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Looking to vacation on the California coast? Marin County just made it harder

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Looking to vacation on the California coast? Marin County just made it harder

A stay in Brian Maggi’s house, per the Airbnb listing, is what coastal California dreams are made of.

“Bathed in natural sunlight,” it reads, you can “enjoy unobstructed panoramic views of the ocean and Point Reyes.” You can bring your dog. Walk to the sand. Savor “the perfect getaway” in the 1928 “BoHo surf shack.”

The little house in Dillon Beach, a remote town in western Marin County, is a second home for Maggi, a software designer who lives full time in Livermore, a hundred miles southeast.

He and his wife stay here a few weekends a month: Enough time to befriend neighbors and know the gossip, like who put in a new hot tub and who moved here to please a girlfriend despite hating the foggy weather.

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“We’re not full-time residents,” Maggi said, “but we’re not absentee owners.”

“We’re really fortunate, and I get it,” Brian Maggi says of owning a second home in Dillon Beach. But he says cracking down on short-term rentals hasn’t made houses more affordable.

When Maggi is not using the house, he rents it on Airbnb for about $300 a night.

That’s a pretty common practice in Dillon Beach where, according to county estimates, a whopping 84% of the town’s 408 housing units are second homes and 31% are used as licensed short-term rentals.

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Are those vacation rentals ruining California’s rugged little beach towns? Or are they opening up the coast to people who can’t afford to live there? Depends who you ask.

In Marin County, on the northern end of the San Francisco Bay, short-term rentals have become a lightning rod amid an affordable housing shortage in one of the most expensive — and beautiful — places in California.

This month, the Marin County Board of Supervisors approved a hard cap on the number of short-term rentals it will allow in unincorporated places, including the bucolic towns hugging iconic Highway 1 and the Point Reyes National Seashore.

The ordinance imposes a cap of 1,281 short-term rentals for unincorporated Marin County, where there were 923 licensed as of January.

The county has placed specific limits for 18 coastal communities, most of which will be allowed no more than the existing number of short-term rentals — while some will have to reduce their numbers. The exception is Dillon Beach, a historic vacation town where the short-term rental market will be allowed to significantly grow.

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A man in a wetsuit carries a surfboard down a narrow street.

Dillon Beach homeowner Paul Martinez walks home after surfing. “Rent it responsibly,” Martinez says about owners renting out their houses when they are not in town.

Colorful surfboards are mounted on a turquoise home.

Mounted surfboards add to the charm of this colorful home in Dillon Beach.

In Point Reyes Station, population 383, there are 32 short-term rentals, according to the county. Under the new rules, 26 will be allowed. In Stinson Beach, the cap will allow the amount of rentals that currently exist: 192.

In Dillon Beach, vacation rentals will be allowed to grow 63%, from 125 to 204. The town has no school and the only businesses are a resort and its general store, which supervisors noted make for a different kind of community than many of the other towns dotting the Marin coastline.

County officials said they expect the number of existing short-term rentals to shrink through attrition. Current license holders will have to reapply and adhere to stricter regulations, which can include expensive septic upgrades. The new rules allow just one short-term rental property per operator, and licenses will not transfer to new owners if a property sells.

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Debate over the issue has raised questions not just about limited housing in Marin, but also about whether Airbnbs have become a critical means of providing public beach access — a right enshrined in the California Coastal Act — in seaside towns with few hotel rooms.

“Please do not codify this anti-visitor, exclusionary behavior. Do not turn a region dense in coastal public recreational lands into an exclusionary playground that only the elite can access,” Inverness resident Rachel Dinno Taylor, founder of the West Marin Access Coalition, a citizens group that fought the measure, said in a speech last month before the California Coastal Commission.

The Coastal Commission regulates development in the Coastal Zone — which is generally the first 1,000 yards from the shoreline but extends a few miles inland in some areas — and increasingly is weighing in on local efforts to limit short-term rentals.

