Lifestyle
'This is our Super Bowl': Where to watch the 'Love Island USA' season finale in L.A.
“Let it go!” one person screamed at a massive TV screen.
“Get him out of my villa!” shouted another.
“Oh, we’re voting tonight!” declared another as they whipped their index finger in a circular motion as if to say, “We need to round up the troops and get ready for war.”
It’s 8 p.m. at the Palm & the Pine and every single seat is taken, so some people have resorted to huddling outside to watch the action through a window. A small crew of bartenders are working double time to serve up wings, french fries and tropical-themed cocktails.
Attendees celebrate the start of the episode.
(Jason Armond / Los Angeles Times)
On most nights at the family-owned Hollywood spot, dubbed “your girlfriend’s favorite sports bar,” patrons might come to watch tennis or basketball or soccer. But on this Tuesday evening, the guests were there to watch a different type of game. They came to the crowded bar to watch “Love Island USA” with 200 other fans who are just as invested in the reality dating show as they are.
“The decibel levels crush any Super Bowl, World Series or anything we’ve shown there,” said Colin Magalong, co-owner of the Palm & the Pine.
“This is our Super Bowl,” added Madeline Biebel, founder of the pop-up event series that screens reality TV shows called Reality Bar, which has been hosting free “Love Island USA” watch parties at the Palm & the Pine and other bars across L.A.
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While people have been gathering to watch high-profile television episodes in public spaces for years, the communal watch party has been having a resurgence, fueled in part by social media and the highly dissectible nature of shows like “The White Lotus,” “Severance” and “Traitors.” This summer, “Love Island USA,” a spinoff of the U.K. reality dating show that airs six days a week, has sparked a pop culture craze and Angelenos are flocking to coffee shops, bars, restaurants, social clubs like Soho House and arcades like Dave & Buster’s just to watch the show and kiki about it with others in person.
“This is our Super Bowl,” says Madeline Biebel, founder of Reality Bar, which hosts reality TV watch parties around L.A.
(Jason Armond / Los Angeles Times)
Now in its seventh season, the premise of “Love Island USA” is fairly simple: Ten singles are plopped into a lavish villa in Fiji, where they must couple up with a member of the opposite sex or risk getting dumped from the island. Over the course of several weeks, contestants (who are referred to as “islanders”) participate in extravagant challenges — many of which require them to wear revealing outfits and make out with one another — that are designed to stir up drama. At random, “bombshells” are brought into the mix to encourage the islanders to test their romantic connections. All the while, viewers at home can vote for their favorite islanders, sort of like “American Idol,” with hopes that they will make it to the end and win the $100,000 prize.
“It is so outlandish,” said Lauren Sowa, who lectures on television and pop culture at Pepperdine. “Shows like ‘The Bachelor’ try to maintain a level of decorum and something like ‘Love Island’ throws that into their ocean and their pool and their foam parties with both hands.”
Between the spicy games, the contestants’ disconnection from the world, their dorm room-style living conditions and the ultimate challenge of finding love, Sowa says, “The stakes couldn’t be higher. The drama couldn’t be more and therefore we could not be more entertained.”
The idea of bringing people together to watch “Love Island” and other reality TV shows came to Biebel in 2021 when L.A. was starting to reopen after the COVID pandemic. She wondered, “Why isn’t there a bar or restaurant that shows ‘The Bachelor’?” Biebel, 28, recalled.
At first the bartenders at her local sports bar laughed at her request to turn on the show, but when a crowd of people joined her to watch it on the patio, she knew that she was onto something.
Attendees arrive as early as 5 p.m. to secure a seat at the “Love Island USA” watch party in Hollywood. (Jason Armond / Los Angeles Times)
“Those moments where everyone is freaking out together are just magical,” said Madeline Biebel, founder of Reality Bar. (Jason Armond / Los Angeles Times)
She hosted the first Reality Bar event in 2023 at a restaurant on the rooftop of the Kimpton Hotel Wilshire and 40 people showed up to watch “Love Island USA” Season 5. She continued hosting watch parties for reality shows including “The Real Housewives” and “The Bachelor,” one in which Joey Graziadei, the Bachelor himself, made a surprise appearance.
