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The biggest fashion no-no's and the best closet essentials, according to stylist Ann-Marie Hoang

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The biggest fashion no-no's and the best closet essentials, according to stylist Ann-Marie Hoang

Ann-Marie Hoang, L.A.-based wardrobe stylist from Highland Park.

(Jennelle Fong / For The Times)

Ann-Marie Hoang has made a career out of her love for chaos.

As an L.A.-based wardrobe stylist from Highland Park, Hoang finds that her creative energy is best exercised on the set of a music video. Something about long days and cross-team collaboration always leaves her feeling inspired. Whether it’s on the movie-inspired set of Ariana Grande’s video “Thank U, Next,” the twisted cityscape of Doja Cat’s “Streets” or Megan Thee Stallion’s brightly colored toy store in “Cry Baby,” Hoang helps complete the artist’s vision — she’s typically in charge of all the clothing that appears on screen that isn’t worn by the musician.

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“I need it in my soul in order to feel creative and do some of these commercial shoots,” says Hoang. Some of her signature looks include the punk-inspired looks on Doja Cat’s Scarlet tour, the mostly pink, sparkly attire in Grande’s “7 Rings” or even the office-chic outfits in Kacey Musgraves’ “High Horse.” Her most memorable shoot so far was working with the team of 200-plus people that styled Rihanna at the Super Bowl.

Hoang enjoys working with musicians because she can dress to her “truest self and not feel any judgment.” Her personal style lies at the intersection of experimental and edgy. Often focused around several staple pieces, her outfits tend to incorporate shiny teeth grills, extremely furry hats, inventive reflective sunglasses and high-heeled sneakers.

The three words that Hoang would use to describe her day-to-day style? “Unapologetic, armored [with jewelry] and unpredictable.”

Stylist poses in all black next to a red ball.

Ann-Marie Hoang wears Pelle Pelle leather jacket, Empath top, HommeGirls underwear, Gucci glasses, Planeta key chain, Soto Gang belt, Ancuta Sarca heels, Evisu pants.

Close-up of Ann-Marie Hoang's outfit showing a key chain dangling from a belt loop.
Ann-Marie Hoang showing the back of her jacket with a black-and-off-white checkerboard pattern.

(Jennelle Fong / For The Times)

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I always start my day with electrolytes or a kiss for my kids.

When I’m in the car, I’m probably listening to Jungle.

The color I’m unexpectedly gravitating toward is not unexpected. Ever since I was a kid, I have only gravitated towards one color, and it’s green. Back in the day, I used to think that I was going to get one of those imported cars and it was going to be green with green flames. Even if a project calls for no green for some reason, I need to pick it up and just get at least one green piece.

My most treasured piece in my closet is my Oakley Over the Top glasses. I’ve always wanted them. It’s one of those things that I’ve always put on my mood boards. The fact that Oakley went so far with their sunglasses is something I absolutely love. They’re functional, but I’ve never seen anything like it. They were even worn in the Olympics.

Ann-Marie Hoang posing in a headscarf, Over the Top sunglasses and a graphic T-shirt.
Ann-Marie Hoang in profile wearing a headscarf and Over the Top sunglasses.
Stylist poses in Over the Top glasses and white kitten heels.

Ann-Marie Hoang wears Misbhv headscarf, VidaKush earrings and anklet, Oakley Over the Top glasses, For Posse airbrush top, Jeffrey Campbell kitten heels.

(Jennelle Fong / For The Times)

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My ideal Saturday in L.A. looks like waking up, going to Cindy’s, then maybe going to the park and having a picnic with my family. I try to take weekends off so that I can spend time with my kids because during the week, it just gets a little chaotic with their school schedule. I try to be present on the weekends.

My signature scent is Palo Santo, the roll-on. I’ve been wearing it for three or four years now. I even order two at a time.

When I get dressed every morning, I always think about the weather first. Then, I think about if I’m going to be in a jujitsu class, or if I’m going to be shopping or if I’m going to be on set. Then I pick one statement piece that I want to wear with all those factors considered.

Ann-Marie Hoang wearing a black hat, white veil and denim jacket.
Ann-Marie Hoang stands on a red sheet of paper, wearing a veil.

Ann-Marie Hoang wears Ella Loca hat veil, Mauricio Cruz denim jacket, Comme des Garçons x Nike heels.

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A designer who made me look at fashion differently? There wasn’t [one]. I love to people-watch. That’s what drew me to styling. It’s never been a designer for me because I’m not one to look at brands. I look more at a cut or how somebody will piece something together. That’s more interesting to me than a designer.

It goes hand in hand with what I do. I work with background dancers, and a lot of times [brands] don’t want to give them clothes because they’re not artists. So, I have to find ways to elevate everybody’s look without making it designer.

The best place to people-watch is the flea market because I feel people are so good at mixing modern, vintage and designer. People are always so spread out in L.A., but on a Sunday, all the fashion people are going shopping at the flea. It’s where I get a lot of inspiration.

