Kansas. Fires suppress woody plants and trees to create a unique ecosystem.

The sun is obscured by clouds of smoke during a controlled burn near Council Grove, Kansas. Fires suppress woody plants and trees to create a unique ecosystem.

“When you put a painting on the gallery wall behind the red velvet ropes, you figuratively tell people to look at this — ‘Isn’t this something?’” Richardson says. “That was what we did with the National Geographic story, was to get it to the place that we could say to people both inside and outside of Kansas, you know, ‘This is something.’”

On a 12-week assignment for National Geographic, Richardson would often shoot a thousand rolls of film. Those 36,000 images would be edited down to just a handful of photographs in the magazine. Each image had to be powerful enough to make an impression.

“It was never just sort of random shooting to keep the button going, but always trying to elevate the images,” Richardson says. “Many of those pictures would be redundant, because I went back to the same place over and over again, trying to get it to the place where you found something transcendent, so that eventually those really good images call out to you.”

Richardson’s years working for the magazine spanned a time when a shelf of National Geographic issues in American schools, libraries, and households was a mark of interest in a wider world.

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“It was a very clear sign of the era and that you were not just locked into the limits of where you lived, but that you could reach out further and understand things on a grander scale,” he says.

‘Fire and death and rebirth’

Like on any assignment, in the Flint Hills Richardson was looking to capture moments in time that were more than just a bunch of pretty pictures. They had to tell a bigger story.

“I wanted the seasons, but it wouldn’t be the seasons of summer or spring, but seasons like fire and death and rebirth — almost biblical, life-cycle seasons,” he says.

A fire glows at sunset just southwest of Council Grove, Kansas.

A fire glows at sunset just southwest of Council Grove, Kansas.

As fire season reaches its apex in late March and early April, billowing clouds of smoke often hang over Chase County, in the heart of the Flint Hills. The fires play a critical role in the life cycle of the prairie ecosystem.

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Fire stretches across a vast track of prairie. Ranchers set fire to the land to stimulate the growth of native grasses like big bluestem, little bluestem, and Indian grass.

Fire stretches across a vast tract of prairie. Ranchers set fire to the land to stimulate the growth of native grasses like big bluestem, little bluestem, and Indian grass.

“These grasses have evolved with fire,” Richardson says. “By February, they’re brown, they’re like standing tinder. They are meant to burn, and they burn ferociously well.”

The region plays host to between 400 and 600 different species of plants — mostly grasses but also many broadleaf varieties and wildflowers. Fire suppresses the growth of woody plants and stimulates the growth of native grasses like big bluestem, little bluestem, and Indian grass. The spring blazes also ignite a cycle of renewal, welcoming the return of insects, small mammals, birds and grazers.

“There’s actually a rather dynamic battle going on there and, by burning, they beat back all their enemies,” Richardson says. “You have to understand the trees are the enemy of the prairie and enemy of the grasses.”

What follows close on the heels of fire are brand new shoots of grass that gleam in the sun and feed the bison and cattle that graze there.

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“There’s an amazing phenomenon after the burn,” he says. “You can go out sometimes the next morning, look across to the hills that are now blackened, and you see this faint greenish glow on the cusp of the hills.”

An afternoon thunderstorm sweeps through the Flint Hills at the Tallgrass Prairie Preserve near Strong City, Kansas.

An afternoon thunderstorm sweeps through the Flint Hills at the Tallgrass Prairie Preserve, near Strong City, Kansas.

“Within five or six weeks, what had been blackened hills is the most verdant, emerald green of any green on the planet,” Richardson says.

In a little over a month, the blackened hills burst into a verdant, emerald green captured in this aerial shot taken north and east of Wichita.

In a little over a month after a burn, blackened hills burst into a verdant, emerald green, captured in this aerial shot taken northeast of Wichita.

Organizing the images of a lifetime

These days, when Richardson isn’t on the speaking circuit lecturing on his long career in photojournalism, he’s perched at a light table poring over a lifetime of images in his neatly-appointed office on North Main Street in the small, central Kansas town of Lindsborg.

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“The tedious part is finding all those negatives, finding the right one, and digitizing it, all of which is a huge time suck,” Richardson says. “It just takes huge amounts of time.”

He’s been busy organizing the many thousands of images to ensure his vast photo archive is accessible long after he is gone. It’s important work that will preserve his photographs for future generations.

Richardson has a strong presence on the web and almost all of his work is available online. He also owns Small World Gallery in Lindsborg with his wife, Kathy, and displays his photographs as fine art prints, posters and greeting cards.

