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Lucas & Arthur Jussen release 'little diamonds' EP of lesser-known piano duets

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Lucas & Arthur Jussen release 'little diamonds' EP of lesser-known piano duets

Lucas and Arthur Jussen perform with the Chicago Symphony Orchestra under the baton of Christoph Eschenbach in October 2024.

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They finish each other sentences, in conversation and in music.

Brothers Lucas and Arthur Jussen have played music together as far back as they can remember. They performed for the Dutch queen as young boys. As a piano duo, they’ve taken that symbiotic connection to some of the world’s greatest concert halls.

“The strange thing is that with Arthur, I never notice when our hands touch or our heads or whatever, it’s just a very natural thing,” Lucas told NPR’s A Martínez. “I could never imagine doing that with someone else or or not doing that with Arthur.”

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This month, they are releasing recordings of a set of what they call “tiny diamonds” — short waltzes and lullabies influenced by, and in some cases rejecting, French Impressionism from the late 19th century and early 20th century. There’s Debussy’s “En bateau” (“By Boat”) from his Petite Suite, alongside lesser known works by Benjamin Godard, Reynaldo Hahn, Charles Koechlin and Germaine Tailleferre.

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It’s the first volume in a trilogy of releases. The second EP, Cantus, is due out in May and will feature works by Bach, Brahms and Estonia’s Arvo Pärt (b. 1935). A final release in November 2025 will include both of Edvard Grieg’s suites of incidental music narrating the story of Norwegian peasant anti-hero Peer Gynt.

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The set begins with “Les décrets indolents du hasard” (“Indolent Decrees of Chance”), the first in a series of waltzes by Venezuelan-born Hahn known as Le ruban dénoué (The Unspooled Ribbon).

Binary and ternary meters alternate between the two pianists to evoke the indolence of the title, with an echo-like effect.

Hahn, the one-time lover of French novelist Marcel Proust, primarily composed lyrical music. Even for his piano works, “you have to play them also as if you are singing,” said Lucas, 31. That’s a major challenge at the piano, which, unlike the voice or string instruments, can’t sustain a note at length, let alone indefinitely.

Dutch brothers Lucas, left, and Arthur, right, Jussen have performed together as a piano duet since they were young children.

Dutch brothers Lucas, left, and Arthur, right, Jussen have performed together as a piano duet since they were young children.

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The constant switching of leads that takes place here is central to the Dutch brothers’ broader approach to the piano duo repertoire, which they have sought to expand by shedding light on lesser known pieces such as these or by commissioning new works by contemporary composers, including concertos by Joey Roukens and Fazil Say.

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“I am lucky as the younger brother that I never had an older brother who really wanted to be the older brother and wanted to be the boss in music as well as in normal life,” said Arthur, 28. “When you play together, I think the most important thing is that there is no ego that wants to be the biggest ego.”

Arthur says he tries to adapt to Lucas “almost each millisecond.” When they both achieve that level of synchronicity at the keyboard, “you can can reach a state of playing where you both almost start feeling the same and the blood starts flowing the same way,” he added.

Lucas (left) and Arthur Jussen bow with conductor Christoph Eschenbach after performing Mozart's Concerto for Two Pianos with the Chicago Symphony Orchestra in October 2024.

Lucas (left) and Arthur Jussen bow with conductor Christoph Eschenbach after performing Mozart’s Concerto for Two Pianos with the Chicago Symphony Orchestra in October 2024.

Todd Rosenberg/Photo provided courtesy of the Chicago Symphony Orchestra Association


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Tailleferre was the only woman in Les Six, the avant-garde group of composers formed more than a century ago in Paris. Their musical aesthetic generally rejected German romanticism and the lush style of Impressionists like Debussy.

Tailleferre’s “Valse lente” (“Slow Waltz”) has moments of subtle but confounding dissonance, “which makes you feel all the time, ‘Where is it going?’” said Lucas. “And then in the end, it resolves into this kind of beautiful, dreamy atmosphere.”

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The Jussens praised the increased presence of women composers and conductors in classical music programming, a transition and reckoning that has been slow in coming.