I always manifest to work with Rihanna’s team. I love to support Jahleel [Weaver, Rihanna’s stylist] because he’s such a dream to work with. I really get inspired by his work ethic. I want to work hard for that team, because they are so intentional. They’re so professional and really cool at the same time.

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My thinking place is my car whenever I drive to a familiar place, like to my house or [taking] the kids to school.

My niche essential for a shoot is this double-sided tape called Fearless Tape. I cannot find tin cans of it anymore, and my assistants have been emailing the company to bring it back. It’s my prized possession. Sometimes you don’t even need safety pins, and after dry cleaning, it stays on still sticky.

If I had to wear one shoe for the rest of my life it would be my Prada loafers. I love them. They go with everything and they give me a little height.

Ann-Marie Hoang posing in a black outfit.
Close-up of Ann-Marie Hoang wearing a black jacket and holding a Raiders bag.
Ann-Marie Hoang poses in overalls.

Ann-Marie Hoang wears Nike cap and glasses, Adidas jacket and biker shorts, Prada tie and loafers, Michael Hoban x Tried and True overalls, VidaKush socks and jewelry.

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Listening to [an artist’s] radio is a must when working on a shoot. It’s something like London rap or it’s something super mellow. Maybe Little Dragon or Anderson .Paak. Something mellow but a little upbeat.

My comfort meal is a crispy potato taco. There’s this place down the street from my house. They make the most delicious shrimp potato hard-shell tacos. You know it’s good when there’s a grandma sitting outside telling the chef what to do.

To me, the hardest part of styling someone else is getting them to step out of their comfort zone. Everyone dresses themselves every day, so they have an idea of what they should be looking like. Sometimes people hold on to their ideas so much that it’s hard to let go, and to trust.

The key to building that trust between a client and a stylist is telling them to just try it. If they try on what I want to put them in and then if they absolutely hate it, then it’s fine. But I will break down the reasons why I do certain things. Sometimes it’s ultimately not up to me or them; we’re all working for somebody.

My biggest fashion no-no is skinny jeans. I don’t think that men’s jeans should be tighter than women’s jeans. It’s very unflattering because you end up looking like a chicken leg. It’s just not flattering on most people. I’d rather just do a straight leg.

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Ann-Marie Hoang poses in a furry hat and black boots.

Ann-Marie Hoang wears Barney’s Co-op hat, Bonnie Clyde glasses, Homme Boy x LTTT top, VidaKush jewelry, vintage belt and skirt, Poster Girl boots.

(Jennelle Fong / For The Times)

Something I regret not buying is … I don’t know. I buy everything I want.

This summer, I think everyone will probably be wearing bloomers and hot shorts. It is becoming a hot girl summer. Micro shorts, low rise — all that is coming back.

a pearl and diamond brooch
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Hungarian filmmaker Béla Tarr — known for bleak, existential movies — has died

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Hungarian filmmaker Béla Tarr — known for bleak, existential movies — has died

Hungarian director Béla Tarr at the Berlin International Film Festival in 2011.

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Béla Tarr, the Hungarian arthouse director best known for his bleak, existential and challenging films, including Sátántangó and Werckmeister Harmonies, has died at the age of 70. The Hungarian Filmmakers’ Association shared a statement on Tuesday announcing Tarr’s passing after a serious illness, but did not specify further details.

Tarr was born in communist-era Hungary in 1955 and made his filmmaking debut in 1979 with Family Nest, the first of nine feature films that would culminate in his 2011 film The Turin Horse. Damnation, released in 1988 at the Berlin International Film Festival, was his first film to draw global acclaim, and launched Tarr from a little-known director of social dramas to a fixture on the international film festival circuit.

Tarr’s reputation for films tinged with misery and hard-heartedness, distinguished by black-and-white cinematography and unusually long sequences, only grew throughout the 1990s and 2000s, particularly after his 1994 film Sátántangó. The epic drama, following a Hungarian village facing the fallout of communism, is best known for its length, clocking in at seven-and-a-half hours.

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Based on the novel by Hungarian writer László Krasznahorkai, who won the Nobel Prize in Literature last year and frequently collaborated with Tarr, the film became a touchstone for the “slow cinema” movement, with Tarr joining the ranks of directors such as Andrei Tarkovsky, Chantal Akerman and Theo Angelopoulos. Writer and critic Susan Sontag hailed Sátántangó as “devastating, enthralling for every minute of its seven hours.”

Tarr’s next breakthrough came in 2000 with his film Werckmeister Harmonies, the first of three movies co-directed by his partner, the editor Ágnes Hranitzky. Another loose adaptation of a Krasznahorkai novel, the film depicts the strange arrival of a circus in a small town in Hungary. With only 39 shots making up the film’s two-and-a-half-hour runtime, Tarr’s penchant for long takes was on full display.

Like Sátántangó, it was a major success with both critics and the arthouse crowd. Both films popularized Tarr’s style and drew the admiration of independent directors such as Jim Jarmusch and Gus Van Sant, the latter of which cited Tarr as a direct influence on his films: “They get so much closer to the real rhythms of life that it is like seeing the birth of a new cinema. He is one of the few genuinely visionary filmmakers.”