“There comes a point in which the organization of all that stuff has an impact on whether or not it is going to live,” he said. “Photographs that don’t get seen are like the tree in the forest that falls and no one’s there to hear it,” he said.

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Richardson carefully organizes a sheet of slides taken while on assignment for National Geographic.

Julie Denesha

/

KCUR 89.3

Richardson carefully organizes a sheet of slides taken while on assignment for National Geographic. His assignment in the Flint Hills, almost two decades ago, was a chance to spotlight one of the last remaining tallgrass prairie ecosystems in the world.

This article was reported during a weeklong artist-in-residence program hosted by the Raymer Society, which preserves The Red Barn Studio in Lindsborg, Kansas, as a museum and provides cultural programming.

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Kansas City Chiefs heiress Gracie Hunt gets engaged to ex-NFL player’s son

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Kansas City Chiefs heiress Gracie Hunt gets engaged to ex-NFL player’s son


Gracie Hunt is engaged to Derek Green, the youngest son of former Kansas City Chiefs quarterback Trent Green.

The NFL heiress, who is the daughter of billionaire Chiefs CEO Clark Hunt, announced the exciting news in a sweet Instagram post on Saturday.

“It was always you,” Gracie, 27, wrote alongside a series of pics from Derek’s proposal.

Gracie Hunt and Derek Green (pictured here together in February) are engaged after a year of dating. graciehunt/instagram
The NFL heiress (seen here with her now-fiancé last month) announced the engagement news in an Instagram post on Saturday. graciehunt/instagram

The photos showed Derek, 26, down on one knee as he popped the question to his now-fiancée beneath an outdoor altar decorated with white flowers.

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Another featured the happy couple kissing, while a third showed the NFL heiress’s emerald-cut engagement ring, which was encrusted with white diamonds and a single emerald stone along the band.

The carousel of photos also included some of the pair’s family and friends filming the proposal and clapping in celebration after Gracie said “yes.”

Gracie’s mom, Tavia, took to her own Instagram over the weekend to celebrate her daughter and future son-in-law’s engagement.

The photos showed Derek (pictured here with Gracie last month) down on one knee as he popped the question beneath an outdoor altar. graciehunt/instagram
Gracie is the daughter of billionaire Chiefs CEO Clark Hunt (seen here with his wife, Tavia, and Gracie and Derek last month). graciehunt/instagram

“We’re getting another SON!!” the 54-year-old wrote on her Instagram Stories. “Gracie Green has a nice ring to it!!”

Tavia and Clark share daughters Gracie and Ava, 21, as well as a 23-year-old son, Knobel.

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“Forever looks so beautiful on these two,” Gracie’s mom continued. “God brought these two together in such a special way, and our hearts are overflowing with joy … We are so grateful for His hand in their lives and so excited for all that lies ahead.”

Gracie and Derek (pictured here together in February 2026) started dating in April 2025. graciehunt/instagram
Gracie (seen here with her parents and Derek in February) took to social media in July 2025 to say that she and Derek have been “friends since 2017.” graciehunt/instagram

Gracie first teased her and Derek’s relationship in a since-deleted Instagram video of them together at Arrowhead Stadium in Kansas City, Missouri, in April 2025.

“After meeting 7.5 years ago in this place… all along there was some invisible string,” she captioned the clip while quoting Taylor Swift’s song “Invisible String” from the pop star’s album “Folklore.”

Swift and Kansas City Chiefs tight end Travis Kelce, both 36, are also engaged. Kelce asked the “Fate of Ophelia” hitmaker to marry him in August 2025.

Gracie, meanwhile, returned to social media in July of last year to reveal that she and her now-fiancé have been “friends since 2017.”

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“After meeting 7.5 years ago in this place… all along there was some invisible string,” Gracie (pictured here with Derek in February) teased in an Instagram post last year. graciehunt/instagram
Gracie also included several nods to Taylor Swift (seen here together during a Chiefs game in December 2023) in her social media posts about Derek. Gracie Hunt/Instagram

“I’m dating my best friend,” Gracie wrote in the Instagram post with Swift’s “You Belong With Me” playing in the background.

Before dating Derek, Gracie was with real estate broker Cody Keith.

Keith wasn’t seen at the NFL heiress’s 26th birthday party in March 2025, nor in attendance for the Chiefs’ 2025 Super Bowl loss against the Philadelphia Eagles that February.





