Lifestyle

People in prison explain what music means to them — and how they access it

Published

2 years ago

January 3, 2024

People in prison explain what music means to them — and how they access it

Many states have introduced tablets into prisons, allowing users to do things like listen to music and send messages. Several incarcerated people told NPR that while the devices aren’t perfect, the ability to stream music has been a game-changer.

Sarah Gonzales for NPR

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Sarah Gonzales for NPR

Joe Garcia first heard about Taylor Swift in the late 2000’s, while he was in the Los Angeles County jail awaiting trial on murder charges. He initially wasn’t impressed with her music.

Now, multiple albums and prison transfers later, he credits Swift’s music with helping him get through his life sentence.

“Taylor Swift’s voice, the fairytale romance of it all, takes me back to a much more idyllic time and kind of keeps me focused on recapturing that type of sentiment as I go forward in life,” said Garcia, who was convicted of murder and is eligible for a parole hearing, which is tentatively scheduled for April.

Incarcerated teens find escape in music and poems composed with artists

Garcia — who counts “White Horse,” “The Man” and “…Ready for it?” among his top five — detailed his journey into Swiftdom in an essay that was published in the New Yorker last fall in collaboration with the Prison Journalism Project (PJP), a nonprofit organization that trains and publishes incarcerated writers.

The piece describes the impact of Swift’s music on his life — including his rekindled relationship with the woman he describes as his “sweetheart” — and the often-complicated logistics of accessing music behind bars over the years.

It has since been shared widely on social media, where many users wrote that it brought them to tears.

Garcia, who is now at High Desert State Prison in California, told NPR that even though he wasn’t able to follow the reaction in real time, he’s been moved to hear that his essay (one of many he’s published through PJP) resonated with so many people.

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“In a lot of ways, I’m a normal human being with all kinds of emotions and heartache and depression … just like anybody who’s not in prison,” he told Morning Edition in a phone interview. “And so I’m always trying to figure out a way to communicate that type of empathy, I guess, and get people on the outside to understand what it’s like in here.”

Joe Garcia wrote about his experience listening to Taylor Swift in prison in a New Yorker essay that went viral in September.

Courtesy of Prison Journalism Project and Joe Garcia

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Courtesy of Prison Journalism Project and Joe Garcia

Garcia hoped that centering Swift, one of the most beloved and influential musicians working today, would be a relatable way to get that point across.

And while he can (and did) speak at length about his favorite eras, his piece shines a spotlight on a much broader topic: the mechanics, and meaning, of music in prison.

How people get access to music in prison

Garcia’s story illustrates some of the challenges that incarcerated people have faced in accessing music — and how new technology has made it possible for many to listen to songs and artists of their choice, some for the first time in years.

His essay details how he navigated ever-changing sets of rules and social dynamics to listen to music in various prisons over more than a decade.

That journey included shared CD players, a borrowed pocket radio, a reconfigured “old-school boombox,” an MP3 player paid for by his family and, most recently, a tablet.

Dozens of states have made tablets available — either for free or for sale — to prisoners in recent years, starting with Colorado in 2016. Almost all people incarcerated in California, where Garcia resides, now have them. And the companies behind the tablets said they had roughly one million users nationwide as of late last year.

“We are given a free tablet that is assigned to us by the state,” Garcia explained. “And then there’s a whole bunch of services that are either free or we have to pay for.”

Users can pay money to send messages, make video calls, play games, download books and stream music, among other functions.

There are still limits around consuming music, as incarcerated people told NPR. Songs cost money and tablets are in many cases only allowed during certain hours of the day. And the streaming services they come with don’t all let users do things like play an artist’s entire discography or curate a personalized playlist — as opposed to saving existing playlists.

Even so, they say, the technology makes a big difference in their day-to-day lives.

“Music is just a huge, tremendous factor in here,” Garcia said. “All throughout my everyday day to day, you see guys walking around with headphones on, with earbuds in. They’ll be singing along to whatever they’re listening to, they’ll be reciting their own type of rap lyrics, they’ll be in circles comparing things.”

Not everyone is listening to the same songs, of course.