But none of the events have been as popular as the parties for the current season of “Love Island USA.” Thanks to a TikTok that got nearly 3 million views, the watch party at the Palm & the Pine went from having about 100 RSVPs to 1,500. On Sunday, fans cheered when Austin Shepard and Charlie Georgiou, who were booted from the island, made an appearance at the event. To keep up with the growing demand, Biebel added 10 other venues to watch the show at including the Nickel Mine in Sawtelle, Roosterfish in West Hollywood and the Happy Rabbit in Sherman Oaks.
“People are just so hungry for connection and community especially post-COVID,” said Biebel, adding that it brings people together who share a common interest. “Those moments where everyone is freaking out together are just magical.”
(Clockwise from left) 1.) Fans of “Love Island USA” cheer, scream and gasp during the dramatic episode. 2.) Reality Bar’s “Love Island USA” watch parties became so popular that 10 more L.A. locations were added. 3.) Maya Suarez, left, and Reanna Davidson enjoy drinks and roses courtesy of Reality Bar. (Jason Armond / Los Angeles Times)
At the Tuesday night party, people started arriving as early as 5 p.m. to secure a seat inside the two-story bar. As pop and hip-hop music played loudly over a sound system, attendees sipped on “Love Island”-themed cocktails with clever names like the “I’ve Got a Text-ini” (a vodka martini with cranberry juice), “Bare Minimum” (an espresso martini), “Hot New Bombshell” (tequila, grapefruit and lime), “Aftersun Spritz” (Prosecco, mint, soda and lemon) and “I’m Open” (cucumber, vodka, lemon and soda).
When the show promptly appeared on the bar’s multiple TV screens at 8 p.m., a thunderous roar of cheers exploded. Throughout the dramatic episode — which involved the islanders reading anonymous letters about how their fellow cast mates truly felt about them — many patrons talked among themselves and shouted at the TV, but no one seemed bothered. The energy was high and the subtitles were on.
Branson Bond, 27, of Hollywood and six of his friends went to the watch party for the first time after learning about it on social media.
“It’s one thing to see people’s perception online, but it means so much more — whether it’s music or film — to be around people who have a common interest,” said Bond, who managed to find a booth in the upstairs area of the bar with his friends. “Especially with everything going on in the world, it’s cool to kind of decompress with something silly every now and then.”
“We love to kiki, to party [and] we need a debrief like immediately after the show, so I needed to experience this,” said Giselle Gonzalez, 27, of Hollywood.
Reanna Davidson, 26, and her sister Maya Suarez usually rotate watching “Love Island USA” together at one of their homes, but they thought a watch party would be more fun.
“I feel like we’re obsessed with “Love Island” and we go crazy at home so we wanted to see what the environment was like here,” Davidson said in between sips of a martini.
“I like the drama, but also I like the love,” she said. “Like last year, watching them all fall in love and really have relationships outside of it was so sweet.”
“I love the camaraderie here and everybody yelling,” says attendee DeVante Waugh.
(Jason Armond / Los Angeles Times)
After attending one of Reality Bar’s watch parties at a different venue, DeVante Waugh, 32, wanted to come back with a group of his work friends who all started watching the show recently.
“I love the camaraderie here and everybody yelling,” said Waugh, adding that he’s still mad that Jeremiah was sent home during one of the show’s most shocking moments. “It’s fun. It’s like watching a game. And then there’s a lot of pretty women, not a lot of guys,” he adds jokingly.
While some attendees left the bar immediately after the episode was over, some stayed to do karaoke, strike a pose in the photo booth or to recap what happened on the show with their new friends. It’s this community aspect that JP Stanley, 29, of Hollywood appreciates most about watch parties.
“I think it’s the sense of being a part of something,” said Stanley as he sipped on a glass of Prosecco. He attended the event with a friend and said he hopes to see more watch parties even after the current season of “Love Island” wraps. “L.A. is really yearning for that community and I think this is something that really gives people of any age a place to connect, and it’s such an easy common denominator.”
He added, “There’s no prerequisite required. You don’t have to know anything about me and I don’t have to know anything about you. I can just be like, “So, Love Island” and you’ll be like, “Right, Amaya!”
