Lifestyle
Tiny Love Stories: ‘You Have to Let Your Gut Lead’

The Words I’d Been Waiting For
The word “love” was not in his vocabulary. Hugs made him tense. He was critical of his children, but bragged about us to others. Near the end, I sat in his hospital room, working while he slept. I looked up to find him gazing at me, misty-eyed. “I really like you,” he said, struggling to speak and breathe. I laughed, then cried, realizing I would never hear the words I had been waiting for. Only much later did I understand that I had. — Gila Silverman
Gathering Valuables
We see flames from our porch. No mandatory evacuation — yet. But my husband and I agree. Let’s prepare. I take my parents’ wedding album. My typewritten play that only exists on paper. I scan shelves, drawers, closets. Thumbing through love letters and legal docs. Why this, and not that? Beyond practicalities, you have to let your gut lead. My husband harnesses our dog. Our cat is asleep. “Let him be,” my husband whispers. We sit, waiting. Wiggling dog on one side. Purring cat on the other. Leash and carrying case ready to gather what is most valuable. — Rochelle Newman-Carrasco
Thinking Back to the Beginning
We sat across from one another at a cafe in Indianapolis on my 50th birthday, with no idea what was to come. We were two gay men who’d collectively spent over four decades married to women. I wish I could go back and have our conversation all over again. I’d whisper to him that I was going to be his and his alone. Tell him that in just four days we’d be crazy in love. That in two months, we’d be engaged. That in eight, we’d be married, till death do us part. — Matthew Bays
‘Don’t Worry About It’
At school, my friend was talking to a boy I hadn’t met before. I decided to introduce myself. When I asked for his name, he responded, “Don’t worry about it.” Confused, I later asked my friend about the interaction. She said, “If you get to know him, he’ll tell you.” Weeks later, I heard them talking again, and she addressed him by name. Armed with this precious information, I sidled up to them and also addressed him by name. Aghast, he asked, “How do you know my name?” I told him, “Don’t worry about it.” (Now well-acquainted, we three are friends.) — Kaitlyn Borbon

Lifestyle
Dental offices don't need to be sterile holding pens. This Beverly Hills project is plush, pink and magical

Can I interest you in a trip to the dentist? No? Not exactly the trip you’re looking to win on a game show, is it? Most people, myself included, fear and loathe the dentist. Maybe not the actual people, who are usually sunny and chipper in contrast to their grisly work, but certainly the actual act of being worked on by one of them. The standard dentist’s office is sterile, gray and utilitarian. Maybe there’s a poster telling you to “hang in there,” with a picture of a cat gripping a tree branch on it. Maybe they play the most inoffensive radio station they could find while you wait in a seat that looks as though it was borrowed from an airport in the 1990s. It’s not an experience designed to inspire or offer a sense of calm. It’s a holding pen for a torture chamber.
But what if it wasn’t? That’s the question Kiyan Mehdizadeh asked when he decided to renovate the 12th floor of a mid-century office building on Wilshire Boulevard for his dental practice in Beverly Hills. When Mehdizadeh — who does mostly cosmetic work like veneers, implants and gum work — committed to opening a third office for his business, he sat down and thought about what he wanted the experience of dental work to feel like. When I saw the space he created with the design firm of Charlap Hyman & Herrero — lush carpets, wooden walls, Italian Dominioni chairs and monochromatic color schemes that recall the best of 1960s and ’70s design — I referred to it as opulent. But Mehdizadeh doesn’t see it that way.


“Opulent isn’t the word I would use,” he told me over Zoom. “I like the word salubrious, like something that gives life, you know what I mean?”
A typical visit to the dentist doesn’t give life as much as it gives anxiety. Someone is going to stick a tube in your mouth, prod you with shining metal implements, and chances are strong you will bleed at some point. Worse yet, if you’re having a major surgery done, and you’re zonked on anesthetic, a room full of strangers will see you being dragged by your spouse/best friend/co-worker/bored neighbor you promised to buy dinner for on some undetermined night. Your mouth will be full of gauze or cotton balls and your eyes will be half-closed like last call at a sports bar. Mehdizadeh and the designers Adam Charlap Hyman and Andre Herrero — who work in both architecture and interior design and recently designed the 2024 New York Fashion Week dinner for Thom Browne — had an answer for that too: a circular office. Charlap Hyman & Herrero aimed to create a unique space that causes you to experience each and every room differently. Those rooms take you on a journey that inevitably leads to the exit.
You start in the lobby, head to a cozy waiting room that feels more like someone’s house than a dentist’s office, and then are shuttled to a stark white operating room filled with light from adjacent windows on the other side of the hall. When you’re done, you follow the circular path back out to the exit. The halls are lined with Mehdizadeh’s personal art collection, which includes works from Cy Twombly, Leonor Fini and more. There’s even wallpaper in the bathroom with drawings from erotic artist Tom of Finland, which certainly sets quite a tone for visitors. It’s all quite a step up from the “hang in there” poster. All of this happens in a continuous loop, without you ever being seen by another patient. No matter where you are in the office, you’re technically on your way out.