A Spotify playlist of the dozens of songs PJP writers said meant the most to them in 2023 includes artists as varied as Smokey Robinson, Carrie Underwood, Kendrick Lamar, John Lennon and Miley Cyrus (and also Swift).

Music as a means of relief and connection

Several people at prisons across the country told NPR that music makes them feel connected, both to others and the outside world.

Jeffrey Shockley, who is 24 years into serving a life sentence in Pennsylvania for murder, says music offers some relief from the “mundane monotony” of prison. That’s especially true when you’re not limited by what radio stations are nearby and which songs they decide to play, he adds.

Jeffrey Shockley, who is serving a life sentence in Pennsylvania, says he listens to everything from Beethoven to Eminem.

Courtesy of Prison Journalism Project and Jeffrey Shockley

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Courtesy of Prison Journalism Project and Jeffrey Shockley

Shockley estimates he has more than a thousand songs on his tablet, ranging from Christian music to classical to Eminem. He says being able to choose what he wants to hear throughout the day — like reggae on a happy morning or Beethoven before bed — has a huge impact on his mood.

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“It’s being able to have that ability to reach out and hear something different that will catapult you out of whatever depths of hell you may be in in that moment, figuratively speaking,” he added.

Plus, Shockley said, listening to different genres gives him more to talk about with different types of people.

Garcia similarly says music is one of the few mediums — along with sports and news — that people in prison can share, regardless of their race or background. He says music helps him connect with others, even as someone who was admittedly somewhat antisocial before prison.

Matt Butler has played concerts in more than 50 prisons and jails

“Music is kind of one facet of me trying to open my heart and really appreciate people for who they are,” he added. “And I really do see that a lot in the other incarcerated guys … We end up using it as a platform to come together instead of being divisive.”

Garcia said music not only helps him connect with other people, but also with the outside world. He’s spent his whole life paying attention to new music — which is why he’s now listening to Billie Eilish and Olivia Rodrigo at age 54.

“I don’t want to lose track of what the world is like,” he added.

Reflecting on the past and looking to the future

Music can bring back powerful memories and provide a source of hope for the future, incarcerated people say.

Shockley, 61, says hearing the music his grandmother raised him on, like gospel and Aretha Franklin, reminds him both of his family and simpler times.

“[Like] when you’re a young boy and you’re doing things and running around, playing in the backyard in the green grass,” he explained. “And now you’re sitting in a concrete jungle and hoping for a breath of fresh air .. It’s like a tranquil moment that some people may take for granted because when you don’t have it, you miss it.”

Inside Story: Life in Prison, As Told by Formerly Incarcerated People

That music, he adds, inspires him to try to give back and uplift others as he was taught — but admittedly struggled to do — when he was younger.

“I don’t want to be who I was,” he said. “So I’m going to be who I can be or should have been.”

KC Johnson, who is incarcerated in North Carolina, described their tablet as a “lifesaver.”

They got it in 2021, just two months before their mom died. The two shared a love of blues, and Johnson was especially grateful to be able to listen to music that reminded them of her.

KC Johnson, whose release date is in three years, looks forward to going to concerts for the first time in over two decades.

Courtesy of Prison Journalism Project and KC Johnson

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Courtesy of Prison Journalism Project and KC Johnson

Johnson, who was convicted of robbery and second-degree murder, said music — especially concerts — was a huge part of their life before they went to prison some 17 years ago.

Now they listen to music pretty much all day: on their tablet while studying, with a portable radio while running or over the speakers at their work-release job at a local food bank (notably the only time they don’t need headphones).

“That’s where all my money goes,” said Johnson, 45. “It’s for my tablet, for my music.”

Johnson’s projected release date is in late 2026, at which point they are planning to move into a halfway house. They are especially excited that the facility allows MP3 players, which will hopefully mean easier access to artists on demand, including on runs.

Johnson is also looking forward to seeing live music again, for the first time in over two decades. Going to a festival is at the top of their to-do list. They say they’ve always loved the positive energy at concerts, where everyone is there for the same reason and getting along.

Hip-Hop, Mass Incarceration, And A Conspiracy Theory For The Ages

“I just want to get back in that atmosphere,” Johnson said. “So much has changed in the world, but I feel like going to something like that, it will still be like it was when I was younger — or I hope it is.”

