Culture
A massive race to start the Olympics: Get ready for the women's 400-meter freestyle
Follow our Olympics coverage from the Paris Games.
PARIS — It’s arguably the most highly anticipated swimming final of the Paris Games, and no one will have to wait very long to see it.
The women’s 400-meter freestyle will take place Saturday, with qualifying heats in the morning and the final to follow on the first night of the Olympic swimming program, featuring a field that includes three women who have owned the world record in this event.
Australian Ariarne Titmus, 23, is the defending Olympic gold medalist in the event and the favorite entering Saturday’s competition. American Katie Ledecky, 27, took gold in the 400 free in the previous Olympics in Rio de Janeiro. Plus, the field includes 17-year-old Canadian phenom Summer McIntosh, who set the world record in the event in 2023 before Titmus re-set it.
“They’re great athletes, and I’ve had the chance to race them quite a few times over the years now — especially Summer, being in the U.S., training in the U.S.,” Ledecky said Wednesday. “It’s always fun to race the best.
“Those two have continued to raise the game and raise my game. I know that I have to bring my best. I think they know that they have to bring their best. I think that’s what you want in an Olympic race.”
Ledecky said while she likes her chances in the event, she knows it’s a deep field beyond the top three headliners. For example, New Zealand’s 20-year-old Erika Fairweather would certainly like to play spoiler here; she out-touched McIntosh at 2023 worlds to earn bronze and finish behind Titmus and Ledecky.
That world championship final in Fukuoka, Japan, was billed as something of a race of the century, but the actual race was rather disappointing — because it wasn’t close. Titmus deserves all the credit for that, as she beat the field by three seconds and became the first woman to break 3 minutes, 56 seconds in the event. (And then she nearly lowered that world-record time earlier this year at Australian trials.)
With none of the runners-up in view, Ariarne Titmus reaches for gold in the women’s 400-meter freestyle at the 2023 world championships. She’ll be the favorite in Saturday’s event. (Adam Pretty / Getty Images)
McIntosh is poised to be a breakout star of these Olympics, her second. She was just 14 years old at the Tokyo Games, Canada’s youngest Olympian. She finished fourth in the 400 free and fourth as part of the 4×200 free relay.
In the years since, she’s taken the sport by storm, winning four gold medals at world championships (in the 200 fly and 400 IM in both 2022 and 2023) plus a silver and three bronze. She trains in Sarasota, Fla., and back in February she beat Ledecky in an 800 free final, handing the American her first loss in one of her most dominant events in more than 13 years in a time (8:11.39) that would have won gold in Tokyo.
But McIntosh will not swim the 800 free at these Games, though her schedule is loaded. She is entered in the 400 free, the 200 fly, the 200 IM and the 400 IM. She is the world record-holder in the 400 IM. She’ll be favored in that and a top contender in her other events, which will include clashes with Americans Regan Smith in the 200 fly and Kate Douglass and Alex Walsh in what should be a hotly contested 200 IM. And, of course, she’ll likely be a key part of the Canadian relay efforts. For McIntosh to truly turn the Summer Games into Summer’s Games, she’ll need to win quite a few medals — something she’s certainly capable of, but still something that’s a lot to ask of a teenager.
“Pressure is necessary if you’re going to do great things,” Brent Arckey, McIntosh’s coach, told CBC Sports earlier this year. “The great ones understand that. There’s an unhealthy side of that, but she’s surrounded by such great people.
“We can manage this. You don’t get to be great without the pressure and expectations.”
Meanwhile, Titmus is the world record-holder in the 200 free and the favorite in that event. She took silver in Tokyo in the 800, behind Ledecky, and will again compete at that distance. Titmus will also likely be an integral part of the Aussie 4×200 free relay team. Her gold-medal production will be huge for Australia as it looks to beat the U.S. in what has turned into a rather entertaining international rivalry. The Aussies earned nearly double the number of gold medals as the Americans at 2023 worlds (a meet that did not include U.S. star Caeleb Dressel, for what it’s worth).
The 10 fastest women’s 400m freestyles
| Rank | Swimmer | Nationality | Time | Year | Event |
|---|---|---|---|---|---|
|
1 |
Ariarne Titmus |
Australia |
3:55.38 |
2023 |
World Aquatics Championships |
|
2 |
Ariarne Titmus |
Australia |
3:55.44 |
2024 |
Australian Olympic trials |
|
3 |
Summer McIntosh |
Canada |
3:56.08 |
2023 |
Canadian trials |
|
4 |
Ariarne Titmus |
Australia |
3:56.40 |
2022 |
Australian championships |
|
5 |
Katie Ledecky |
USA |
3:56.46 |
2016 |
Rio Olympic Games |
|
6 |
Ariarne Titmus |
Australia |
3:56.69 |
2021 |
Tokyo Olympic Games |
|
7 |
Ariarne Titmus |
Australia |
3:56.90 |
2021 |
Australian Olympic trials |
|
8 |
Katie Ledecky |
USA |
3:57.36 |
2021 |
Tokyo Olympic Games |
|
9 |
Katie Ledecky |
USA |
3:57.94 |
2018 |
Indianapolis Pro Swim Series |
|
10 |
Ariarne Titmus |
Australia |
3:58.06 |
2022 |
Commonwealth Games |
Titmus said she’s grown immensely as both a person and swimmer since Tokyo, where she took home gold in both the 200 and 400 frees.
“I’m being honest and saying that I think I’ve prepared the best I ever have for a swim meet,” Titmus told reporters at Australia’s team training camp in Chartres, France. “So, more than anything, I’m just excited to see what I’m capable of.
“That’s why I still swim because I believe I’ve got more in the tank, and so that’s my goal at these Games, to try and get every (little bit) out of myself and see what I’m capable of.”
It’s the same mindset for Ledecky, the veteran of the field. She’s reflected a great deal lately on her career and how she’s gone from the wide-eyed 15-year-old in London to an elder stateswoman of the sport. She is just two gold medals away from tying the record for most gold medals for a female Olympian, set by gymnast Larisa Latynina, who won nine gold medals for the Soviet Union in the 1950s and ’60s. And she’s swimming her two best events here, the 800 and 1,500 frees.
Still, Ledecky believes she can compete to win all the way down to the 400 free, which is part of what makes Saturday’s race so compelling. It features arguably the greatest female swimmer ever in Ledecky, her top rival for the past handful of years in Titmus, and the teenager who could beat both and take over the Olympics in McIntosh. Let the Games begin.
Just 17 years old, Summer McIntosh is poised for a big Olympics. The first of her events in Paris is Saturday’s 400-meter freestyle. (Jacob Kupferman / Getty Images)
(Top illustration: Dan Goldfarb / The Athletic; photos of Ariarne Titmus, Katie Ledecky and Summer McIntosh: Quinn Rooney, Maddie Meyer and Jacob Kupferman / Getty Images)
Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
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