Lifestyle
Blake Lively accuses 'It Ends With Us' studio of harassment and smear campaign
Blake Lively is seen at an Aug. 8 screening in London for the movie This Is Us. In a legal complaint, the actor accuses co-star and director Justin Baldoni and his team of attacking her reputation after she spoke up about his and a producer’s alleged “repeated sexual harassment and other disturbing behavior” on set.
Scott Garfitt/Invision/AP
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Scott Garfitt/Invision/AP
This past summer, the press tour for the release of It Ends With Us, a movie that deals with domestic violence, saw public opinion turn against one of its stars, Blake Lively.
But behind the scenes, Lively alleges in a legal complaint published by The New York Times, she faced sexual harassment, repeated violations of her physical boundaries, and a “multi-tiered plan” designed to “destroy” her reputation.
In the undated legal filing, which the Times said was filed Friday to the California Civil Rights Department, she accuses co-star and director Justin Baldoni and his team of attacking her public image after a meeting was held to address “repeated sexual harassment and other disturbing behavior” by Baldoni and a lead producer on the movie.
If the California Civil Rights Department accepts the case, it could investigate, potentially resulting in legal action.
An attorney for the studio, Bryan Freedman, said in a statement emailed to NPR that Lively’s allegations are “categorically false” and “another desperate attempt to ‘fix’ her negative reputation.”
At the Jan. 4 meeting, attended by Lively, Baldoni, studio CEO and producer Jamey Heath and others, the complaint alleged they discussed “inappropriate conduct” experienced by Lively and other cast and crew. All parties agreed to a list of conduct that would cease which allowed for the movie’s production to resume, lawyers for Lively said in the filing.
The list of agreed-upon demands included, the complaint says: No more showing nude videos of women, including the producer’s wife, to Lively and/or her employees; no more mention of Baldoni’s or Heath’s previous “pornography addiction” to Lively or to other crew members; no more descriptions of their own genitalia to Lively; and “no more adding of sex scenes, oral sex, or on camera climaxing by [Lively] outside the scope of the script BL approved when signing onto the project.”
Baldoni’s and Heath’s studio, Wayfarer, also agreed to provide an intimacy coordinator on set at all times, and other safeguards on set, according to the filing. The studio also agreed not to retaliate against Lively, it said.
It Ends with Us director and star Justin Baldoni attends the movie’s world premiere on Aug. 6 in New York.
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Evan Agostini/AP/Invision
The complaint includes excerpts from text messages and emails between Baldoni and his representatives that Lively’s lawyers said they obtained through a subpoena.
The movie, adapted from Colleen Hoover’s bestselling novel, is based on the relationship of the author’s parents. In it, Lively plays Lily Bloom, a florist who falls in love with neurosurgeon Ryle Kincaid (Baldoni). During their relationship Kincaid turns physically and emotionally abusive.
The complaint says Lively, a producer on the film, was under contract to follow a marketing plan that directed the cast to focus “more on Lily’s strength and resilience as opposed to describing the film as a story about domestic violence,” and to avoid depictions of the film as “sad or heavy … it’s a story of hope,” the complaint says.
During the film’s promotion, Lively drew backlash from fans for her attempts to speak about a story of domestic abuse with a lighthearted tone. Many social media comments, meanwhile, commended Baldoni’s promotional message for viewers to always have hope.
Around that time, the complaint alleges, Baldoni and his team were staging a well-financed plan “in retaliation for Ms. Lively exercising her legally-protected right to speak up about their misconduct on the set, with the additional objective of intimidating her and anyone else from revealing in public what actually occurred.”
The filing says Baldoni hired a crisis communications specialist who allegedly developed a plan to change the narrative on social media in the director’s favor in a way that could not be traced back to the studio’s team. Text exchanges between Baldoni and the Wayfarer PR team allegedly discuss the creation and amplification of misleading stories designed to discredit Lively, according to the actress’ legal team.