“Love Island USA”
Where to watch the season finale in L.A. on Sunday
The “Love Island USA” Season 7 finale airs Sunday, July 13, at 6 p.m. PT on Peacock. These bars around L.A. will be hosting watch parties, most of them organized by Reality Bar.
The Palm & the Pine (1624 N. Cahuenga Blvd., Hollywood) at 8 p.m.
Nico’s (3111 Glendale Blvd #2, Los Angeles at 8 p.m.)
Roosterfish (8948 Santa Monica Blvd., West Hollywood) at 8 p.m.
The Nickel Mine (11363 Santa Monica Blvd., Los Angeles) at 8 p.m.
On the Thirty (14622 Ventura Blvd. #112, Sherman Oaks) at 8 p.m.
Happy Rabbit (5248 Van Nuys Blvd., Sherman Oaks) at 8 p.m.
Untamed Spirits (3715 Evans St. W., Los Angeles) at 8 p.m.
Britannia Pub (318 Santa Monica Blvd., Santa Monica) at 8 p.m.
Eastwood (611 S. Western Ave., Los Angeles) at 8 p.m.
33 Taps (at all 5 locations) at 8 p.m.
Lifestyle
It’s Christmastime —– and if you live in the Alps, watch out! Krampus is coming
Krampuses take part in the annual Krampuslauf or “Krampus Run” on the evening of the Feast of St. Nicholas in the Austrian city of Salzburg. The tradition is centuries-old in the eastern parts of the European Alps.
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SALZBURG, Austria — As you approach Salzburg’s Max Aicher Stadium on the eve of the feast of St. Nicholas, you’d be forgiven if you thought that, from a distance, there appeared to be a Chewbacca convention underway. As you got closer, though, you’d realize the few hundred mostly men dressed in furry brown costumes were not from a galaxy, far, far away, but had instead assembled for a far more traditional, Earth-bound reason: to play, en masse, the alpine character of Krampus, the monstrous horned devilish figure who, according to custom in this part of Europe, accompanies St. Nicholas as he visits children and assesses their behavior from the past year. While St. Nick rewards the good boys and girls, his hairy, demonic sidekick punishes the bad children.
“It’s basically a good cop, bad cop arrangement,” says Alexander Hueter, self-proclaimed Überkrampus of Salzburg’s annual Krampus Run, an event when hundreds of Krampuses are let loose throughout the old town of Salzburg, where they terrorize children, adults, and anyone within the range of a swat from their birch branch switches they carry.
Members of Krampus clubs throughout Austria and the German state of Bavaria gather at a local soccer stadium to change into their Krampus costumes.
Rob Schmitz/NPR
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When asked to explain why people in this part of Europe take part in this centuries-old tradition, Hueter skips the centuries of Roman, Pagan and early Christian history that, together, morphed into the legend of the Krampus figure and instead cuts straight to the chase: entertainment.
“If St. Nicholas comes to town on his own, it’s nice,” says Hueter with a polite smile, “but there’s no excitement. No tension. I mean, St. Nick is all well and good, but at the end of the day, people want to see something darker. They want to see Krampus.”
And if it’s Krampus they want, it’s Krampus they’ll get, says Roy Huber, who’s come across the border from the German state of Bavaria to take part in this year’s Krampus Run. “The rest of the year, I feel like a civilian,” Huber says with a serious face, “but when the winter comes, you have the feeling under your skin. You are ready to act like a Krampus.”
Huber stands dressed in a coffee-colored yak and goat hair costume holding his mask which has a scar along the left side of its face, two horns sticking out of the scalp, and a beautifully waxed mustache that makes his monstrous avatar look like a Krampus-like version of the 1970s Major League Baseball closer Rollie Fingers.
Roy Huber, from Bavaria, holds his Krampus mask prior to the Krampus Run. “When the winter comes, you get the feeling to be Krampus,” he says.
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Behind Huber stands a Krampus with a red face and several horns that make up a mohawk. Benny Sieger is the man behind this punk version of a Krampus, and he says children are especially scared of his get-up.
“Very scared,” he says, “but if I act like a sensitive Krampus, it can go well. In fact, our hometown Krampus club hosts an event called ‘Cuddle a Krampus’ to ensure that we are not so scary.”
Sieger, though, says he shows no mercy for young adults, especially young men, who he says “are basically asking to be hit” if they come to a Krampus run. He shows off a long switch made up of birch tree branches that smarts like a bee sting when hit with it.
