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‘Willy House’ in Somerset still on the market 10 months after it was first listed

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‘Willy House’ in Somerset still on the market 10 months after it was first listed

One million-pound mansion generally known as ‘Willy Home’ for its phallic-shaped topiary is again available on the market nearly a yr after it was put up on the market – but didn’t promote. 

The property, within the village of Cross, Somerset, the place Carry-On star Frankie Howerd lived for a lot of his life, has been turning heads for many years with its putting entrance backyard lined with items of titillating topiary – main native college kids to dub it ‘Willy Home’.

Overlooking the Mendip Hills the six-bed residence – which is actually referred to as The Yews – is available on the market for £1m – £75,000 greater than it was first listed in October 2021. 

The seventeenth Century mansion has 4 spacious bedrooms on the primary ground, one other room in its ‘west wing’ which incorporates a lounge and an en suite, and a indifferent cottage with bed room, kitchenette and bathe. 

The property additionally boasts four-and-a-half acres of land and comes with a steady room, conservatory, potting shed and a tack room for the storage and upkeep of driving tools. 

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It additionally boasts a glass backyard room stretches into a big patio backyard, with the rear corridor providing up important area for coats and boots, with the home having easy accessibility to the gorgeous countryside.

The million-pound ‘Willy Home’, which sits within the leafy village of Cross, Somerset, has a entrance garden adorned with six phallic-shaped bushes 

Another understated kitchen with beautiful black tiles, wooden cupboards and a smooth glossy surface to prepare meals on

One other understated kitchen with lovely black tiles, wood cabinets and a easy shiny floor to arrange meals on

This rustic living space has a small fireplace for the winter months complete with wood-burning stove, polished wooden floor boards and plenty of storage space in quaint wooden cupboards

This rustic dwelling area has a small fire for the winter months full with wood-burning range, polished wood ground boards and loads of space for storing in quaint wood cabinets 

Overlooking the Mendip Hills in Bristol the six-bed property is on the market for £1m - £75,000 more than it was first listed in October 2021

Overlooking the Mendip Hills in Bristol the six-bed property is available on the market for £1m – £75,000 greater than it was first listed in October 2021

The home's large front garden is framed by six pieces of striking, phallic-shaped topiary leading to its front gate

The house’s giant entrance backyard is framed by six items of putting, phallic-shaped topiary resulting in its entrance gate 

The house sits in the same village where Carry-On star Frankie Howerd lived for much of his life

The home sits in the identical village the place Carry-On star Frankie Howerd lived for a lot of his life 

The sellers have been in the home for 25 years, with the earlier homeowners conserving it within the household for over two centuries.

UCL Linguistics lecturer Dr Beth Malory, who noticed the home on-line, laughed: ‘Fascinating topiary.

‘Rightmove is a goldmine of weirdness!’

Property brokers Roderick Thomas, who’re promoting the home, stated: ‘The well-arranged gardens embrace splendid yew timber which for manwwwwy years have been great examples of topiary.

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‘There are additionally walled courtyards, numerous parking areaw, lawns, flower and shrub beds and a vegetable backyard.

‘The Yews is an distinctive property relationship again to the seventeenth century and believed to have hyperlinks with the close by outdated teaching inn.

‘It’s a property with historic hyperlinks, character and magnificence and substantial property plus additional potential.

One of the pad's three bathrooms is neatly decorated in pink and white with toilet, sink, bath and bidet with gold coloured taps

One of many pad’s three loos is neatly adorned in pink and white with rest room, sink, bathtub and bidet with gold colored faucets

This dining room has stripped back décor, with a simple wooden table, beige coated walls, sizeable black fire place and old stone flooring

This eating room has stripped again décor, with a easy wood desk, beige coated partitions, sizeable black fireplace place and outdated stone flooring

One of the million-pound mansion's six bedrooms, there are four on the first floor, one in the property's 'west wing' and another in a cute cottage

One of many million-pound mansion’s six bedrooms, there are 4 on the primary ground, one within the property’s ‘west wing’ and one other in a cute cottage

‘The property stands again from the village lane with its magnificent 200 yr outdated Yew timber dominating the backyard.