The actress Tilda Swinton is another admirer of Tarr’s, and starred in the filmmaker’s 2007 film The Man from London. At the premiere, Tarr announced that his next film would be his last. That 2011 film, The Turin Horse, was typically bleak but with an apocalyptic twist, following a man and his daughter as they face the end of the world. The film won the Grand Jury Prize at the Berlin International Film Festival.

After the release of The Turin Horse, Tarr opened an international film program in 2013 called film.factory as part of the Sarajevo Film Academy. He led and taught in the school for four years, inviting various filmmakers and actors to teach workshops and mentor students, including Swinton, Van Sant, Jarmusch, Juliette Binoche and Gael García Bernal.

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In the last years of his life, he worked on a number of artistic projects, including an exhibition at a film museum in Amsterdam. He remained politically outspoken throughout his life, condemning the rise of nationalism and criticizing the government of Hungarian leader Viktor Orbán.

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Epic stretch of SoCal rainfall muddies roads, spurs beach advisories. When will it end?

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Epic stretch of SoCal rainfall muddies roads, spurs beach advisories. When will it end?

California’s wet winter continued Sunday, with the heaviest rain occurring into the evening, and more precipitation forecast for Monday before tapering off on Tuesday, according to the National Weather Service.

A flood advisory was in effect for most of Los Angeles County until 10 p.m.

Los Angeles and Ventura counties’ coastal and valley regions could receive roughly half an inch to an inch more rain, with mountain areas getting one to two additional inches Sunday, officials said. The next two days will be lighter, said Robbie Munroe, a meteorologist at the weather service office in Oxnard.

Rains in Southern California have broken records this season, with some areas approaching average rain totals for an entire season. As of Sunday morning, the region had seen nearly 14 inches of rain since Oct. 1, more than three times the average of 4 inches for this time of year. An average rain season, which goes from July 1 to June 30, is 14.25 inches, officials said.

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“There’s the potential that we’ll already meet our average rainfall for the entire 12-month period by later today if we end up getting half an inch or more of rain,” Munroe added.

The wet weather prompted multiple road closures over the weekend, including a 3.6-mile stretch of Topanga Canyon Boulevard between Pacific Coast Highway and Grand View Drive as well as State Route 33 between Fairview Road and Lockwood Valley Road in the Los Padres National Forest. The California Department of Transportation also closed all lanes along State Route 2 from 3.3 miles east of Newcomb’s Ranch to State Route 138 in Angeles National Forest.

Los Angeles County Department of Public Health officials say beachgoers should stay out of the water to avoid the higher bacteria levels brought on by rain.

After storms, especially near discharging storm drains, creeks and rivers, the water can be contaminated with E. coli, trash, chemicals and other public health hazards.

The advisory, which will be in effect until at least 4 p.m. Monday, could be extended if the rain continues.

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In Ventura County on Sunday, the 101 Freeway was reopened after lanes were closed due to flooding Saturday. But there was at least one spinout as well as a vehicle stuck in mud on the highway Sunday, according to the National Weather Service. The freeway was also closed Saturday in Santa Barbara County in both directions near Goleta due to debris flows but reopened Sunday, according to Caltrans.

Santa Barbara Airport reopened and all commercial flights and fixed-wing aircraft were cleared for normal operations Sunday morning. The airport had shut down and grounded all flights Saturday due to flooded runways.

In Orange County early Sunday afternoon, firefighters rescued a man clinging to a section of a tunnel in cold, fast-moving water in a storm channel at Bolsa Avenue and Goldenwest Street in Westminster, according to fire officials.

A swift-water rescue team deployed a helicopter, lowered inflated firehoses and positioned an aerial ladder to allow responders to secure the man and bring him to safety before transporting him to a hospital for evaluation.

Heavy rains continued to batter Southern California mountain areas. Wrightwood in San Bernardino County — slammed recently with mud and debris — was closed Sunday except to residents as heavy equipment was brought in to clear mud and debris from roadways, the news-gathering organization OnScene reported.

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After canceling live racing on New Year’s Eve and New Year’s Day due to heavy showers, Santa Anita Park also called off events Saturday and Sunday.

After several atmospheric river systems have come through, familiar conditions are set to return to the region later this week.

“We’ll get a good break from the rain and it’ll let things dry out a little bit, and we may even be looking at Santa Ana conditions as we head into next weekend,” Munroe said. The weather will likely be “mostly sunny” and breezy in the valleys and mountains.

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‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour

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‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour

Millie Bobby Brown in the final season of Stranger Things.

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After five seasons and almost ten years, the saga of Netflix’s Stranger Things has reached its end. In a two-hour finale, we found out what happened to our heroes (including Millie Bobby Brown and Finn Wolfhard) when they set out to battle the forces of evil. The final season had new faces and new revelations, along with moments of friendship and conflict among the folks we’ve known and loved since the night Will Byers (Noah Schnapp) first disappeared. But did it stick the landing?

To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy.

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