Normally Nicklaus Bliemslieder would be one of those young adults asking for it at the Krampus run — he’s 19 years old — but his mother boasts of how her son gamed the system by playing a Krampus for 14 years straight since he was 5 years old.
“I was never scared of being a Krampus,” he says, “but I was scared of the Krampus. The first time I put the mask on, I wasn’t scared anymore.”
Blieslieder, Siger, Huber and dozens of other Krampuses pile onto a row of city buses that will take them to Salzburg’s old town, singing soccer songs on the way to rile themselves up. In the town center, they put their masks on, the bus doors swing open, and dozens of Krampuses empty into the streets of downtown Salzburg, lunging at shoppers, swatting them with switches, their cowbells a-clanging. At the front of the procession dressed in a white and gold robe is St. Nicholas, holding a staff, handing out candy with a serene smile, and blissfully oblivious of the cacophony of blood-curdling chaos behind him.
After a city bus drops off more than 200 Krampuses at the entrance to the old town of Salzburg, the Krampuses start to put their masks on and get into character.
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Salzburg resident Rene Watziker watches the Krampuses go by, his 4 1/2 year-old son Valentin perched on his shoulders, his head buried into the back of his father’s neck, and his oversized mittens covering his eyes in terror. As Valentin shakes in fear, his father tries to coax him out of it — unsuccessfully.
“He’s too scared of the Krampuses,” says Watziker, laughing. “This is great, though, because this is my childhood memory, too. I want him to have the same good memories of his childhood. He’s going to look at the video I’m shooting and then he’ll be very proud he came.”
Salzburg resident Rene Watziker watches the Krampuses go by, but his four-and-a-half year-old son Valentin perched is too scared to look at them.
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Further down the pedestrian street, Krampuses hit onlookers with handfuls of branches and smear tar on people’s faces. Onlooker Sabeine Gruber, here with her 13-year-old daughter, manages to crack a smile at the spectacle, but she says the Krampus Run has gotten tamer with time. She points to the stickers on the backs of these Krampuses exhibiting numbers in case you want to complain that a particular Krampus hit you too hard.
“When I was a child,” says Gruber, “this was far worse. You were beaten so hard that you woke up the next day with blue welts on your legs. These days the Krampus run is more like a petting zoo.”
Esme Nicholson contributed reporting.
Lifestyle
‘Selling the OC’ Star Tyler Stanaland Passes on Planned Podcast With Alex Hall
‘Selling the OC’ Tyler Stanaland
Backs Out of Alex Hall’s Podcast …
Out of Respect for New Relationship
Published
Alex Hall from “Selling the OC” extended the olive branch to ex-boyfriend and costar Tyler Stanaland by inviting him on her podcast … but it turned out Tyler canceled last minute out of respect for his blossoming new relationship.
Sources familiar with the situation tell TMZ … Alex tried to hash it out with Tyler one-on-one for all to see … but we’re told he got cold feet at the last minute in light of his new relationship with Hannah Morrissey.
Here’s the sitch … Alex asked Tyler to be on her podcast ‘Pretty Dirty’ before Season 4 of “Selling the OC” aired, and we’re told her pitch to him was to sit down publicly and have a conversation about what their “relationship” entails.
If you’re not familiar with the real estate reality drama … Alex and Tyler’s relationship had a lot of muckiness about what really went on between them during the series — and Alex wanted to break it down once and for all, considering fans online have been wondering where their relationship stands today.
Our sources tell us Tyler loved the idea and was down for the appearance with her at first … adding Tyler even said he was excited and thought it would be fun.
However, things took a turn once the latest season aired — and Tyler rescinded his agreement. Alex followed up to lock in a date, and he responded saying after careful consideration, he opted out … because he wants to focus on his current relationship … adding he wanted to keep his chapter with Alex in the past.
Sources say Alex wasn’t surprised he pulled out of his appearance — this is how he rolls — but she respected his decision to back out, and the two haven’t spoken since.
This news comes after Tyler’s shocking elopement with Hannah. Tyler announced his marriage to her just 6 weeks after the news of their engagement.
We’ve reached out to both Tyler and Alex for comment … so far, no word back.
