Connect with us

Lifestyle

Blake Lively accuses 'It Ends With Us' studio of harassment and smear campaign

Published

on

Blake Lively accuses 'It Ends With Us' studio of harassment and smear campaign

Blake Lively is seen at an Aug. 8 screening in London for the movie This Is Us. In a legal complaint, the actor accuses co-star and director Justin Baldoni and his team of attacking her reputation after she spoke up about his and a producer’s alleged “repeated sexual harassment and other disturbing behavior” on set.

Scott Garfitt/Invision/AP


hide caption

toggle caption

Advertisement

Scott Garfitt/Invision/AP

This past summer, the press tour for the release of It Ends With Us, a movie that deals with domestic violence, saw public opinion turn against one of its stars, Blake Lively.

But behind the scenes, Lively alleges in a legal complaint published by The New York Times, she faced sexual harassment, repeated violations of her physical boundaries, and a “multi-tiered plan” designed to “destroy” her reputation.

In the undated legal filing, which the Times said was filed Friday to the California Civil Rights Department, she accuses co-star and director Justin Baldoni and his team of attacking her public image after a meeting was held to address “repeated sexual harassment and other disturbing behavior” by Baldoni and a lead producer on the movie.

Advertisement

If the California Civil Rights Department accepts the case, it could investigate, potentially resulting in legal action.

An attorney for the studio, Bryan Freedman, said in a statement emailed to NPR that Lively’s allegations are “categorically false” and “another desperate attempt to ‘fix’ her negative reputation.”

At the Jan. 4 meeting, attended by Lively, Baldoni, studio CEO and producer Jamey Heath and others, the complaint alleged they discussed “inappropriate conduct” experienced by Lively and other cast and crew. All parties agreed to a list of conduct that would cease which allowed for the movie’s production to resume, lawyers for Lively said in the filing.

The list of agreed-upon demands included, the complaint says: No more showing nude videos of women, including the producer’s wife, to Lively and/or her employees; no more mention of Baldoni’s or Heath’s previous “pornography addiction” to Lively or to other crew members; no more descriptions of their own genitalia to Lively; and “no more adding of sex scenes, oral sex, or on camera climaxing by [Lively] outside the scope of the script BL approved when signing onto the project.”

Baldoni’s and Heath’s studio, Wayfarer, also agreed to provide an intimacy coordinator on set at all times, and other safeguards on set, according to the filing. The studio also agreed not to retaliate against Lively, it said.

Advertisement
It Ends with Us director and star Justin Baldoni attends the movie's world premiere on Aug. 6 in New York.

It Ends with Us director and star Justin Baldoni attends the movie’s world premiere on Aug. 6 in New York.

Evan Agostini/AP/Invision


hide caption

toggle caption

Evan Agostini/AP/Invision

Advertisement

The complaint includes excerpts from text messages and emails between Baldoni and his representatives that Lively’s lawyers said they obtained through a subpoena.

The movie, adapted from Colleen Hoover’s bestselling novel, is based on the relationship of the author’s parents. In it, Lively plays Lily Bloom, a florist who falls in love with neurosurgeon Ryle Kincaid (Baldoni). During their relationship Kincaid turns physically and emotionally abusive.

The complaint says Lively, a producer on the film, was under contract to follow a marketing plan that directed the cast to focus “more on Lily’s strength and resilience as opposed to describing the film as a story about domestic violence,” and to avoid depictions of the film as “sad or heavy … it’s a story of hope,” the complaint says.

During the film’s promotion, Lively drew backlash from fans for her attempts to speak about a story of domestic abuse with a lighthearted tone. Many social media comments, meanwhile, commended Baldoni’s promotional message for viewers to always have hope.

Advertisement

Around that time, the complaint alleges, Baldoni and his team were staging a well-financed plan “in retaliation for Ms. Lively exercising her legally-protected right to speak up about their misconduct on the set, with the additional objective of intimidating her and anyone else from revealing in public what actually occurred.”

The filing says Baldoni hired a crisis communications specialist who allegedly developed a plan to change the narrative on social media in the director’s favor in a way that could not be traced back to the studio’s team. Text exchanges between Baldoni and the Wayfarer PR team allegedly discuss the creation and amplification of misleading stories designed to discredit Lively, according to the actress’ legal team.

“He wants to feel like she can be buried,” wrote Baldoni’s publicist Jennifer Abel in an Aug. 2 message to the crisis management specialist, Melissa Nathan, excerpted in the complaint.

Freedman, the studio’s lawyer, said in the statement to NPR that Wayfarer Studios made the decision to proactively hire a crisis manager prior to the movie’s marketing campaign, “due to the multiple demands and threats made by Ms. Lively during production which included her threatening to not showing up to set, threatening to not promote the film, ultimately leading to its demise during release, if her demands were not met.

