Lifestyle
Murals Have Moved Indoors
When Megan Debin purchased her Long Beach, Calif., house in 2020, she found her backyard dreary with its cinder-block walls. Dr. Debin, an art history professor and content creator, was smitten with a light blue crab motif she had come across on Instagram. She asked its artist, Tracy Allen, a muralist in Long Beach, to paint the crab on one of her yard’s walls.
One mural turned into five — all different designs, predominantly blue — and now Dr. Debin, 45, sees her yard differently. “It’s so bright and playful, and it lifts your mood,” she said, adding that the murals inspired her to create an outdoor space where she could entertain among the yard’s orange trees.
Home murals were once relegated to children’s bedrooms, where they often tied into a theme. Today, they’ve grown up and taken over walls, indoors and out.
Technically speaking, a mural is a large work of art executed right on a wall. And while modern murals are typically associated with streetscapes and Insta-worthy backdrops, they’re one of the most primitive forms of artistic storytelling. In Dordogne, France, for example, the Lascaux cave paintings of about 15,000 to 17,000 years ago depicted horses, bison and other animals. And in Patagonia, Argentina, the “Cueva de las Manos” (“Cave of Hands”) is a composite of stenciled human hands that dates back at least 9,000 years.
“I think as humans we have this built-in tendency to share things with other people and do that in a visual way,” said Hailey Widrig, an art historian and founder of Art Partners Advisory in Paris, which advises collectors and appraises art works. “Murals really evolved out of that.”
The sprawling wall paintings have ebbed and flowed out of popularity through the centuries, from religious works in the Renaissance (like the “Last Supper”) to political statements by Diego Rivera in the 1930s and Banksy’s start in the 1990s. In the 2010s, destinations like Richmond, Va., which has hosted the RVA Street Art Festival since 2012, and Wynwood Walls in Miami began welcoming murals to add vibrancy and become attractions.
The rise of murals on social media has inspired homeowners to bring them indoors. “Platforms like Instagram have reframed murals as contemporary visual statements by transforming them from niche to aspirational through sheer exposure,” said Elena DeStefano, an interior designer in Philadelphia. “In response, designers began integrating them as immersive, site-specific works that introduce a unique narrative and spatial complexity into the home.”
That individualized touch is what makes Ms. DeStefano so inclined to incorporate murals in homes. “I think they work in literally any room with walls,” she said. “They are a true representation of the person that lives in that home because there’s no mural that is ever going to be the same.”
Ms. DeStefano is also a proponent of digital mural wall coverings by companies like Phillip Jeffries. She recently worked with a couple who wanted birds in their mural, and the company blended their designs and tweaked the scale of the birds to make a customized mural.
There are considerations to take into account before painting a mural. Diana Hathaway, an interior designer in the San Francisco Bay Area, suggested pulling in colors from the surrounding design to make the space cohesive. “It doesn’t have to be too literal, but it should echo something you already have going on,” Ms. Hathaway said.
Many see hand-painted murals as an alternative to wallpaper, which can be fussy to install — and not as unique. Some muralists paint designs reminiscent of wallpaper, like Kate White who lives in Garrison, N.Y. She specializes in retro hues and geometric patterns, such as a terrazzo-inspired bathroom mural or pink and yellow blocks in an entry hallway.
Even an often-overlooked area, like a stairwell, is not immune to a muralist’s palette. Kreh Mellick, an artist in Asheville, N.C., recently painted one in a family member’s home in Virginia. Ms. Mellick took the stairwell from plain to whimsical, adorned with stars and a dress-clad sun ascending over flowers and a blueberry patch.
In some cases, homeowners empower muralists to think beyond just painting the walls. Christina Kwan, a muralist in Atlanta, installed an oceanic mural-painting hybrid in a client’s dining room. “When I work on canvases, they’re so contained,” she said. “Then when I work on murals, they’re so expansive, but I want them to have the intimacy that a canvas does.” Additionally, if the homeowners ever move, they can bring the canvas with them, too.
Even in the modern era, murals tell stories. Rachel Kerns, a muralist in Sacramento with a flair for boho-chic florals, painted a dining room ceiling in Pasadena, Calif., last year. Among leaves and golden flowers set against a red backdrop, Ms. Kerns painted silhouettes of the homeowner’s children on the edge of the mural.
“We incorporated the silhouettes in a way that was kind of abstract and not too on the nose or cheesy,” Ms. Kerns said. “I just thought it was so special that it was above the table that they’re going to dine at for years.”
Lifestyle
Kumail Nanjiani opens up on his regrets, critical failures and embracing fear : Wild Card with Rachel Martin
A note from Wild Card host Rachel Martin: Here’s my theory about Kumail Nanjiani: He is not a person who is afraid of his feelings. I think he’s the opposite of that kind of person.
Kumail has made his emotional life part of his comedy – whether it’s his deep and abiding love for his wife (as told in the hit movie, “The Big Sick”), his obsession with his cat or the anxiety that grips him in the middle of the night – Kumail’s brand of comedy is often about how we feel our way through living.