“We would be very happy and we would feel we succeeded if people after listening to the album will say, ‘OK, that piece right there, that’s my favorite piece, just because I love the music so much,’ and that they will not say ‘I love it so much’ because she is the only woman on the record,” said Lucas.

Koechlin, who taught Tailleferre and Poulenc from Les Six, was a polymath whose interests ran the gamut from astronomy, car racing and cinema to mountaineering and mythology. Arthur expressed admiration for Koechlin’s many talents. “We can only play piano — for the rest, we’re absolutely useless,” he quipped.

Their career is one that comes with constant stress and pressure to perform, but the brothers say they remind themselves of what inspired them to play in the first place. “We try to always remember now 20 years after we started that we like it so much because if you forget that and it’s just about playing the concerts well and performing each day, then sometimes you lose the sparkle of what music can do and the magic that it has,” Arthur said.

The digital version of this story was produced by Janaya Williams. The digital version was edited by Obed Manuel.

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Forget what you think you know about fruitcake

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Forget what you think you know about fruitcake

“There’s a lot of terrible candied fruit out there, unfortunately …” says cookbook author Camilla Wynne. “It’s fair that they get a bad rap, but they aren’t representative of candied fruit generally.” In her book Nature’s Candy, Wynne guides cooks through making not-terrible candied fruit, for cakes such as the Stollen Pound Cake, above.

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Mickaël A. Bandassak/Appetite by Random House

For generations of Americans, making fun of fruitcake has been a holiday tradition. Even Sabrina Carpenter cannot resist piling on. “Fruitcake just makes me sick,” the pop star intones in a song on her new Christmas album that happens to be called Fruitcake.

But a Canadian pastry chef and master food preserver would like us to reconsider our assumptions. Camilla Wynne is the author of a new cookbook called Nature’s Candy. It’s an ode to the pleasures of candying fruits — and even the occasional vegetable — and baking with them.

Wynne said she completely understands why fruitcake got stuck with such a terrible reputation.

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Nature's Candy: Timeless and Inventive Recipes for Creating and Baking with Candied Fruit

“I think it’s because there’s a lot of terrible candied fruit out there, unfortunately,” she said. “Bright red or bright green glacé cherries, and the problem with those, of course, is that they don’t taste like anything. It’s fair that they get a bad rap, but they aren’t representative of candied fruit generally.”

Fruitcake is fantastic, says Wynne, if you use excellent fruit, especially fruit you candy yourself. Still, the idea of candying fruit at home seems daunting at best, at least to this NPR reporter (and enthusiastic amateur baker). “Oh, I hate that you’re intimidated!” Wynne said in response to the hesitancy, “That’s like the last thing I want. [But] people are. I understand that.”

Candying fruit, Wynne insisted, is not any harder than boiling eggs. The technique is, basically, briefly simmering fruit in sugar water over the course of a few days.

“I’m candying a bunch of whole figs right now,” she said. “Every day, it’s not much more than watering your plants. They need to simmer for 10 minutes, so when I’m setting up to make dinner, I’ll just turn them on and put on the timer.”

Those candied figs are put to succulent use in Wynne’s Florentine tart recipe, along with candied cherries and orange peel. Even to a fruitcake skeptic, the cake recipes in Nature’s Candy look delicious. Her Tropical Terrazzo Cake (recipe below) uses coconut milk, lime juice and an array of candied tropical fruits. The cookbook also includes plenty of non-fruitcake recipes, such as caramel corn with candied ginger, and strawberry sugar cookies with candied jalapenos.

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“You get all this jalapeno syrup with it too, and it makes a really good base for margaritas if you’re into that kind of thing,” Wynne noted with relish.

Back in the lockdown days of the pandemic, she added, many home cooks turned to baking bread. Candying your own fruit is similar, she says. It brings a sense of scaling up skills and quiet contemplation to the kitchen during a moment marked by violence and institutional turmoil around the world.

“Unwind, de-stress and connect to beauty,” Wynne suggested. “The world’s a bit nuts.”

And what goes better with nuts, after all, than candied fruit?