‘Standing additional again is the good-looking home with its farmhouse character, interval particulars and beneficiant lodging.’

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Topiary is the coaching of crops to develop right into a form by clipping branches and twigs to create and keep clear patterns.

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Lifestyle

Portraits of the Golden Globe Winners, From Backstage

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Portraits of the Golden Globe Winners, From Backstage

The Los Angeles-based photographer Chantal Anderson was backstage at the Beverly Hilton Hotel on Sunday, where she photographed Golden Globes winners for The Times.


Best Performance by an Actress in a Motion Picture, Musical or Comedy

“I had a woman say to me, ‘Just know you will never be enough, but you can know the value of your worth if you just put down the measuring stick.’ And so today I celebrate this as a marker of my wholeness and of the love that is driving me, and for the gift of doing something I love.” Demi Moore in her acceptance speech.


Best Performance by an Actor in a Motion Picture, Musical or Comedy

“Our ignorance and discomfort around disability and disfigurement has to end now.” — Sebastian Stan in his acceptance speech.

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Best Television Series, Drama


Best Motion Picture, Non-English Language and Best Motion Picture, Musical or Comedy

“In these troubled times, I hope ‘Emilia Pérez’ will be a beacon of light.” — Director and writer Jacques Audiard in one of his acceptance speeches about “Emilia Pérez.”


Best Performance by AN ACTRESS in a TELEVISION Supporting Role

“‘Baby Reindeer’ has changed my life in ways I can’t even explain, so thank you for everything. I can’t believe this is happening to me, and I know that 8-year-old me wouldn’t, either.” — Jessica Gunning in her acceptance speech.

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Best Performance by AN ACTRESS in a Television Series, Drama

“Thank you to the voters for voting for me — even though I would vote for Kathy Bates any day.” — Anna Sawai in her acceptance speech.


Best Performance by an Actor in a Motion Picture, Drama

Best Performance by an Actress in a Motion Picture, Drama


Best Motion Picture, Animated

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“This is the first time a film from Latvia has been here, so this is huge for us.” — Gints Zilbalodis, the director of “Flow,” in his acceptance speech.


Best Screenplay, Motion Picture


Best Performance by an Actor In A Television Series, Drama

“I’d like to say, for the young actors and creators in the world: Please be yourself, believe yourself, and never give up. Good luck.” — Hiroyuki Sanada in his acceptance speech.


Best Performance by AN Actor in a Television Supporting Role

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“So maybe you don’t know me: I’m an actor from Japan. My name is Tadanobu Asano. Wow!” — Tadanobu Asano in his acceptance speech.


Best Performance by an Actress in a Supporting Role in any Motion Picture


Best Limited Series, Anthology Series or A Motion Picture Made for Television

“A lot of people sometimes ask me why ‘Baby Reindeer,’ why a show this dark, has gone on to be the success that it’s had, and I think, in a lot of ways, people were crying out for something that kind of spoke to kind of the painful inconsistencies of being human.” — Richard Gadd, creator and star of “Baby Reindeer,” in his acceptance speech.


Cinematic and Box Office Achievement

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“My parents came to this country and loved ‘The Wizard of Oz.’ They told us about the yellow brick road and the rainbow, a place over the rainbow, all your dreams come true if you dare to dream it. So when I’m up here looking at you, living the dream and looking at this beautiful, beautiful cast — it is more beautiful than I ever thought it could be.” — Jon M. Chu, the director of “Wicked,” in his acceptance speech

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Busta Rhymes Flexes 64-Pound Weight Loss in Shirtless Thirst Trap

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Busta Rhymes Flexes 64-Pound Weight Loss in Shirtless Thirst Trap

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Nikki Glaser’s Monologue and Other Moments From the 2025 Globes

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Nikki Glaser’s Monologue and Other Moments From the 2025 Globes

The bar wasn’t set very high for the Golden Globes on Sunday night. After last year’s host, Jo Koy, memorably bombed, the emcee this year, Nikki Glaser, could hardly do worse. But she wasn’t content to merely do better. After workshopping her opening monologue in dozens of club appearances over the holidays, she killed when it counted, cracking up the stars on hand at the Beverly Hilton in Beverly Hills, Calif., and winning over viewers on social media. The rest of the night went more or less smoothly, with a mix of expected and surprise winners. But it wouldn’t be an awards ceremony if there weren’t some truly off-kilter moments. Here are the highs and lows as we saw them.