Johnson sees music as a way to reconnect with their past self — and expects the same will be true even once they’re out of prison.

“The songs that I’ve listened to and hear will remind me of my strength and endurance and everything that got me through,” they said. “It’s a powerful tool, music is.”

The broadcast piece was produced by Mansee Khurana.

Lifestyle

It’s Christmastime —– and if you live in the Alps, watch out! Krampus is coming

Published

10 hours ago

December 13, 2025

Press Room

It’s Christmastime —– and if you live in the Alps, watch out! Krampus is coming

Krampuses take part in the annual Krampuslauf or “Krampus Run” on the evening of the Feast of St. Nicholas in the Austrian city of Salzburg. The tradition is centuries-old in the eastern parts of the European Alps.

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SALZBURG, Austria — As you approach Salzburg’s Max Aicher Stadium on the eve of the feast of St. Nicholas, you’d be forgiven if you thought that, from a distance, there appeared to be a Chewbacca convention underway. As you got closer, though, you’d realize the few hundred mostly men dressed in furry brown costumes were not from a galaxy, far, far away, but had instead assembled for a far more traditional, Earth-bound reason: to play, en masse, the alpine character of Krampus, the monstrous horned devilish figure who, according to custom in this part of Europe, accompanies St. Nicholas as he visits children and assesses their behavior from the past year. While St. Nick rewards the good boys and girls, his hairy, demonic sidekick punishes the bad children.

“It’s basically a good cop, bad cop arrangement,” says Alexander Hueter, self-proclaimed Überkrampus of Salzburg’s annual Krampus Run, an event when hundreds of Krampuses are let loose throughout the old town of Salzburg, where they terrorize children, adults, and anyone within the range of a swat from their birch branch switches they carry.

Members of Krampus clubs throughout Austria and the German state of Bavaria gather at a local soccer stadium to change into their Krampus costumes.

Rob Schmitz/NPR

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When asked to explain why people in this part of Europe take part in this centuries-old tradition, Hueter skips the centuries of Roman, Pagan and early Christian history that, together, morphed into the legend of the Krampus figure and instead cuts straight to the chase: entertainment.

“If St. Nicholas comes to town on his own, it’s nice,” says Hueter with a polite smile, “but there’s no excitement. No tension. I mean, St. Nick is all well and good, but at the end of the day, people want to see something darker. They want to see Krampus.”

And if it’s Krampus they want, it’s Krampus they’ll get, says Roy Huber, who’s come across the border from the German state of Bavaria to take part in this year’s Krampus Run. “The rest of the year, I feel like a civilian,” Huber says with a serious face, “but when the winter comes, you have the feeling under your skin. You are ready to act like a Krampus.”

Huber stands dressed in a coffee-colored yak and goat hair costume holding his mask which has a scar along the left side of its face, two horns sticking out of the scalp, and a beautifully waxed mustache that makes his monstrous avatar look like a Krampus-like version of the 1970s Major League Baseball closer Rollie Fingers.

Roy Huber, from Bavaria, holds his Krampus mask prior to the Krampus Run. “When the winter comes, you get the feeling to be Krampus,” he says.

Rob Schmitz/NPR

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Behind Huber stands a Krampus with a red face and several horns that make up a mohawk. Benny Sieger is the man behind this punk version of a Krampus, and he says children are especially scared of his get-up.

“Very scared,” he says, “but if I act like a sensitive Krampus, it can go well. In fact, our hometown Krampus club hosts an event called ‘Cuddle a Krampus’ to ensure that we are not so scary.”

Sieger, though, says he shows no mercy for young adults, especially young men, who he says “are basically asking to be hit” if they come to a Krampus run. He shows off a long switch made up of birch tree branches that smarts like a bee sting when hit with it.

Normally Nicklaus Bliemslieder would be one of those young adults asking for it at the Krampus run — he’s 19 years old — but his mother boasts of how her son gamed the system by playing a Krampus for 14 years straight since he was 5 years old.

“I was never scared of being a Krampus,” he says, “but I was scared of the Krampus. The first time I put the mask on, I wasn’t scared anymore.”

