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OG Cannabis Cafe, L.A.'s first pub for pot people, blazes back after a 4-year hiatus

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OG Cannabis Cafe, L.A.'s first pub for pot people, blazes back after a 4-year hiatus

At first glance, the scene unfolding on a leafy, half-crowded patio in West Hollywood looks like any other gastropub on a Sunday afternoon. In one corner, a table of nine celebrates a milestone birthday around a vase filled with 21 delicate pink roses. In another, a table of five carries on three conversations at once while two propped up smartphones stream football games.

The occupants of a table for two in the middle of the patio whisper sweet nothings to each other and smile widely. Nearby, a party of one in a turquoise blue, flare-legged pantsuit contemplates how to tuck into a generous plate of waffles stacked with fried chicken and drizzled with syrup.

It’s with the second glance — or more likely the first deep inhale — that it all snaps into focus: when you realize that not far from the vase of roses, the birthday honoree is preparing to fire up a Stündenglass gravity bong, the football fans are passing around a dab rig shaped like Baby Yoda and the woman in the flare-legged pantsuit has a fork in one hand and a lighted joint in the other.

And they’re all busy consuming weed at OG Cannabis Cafe, the first place in the state where one could legally get high and chow down when it opened on Oct. 1, 2019, only to shutter 5½ months later because of the COVID-19 pandemic. Rumors of its re-opening had come and gone ever since, including a much-hyped re-brand by the owners of High Times magazine. Still, the doors remained closed.

Now, after nearly four years, OG Cannabis Cafe is back open for business.

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However, the local consumption-lounge scene has changed dramatically in that time with the opening of three other places to publicly (and legally) puff pot open within 2½ miles of the cafe’s North La Brea Avenue location: the Artist Tree Studio Dispensary Lounge, the Woods and PleasureMed, which includes the restaurant-with-a-side-of-reefer Irie. (They’re all in West Hollywood, the only city in Greater Los Angeles that has legally licensed consumption lounges up and running.)

After recent visits, it was apparent that OG Cannabis Cafe has remained very much the way it was when it opened (and closed) its doors.

“To be honest, we haven’t changed anything — it’s exactly the same except for the cannabis menu and some small changes to the menu,” the original cafe’s co-founder, Sean Black, said about reopening in an environment where he’s no longer the only game in town. “I love the idea of there being different kinds of cannabis experiences. I haven’t yet been to Irie for the high-end dining experience but I’m excited to try it. And I love the Woods. I had such a good time there.”

When asked if he and his partners feel any pressure in the new environment, Black waved it off. “We believe that we have created here a cannabis tourist destination … and we feel an obligation to ensure that people who come from other areas of the world, who are cannabis enthusiasts, have their first public opportunity to consume cannabis and have a meal in [what we believe is] the very first place in the world that you could do that.”

Rosie Aguirre brought her own Grogu dab rig and cannabis concentrate to smoke.

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Nayeli Hernandez, right, takes a bong rip on her 21st birthday.

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Jackie Palatnikov, left, photographs friend Gal, while the two dine at the newly reopened OG Cannabis Cafe.

What hasn’t changed

The space is still configured so cannabis can legally be consumed inside the cafe (which seats 40) as well as on the patio (which has an 80-person capacity), while beer and wine (but not weed) can be ordered on another patio. A hearty bar-food menu — think Buffalo chicken wings, nachos, smashburgers, truffle Parmesan fries and the like — is available throughout.

Behind the pub-grub menu is a new chef, Jonah Johnson of Jonah’s Kitchen in Santa Monica, who replaced Andrea Drummer, who was at the helm the first time around.

Due to federal banking laws, any cannabis purchased on site needs to be paid for in cash (there is an ATM available), though credit cards are accepted for food and drink purchases. In one small but noticeable departure from the before times, the same server takes orders for both comestibles and combustibles instead of having separate servers for food and flower.

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Frederick Marshall says he’s been stopping by the cafe “about five times a week” since it reopened.

What has changed

Speaking of weed (that’s why you’re here, right?), the herbal offerings are probably the biggest switch-up for this incarnation of the cafe.

The cannabis menu features just three brands, two of which have yet to launch into dispensaries. On offer are infused pre-rolled joints and ground flower from flavor-forward, colorfully packaged Dizzies ($25 to $60, the only brand available elsewhere); pre-rolls and flower from indoor-grown Wav ($45 to $100); and greenhouse-grown (and incredibly fragrant) Helena Farms, available in loose flower or pre-roll form (ranging from $20 for 3.5 grams of flower up to $120 for a 1-ounce pack of 70 joints — a crowd-pleasing party-starter if ever there was one).