When Glaser began putting together her Golden Globes monologue in early December, she told her writing staff, “Don’t be scared to be weird.”

You saw evidence of this in her stellar monologue on Sunday, which included the kind of hard punchlines she is known for, including a good insult of Paramount+ and a joke about the effect of Sean Combs’s arrest on the after-party. But there was also an impression of Adam Sandler pronouncing Timothée Chalamet’s name that was just pure silliness — Sandler even joined in. Glaser doesn’t usually do impressions, but she committed and it went over really well, adding to the celebratory, fun tone to kick the night off.

If there was a joke that crushed in every test run, it was probably when she mentioned a few nominees: “‘Wicked,’ ‘Queer,’ ‘Nightbitch,’” then added “Not just things Ben Affleck yells after sex.” On Sunday, it killed again. — Jason Zinoman

Glaser’s night started on the red carpet with a billowing strapless gold ball gown. For her first onstage appearance, she changed into a sequined silver sleeveless gown. By 8:30, she was on her third dress of the night. An hour into the ceremony, she was on Dress No. 5 (a sequined pink sleeveless stunner). By the end of the night, she had donned what seemed like 47 more. All that was missing? We’d have loved to see a dupe of Demi Moore’s viral yellow “Substance” coat. — Sarah Bahr

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Thus far, it’s been an excitingly unpredictable awards season, and though the Globes certainly gave a lot of hardware to already-strong contenders like “Emilia Pérez” and “The Brutalist,” it still feels like a wide open field. In the acting races, unexpected wins for the likes of Demi Moore, Fernanda Torres and Sebastian Stan produced some of the most heartfelt speeches of the night and made already competitive Oscar categories even harder to predict. And a total shutout of “Anora,” which went into Sunday flying high, means that little is decided this season, a fun development after several years in which the ultimate Oscar winners seemed a foregone conclusion long before the Globes weighed in. — Kyle Buchanan

Given that Hollywood awards shows celebrate the art of playing a role, perhaps it shouldn’t have been a big surprise that the dominant trend of the 2025 Globes red carpet was … retro role-playing. Ariana Grande did her best Audrey Hepburn impression in 1966 Givenchy couture; Selena Gomez channeled Jackie Kennedy in ice-blue Prada and a stylized bob; and Nicole Kidman and Margaret Qualley sported enormous Catherine Deneuve bouffants — all in a sea of mostly traditional tuxedos.

You can call it a return to classicism, or a retreat to the past, or the legacy of Joan Rivers, who instilled the fear of mockery in celebrities everywhere. But by the time Elle Fanning and Monica Barbaro had arrived in their newfangled Balmain and Dior versions of oldfangled 1950s ball gowns, it was hard not to wish that the stylists and designers working behind the scenes would start facing forward rather than back, and convince their clients to take a few more (unscripted) risks. — Vanessa Friedman

Read more about the red carpet looks.

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While the Globes have no direct bearing on Oscar nominations, academy members are surely paying attention, and Demi Moore, who won for “The Substance,” may have landed herself a spot in the best actress category with her rousing speech. Both poignant and relatable, Moore spoke movingly about her career struggles over more than 30 years, including being told she was a “popcorn actress.” She added that she had received the “bonkers” script for “The Substance” when she was at a low point in her career, thinking she was done.