Lifestyle
Clair Obscur: Expedition 33 sweeps The Game Awards — analysis and full winners list
Performers onstage at The Game Awards 2025 at the Peacock Theater on December 11, 2025 in Los Angeles, California.
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The first minutes of The Game Awards set the mold for the next three hours. Clair Obscur: Expedition 33 won best independent game during the preshow, beating out acclaimed sequels like Hades 2 and Hollow Knight: Silksong. Moments after, the main stage opened with operatic singers and a full orchestra (plus the obligatory electric guitar!) belting out music from the game.

Clair Obscur was already the favorite to win the grand prize — but kicking off the show with the game front-and-center felt like an anointing. It triumphed in nearly every category it competed in, picking up nine awards in total. By the time it won “Game of the Year,” Clair Obscur had surpassed The Last of Us: Part 2 to become the most decorated game in the Awards history.
As predictable as the night became, the game it honored was anything but. Clair Obscur came from an independent French studio composed of developers who had worked for the French gaming behemoth Ubisoft. Instead of chasing trendy genres like battle royales or open-world action games, Clair Obscur drew inspiration from turn-based role-playing games like the classic Final Fantasy titles. It paired an intimate and existential story with a setting that was both whimsical and epic. And it cast motion-capture icon Andy Serkis alongside game actor veterans like Ben Starr and Jennifer English, who delivered the night’s most rousing speech when she accepted the award for best performance.
“I just want to say to every neurodivergent person watching in this room, because I know there’s probably quite a lot of you,” English said. “To all of you that feel like life is stuck on hard mode, this is for you, and thank you so much to the games community and industry for giving us, so many of us, a home.”
Jennifer English, also known for her leading role in 2023 Game of the Year winner Baldur’s Gate 3, accepts her best performance award onstage at the Peacock Theater on December 11, 2025.
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Clair Obscur’s victories fit with two themes of the night: the rise of independent studios and the internationalization of the awards themselves. Half of the “Game of the Year” nominees were indie games, even as the term has stretched to include titles with sizable budgets and publisher partnerships.
This semantic squishiness is a result of The Game Awards’ outsourced voting process, which polls over 150 international media outlets (including NPR) to determine a list of nominees. These outlets decide for themselves how to define categories like an “independent game” or “action adventure game.” After the shortlist is tallied, they’ll pick their favorites in each category, which are weighted against an open online voting system that makes up a 10th of the total score. As the jury has expanded outside of the U.S., which now only represents roughly 15% of outlets, award winners have become both more global and more mainstream.
Still, Clair Obscur’s ubiquity speaks volumes. Even as it swept other deserving indies aside, the game demonstrates the outsized impact a small team can have on the broader market. No longer seen as just a niche, prestige title, Clair Obscur rose to prominence thanks to strong word-of-mouth and its inclusion on the Xbox Game Pass Service, which allowed regular gamers and critics alike to try the game out without committing to a full purchase.
Guillaume Broche, Tom Guillermin, Nicholas Maxon-Framcombe, and François Meurisse accept the Game of the Year award for Clair Obscur: Expedition 33.
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Big companies still took home prizes, however. After being completely shut out last year, Nintendo earned a few awards for Switch 2 exclusives, with Donkey Kong Bananza winning best family and Mario Kart World winning best sports/racing. Grand Theft Auto 6 won most anticipated game for the second year in a row. Wuthering Waves, a Chinese game with a huge mobile audience, won the Players’ Voice award, the only category completely determined by public online votes.