A small boat rests on grass in front of a home.

If it weren’t for vacationers — who fill the village with laughter and kids and wagons and dogs — Dillon Beach would be dead most days, residents say.

Since 1992, the Coastal Commission has considered at least 47 short-term rental ordinances. It has approved all but four, including Marin County’s new ordinance.

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“Vacation rentals can provide important public access to the coast, especially where hotels are scarce. But without thoughtful guidelines, they can also have unintended impacts on local housing availability,” Kate Huckelbridge, executive director of the Coastal Commission, said in a statement to The Times. “We think Marin County achieved the right balance for their unique and world-famous coastline.”

The West Marin Access Coalition, many of whose members rent out their homes and so have a financial stake in the debate, argued the county did not have enough data to prove short-term rentals directly affect housing availability. Many residents rely upon income generated by their rentals to afford staying in their homes, Sean Callagy, a member of the coalition, said in an email.

The county’s new policy, he wrote, will “create hardships for low- and middle-income residents, worsen housing insecurity and deny visitors access to the coast.”

An aerial view of a pristine beach.

An aerial view of Stinson Beach in Marin County.

For years, high-demand destinations across California — including Los Angeles city and county, Palm Springs, Malibu, Ojai and San Francisco — have tried to rein in rental platforms such as Airbnb and Vrbo, citing the need to prevent housing from being converted into de facto hotel rooms .

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In Marin County, the explosive growth in short-term rentals has been particularly divisive in smaller towns. There, the number of full-time residents is dwindling while millionaires’ second — and third — homes, many of which are used as seasonal rentals, sit empty much of the year.

That’s a cruel paradox when there are not enough affordable homes for people who work in those communities, proponents of the cap say.

In unincorporated Marin County, the median sales price of a single-family home rose 98% from 2013 to 2021, to $1.91 million, according to a countywide housing plan adopted last year.

“Housing affordability and housing supply were really the driving factor in why we’re addressing short-term rentals right now,” said Sarah Jones, director of the Marin County Community Development Agency. “There’s not housing being built. And the housing that’s available, people are just seeing that it’s more profitable and easier to use it as a short-term rental than to rent it out long term.”

Although Marin County has much open space, it has little room to expand housing. Roughly 85% of its land, including the Point Reyes National Seashore and the Golden Gate National Recreation Area, is public space or agricultural land protected from development.

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Marin County Supervisor Dennis Rodoni, who represents the scenic West Marin towns where vacation rentals are most heavily concentrated, said they have transformed “tiny communities where even losing a few homes is a big deal.”

“Our volunteer fire departments are losing volunteers,” he said. “Our schoolteachers, we’re having a hard time locating them in the community; they have to commute long distances.”

Visitors stroll through a quaint town.

Visitors stroll through downtown Stinson Beach along Highway 1 in West Marin County.

The elementary school in Stinson Beach, he noted, is “having a hard time keeping its doors open” because so few children now live there. The town’s population, according to census data, plunged 38% from 2016 to 2022, to 371. In 2022, there were no children younger than 15.

According to county estimates, 27% of housing units in Stinson Beach are used as short-term rentals — many of which are in the gated neighborhood of Seadrift, a flood-prone sand spit.

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The town has “become like Martha’s Vineyard on the West Coast,” said August Temer, co-owner of Breakers Cafe on Highway 1 in Stinson Beach. “It’s not people’s primary residence.”

A bearded man in a down vest stands behind a bar.

August Temer, center, co-owner of Breakers Cafe in Stinson Beach, says as a business owner he likes Airbnbs and the tourists they bring. But it’s sad, he says, that his employees can’t afford to live in town.

Standing behind the outdoor bar on a windy afternoon last month, Temer, a 45-year-old who grew up in Stinson Beach, said that as a business owner he likes Airbnbs and the money-spending tourists they bring in. But it’s sad, he said, that none of his employees can afford to live in town and must commute — which makes it difficult to keep workers.