Wallpaper in the bathroom with drawings from erotic artist Tom of Finland.

“It was the design team’s idea to make this little monolith in the middle of the office with the circular hallway on the outside,” Mehdizadeh says. “[W]hen they started talking about traffic flow, they were thinking of it like the way traffic flows in a hotel hallway or in a large home or something like that. They weren’t thinking of it in terms of dentistry — they brought this completely fresh perspective.”
Dentistry should ideally be a bit private, shouldn’t it? The invasive nature of it — gaping mouths, drool and other bodily fluid on full display — makes it an activity that makes us all feel deeply vulnerable. You’re prone, strapped into one of those reclining chairs and prepped for an excruciating afternoon. At least when you were a child, there were prizes at the end if you were good. I would always task myself with being as still as possible during my cleanings. If I could be the most perfect, cooperative patient, I thought, maybe I can take two prizes from the treasure chest. I never got a second prize. One prize per child was the stated policy and there would be no deviation. Maybe that’s why I’m still so unnerved by going to the dentist. Not only is it physically terrifying, but it also reminds me of the limitations of my charm.

There is no reward for being still in Mehdizadeh’s dentist chair other than something resembling peace. What Charlap Hyman & Herrero created was a place for reflection. You can lie prone on a plush red couch and ponder the nature of existence. You can be enveloped by a floor-to-ceiling pink room that looks like something out of the Barbie movie. Every room is its own environment, carefully crafted to make you feel something magical. These waiting rooms ideally get you to a place of inner peace before your entire mouth is rattled and you potentially lose sensation in your gums. But once you’re out of the chair and on your way, you’re one step closer to aesthetic nirvana.
The perfect smile can be the key to self-esteem, to happiness, to personal connection. Even more than our eyes, our smile is the key that unlocks trust amongst strangers. A flashy, warm smile has the power to disarm. We trust dentists so that they can help us earn trust from others. How does a dentist — with their drills and picks and other tools — earn trust from a patient? Well, as Kiyan Mehdizadeh’s office proves, having good taste certainly helps.

Photography courtesy of Charlap Hyman & Herrero.
Lifestyle
My Dad’s Death Taught Me How to Pray