Here are the full nominees and winners for the 2025 Game Awards (winners in bold):
Game of the year
Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Death Stranding 2: On The Beach (Kojima Productions/Sony Interactive Entertainment)
Donkey Kong Bananza (Nintendo EPD/Nintendo)
Hades II (Supergiant Games)
Hollow Knight: Silksong (Team Cherry)
Kingdom Come: Deliverance II (Warhorse Studios/Deep Silver)
Best game direction
Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Death Stranding 2: On The Beach (Kojima Productions/Sony Interactive Entertainment)
Ghost of Yōtei (Sucker Punch Productions/Sony Interactive Entertainment)
Hades II (Supergiant Games)
Split Fiction (Hazelight Studios/EA)
Best narrative
Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Death Stranding 2: On The Beach (Kojima Productions/Sony Interactive Entertainment)
Ghost of Yōtei (Sucker Punch Productions/Sony Interactive Entertainment)
Kingdom Come: Deliverance II (Warhorse Studios/Deep Silver)
Silent Hill f (NeoBards Entertainment/KONAMI)
Best art direction
Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Death Stranding 2: On The Beach (Kojima Productions/Sony Interactive Entertainment)
Ghost of Yōtei (Sucker Punch Productions/Sony Interactive Entertainment)
Hades II (Supergiant Games)
Hollow Knight: Silksong (Team Cherry)
Best score and music, leveled up by Spotify
Christopher Larkin, Hollow Knight: Silksong
Lorien Testard, Clair Obscur: Expedition 33
Darren Korb, Hades II
Toma Otowa, Ghost of Yōtei
Woodkid and Ludvig Forssell, Death Stranding 2: On The Beach
Best audio design
Battlefield 6 (Battlefield Studios/EA)
Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Death Stranding 2: On the Beach (Kojima Productions/Sony Interactive Entertainment)
Ghost of Yōtei (Sucker Punch Productions/Sony Interactive Entertainment)
Silent Hill f (NeoBards Entertainment/KONAMI)
Best performance
Ben Starr, Clair Obscur: Expedition 33
Charlie Cox, Clair Obscur: Expedition 33
Erika Ishii, Ghost of Yōtei
Jennifer English, Clair Obscur: Expedition 33
Konatsu Kato, Silent Hill f
Troy Baker, Indiana Jones and the Great Circle
Innovation in accessibility
Assassin’s Creed Shadows (Ubisoft)
Atomfall (Rebellion)
Doom: The Dark Ages (id Software/Bethesda Softworks)
EA Sports FC 26 (EA Canada/EA Romania/EA)
South of Midnight (Compulsion Games/Xbox Game Studios)
Games for impact
Consume Me (Jenny Jiao Hsia/AP Thomson/Hexacutable)
Despelote (Julián Cordero/Sebastián Valbuena/Panic)
Lost Records: Bloom & Rage (Don’t Nod Montreal/Don’t Nod)
South of Midnight (Compulsion Games/Xbox Game Studios)
Wanderstop (Ivy Road/Annapurna Interactive)
Best ongoing
Final Fantasy XIV (Square Enix)
Fortnite (Epic Games)
Helldivers 2 (Arrowhead Game Studios/Sony Interactive Entertainment)
Marvel Rivals (NetEase Games)
No Man’s Sky (Hello Games)
Best community support
Baldur’s Gate 3 (Larian Studios)
Final Fantasy XIV (Square Enix)
Fortnite (Epic Games)
Helldivers 2 (Arrowhead Game Studios/Sony Interactive Entertainment)
No Man’s Sky (Hello Games)
Best independent game
Absolum (Guard Crush Games/Supamonks/Dotemu)
Ball x Pit (Kenny Sun/Devolver Digital)
Blue Prince (Dogubomb/Raw Fury)
Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Hades II (Supergiant Games)
Hollow Knight: Silksong (Team Cherry)
Best debut indie game
Blue Prince (Dogubomb/Raw Fury)
Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Despelote (Julián Cordero/Sebastián Valbuena/Panic)
Dispatch (AdHoc Studio)
Megabonk (Vedinad)
Best mobile game
Destiny: Rising (NetEase Games)
Persona 5: The Phantom X (Black Wings Game Studio/Sega)
Sonic Rumble (Rovio Entertainment/Sega)
Umamusume: Pretty Derby (Cygames Inc.)