Blieslieder, Siger, Huber and dozens of other Krampuses pile onto a row of city buses that will take them to Salzburg’s old town, singing soccer songs on the way to rile themselves up. In the town center, they put their masks on, the bus doors swing open, and dozens of Krampuses empty into the streets of downtown Salzburg, lunging at shoppers, swatting them with switches, their cowbells a-clanging. At the front of the procession dressed in a white and gold robe is St. Nicholas, holding a staff, handing out candy with a serene smile, and blissfully oblivious of the cacophony of blood-curdling chaos behind him.

After a city bus drops off more than 200 Krampuses at the entrance to the old town of Salzburg, the Krampuses start to put their masks on and get into character.

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Salzburg resident Rene Watziker watches the Krampuses go by, his 4 1/2 year-old son Valentin perched on his shoulders, his head buried into the back of his father’s neck, and his oversized mittens covering his eyes in terror. As Valentin shakes in fear, his father tries to coax him out of it — unsuccessfully.

“He’s too scared of the Krampuses,” says Watziker, laughing. “This is great, though, because this is my childhood memory, too. I want him to have the same good memories of his childhood. He’s going to look at the video I’m shooting and then he’ll be very proud he came.”

Salzburg resident Rene Watziker watches the Krampuses go by, but his four-and-a-half year-old son Valentin perched is too scared to look at them.

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Further down the pedestrian street, Krampuses hit onlookers with handfuls of branches and smear tar on people’s faces. Onlooker Sabeine Gruber, here with her 13-year-old daughter, manages to crack a smile at the spectacle, but she says the Krampus Run has gotten tamer with time. She points to the stickers on the backs of these Krampuses exhibiting numbers in case you want to complain that a particular Krampus hit you too hard.

“When I was a child,” says Gruber, “this was far worse. You were beaten so hard that you woke up the next day with blue welts on your legs. These days the Krampus run is more like a petting zoo.”

Esme Nicholson contributed reporting.

Lifestyle

‘Selling the OC’ Star Tyler Stanaland Passes on Planned Podcast With Alex Hall

Published

11 hours ago

December 13, 2025

Press Room

‘Selling the OC’ Star Tyler Stanaland Passes on Planned Podcast With Alex Hall

‘Selling the OC’ Tyler Stanaland
Backs Out of Alex Hall’s Podcast …
Out of Respect for New Relationship

Published
December 13, 2025
4:00 AM PST

Alex Hall from “Selling the OC” extended the olive branch to ex-boyfriend and costar Tyler Stanaland by inviting him on her podcast … but it turned out Tyler canceled last minute out of respect for his blossoming new relationship.

Sources familiar with the situation tell TMZ … Alex tried to hash it out with Tyler one-on-one for all to see … but we’re told he got cold feet at the last minute in light of his new relationship with Hannah Morrissey.

tyler stanaland alex hall getty

Here’s the sitch … Alex asked Tyler to be on her podcast ‘Pretty Dirty’ before Season 4 of “Selling the OC” aired, and we’re told her pitch to him was to sit down publicly and have a conversation about what their “relationship” entails.

If you’re not familiar with the real estate reality drama … Alex and Tyler’s relationship had a lot of muckiness about what really went on between them during the series — and Alex wanted to break it down once and for all, considering fans online have been wondering where their relationship stands today.

Our sources tell us Tyler loved the idea and was down for the appearance with her at first … adding Tyler even said he was excited and thought it would be fun.

However, things took a turn once the latest season aired — and Tyler rescinded his agreement. Alex followed up to lock in a date, and he responded saying after careful consideration, he opted out … because he wants to focus on his current relationship … adding he wanted to keep his chapter with Alex in the past.

Alex Hall Hot Shots

Sources say Alex wasn’t surprised he pulled out of his appearance — this is how he rolls — but she respected his decision to back out, and the two haven’t spoken since.

This news comes after Tyler’s shocking elopement with Hannah. Tyler announced his marriage to her just 6 weeks after the news of their engagement.

We’ve reached out to both Tyler and Alex for comment … so far, no word back.