Among the offerings on the cannabis menu is a 1-ounce box of 70 pre-rolled joints from soon-to-launch, L.A.-based brand Helena Farms.

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All three of the brands are owned by L.A.-based Elevate Holdings, for which Black happens to be a partner and serves as the chief creative officer. (He’s also one of 11 partners involved in OG Cannabis Cafe 2.0.) “They lent us the money to reopen the cafe,” Black said of Elevate Holdings, noting that exclusively featuring one company’s herbal offerings leans into the original purpose of his restaurant-meets-weed concept.

“I founded Lowell Herb Co. in 2011,” he said, “and we first opened this as the Lowell Cafe.” Black said the original vision was to feature Lowell’s products on the smokable side of the menu as a marketing play. That all changed when he and Lowell parted ways just months after the doors opened in 2019.

“So [now,] it’s actually fulfilling its original purpose — promoting cannabis,” Black said, “in addition to being a fun little outdoor cafe where you can get high instead of getting drunk. That’s the whole premise. It’s pretty simple.”

The indoor area at the cafe also serves food and cannabis and seats about 40 people.

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A pub for pot people

Black isn’t the only one making the alternative-to-alcohol, pub-for-pot-people comparison either. A Sunday visit in mid-January found Montana Alexander, 25, ready to smoke up with a table full of friends. She had made the trek from Santa Clarita after discovering the cafe on Instagram. “This place is literally a dream,” Alexander said between puffs, “because I don’t drink, so when my friends go to bars I’m like, ‘So lame.’”

Alexander’s sentiment was echoed by Nayeli Hernandez of Porter Ranch, the aforementioned birthday girl. “I don’t really drink,” she told The Times. “So from the time I turned 20, I was thinking about doing this,” she said. Hernandez’s mother, sitting next to her at the head of the table, chimed in.

“I was down for it,” said Christina Hernandez of her daughter’s request. “This is what they do now.”

Miguel Aguirre fires up a Wav Purple Zushi pre-rolled joint while watching a football game.

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A neon sign bearing the logo of the OG Cannabis Cafe lights up a back wall.

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Act Up India, left, and DJ Tricey Trice “shotgun” a hit on the leafy green outdoor patio.

Coming soon: comedy night, queer night and marijuana meditation

Although the cafe quietly re-opened to patrons in late October, things are set to kick into high gear this month, starting with a big watch party for the big football game on Feb. 11 (smoke a bowl for the … well, you get the picture) hosted by former mixed martial arts fighter Nick Diaz.

“The week of the Super Bowl is going to be packed,” Dejanae Evins, the cafe’s experiential marketing and events manager, told The Times. “On the 13th, we’ll be starting our [every-other-Tuesday] queer wine night called Verse, which will be co-hosted by Ashlee Belzo[of cannabis collective] Puff Dao on our wine patio, where people can enjoy a glass of wine, small bites and a DJ. And then, if they want to end their night with a joint and a sundae on the other side, they can do that.”

In addition, Evins said there will be weekly comedy nights from 7:30 to 10 p.m. Wednesdays (next week, it’s bumped to Thursday because of Valentine’s Day). Also beginning Feb. 13, there will be morning meditations (think sound baths and guided meditation) on the second and fourth Tuesday mornings of each month. “People will be able to come in,” Evins said, “really start their day on a high note and then move into doing something productive, whether that’s co-working or meeting friends for lunch. It’s our way of staying connected to the wellness community.

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“We also have some really big plans for 420,” Evins said of the annual April 20 celebration of all things cannabis that’s less than three months away. “So definitely stay tuned for that.”

Cannabis Cafe

1201 N. La Brea Ave.
West Hollywood
Noon to 10 p.m. Tuesday through Friday, 10 a.m. to 10 p.m. Saturday and Sunday
cannabis.cafe

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Know before you go

  • You must be 21 or older to enter the cannabis-consuming side of the cafe, and a valid, government-issued ID is required.
  • Unlike the other local consumption lounges, you can bring your own cannabis (or cannabis extracts) to smoke here — for a “tokage” fee, which is currently $25 for table of three or fewer and $50 for tables of four or more.
  • Also unlike other local consumption lounges, the cafe doesn’t operate alongside a traditional dispensary, which means you can’t just pop in, buy a bag and bounce. But you can consume a little and then cut out, Black says.
  • Rolling papers, grinders, lighters and rolling trays are provided, and you may also bring your own pipe or glass. Bongs and pipes may be purchased on-site, and Stündenglass gravity bongs can be rented for $50.
  • On-site valet parking is available for $10 (for your designated driver). Remember: When you’re high, you shouldn’t operate anything larger than a soup spoon much less a vehicle of any kind.
  • Walk-ins are accepted on a space-available basis, but reservations are encouraged and may be made via OpenTable.
  • Although the establishment serves cannabis and food, it does not serve cannabis-infused food.