His new standup special is on Hulu and it’s called “Night Thoughts.”
Lifestyle
Kylie Jenner Shows Off Figure in Backless Feather Dress
Kylie Jenner
Ultimate Showgirl with Backless, Curve Hugging Gown
… At Kylie Cosmetics Holiday Party!
Published
Kylie Jenner showed up to her Kylie Cosmetics holiday party in full showgirl glam … slipping into a skin-tight, feather-trimmed, backless dress that put her hourglass figure on display.
The makeup mogul was clearly feeling herself as she posed in an IG video she shared Wednesday night, playing with the pink feathers that framed her neck and making sure to give fans a shot of her junk in the trunk as she turned around to show off the halter gown from the back. She let the drama of the dress take center stage … opting for a simple makeup look and doing her hair up in a sleek, slicked back bun with a single curl placed on her forehead.
Kylie gave more love to her fun ‘fit on her IG story, twirling around in a video set to audio that said … “Kylie Jenner! What? Oh my God, you look like a Christmas fairy.”
Last night’s showstopping ensemble was just one of the sexy looks Kylie has gifted us with as of late — just a few days ago, she showed off her famous curves in a cheerful red latex dress at the OBB Media holiday party in West Hollywood.
And before that, she was nearly spilled out of the bright orange cutout gown she wore to support her beau, Timothée Chalamet, at the Los Angeles premiere of his latest film, “Marty Supreme.” And how can we forget the figure-hugging, cleavage-baring leather jacket she showed off on the ‘gram earlier this month?
Kylie just keeps on giving this holiday season with the jaw-dropping looks — she’s certainly on our nice list!
Lifestyle
‘Harry Potter’ fans are flying to Broadway to see the original Draco Malfoy
Tom Felton, left, who played Harry Potter’s nemesis Draco Malfoy in eight films, is now playing him live on stage.
Matthew Murphy/Harry Potter and the Cursed Child
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Matthew Murphy/Harry Potter and the Cursed Child
Almost eight years after Harry Potter and the Cursed Child opened, it has become the highest grossing show on Broadway. Why? Tom Felton, who played Draco Malfoy, Harry Potter’s nemesis at Hogwarts in the eight films, is now playing him onstage.
After every performance, crowds gather at the stage door to get autographs, selfies or just a close-up glimpse of Felton.
Anna Chan flew to New York from San Francisco to see him in the show. “I grew up watching the movies and reading the books as a kid,” she said, “so just seeing him reprising his role as Draco Malfoy is really exciting and just heartwarming to see. It’s kinda like a full circle moment for him.”
Felton feels the audience’s warmth. “I’m somewhat of a bookmark in their youth on the films,” he said. “To see them as excited as I am to be doing that again on the stage was… well, it’s overwhelming and it still is every night.”
Now 38, Felton spent much of his childhood, adolescence and young adulthood getting his hair bleached blond and sneering as the bully Draco Malfoy in the films. For 10 years, he worked with some of the finest actors of British stage and screen, including Dame Maggie Smith, Alan Rickman and Gary Oldman. Felton — and all the other young cast members — learned by example.
“You know, Alan Rickman making teas for the grips,” recalled Felton, “and Jason Isaacs telling anecdotes, Helena Bonham Carter sort of just being playful. I think that’s something that made the early Potter films very special — the adults around us did not take themselves too seriously. And so that allowed us to be playful.”
Tom Felton, right, with John Skelley as Harry Potter in Harry Potter and the Cursed Child, now on Broadway.
Matthew Murphy/Harry Potter and the Cursed Child
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Matthew Murphy/Harry Potter and the Cursed Child
Post-Potter, Felton has written a memoir and has appeared in films and on London’s West End. When he was given the opportunity to play an adult Draco Malfoy on Broadway for six months, he jumped.
“I do understand the character somewhat,” he said, “although Draco now is a dad.” In the play, Harry Potter and Draco Malfoy’s sons become friends and get into a mess of trouble.
In the first act, he and the older Harry have a wizard’s duel and Felton said that, during rehearsal, he added a familiar line from the films that wasn’t in the script.
“When Harry and Draco first decide, ‘Come on, let’s have a scrap, let’s have a battle,’ I think it just came up voluntarily. I said, ‘Scared Potter?’ Felton recalled, laughing. “And then it was sort of looked over and then someone came back to me a few days later and said, ‘We’ve got it in, your line suggestion.’”
The audience gets to see Malfoy and Potter fly through the air and electrical arcs come out of their wands live onstage. “Every night you can hear or feel, rather, at least half the audience go back to their childhood or older memories,” Felton said. “The first time that they saw Draco and Harry duel. And because this one’s live and in front of your face, it’s just only more exciting, I think.”
Felton said he’s proud to be part of the Harry Potter World, on film and on Broadway. He’ll be appearing in Harry Potter and the Cursed Child through May 10.
Jennifer Vanasco edited this story for broadcast and digital. Chloee Weiner mixed the audio.
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