“What is pointedly missing from the cherry-picked correspondence is the evidence that there were no proactive measures taken with media or otherwise; just internal scenario planning and private correspondence to strategize which is standard operating procedure with public relations professionals,” Freedman added.

Advertisement

Chloe Veltman contributed reporting.

Lifestyle

‘The Invite’ is a marriage comedy with sex and heart

Published

on

‘The Invite’ is a marriage comedy with sex and heart
What happens when a simple dinner party goes off the rails? That’s the premise of The Invite, a very good new comedy directed by Olivia Wilde. Wilde also stars alongside Seth Rogen as a couple who invite their neighbors over for a meal, played by Penelope Cruz and Edward Norton. And it’s a heck of a dinner party, full of frank talk about sex and its complications.If you like slightly absurd relationship comedies, check out these episodes:’Mr. & Mrs. Smith’ is a stylish take on spy marriageIn Tina Fey’s ‘The Four Seasons,’ marriage is far from a vacationConnect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport Pop Culture Happy Hour+
Continue Reading

Lifestyle

L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?

Published

on

L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?

I met Dan on Hinge.

He lives in Woodland Hills, and I live in Venice. In Los Angeles, this is considered a long-distance relationship. In another city it might be nothing. Here, it’s a factor.

But I believe that with the right person, you can make anything work, so I stay open. I’m a native New Yorker, and if I were living in Brooklyn and a guy lived on the Upper West Side, that would be a 45-minute subway ride, which is truly nothing in New York. So with that same logic, I try to have flexibility with men in L.A.

When we started planning our first date, Dan suggested three options: a hike on mushrooms, a wine tasting or a walk on the beach.

Advertisement

A hike on mushrooms is something I’d only do with someone I already trust, not someone I just met online. I don’t do first-date hikes because I don’t like feeling trapped if the guy’s a dud. So I chose the wine tasting.

Then I learned the wine tasting was in West Hills.

On a Friday night, driving there from Venice would be insane. So I said I didn’t want to meet there because of the traffic. He suggested Malibu. That was also not ideal on a Friday.

I was getting annoyed — this was a pink flag because in my dating world, the guy is supposed to come to the woman’s neighborhood in the early days. I’ve gone out with plenty of men from the Valley who effortlessly suggested they come to me. It’s not rare or impossible.

I suggested he come to the Westside. I didn’t specifically say Venice, and in hindsight, I probably should have. He landed on Brentwood, which was manageable for both of us. On our first date, we met at an Irish pub on Wilshire Boulevard. He was cuter and more interesting than I had expected, and with the Guinness flowing, we had fun.

Advertisement

When I got home, he texted me: “Well, I like you 🙂 Less the tik tok and the lack of rock music in your life, but it’s not a deal breaker — there are other qualities 🙂 What are your thoughts?”

I noticed the slight negativity but was mostly dazzled that a man texted immediately after the date to say he liked me. In the modern dating economy, this felt rare.

The next day, both of our evening plans fell through, so we made a last-minute date. The wine tasting he originally suggested still sounded like fun, and although it meant me driving to the Valley, I was up for it now that we’d met.

We sipped flights at Malibu Wines & Beer Garden in its airy, romantic courtyard and played a flirty version of Truth or Dare. Halfway through, he dared me to kiss him.

We ended with sushi on Ventura Boulevard and a short make-out session in his car. He invited me to Thanksgiving at his uncle’s, which felt too soon, but also sweet.

Advertisement

After the second date, he texted and said he had his kids that week and was also hosting an event on Thursday, so his only day to meet was Wednesday. I said great.

On Tuesday night, he checked if we were still on, and I said yes.

Then he texted: “I’m flexible on time but not on location. I have a big event on Thursday, hopefully you can come to me again.”

My stomach tightened. This again?

So I texted back: “I drove to you last time, which was a bit of an exception for me especially in the early days, but the wine tasting location sounded special. Usually guys come to my area. How about we switch it up this time?”

Advertisement

He replied: “I appreciate the effort! Because of my event, I’d rather be close to a computer just if needed … Here is what i offer:
— I’ll come to your area anytime next week/end
— Lunch/dinner on me
I want to continue where we stopped last time 😉 No pressure of course, but let’s snuggle”

I responded: “Ok let’s meet next week. Snuggles sound nice … let’s see what happens …”

Then he wrote: “So I won’t see you tomorrow?”

I replied: “Unless you wanna come to me and bring your laptop along, let’s rain check until you have more flexibility.”

He said: “Dang, you are hard. I’ll let you know tomorrow around midday if it’s ok.”

Advertisement

And then — surprise — he decided to come.