As part of “Believing,” The New York Times asked several writers to explore a significant moment in their religious or spiritual lives.
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I was many weeks into reciting kaddish, the traditional Jewish prayer of mourning, for my father when I realized I did not know how to pray.
Oh, I knew the words and the melodies for the daily services I was attending — my father made sure of that, bringing me and my sisters to synagogue every Shabbat of our childhoods. I even knew what they meant, thanks to seven years at a Hebrew-speaking summer camp and four serving as Jerusalem bureau chief of The New York Times. I knew the choreography: when to sit, stand, bow, touch my fingers to my forehead or open my palms skyward.
I knew it all well enough to occasionally take my rightful place, as a mourner, leading the little group at my local Conservative synagogue some Sunday mornings.
What I was clueless about was God. How to talk to God, how to think about God, whether I believed in God, what he — my father — had believed. I knew what the words of the ancient texts meant in English, but not what they meant to me.
I decided maybe a year before Dad died that when the time came, I would take on the obligation of saying the Mourner’s Kaddish daily for 11 months, as outlined in Jewish law.
I had always found Jewish mourning rituals to be the most powerful part of our tradition. The communal aspect spoke to me: Kaddish is one of the prayers that require a quorum of 10 Jews, known as a minyan, and I appreciated both that I had to show up in public to fulfill this commandment and that strangers had to show up to make it possible. The daily commitment was daunting, but also appealing; a challenge, an opportunity, a statement to myself, to everyone around me and to my dead father that he and our tradition mattered to me.
Kaddish was also something I associated with Dad, whose booming voice whenever he was reciting the prayer on the anniversary of a loved one’s death still echoed in my head.
In the days following his death at 82, some of the loveliest memories people shared with us revolved around this ritual. How Dad made sure that prayer leaders did not go too fast for newbies or drown out women. Or how Dad had reconciled with his own father after decades of distance so he could say kaddish for him with less baggage.
I was excited, as a feminist and mostly Reform Jew, to take on an obligation that historically was the province of Orthodox men. The pandemic had made kaddish much more accessible and diverse: There was a Zoom minyan somewhere to dial into most hours of the day, some rooted in the traditional morning service, others involving meditation, study or song.
Everything made sense except the prayer part.
Kaddish may be the most famous Jewish prayer, infused into the broader culture — Sylvester Stallone recited it in “Rocky III,” and one of Allen Ginsberg’s most famous poems shares its title. It dates back to the first century B.C., and its Aramaic text does not mention death. Rather, it is a paean to God’s strength and sovereignty.
May your great name be blessed for ever and ever, is the central line. Blessed are you, whose glory transcends all praises, songs and blessings voiced in the world.
Scholars interpret this prayer being used for mourning as a declaration of acceptance that death is part of God’s plan. That works if you believe there is such a plan; if you believe in God; if you know what you believe.
Most mourners say kaddish in the same place most days, but my Reform synagogue only has services on Shabbat, so I stitched together a mosaic of minyans. (I’d decided to say kaddish once daily, not the traditional three times, usually at a morning service.)
On Sundays, I went to the Conservative shul in my town, and on Fridays, the Reconstructionist one. The other days, I’d video call into congregations across the United States, sometimes joining the ones where my sisters were saying kaddish, in Washington and Chicago. I said kaddish at a joint Passover-Ramadan breakfast, aboard New Jersey Transit commuter trains and outside a refugee center in Tbilisi, Georgia. I was good at focusing on Dad during the kaddish itself. But during the rest of the half-hour service — listening to the other prayers, reading memorial messages posted in the virtual chat on the side of the screen — my mind often wandered. Sometimes I checked Slack or email. I worried that I really wasn’t doing it right.
Back in religious school, I’d learned the mystical concept of keva and kavanah, Hebrew words that translate to “routine” and “intention.” The idea is that if you chant the same words every day, eventually, moments of connection will come. Kavanah is also translated as “sincere feeling” or “direction of the heart.”
I remembered asking, as a kid, how we would know when we got to kavanah. I don’t remember getting a good answer. Decades later, I was stuck in rote recitation — keva, keva, keva.
Until, as part of a Jewish study retreat in Maryland, I went on a walk in the woods with Rabbi Brent Chaim Spodek.
He called it a “soul stroll,” which sounded pretty hokey, but also as if it had a decent chance for kavanah. He led a little group on a light hike around a pond, stopping at beautiful spots to offer a few thoughts about the meaning of our familiar prayer book.
When we got to the central prayer, 19 blessings known as the Amidah, Rabbi Spodek summed it up as “Wow! Please? Thank you.” And that’s where it happened. I learned how to pray on my own terms.
“Wow” — shevach in Hebrew, or praiseworthiness — is about God’s awesomeness. Rabbi Spodek said he spends a minute or two pondering the miracle that is creation. That there is a (narrowing) climate in which humans can thrive. Plants and animals to nourish us.
“Please” — bakashot, or requests — is where we ask for things. Let my husband’s surgery succeed. Help my kid find his footing. Make me listen more. Big things, hard things, things we really need.
“Thank you” — hoda’ot — is like a gratitude journal. A yummy breakfast. A talk with an old friend. A walk in the woods.
It was hokey. But it worked. For the rest of my 11 months, whenever my mind wandered, I’d close my prayer book and close my eyes and try a little wow-please-thank you.
It did not instantly transform me into a believer. I still struggle, especially on the “wow” part, sometimes finding myself wow-ing God for making humans who figured out some technological, athletic or artistic miracle.
There are always plenty of pleases. And thanks, especially, for the nine other Jews who showed up so I could say kaddish for Dad, whatever he believed.
Jodi Rudoren is head of newsletters at The New York Times, where she previously spent 21 years as a reporter and editor. From September 2019 to April 2025, she was editor in chief of the Forward, the leading Jewish news organization in the United States.
Lifestyle
Gisele Bündchen Shares First Look at Child with Joaquim Valente

Gisele Bündchen
Another Reason to Celebrate Mother’s Day …
First Look at Newborn!!!
Published
Gisele Bündchen‘s got one more reason to celebrate Mother’s Day … and, she couldn’t help but share a snap of the kid — giving fans a first look at her son with Joaquim Valente!
The model shared a pic of the kid’s back … decked out in a white sweater with “I ♥️ Mom” written across the back of it. The boy’s holding tight to Gisele — face over her right shoulder and away from the camera.
Another pic shows Gisele, all of her kids and Valente embracing … with a heart strategically placed over her newborn’s face to obscure his features.
The two pics are part of a larger Mother’s Day Post … in which Gisele uses her caption to tell fans she’s been busy living life in recent months — though she admits she’s also keeping many of her recent developments to herself.
Gisele says she misses her mother quite a bit on the holiday … but adds her heart is full — ’cause being a mom is a wonderful gift that constantly teaches and fills her with gratitude.
She finishes off her caption by writing, “To all the mothers out there, your love shapes the world in ways words can’t describe. I see you, I honor you. Happy mother’s day! Sending so much love your way! ❤️”
As you know … Gisele gave birth to her third child in February — a boy named River.
She’s kept a pretty low-profile since giving birth … spending a ton of time with family. When she has stepped out — like to hang with pals Karlie Kloss and Ivanka Trump — River hasn’t really been with her or she’s hidden him well.
Gisele’s teasing fans with a couple photos of him now … and, reminding everyone about her exciting new reason to go hard on Mother’s Day.
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