Mac Bonn, the general manager, said he drives 45 minutes “over the hill,” traversing a winding mountain road, to his home in Fairfax.

A man and woman in their 70s sit in an eclectic home filled with art and books.

“We used to know this as very much a vibrant neighborhood,” says Bruce Bowser, seated with his wife, Marlie de Swart. “A lot if it’s thinned out. A lot of people are older and have passed or moved on.”

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In nearby Bolinas, artist Marlie de Swart and husband Bruce Bowser welcomed the new rules, telling the Coastal Commission in a letter that their town “is being changed from a characteristic village to a vacation rental suburb.”

The county ordinance limits the number of short-term rentals in Bolinas to 54. There are now 63.

The septuagenarian couple bought their century-old house with picture windows and redwood ceilings in downtown Bolinas in 1992 for about $230,000. They were stunned when a nearby house recently sold for nearly $3 million after its owner died.

Bolinas is so famously opposed to outsiders that, for years, a vigilante band called the Bolinas Border Patrol cut down road signs on Highway 1 that pointed the way into town.

Alas, Google Maps directed tourists to Bolinas. And the Airbnbs kept them there.

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"Home towns need homes," states a sign that greets visitors in Bolinas.

Bolinas residents say neighbors have been replaced by short-term guests and empty second homes, making the town feel more like a vacation rental suburb than a cozy hometown.

(Genaro Molina / Los Angeles Times)

During the summers, De Swart said, the town is overrun by visitors whose cars idle on narrow streets for more than an hour as they wait to park. Neighbors have been replaced by short-term guests and empty second homes.

“We used to know this as very much a vibrant neighborhood,” Bowser said. “A lot if it’s thinned out. A lot of people are older and have passed or moved on. We used to look out on this valley, and there were a lot of lights at night. Now, it’s mostly dark.”

Sitting on the couple’s living room table was a copy of the Point Reyes Light newspaper. On Page 11 was a classified ad that read: “In Search of Affordable Home,” placed by their friend, Tess Elliott, the newspaper’s publisher.

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“We are the publishers of the Point Reyes Light and the assistant fire chief at the Inverness Fire Department,” the ad reads. “Please help us become permanent residents and continue to contribute to the place we love.”

Elliott, 44, said she and her husband have been running such ads for years. The mother of two young children, Elliott and her family live in an Inverness house that has been “rented to us at well below market rate” for the last decade by “a generous family.”

“It’s very fragile,” she said of life as a renter in Inverness, a town of 1,500 on the Tomales Bay with 93 registered short-term rentals. “People with kids, like us, can only take that so long. You want some stability. You want to invest in a property.”

Lately, she said, “we aren’t feeling very hopeful.”

Frank Leahy, a software engineer, bought his house a mile northwest of the newspaper office in 2020 and got a short-term rental license just before the county, in 2022, enacted a two-year moratorium on new operating licenses.

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Leahy and his wife live full time in Inverness. But they travel a few weeks a year and list their house, with a bocce court out front, on Airbnb for $300 to $500 a night. Leahy said the county clamped down too broadly on short-term rental owners, conflating those who rent their homes full time and others who, like him, only rent a few weeks a year.

“I can name people who live up and down the street. If those were just rentals? It would be kind of weird,” he said. “I don’t have a problem with people wanting to rent out their home for a short amount of time.”

Leahy said short-term rentals are being scapegoated for the housing shortage in a place where it is prohibitively difficult to build.

About four years before they bought their home, he and his wife purchased an empty hillside lot nearby, planning to build a house. It took years to get all of the permits and to have the required bird, bat, geological and traffic surveys done. During that time, the cost to build rose by several hundred thousand dollars, he said. They gave up and sold the land.

On a chilly Wednesday morning last month, Dillon Beach was virtually silent — save for the plop-plop of sandals worn by a lone wetsuit-clad surfer walking home, and the tinkling of raindrops on Maggi’s windows.