Lifestyle

Clair Obscur: Expedition 33 sweeps The Game Awards — analysis and full winners list

Published

23 hours ago

December 12, 2025

Press Room

Clair Obscur: Expedition 33 sweeps The Game Awards — analysis and full winners list

Performers onstage at The Game Awards 2025 at the Peacock Theater on December 11, 2025 in Los Angeles, California.

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The first minutes of The Game Awards set the mold for the next three hours. Clair Obscur: Expedition 33 won best independent game during the preshow, beating out acclaimed sequels like Hades 2 and Hollow Knight: Silksong. Moments after, the main stage opened with operatic singers and a full orchestra (plus the obligatory electric guitar!) belting out music from the game.

A grid of images showing some of the games we love for 2025.

Clair Obscur was already the favorite to win the grand prize — but kicking off the show with the game front-and-center felt like an anointing. It triumphed in nearly every category it competed in, picking up nine awards in total. By the time it won “Game of the Year,” Clair Obscur had surpassed The Last of Us: Part 2 to become the most decorated game in the Awards history.

As predictable as the night became, the game it honored was anything but. Clair Obscur came from an independent French studio composed of developers who had worked for the French gaming behemoth Ubisoft. Instead of chasing trendy genres like battle royales or open-world action games, Clair Obscur drew inspiration from turn-based role-playing games like the classic Final Fantasy titles. It paired an intimate and existential story with a setting that was both whimsical and epic. And it cast motion-capture icon Andy Serkis alongside game actor veterans like Ben Starr and Jennifer English, who delivered the night’s most rousing speech when she accepted the award for best performance.

“I just want to say to every neurodivergent person watching in this room, because I know there’s probably quite a lot of you,” English said. “To all of you that feel like life is stuck on hard mode, this is for you, and thank you so much to the games community and industry for giving us, so many of us, a home.”

Jennifer English, also known for her leading role in 2023 Game of the Year winner Baldur’s Gate 3, accepts her best performance award onstage at the Peacock Theater on December 11, 2025.

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Clair Obscur’s victories fit with two themes of the night: the rise of independent studios and the internationalization of the awards themselves. Half of the “Game of the Year” nominees were indie games, even as the term has stretched to include titles with sizable budgets and publisher partnerships.

This semantic squishiness is a result of The Game Awards’ outsourced voting process, which polls over 150 international media outlets (including NPR) to determine a list of nominees. These outlets decide for themselves how to define categories like an “independent game” or “action adventure game.” After the shortlist is tallied, they’ll pick their favorites in each category, which are weighted against an open online voting system that makes up a 10th of the total score. As the jury has expanded outside of the U.S., which now only represents roughly 15% of outlets, award winners have become both more global and more mainstream.

Still, Clair Obscur’s ubiquity speaks volumes. Even as it swept other deserving indies aside, the game demonstrates the outsized impact a small team can have on the broader market. No longer seen as just a niche, prestige title, Clair Obscur rose to prominence thanks to strong word-of-mouth and its inclusion on the Xbox Game Pass Service, which allowed regular gamers and critics alike to try the game out without committing to a full purchase.

Guillaume Broche, Tom Guillermin, Nicholas Maxon-Framcombe, and François Meurisse accept the Game of the Year award for Clair Obscur: Expedition 33.

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Big companies still took home prizes, however. After being completely shut out last year, Nintendo earned a few awards for Switch 2 exclusives, with Donkey Kong Bananza winning best family and Mario Kart World winning best sports/racing. Grand Theft Auto 6 won most anticipated game for the second year in a row. Wuthering Waves, a Chinese game with a huge mobile audience, won the Players’ Voice award, the only category completely determined by public online votes.