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Tropical Terrazzo Cake

By Camilla Wynne

“They paused to breathe in steam rising from the oven and took extra helpings of pound cake sliced to reveal a terrazzo pattern of candied citron and glace fruits,” writes John Birdsall in one of my favorite culinary biographies, The Man Who Ate Too Much. The idea for this sturdy pound cake studded with chunks of candied tropical fruits and glazed with tart lime syrup came from that single line in this biography of icon James Beard. The book is full of literary descriptions like this that pull you right into the action, making it a pleasure to read. Most importantly, the book doesn’t downplay his queerness. I recommend reading it while you enjoy a slice of this cake. Use a variety of candied tropical (or tropical-adjacent) fruits, keeping in mind that it can always be a mixture of homemade and store-bought. I usually use pineapple, kiwi, papaya, citron, ginger, and cactus pear.

Serves 16

For the Cake

230 g (1 cup) unsalted butter, at room temperature (very soft)
533 g (2⅔ cups) sugar
1½ tsp salt
Zest of 1 lime
6 eggs, at room temperature
420 g (3 cups) all-purpose flour
250 mL (1 cup) full-fat coconut milk
500 g (2 cups) drained and chopped (½- to 1-inch pieces) mixed candied fruit, reserving the syrup

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Preheat the oven to 350°F (175°C).

Generously grease and amply flour a 10- to 12-cup Bundt pan and refrigerate the pan until it’s time to fill it.

To make the cake, in the bowl of a stand mixer fitted with the paddle attachment, cream the butter, sugar, salt, and lime zest until light and fluffy. Add the eggs one at a time, beating well after each addition.

With the mixer running on low speed, add one-third of the flour and then half of the coconut milk. Alternate until all the flour and coconut milk are incorporated.

Scrape down the sides of the bowl, then beat on medium-high for 30 seconds to make sure everything is well blended. Fold in the chopped candied fruit.

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Transfer the batter to the prepared pan. Give the pan a hard tap on the countertop to help settle the batter. Bake for 1 hour and 10 minutes to 1 hour and 20 minutes, or until a toothpick inserted in the center comes out clean.

Cool on a wire rack for 10 minutes. Meanwhile, make the syrup.

For the Syrup

125 mL (½ cup) candied fruit

syrup (see Note)

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60 mL (¼ cup) lime juice

2 Tbsp dark rum (optional)

NOTE You can use any candied fruit syrup for this recipe or use the reserved syrup from the cake method. To make the syrup, in a small pot, combine the syrup and lime juice. Bring to a boil and cook until it is reduced by half. Remove from the heat and stir in the rum, if using.

To assemble, carefully turn the cake out of the pan. Use all the syrup to brush the cake all over the top and sides. Cool completely. The cake will keep, well wrapped, at room temperature for at least 5 days.

Excerpted from Nature’s Candy by Camilla Wynne. Copyright © 2024 Camilla Wynne. Published by Appetite by Random House®, a division of Penguin Random House Canada Limited. Reproduced by arrangement with the Publisher. All rights reserved.

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Edited for radio and the web by Meghan Sullivan, produced for radio by Chloee Weiner, produced for the web by Beth Novey

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Aaron Rodgers Reveals He Has A Girlfriend

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'May love rest gently in your broken heart': What to say to a grieving friend

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'May love rest gently in your broken heart': What to say to a grieving friend

It can be tricky to offer condolences to someone who is grieving. You want to show your friend you love them, but you also know there isn’t much you can say to heal your friend’s pain.

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This month, we asked our audience: What words of comfort do you say to a friend whose loved one has passed away? It was part of a podcast episode and story we did on how to support a grieving friend.

We received dozens of emails on this question. Some people shared the exact messages they sent to their own good friends. Others who have experienced loss told us what not to say — and what they wished people said instead.

As many can attest, it can be tricky to offer condolences — you want to show your friend you love them, but you also know there isn’t much you can say to heal your friend’s pain. Here are some ideas about what to say to a grieving friend. These responses have been edited for length and clarity.