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Kansas City gets first look at 2026 Parade of Hearts sculptures ahead of summer display

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Kansas City gets first look at 2026 Parade of Hearts sculptures ahead of summer display


Kansas City gets first look at 2026 Parade of Hearts sculptures ahead of summer display

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MULTIPLE TIMES AND FIND NEW BOOTHS AND ARTISTS. THE METRO IS GETTING ITS FIRST LOOK AT ALL THE HEARTS THAT WILL BE FEATURED IN THIS YEAR’S PARADE OF HEARTS. THERE WAS A SNEAK PEEK EVENT AT THE OVERLAND PARK CONVENTION CENTER YESTERDAY. THE PARADE OF HEARTS SHOWCASES KANSAS CITY’S CREATIVITY AND HIGHLIGHTS LOCAL ART. EACH SCULPTURE WAS DESIGNED BY A LOCAL ARTIST AND WILL BE ON DISPLAY AROUND THE METRO. MY FAVORITE MOMENT IS JUST SEEING THE SMILES ON EVERYONE’S FACES AND THOSE PROUD MOMENTS WHERE YOU HAVE PARENTS SITTING THERE WATCHING THEIR KIDS. WE HAVE ARTISTS AS YOUNG AS NINE YEARS OLD, SEVEN YEARS OLD, AND THEN UP UNTIL CLOSE TO 80. SO WE HAVE ALL AGES REPRESENTED, SO WE SEE THEIR FAMILIES SUPPORTING THEM, AND IT’S JUST A GREAT MOMENT. AND SOON THE ART, THE HEARTS WILL GO TO THEIR DESIGNATED LOCATIONS ACROSS THE AREA. THEY’LL BE THERE ALL SUMMER LONG BEFORE BEING AUCTIONED OFF. THE PROCEEDS WILL GO TOWARDS SUPPORTI

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Kansas City gets first look at 2026 Parade of Hearts sculptures ahead of summer display

Updated: 6:26 PM CDT Apr 5, 2026

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Kansas City is getting an early look at one of its most recognizable public art displays.A preview event for the 2026 Parade of Hearts was held Saturday at the Overland Park Convention Center, giving attendees a first glimpse at this year’s heart sculptures.The annual event highlights local artists and showcases creativity across the metro, with each sculpture designed by a Kansas City-area artist.In the coming weeks, the hearts will be placed at locations throughout the region, where they will remain on display throughout the summer.Organizers say the installations are meant to encourage people to explore the metro while supporting the arts.At the end of the season, the sculptures will be auctioned off, with proceeds going toward supporting local artists.A full map of heart locations will be available online once installations are complete.

Kansas City is getting an early look at one of its most recognizable public art displays.

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A preview event for the 2026 Parade of Hearts was held Saturday at the Overland Park Convention Center, giving attendees a first glimpse at this year’s heart sculptures.

The annual event highlights local artists and showcases creativity across the metro, with each sculpture designed by a Kansas City-area artist.

In the coming weeks, the hearts will be placed at locations throughout the region, where they will remain on display throughout the summer.

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Organizers say the installations are meant to encourage people to explore the metro while supporting the arts.

At the end of the season, the sculptures will be auctioned off, with proceeds going toward supporting local artists.

A full map of heart locations will be available online once installations are complete.

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Where to watch Milwaukee Brewers vs Kansas City Royals: TV channel, start time, streaming for Apr. 5

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Where to watch Milwaukee Brewers vs Kansas City Royals: TV channel, start time, streaming for Apr. 5


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Baseball is back and finding what channel your favorite team is playing on has become a little bit more confusing since MLB announced plans to produce and distribute broadcasts for nearly a third of the league.

We’re here to help. Here’s everything you need to know Sunday as the Milwaukee Brewers visit the Kansas City Royals.

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What time is Milwaukee Brewers vs Kansas City Royals?

First pitch between the Kansas City Royals and Milwaukee Brewers is scheduled for 2:10 p.m. (ET) on Sunday, Apr. 5.

How to watch Milwaukee Brewers vs Kansas City Royals on Sunday

All times Eastern and accurate as of Sunday, April 5, 2026, at 10:03 a.m.

  • Matchup: MIL at KC
  • Date: Sunday, Apr. 5
  • Time: 2:10 p.m. (ET)
  • Venue: Ewing M. Kauffman Stadium
  • Location: Kansas City, Missouri
  • TV: Royals.TV and Brewers.TV
  • Streaming: MLB.TV on Fubo

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MLB regional blackout restrictions apply

MLB scores, results

MLB scores for Apr. 5 games are available on usatoday.com . Here’s how to access today’s results:

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See scores, results for all of today’s games.



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