He drove to Venice for a 5 p.m. date. He said his ETA was 5 p.m., and it ended up being 5:25 p.m., typical 405 Freeway.

When he showed up, he was in a cranky mood. On our way to KazuNori in Marina del Rey, I thanked him for picking me up and told him I think it’s hot when the guy comes to the girl.

“You’re just saying that because you want me to come to you more,” he said, not playfully, but aggressively.

That was basically the end for me. But there I was, in his car, heading to dinner. So I stayed pleasant and tried to make the best of it.

Advertisement

I shared that in the early stages of dating, I find it’s good etiquette for the guy to come to the woman’s neighborhood. He immediately disagreed and started ranting about how dating rules are ridiculous and how they swing in women’s favor. He resented paying for dates and declared he wasn’t looking to “sponsor a woman’s life.”

“If women want equality and equal rights,” he said, “then it should apply all across the board, including dating, and the man shouldn’t have to pay.”

I said women don’t actually have equal rights because we get paid less than men and often receive lower salaries than men in the same position.

I tried to change the subject and reset the mood, but he insisted we keep hashing it out.

I tried to explain masculine/feminine dynamics: providing and protecting, giving and receiving.

Advertisement

“What does the man get out of this arrangement?” he asked.

It was like watching someone’s personality warp into Mr. Hyde. Then he brought up another point: He’s a single dad of two kids, so he gets tired; and because I don’t have kids, that should factor into who drives where.

At this point, I was barely engaging and focused on eating my hand rolls, and I couldn’t wait to get home.

The check came, and I happily split it, wanting nothing further from him.

In the car back to my place, he remarked: “It’s obvious we’re never gonna see each other again.”

Advertisement

Obvious, but did it need to be stated?

Then he showed me a Spotify playlist he’d made for me of his favorite electronic music, because he knows I like EDM.

“Oh, that’s sweet,” I said.

“Yeah, that’s how I show interest. Through things like this, not who drives to who,” he replied.

When I got out of the car, we wished each other luck, and I headed inside and shut the door.

Advertisement

Two hours later, he sent me the playlist. I’ve yet to listen to it.

It wasn’t the distance that ruined it. It was the resentment. I’m not looking for a man who feels burdened by the effort. I’m looking for a man who sees the value of courting a woman in the first place.

The author is a writer, comedian and former psychologist who lives in Venice. She is the creator of the new vertical series “Manfari.” She’s on Instagram: @solange_neue and @manfari.show.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

Advertisement

Continue Reading

Lifestyle

Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report

Published

on

Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report

Lonnie Bunch III is the 14th Secretary of the Smithsonian. He’s pictured above in September 2017.

J. Scott Applewhite/AP


hide caption



toggle caption

Advertisement

J. Scott Applewhite/AP

In a memo addressed to staffers sent Tuesday, the secretary of the Smithsonian, Lonnie G. Bunch III, defended the institution after the White House issued a 162-page report that characterizes the National Museum of American History as a place which has become “subject to institutional capture by a radical, activist ideology that is fundamentally opposed to telling the noble, honest story of the great country we know and love.”

In his email, which NPR has obtained, Bunch wrote in part: “While there will always be room for improvement, this report is not a fair characterization of the work and totality of the National Museum of American History. At the Smithsonian, our work is driven by scholarship, accuracy and an uncompromising commitment to tell the fullness of America’s story. As public servants and the keepers of this institution, we are charged with helping a nation find understanding, hope and clarity and as part of that duty, we are dedicated to excellence, reflection and growth.”

He continued: “We remain focused on what grounds us: a steadfast commitment to scholarship, nonpartisanship, independence, accuracy and integrity. For nearly 180 years, the Smithsonian has worked alongside partners across government — from the White House to Congress to our governing Board of Regents — guided by our enduring mission to increase and diffuse knowledge. That purpose remains: to pursue knowledge with rigor and to serve the American public with clarity and care.”

Advertisement

The White House report was issued on July 4 by the Domestic Policy Council under the title “Saving America’s Story: How Ideological Capture at the Smithsonian Institution’s National Museum of American History Erases Our Heritage.”

The council faults the National Museum of American History on a multitude of fronts, saying it underemphasized the Founding Fathers and early colonial and Revolutionary history; was not sufficiently celebratory of the country’s 250th anniversary; and that it engaged in “anti-white,” “illegal alien” and transgender activism.

It also accuses the museum of trying to “indoctrinate” teachers and students through its exhibitions, programming and teaching resources.

In the report, the council also specifically criticizes museum director Anthea Hartig, who has led the National Museum of American History since 2019 and is concurrently the president of the Organization of American Historians, calling her “an activist advancing an ideological agenda contradictory to the museum’s founding purpose of fostering patriotism.”

Continue Reading
Advertisement

Trending