“He wants to feel like she can be buried,” wrote Baldoni’s publicist Jennifer Abel in an Aug. 2 message to the crisis management specialist, Melissa Nathan, excerpted in the complaint.
Freedman, the studio’s lawyer, said in the statement to NPR that Wayfarer Studios made the decision to proactively hire a crisis manager prior to the movie’s marketing campaign, “due to the multiple demands and threats made by Ms. Lively during production which included her threatening to not showing up to set, threatening to not promote the film, ultimately leading to its demise during release, if her demands were not met.
“What is pointedly missing from the cherry-picked correspondence is the evidence that there were no proactive measures taken with media or otherwise; just internal scenario planning and private correspondence to strategize which is standard operating procedure with public relations professionals,” Freedman added.
Chloe Veltman contributed reporting.
Lifestyle
‘How to Rule the World’ explores education and power at Stanford University
Students walk on the Stanford University campus on March 14, 2019, in Stanford, Calif.
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Ben Margot/AP
When Theo Baker arrived at Stanford University a few years ago, he joined the student newspaper, following the path of his journalist parents, Peter Baker, a White House correspondent for The New York Times, and Susan Glasser, a writer for The New Yorker.
Through his reporting as a student journalist, he eventually broke a story about manipulated data in Stanford President Marc Tessier-Lavigne’s neuroscience research that helped lead to the university president’s resignation.
Theo Baker’s book, How to Rule the World: An Education in Power at Stanford University was released May 19. In it, Baker describes Stanford as a place where proximity to Silicon Valley gives rise to a parallel system of influence, recruitment and money, with investors looking to identify promising students almost as soon as they arrive on campus.
He told Morning Edition host Steve Inskeep there was “a sort of Stanford inside Stanford,” where elite students are drawn into an “alternate reality” of excess and access to cut corners.
In the interview, he discusses how Stanford is not just a university but also a pipeline where status and power can matter as much as ideas.
We reached out to Stanford University for comment and have not heard back.
Listen to the interview by clicking play on the blue box above.
Lifestyle
OTB Takes Full Control of Viktor & Rolf
Lifestyle
How having zero points in tennis — or ‘love’ — came to sound so sweet
The scoreboard shows the results of the women’s singles final match between Iga Swiatek of Poland and Amanda Anisimova of the U.S. at the Wimbledon Tennis Championships in London, Saturday, July 12, 2025.
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Kirsty Wigglesworth/AP
Fifteen points in tennis? Nice. Thirty, 40 — even better. Advantage — that sounds good. “Love” — that also must be great, right? Well, not quite.
As the French Open rolls on and Serena Williams has announced her return to the sport, maybe you’ve been paying a little more attention to tennis. The sport’s scoring system is notably distinct, and can sometimes be hard to grasp for newcomers. But even tennis aficionados might not know why, or how, “love” became the unmistakable callout for zero points. For this installment of NPR’s Word of the Week, we’re exploring how a word that signifies trailing behind got such a sweet name.
“Love” comes from the heart — or an egg?
It’s hard to pinpoint when the first tennis ball went over the net. Tennis is a derivative of lots of other sports, such as “jeu de paume,” a handball game played in France, said JT Buzanga, the collections manager at the International Tennis Hall of Fame museum.

But tennis became a patented, official sport in 1874, said Steve Flink, a journalist whose tennis coverage got him inducted into the International Tennis Hall of Fame. It has retained its unique, mysterious scoring system ever since.
“By and large, the original system has held up almost entirely,” Flink said.
The use of “love” goes back to the late 18th century, said Jesse Sheidlower, a lexicographer. But it was used earlier than that in card games such as whist and bridge. Before the term made its way to tennis, the sport favored plain old “nothing,” or “nil,” he said.
Why love in the first place, though? Historians don’t really know for sure, but there are a few theories.
The French could have something to do with it. Some historians believe “love” derives from “l’oeuf,” which means “the egg” in French. Because eggs are shaped like zeros, terms such as “goose egg” and “duck’s egg” have been used in other contexts to mean zero, Sheidlower said.
It’s also possible English speakers mispronounced l’oeuf as “love.” But Sheidlower isn’t convinced that’s the answer.
“It’s the French equivalent of an English expression. But since that expression doesn’t appear in French, the French word wouldn’t have been used,” he said.
To be sure, France has had a lot of influence on tennis culture, Buzanga said. For example, “deuce” or a game tied at 40 points, comes from the French word for “two”: “deux.” But he prefers another prominent theory: that “love” comes from the idiom “for the love of the game.” Even if a player hasn’t scored, it doesn’t matter, because their heart is in it. It’s the theory Sheidlower said is the most plausible, because the idiom was used by the English before tennis was popularized.

Another variation of the “love of the game” theory is that the word could have come from the Dutch “lof,” or “honor” — or the Latin “amare,” meaning “to love,” Flink said.
But if tennis’ “love” doesn’t come from a French word, the theory at least has a French sensibility.
“I think the ‘for the love of the game’ is kind of romantic,” Buzanga said.
“Love” probably isn’t going anywhere
Tennis used to be a sport of leisure. The style of play has changed a lot over the years; players are more athletic and competitive, for instance, Flink said. But the rules of the sport are more steadfast, he said.
“There’s this incredible, enduring respect for tradition in tennis,” he said. “Changes are not made easily.”
There has been one major change in modern history: the tie-break. Matches can go on and on because players have to score two consecutive points to break a deuce, or by two games to break a tied set. But the onset of television meant matches would have to get shorter if the sport wanted to capture a larger audience, Flink said.

Change even came for “love.” An alternative sprouted up in the 1970s, and is still used today: “bagel,” named for its zero shape, Sheidlower said. Novices may say “zero,” and insiders will understand what they mean, but they “will needle them about it,” Flink said.
But “love” still prevails.
“People kind of like it,” Flink said. “It’s different. Why say zero when you can say love?”
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