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‘May love rest gently in your broken heart’ 

Our 29-year-old son died unexpectedly in September. There really are no words to console us. Most comments that mention healing or finding peace, however well-intentioned, feel so unrealistic and oblivious to the depth of our loss. I hope we do find peace and some degree of healing eventually, but right now I need to sit with my grief.

I’ve thought a lot more about what I say to those who are grieving. The (barely) best I’ve come up with so far is: “May love rest gently in your broken heart.” —Betsy Hooper-Rosebrook 

A simple way to break the ice 

When my husband passed away unexpectedly five years ago, it was so hard for me to go to the grocery store or the post office. Everyone asked me, “How are you doing?” I felt like I needed to respond in a way that assured the other person I was OK when I was not.

However, two friends would always say, “It’s so good to see you,” and give me a hug. That took the pressure off of me. So now, with my grieving friends, I try to say that too. —Cindy Jackelen

Tell your friend they are wonderful 

On a card, I usually say something like, “I know their life was better because you were in it.” People have commented that they loved hearing that. —Connie DeMillo

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‘Sorry for your loss’ does not cut it 

Of course it is exactly what you mean and is probably sincere, but it’s stock language. Come up with an original, personal message that’s your own. Ask yourself: What would you want someone to say to you if you were in that situation? Give that person the gift of five minutes’ thought and empathy. —Beth Howard 

This illustration shows a wall with multiple arched open windows. Figures are sitting on the windowsills, with heads tilted downward in deep contemplation.

Send your friend a message of support on the death anniversary of their loved one. “It helps relieve the burden of grief when it is acknowledged and shared,” says reader Thomas McCabe.

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Mark death anniversaries on your calendar 

I lost my wife of 42 years to cancer ten years ago. I always dread the approach of her death anniversary. But it’s comforting to receive a text from someone who remembers that day as well.

I have a friend who lost both her husband and her only child to cancer. I’ve marked those dates in my calendar and I send a simple text that says “Sending love to you today.” It helps relieve the burden of grief when it is acknowledged and shared. —Thomas McCabe 

Bring up their laugh 

Say, “I’ll always remember their laugh.” Every time I’ve said it to a grieving person, they perked up, smiled and were truly thankful. —James Vandeputte

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Don’t say nothing

Having lost my son when he was 20, don’t say nothing. Saying something doesn’t remind a grieving friend of their loss. It’s already on their mind 24/7. —David Lavallee

Sit with them quietly

When my mother passed away in 1998, it was very difficult for me. Friends called and came by and said the typical condolences. I didn’t want to hear any of it.

I was sitting alone in my living room quietly when my then 14-year-old son reached out and held my hand. He sat with me and never said anything. After a while, he got up and went back to his room.

In that moment, I found total comfort and understanding. I knew I would get through this sadness. I wondered how my son could know this was all I needed. Sometimes, just sitting with a person and saying nothing is everything. —Sharon S. Barnes

Validate their pain 

Several years ago, I had to deal with the death of two brothers and both parents over a span of about five years. I talked to a friend who had some training in grief counseling, and we worked out together some words to help me grieve and understand. It goes like this:

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Your world has been shattered and is in a million pieces. It no longer makes sense. You can’t see how you can live and breathe and move in this world. But, given time, you will be able to put it back together. It won’t be the same world that you knew before, because there will always be a piece missing — forever. But you’ll be able to live and move in this new world that you’ve put together. Eventually, this world will make sense and start to work for you. You’re even allowed to go visit the place where the piece is missing and grieve.

I’ve been able to pass these words on to others who have been in severe grief, even strangers, and it seems to help. Maybe you can pass this message on to others. —Dan Corbett 

Share the silliest memories 

My mother-in-law died recently at the age of 94. Upon her death, I reminded my wife of 35 years of a humorous event that occurred when my mother-in-law was a mere 80 years old. We were walking behind her into her house and later, the same evening, I told my wife that her mom had a cute butt. When I reminded my wife of that, we both laughed and cried. —Wayne Mac 

Thank you to everyone who wrote in with your words of support and love for grieving friends. 

The digital story was edited by Meghan Keane. The visual producer is Beck Harlan.

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