But at 62, Moore has had a reversal of fortune and the stars in the room cheered her on, some even giving her a standing ovation. Thinking of “those moments when we don’t think we’re smart enough, or pretty enough, or skinny enough, or successful enough, or basically just not enough,” Moore said, a woman told her, “Just put down the measuring stick.” — Nicole Sperling

Many Golden Globe nominees have been to the Beverly Hilton before. And although the Globes are now a more serious operation than they once were, actors still treat wins with varying levels of reverence. That made Tadanobu Asano’s acceptance speech for “Shogun” stand out. It was his first win, on his first nomination, and it showed. “Maybe you don’t know me,” he began. “I’m an actor from Japan. My name is Tadanobu Asano. Wow!” His peers stood and cheered him on. And as he grinned and clutched his award, he added: “This is a very big present for me!” He sure seemed like he meant it. — Matt Stevens

The award for “cinematic and box office achievement” debuted in 2024, and this year it was, unsurprisingly, given to “Wicked.” The official criteria is that it is the “most acclaimed, highest-earning and/or most viewed” feature, which basically describes every nominated film. But it also must have made $150 million worldwide, with at least $100 million domestically, which is pretty much the dictionary definition of a blockbuster. (“Wicked” finished 2024 with well over $680 million worldwide.)

This is a weird award to give out, and its presenter Vin Diesel made it even weirder by contrasting, in his preamble, his own “Fast and Furious” series and the work of Steven Spielberg (who invented the summer blockbuster with “Jaws” in 1975). But it’s also just a tad participation trophy-ish to hand out a golden statue to celebrate a movie making bank at the box office, no matter how fun the movie is. To quote Don Draper: “That’s what the money’s for.” — Alissa Wilkinson

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Amid an onslaught of commercials for weight loss injections and various pharmaceutical creams, pills, drops and supplements, Nikki Glaser took some of the usual potshots at Hollywood’s penchant for plastic surgery. “I love where you put your cheekbones!” she riffed to the audience in her opening monologue.

But unlike other hosts, she acknowledged that she had been getting her tweaks on, too. Claiming, with air quotes, that she had started healthy habits like “drinking more water,” she said: “I love how meditating removes your eyelids” — aka the common tuck known as an upper bleph. “I learned nothing from ‘The Substance,’” she added.

That that movie, a feminist body horror tale, won Demi Moore her first Globe for playing an aging star who finds a grotesque way to youthify herself, only added to the evening’s hall of mirrors. — Melena Ryzik

Hey, did you know that Mindy Kaling was named after the TV show “Mork & Mindy?” Or that Zoe Saldaña’s go-to karaoke song is “Piece of My Heart”? The Golden Globes went all “Pop-Up Video” during the telecast, sharing these “facts” about winners and presenters via onscreen text. At first, the addition seemed semi-clever, but it all became too much when the announcer shared more facts on top of the ones we had to read. Even if you’re celebrity-obsessed, this turned out to be T.M.I. — Mekado Murphy

I found the trivia at the Golden Globes to be refreshingly weird. Awards season fun-facts can feel so canned: who spent time with who to prepare for a role, when was the last big win for a nominee. T.M.I. or not, my night was greatly improved by learning that Demi Moore is an avid doll collector with a separate residence to house her more than 2,000 vintage dolls. — Annie Aguiar

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The Globes are a notoriously boozy affair, but after “Hacks” won for best television comedy, Paul W. Downs, a co-creator of the series, warned against giving his star a celebratory drink. The show is currently in production on its fourth season, and a 6 a.m. call time awaited the cast and crew the next morning.

“So if Jean Smart asks you for a shot, please do not give it to her, OK?” Downs said. “Kate Winslet, I’m looking at you, wherever you are. Give her water.” The camera cut to Winslet, who shook a finger at Downs. Downs relinquished, “Just a little shot. Maybe one.” — Esther Zuckerman

Elton John reacted like a proud parent when he announced that Trent Reznor and Atticus Ross had won best original score for “Challengers,” yelping with utter, seemingly genuine delight. He was a good stand-in for those of us in the audience who were thrilled to see a win for that thumping, propulsive music. When Reznor and Ross took the stage, John could be seen grinning eagerly behind them, as if he had just won himself. — Kellina Moore

For an ostensibly glamorous ceremony, the show itself looked terrible onscreen. Presenters were filmed awfully close up, giving everything a harsh and casual vibe. The swirling camera work during some of the acceptance speeches felt like the red carpet slo-mo booth had broken out of its enclosure. And presenters did not face the entire theater, but rather turned directly to a camera off to one side. Seth Rogen called it out, saying “It’s inelegant. It’s strange. This whole half of the room can see my bald spot. I would have filled that in. I said no, but I regret that now.” — Margaret Lyons

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