Here are the full nominees and winners for the 2025 Game Awards (winners in bold):

Game of the year

Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Death Stranding 2: On The Beach (Kojima Productions/Sony Interactive Entertainment)
Donkey Kong Bananza (Nintendo EPD/Nintendo)
Hades II (Supergiant Games)
Hollow Knight: Silksong (Team Cherry)
Kingdom Come: Deliverance II (Warhorse Studios/Deep Silver)

Best game direction

Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Death Stranding 2: On The Beach (Kojima Productions/Sony Interactive Entertainment)
Ghost of Yōtei (Sucker Punch Productions/Sony Interactive Entertainment)
Hades II (Supergiant Games)
Split Fiction (Hazelight Studios/EA)

Best narrative

Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Death Stranding 2: On The Beach (Kojima Productions/Sony Interactive Entertainment)
Ghost of Yōtei (Sucker Punch Productions/Sony Interactive Entertainment)
Kingdom Come: Deliverance II (Warhorse Studios/Deep Silver)
Silent Hill f (NeoBards Entertainment/KONAMI)

Best art direction

Best score and music, leveled up by Spotify

Christopher Larkin, Hollow Knight: Silksong
Lorien Testard, Clair Obscur: Expedition 33
Darren Korb, Hades II
Toma Otowa, Ghost of Yōtei
Woodkid and Ludvig Forssell, Death Stranding 2: On The Beach

Best audio design

Battlefield 6 (Battlefield Studios/EA)
Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Death Stranding 2: On the Beach (Kojima Productions/Sony Interactive Entertainment)
Ghost of Yōtei (Sucker Punch Productions/Sony Interactive Entertainment)
Silent Hill f (NeoBards Entertainment/KONAMI)

Best performance

Ben Starr, Clair Obscur: Expedition 33
Charlie Cox, Clair Obscur: Expedition 33
Erika Ishii, Ghost of Yōtei
Jennifer English, Clair Obscur: Expedition 33
Konatsu Kato, Silent Hill f
Troy Baker, Indiana Jones and the Great Circle

Innovation in accessibility

Assassin’s Creed Shadows (Ubisoft)
Atomfall (Rebellion)
Doom: The Dark Ages (id Software/Bethesda Softworks)
EA Sports FC 26 (EA Canada/EA Romania/EA)
South of Midnight (Compulsion Games/Xbox Game Studios)

Games for impact

Consume Me (Jenny Jiao Hsia/AP Thomson/Hexacutable)
Despelote (Julián Cordero/Sebastián Valbuena/Panic)
Lost Records: Bloom & Rage (Don’t Nod Montreal/Don’t Nod)
South of Midnight (Compulsion Games/Xbox Game Studios)
Wanderstop (Ivy Road/Annapurna Interactive)

Best ongoing

Final Fantasy XIV (Square Enix)
Fortnite (Epic Games)
Helldivers 2 (Arrowhead Game Studios/Sony Interactive Entertainment)
Marvel Rivals (NetEase Games)
No Man’s Sky (Hello Games)

Best community support

Baldur’s Gate 3 (Larian Studios)
Final Fantasy XIV (Square Enix)
Fortnite (Epic Games)
Helldivers 2 (Arrowhead Game Studios/Sony Interactive Entertainment)
No Man’s Sky (Hello Games)

Best independent game

Absolum (Guard Crush Games/Supamonks/Dotemu)
Ball x Pit (Kenny Sun/Devolver Digital)
Blue Prince (Dogubomb/Raw Fury)
Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Hades II (Supergiant Games)
Hollow Knight: Silksong (Team Cherry)

Best debut indie game

Blue Prince (Dogubomb/Raw Fury)
Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Despelote (Julián Cordero/Sebastián Valbuena/Panic)
Dispatch (AdHoc Studio)
Megabonk (Vedinad)

Best mobile game

Destiny: Rising (NetEase Games)
Persona 5: The Phantom X (Black Wings Game Studio/Sega)
Sonic Rumble (Rovio Entertainment/Sega)
Umamusume: Pretty Derby (Cygames Inc.)
Wuthering Waves (Kuro Games)

Best VR/AR

Alien: Rogue Incursion (Survios)
Arken Age (VitruviusVR)
Ghost Town (Fireproof Games)
Marvel’s Deadpool VR (Twisted Pixel Games/Oculus Studios)
The Midnight Walk (MoonHood/Fast Travel Games)

Best action

Battlefield 6 (Battlefield Studios/EA)
Doom: The Dark Ages (id Software/Bethesda Softworks)
Hades II (Supergiant Games)
Ninja Gaiden 4 (Platinum Games/Team Ninja/Xbox Game Studios)
Shinobi: Art of Vengeance (Lizardcube/Sega)