Lifestyle

You know the Mayflower. What about the White Lion? Here’s the story of ‘Two Ships’

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You know the Mayflower. What about the White Lion? Here’s the story of ‘Two Ships’

Just in time for a contentious 250th anniversary of the United States of America, historian David S. Reynolds’ latest book, Two Ships, helps us realize that any country that couldn’t agree on its own origin story is destined for divisive times.

Two Ships is about the complicated, conjoined legacy of the landings of the Mayflower, which carried the Pilgrims to Plymouth, Mass., in 1620, and the White Lion, which arrived in Jamestown a year earlier, bringing the first enslaved Africans to Virginia.

As Reynolds demonstrates, it’s not so much the facts of these two voyages, as it is the meanings ascribed to them, that made them such a powerful metaphor for two conflicting visions of American identity.

To simplify, the Mayflower’s passengers were separatist Puritans, dissenters to the reign of the English king, James I. As the United States developed, the Mayflower was credited with carrying the seeds of a radical democracy to the New World, one in which all men (in theory, at least) were equal before God.

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In contrast, the European settlers of Jamestown were Royalists, also known as Cavaliers. Loyal to the monarchy, they believed in a strict hierarchy.

But the meaning of the images of the two ships shifted depended on who was invoking them and when. Not surprisingly, the metaphor was deployed most vigorously during the Civil War. In abolitionist speeches and writings, the White Lion or the “Slave-Ship,” as it was commonly called, was condemned for infecting America with the “plague-spot” of slavery.

Reynolds says that Frederick Douglass resorted to the “two ships” metaphor frequently, while Lincoln avoided it, hoping to preserve a unified ship of state. Meanwhile, Southern descendants of Cavaliers invoked the Mayflower to emphasize the intolerance and “cruel, persecuting” character of the Puritans. In a comment that resonates for our own times, Reynolds says:

It didn’t matter to the South that … by the mid-nineteenth century, the North had become a kaleidoscope of religious denominations, …, few of which resembled the faith of the Plymouth colonists. Distortion is intrinsic to cultural memory, especially when amplified by sectional or political bias. For Southerners, the Mayflower had brought Puritanism, which had yielded fanatical movements like abolitionism, now a dire threat to the Union.

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A historically hot Paris Fashion Week photographed with a kid’s camera

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A historically hot Paris Fashion Week photographed with a kid’s camera

I took a kid’s camera to Paris Fashion Week, because was it ever really that serious? Yes and no. This men’s season happened during one of the hottest weeks in France’s recorded history, which inspired that specific brand of collective hysteria brought on by living through yet another unprecedented moment together — taking over our brains and ruining our plans to wear boots — and a grander reflection on what we were doing there and why. The throngs of teenagers doing back flips into the Canal Saint-Martin and playing soccer in the street set the mood for the week. If the world is ending, you might as well swim in dirty water and have fun doing it, no?

As far as the shows went, there was the coastal stoner energy of Tokyo-based Auralee — brightly colored leathers and furry flip-flops — that reminded me of the low-key elegance of hanging out in Southern California. At the Rick Owens show, Rick-heads made minimal weather-restrictive tweaks to their usual uniforms — platforms, leather, ground-grazing garments — making you appreciate the beauty in that level of ascetic dedication. Louis Vuitton built a literal beach as its runway, complete with sand and a giant wave that felt like a mirage: Is this a heat-induced hallucination or yet another buzzed-about set design under men’s creative director Pharrell Williams? At the Dries Van Noten show, there was an ice-cold beer fridge and popsicles, a chic and inspired detail only rivaled by a collection that was a breath of fresh air during a week where I Googled the symptoms of heat stroke more than once. The Willy Chavarria show was air-conditioned, pumped with Xinú perfume and felt expensive. Sven Marquardt, a Berlin photographer and Berghain’s most famous bouncer, was sitting in front of me, which I took as an incredibly good omen. The painted blue feet and Oakley collab sunglasses at the Kiko Kostadinov show felt auspicious as well.