Wuthering Waves (Kuro Games)
Best VR/AR
Alien: Rogue Incursion (Survios)
Arken Age (VitruviusVR)
Ghost Town (Fireproof Games)
Marvel’s Deadpool VR (Twisted Pixel Games/Oculus Studios)
The Midnight Walk (MoonHood/Fast Travel Games)
Best action
Battlefield 6 (Battlefield Studios/EA)
Doom: The Dark Ages (id Software/Bethesda Softworks)
Hades II (Supergiant Games)
Ninja Gaiden 4 (Platinum Games/Team Ninja/Xbox Game Studios)
Shinobi: Art of Vengeance (Lizardcube/Sega)
Best action/adventure
Death Stranding 2: On the Beach (Kojima Productions/Sony Interactive Entertainment)
Ghost of Yōtei (Sucker Punch Productions/Sony Interactive Entertainment)
Indiana Jones and the Great Circle (MachineGames/Bethesda Softworks)
Hollow Knight: Silksong (Team Cherry)
Split Fiction (Hazelight Studios/EA)
Best RPG
Avowed (Obsidian Entertainment/Xbox Game Studios)
Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Kingdom Come: Deliverance II (Warhorse Studios/Deep SIlver)
The Outer Worlds 2 (Obsidian Entertainment/Xbox Game Studios)
Monster Hunter Wilds (Capcom)
Best fighting
2XKO (Riot Games)
Capcom Fighting Collection 2 (Capcom)
Fatal Fury: City of the Wolves (SNK Corporation)
Mortal Kombat: Legacy Kollection (Digital Eclipse/Atari)
Virtua Fighter 5 R.E.V.O. World Stage (Ryu Ga Gotoku Studio/Sega)
Best family
Donkey Kong Bananza (Nintendo EPD/Nintendo)
LEGO Party! (SMG Studio/Fictions)
LEGO Voyagers (Light Brick Studios/Annapurna Interactive)
Mario Kart World (Nintendo EPD/Nintendo)
Sonic Racing: CrossWorlds (Sonic Team/Sega)
Split Fiction (Hazelight Studios/EA)
Best Sim/Strategy
The Alters (11 Bit Studios)
FINAL FANTASY TACTICS – The Ivalice Chronicles (Square Enix)
Jurassic World Evolution 3 (Frontier Developments)
Sid Meier’s Civilization VII (Firaxis Games/2K)
Tempest Rising (Slipgate Ironworks/3D Realms)
Two Point Museum (Two Point Studios/Sega)
Best sports/racing
EA Sports FC 26 (EA Canada/EA Romania/EA)
F1 25 (Codemasters/EA)
Mario Kart World (Nintendo EPD/Nintendo)
Rematch (Sloclap/Kepler Interactive)
Sonic Racing: CrossWorlds (Sonic Team/Sega)
Best multiplayer
Arc Raiders (Embark Studios)
Battlefield 6 (Electronic Arts)
Elden Ring Nightreign (FromSoftware/Bandai Namco Entertainment)
Peak (Aggro Crab/Landfall)
Split Fiction (Hazelight/EA)
Best adaptation
A Minecraft Movie (Legendary Pictures/Mojang/Warner Bros)
Devil May Cry (Studio Mir/Capcom/Netflix)
The Last of Us: Season 2 (HBO/PlayStation Productions)
Splinter Cell: Deathwatch (FOST Studio/Ubisoft/Netflix)
Until Dawn (Screen Gems/PlayStation Productions)
Most anticipated game
007 First Light (IO Interactive)
Grand Theft Auto VI (Rockstar Games)
Marvel’s Wolverine (Insomniac Games/Sony Interactive Entertainment)
Resident Evil Requiem (Capcom)
The Witcher IV (CD Projekt Red)
Content creator of the year
Caedrel
Kai Cenat
MoistCr1TiKaL
Sakura Miko
The Burnt Peanut
Best Esports game
Counter-Strike 2 (Valve)
DOTA 2 (Valve)
League of Legends (Riot)
Mobile Legends: Bang Bang (Moonton)
Valorant (Riot)
Best Esports athlete
brawk – Brock Somerhalder (Valorant)
Chovy – Jeong Ji-hoon (League of Legends)
f0rsakeN – Jason Susanto (Valorant)
Kakeru – Kakeru Watanabe (Street Fighter)
MenaRD – Saul Leonardo (Street Fighter)
Zyw0o – Mathieu Herbaut (Counter-Strike 2)
Best Esports team
Gen.G – League of Legends
NRG – Valorant
Team Falcons – DOTA 2
Team Liquid PH – Mobile Legends: Bang Bang
Team Vitality – Counter-Strike 2
Players’ voice
Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Dispatch (AdHoc Studio)
Genshin Impact (HoYoverse)
Hollow Knight: Silksong (Team Cherry)
Wuthering Waves (Kuro Games)
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