Best action/adventure

Death Stranding 2: On the Beach (Kojima Productions/Sony Interactive Entertainment)
Ghost of Yōtei (Sucker Punch Productions/Sony Interactive Entertainment)
Indiana Jones and the Great Circle (MachineGames/Bethesda Softworks)
Hollow Knight: Silksong (Team Cherry)
Split Fiction (Hazelight Studios/EA)

Best RPG

Avowed (Obsidian Entertainment/Xbox Game Studios)
Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Kingdom Come: Deliverance II (Warhorse Studios/Deep SIlver)
The Outer Worlds 2 (Obsidian Entertainment/Xbox Game Studios)
Monster Hunter Wilds (Capcom)

Best fighting

2XKO (Riot Games)
Capcom Fighting Collection 2 (Capcom)
Fatal Fury: City of the Wolves (SNK Corporation)
Mortal Kombat: Legacy Kollection (Digital Eclipse/Atari)
Virtua Fighter 5 R.E.V.O. World Stage (Ryu Ga Gotoku Studio/Sega)

Best family

Donkey Kong Bananza (Nintendo EPD/Nintendo)
LEGO Party! (SMG Studio/Fictions)
LEGO Voyagers (Light Brick Studios/Annapurna Interactive)
Mario Kart World (Nintendo EPD/Nintendo)
Sonic Racing: CrossWorlds (Sonic Team/Sega)
Split Fiction (Hazelight Studios/EA)

Best Sim/Strategy

The Alters (11 Bit Studios)
FINAL FANTASY TACTICS – The Ivalice Chronicles (Square Enix)
Jurassic World Evolution 3 (Frontier Developments)
Sid Meier’s Civilization VII (Firaxis Games/2K)
Tempest Rising (Slipgate Ironworks/3D Realms)
Two Point Museum (Two Point Studios/Sega)

Best sports/racing

EA Sports FC 26 (EA Canada/EA Romania/EA)
F1 25 (Codemasters/EA)
Mario Kart World (Nintendo EPD/Nintendo)
Rematch (Sloclap/Kepler Interactive)
Sonic Racing: CrossWorlds (Sonic Team/Sega)

Best multiplayer

Arc Raiders (Embark Studios)
Battlefield 6 (Electronic Arts)
Elden Ring Nightreign (FromSoftware/Bandai Namco Entertainment)
Peak (Aggro Crab/Landfall)
Split Fiction (Hazelight/EA)

Best adaptation

A Minecraft Movie (Legendary Pictures/Mojang/Warner Bros)
Devil May Cry (Studio Mir/Capcom/Netflix)
The Last of Us: Season 2 (HBO/PlayStation Productions)
Splinter Cell: Deathwatch (FOST Studio/Ubisoft/Netflix)
Until Dawn (Screen Gems/PlayStation Productions)

Most anticipated game

007 First Light (IO Interactive)
Grand Theft Auto VI (Rockstar Games)
Marvel’s Wolverine (Insomniac Games/Sony Interactive Entertainment)
Resident Evil Requiem (Capcom)
The Witcher IV (CD Projekt Red)

Content creator of the year

Caedrel
Kai Cenat
MoistCr1TiKaL
Sakura Miko
The Burnt Peanut

Best Esports game

Counter-Strike 2 (Valve)
DOTA 2 (Valve)
League of Legends (Riot)
Mobile Legends: Bang Bang (Moonton)
Valorant (Riot)

Best Esports athlete

brawk – Brock Somerhalder (Valorant)
Chovy – Jeong Ji-hoon (League of Legends)
f0rsakeN – Jason Susanto (Valorant)
Kakeru – Kakeru Watanabe (Street Fighter)
MenaRD – Saul Leonardo (Street Fighter)
Zyw0o – Mathieu Herbaut (Counter-Strike 2)

Best Esports team

Gen.G – League of Legends
NRG – Valorant
Team Falcons – DOTA 2
Team Liquid PH – Mobile Legends: Bang Bang
Team Vitality – Counter-Strike 2

Players’ voice

Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Dispatch (AdHoc Studio)
Genshin Impact (HoYoverse)
Hollow Knight: Silksong (Team Cherry)
Wuthering Waves (Kuro Games)