A model walks with his hands in his vest

A look from the Auralee show.

There were conversations floating around about how apocalyptic it felt sitting at a fashion show in over 100-degree Fahrenheit weather, our backs soaked, our minds dizzied, when the industry is responsible for something like 10% of global greenhouse gas emissions. The cognitive dissonance contributed to the thickness in the air that week.

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At the Comme des Garçons show, called “If the War Were to End..,” models danced and ran and skipped out onto the runway for the finale, soundtracked by the joyous sound of children singing “You’re So Good to Me” by the Langley Schools Music Project. In that moment, we were happy, we were clapping, we might have even been hopeful. Humans have the capacity to hold a lot — a fan in one hand while attempting not to completely melt in the front row, and a fantasy that there might still be a future where we get to wear those leopard-print Dries shoes we fell in love with on the runway.

People stand in front of a wall bearing the words "Paris Tourisme"

The moments before the Comme des Garçons show.

Two people dressed mostly in black

Comme des Garçons show attendees.

A model wears Comme des Garçons, head-to-toe.

Comme des Garçons, head-to-toe.

A model walks in white light

The Comme des Garçons show.

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Models wear long jackets

The Dries Van Noten show.

A bottle of beer

A chic and inspired detail at the Dries Van Noten show: ice-cold beer.

Modeling on a pink bench
A person in black shoes, left, and a person in pink shoes

Scenes from the ERL presentation.

Seated attendees watch a model
Seated attendees watch a model on a blue carpet

The Kiko Kostadinov show.

The Eiffel Tower rises in the distance
A woman in sunglasses stands in a beach setting

Tapping in from Louis Vuitton beach.

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Quavo at the Louis Vuitton show.

Quavo at the Louis Vuitton show.

A person stands in a beachlike setting

Scenes from after the Louis Vuitton show.

People use their smartphones to photograph a person in a suit and tie

Scenes from the Louis Vuitton show.

A variety of shoes and laces

Scenes from the Nahmias x Puma dinner at Gigi Paris.

Scenes from the On X Online Ceramics rave.

Scenes from the On X Online Ceramics rave.

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On at PFW.
People walk under arcs of water
People in a nightclub

At Silencio to see Venezuelan DJ and producer Safety Trance.

Five models wearing sunglasses stand together

The Willy Chavarria show.

A glowing cross with curved ends

Scenes from Willy Chavarria.

People sit along a canal

The throngs of teenagers doing back flips into the Canal Saint-Martin and playing soccer in the street set the mood for the week.

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After weeks of speculation, Taylor Swift, Travis Kelce wed in New York

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After weeks of speculation, Taylor Swift, Travis Kelce wed in New York

Taylor Swift and Travis Kelce of the Kansas City Chiefs, pictured at a basketball game in May, announced their engagement in August 2025.

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Gregory Shamus/Getty Images

NEW YORK — Taylor Swift and Travis Kelce are officially married.

After three years of dating, The pop icon and Super Bowl-winning football player, both 36, tied the knot in New York, according to a statement from Swift’s publicist, Tree Paine.

There were neither bridesmaids nor groomsmen. “Instead, her brother Austin Swift served as Taylor’s Man of Honor and Jason Kelce was Travis’ Best Man. The ceremony joined both families together,” Swift’s publicist said in the statement released Friday evening.

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The ceremony was officiated by comedian and a friend of the couple, Adam Sandler, the statement added.

The singer’s rep said that the couple was dressed in Christian Dior Haute Couture.

“The bride and groom’s wedding ceremony looks have been created by Christian Dior Haute Couture. They are designed by Jonathan Anderson, Creative Director of Dior Women’s, Men’s and Haute Couture Collections, in close collaboration with the Bride and Groom,” the statement said. “This is the designer’s first couture wedding dress for a world-renowned celebrity. Their shoes were custom made by Christian Louboutin and the bride wore Cartier jewelry.”

Security around the event was intense, so it remains unclear if the wedding was charming, if a little gauche. But the night before the ceremony the 20,000-person stadium was bathed in a lavender haze.

Details gleaned from a city permit obtained by The Associated Press, showed details of a “special event at MSG” scheduled to begin Friday evening and running overnight Saturday.

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As speculation built, fans began gathering in front of the stadium ahead of the expected wedding, despite the couple’s efforts to keep details of the celebration under wraps.

Superfans and sleuths appeared to have their hunches confirmed on Friday, as dozens of black cars dropped off elegantly dressed guests outside of Madison Square Garden in New York City.

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