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With its gloomy weather, bad cell service and lack of jobs, Dillon Beach, on the south end of Bodega Bay, isn’t for everyone, Maggi said.

“A lot of the bugs in this place are its feature,” said Maggi, 54. “There’s no town. There’s no main drag. … This place has always been made of vacation homes. It’s not conducive to full-time living. It’s really far from everything.”

If it weren’t for vacationers — who fill the village with laughter and kids and wagons and dogs — the place would be dead most days, he said.

Maggi and his wife bought the house in 2020, when they and their adult children were going stir-crazy amid the pandemic. It was a financial stretch, but renting it out has helped. A gregarious Illinois native, Maggi joked that he had become a “California cliche” — a middle-aged guy with a beach house, a cool van, a border collie mix and a surfboard, even though he can’t surf well.

“We’re really fortunate, and I get it,” he said. But he finds it “kind of shameless” for the county to use the affordable housing crisis to justify cracking down on short-term rentals. The two-year ban on new licenses, he said, did not suddenly make houses cheap.

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“You had this moratorium!” he said with a laugh. “How’s your affordable housing going?”

Lifestyle

The debate over “LatinX” and how words get adopted — or not

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The debate over “LatinX” and how words get adopted — or not


Word Wars: Wokeism and the Battle Over Language – John McWhorter
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Part 2 of the TED Radio Hour episode The History Behind Three Words

New terms — like LatinX — are often pushed by activists to promote a more equitable world. But linguist John McWhorter says trying to enforce new words to speed up social change tends to backfire.

About John McWhorter

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John McWhorter is an associate professor in the Slavic Department at Columbia University. He is the host of the podcast Lexicon Valley and New York Times columnist.

McWhorter has written more than twenty books including The Power of Babel: A Natural History of Language, Words on the Move: Why English Won’t – and Can’t – Sit Still (Like, Literally) and Nine Nasty Words. He earned his B.A. from Rutgers, his M.A. from New York University, and his Ph.D. in linguistics from Stanford.

This segment of the TED Radio Hour was produced by James Delahoussaye and edited by Sanaz Meshkinpour. You can follow us on Facebook @TEDRadioHour and email us at TEDRadioHour@npr.org.

Web Resources

Related TED Bio: John McWhorter

Related TED Talk: 4 reasons to learn a new language

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Related TED Talk: Txtng is killing language. JK!!!

Related NPR Links

Latinx Is A Term Many Still Can’t Embrace

Why the trope of the ‘outside agitator’ persists

Next U.S. census will have new boxes for ‘Middle Eastern or North African,’ ‘Latino’

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Modern death cafes are very much alive in L.A. Inside the radical movement

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Modern death cafes are very much alive in L.A. Inside the radical movement

In a second-story room in Los Feliz’s Philosophical Research Society, about a dozen people sit in a circle. Many of them are here for the first time and not entirely sure what to expect. The sandwich board sign in the courtyard below offers only a cryptic hint: “Welcome! Death cafe meeting upstairs.”

As the group settles in on this Thursday afternoon in May, organizer Elizabeth Gill Lui lays out the only two directives: “have tea and cake, and talk about death.”

Lui, a 73-year-old artist who wears chunky jewelry and bold glasses, starts by reading a passage from the musician Nick Cave’s recent memoir. It’s about how, in the face of staggering grief, speaking and listening can be a form of healing — which is ultimately what Lui hopes will transpire over the next couple of hours, in this room decorated with patterned carpets and tall bookcases.

“The tradition in Southern California has long been about the journey. Making the most of the journey creatively, playfully, intellectually. That’s what I also like about the death cafe.”

— Elizabeth Lui, artist and organizer of a twice-monthly death cafe at the Philosophical Research Society

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To initiate the exchange, she instructs the group to “go around in a circle and say what brought you to death cafe.” It’s a simple enough question, but one that elicits complex, deeply personal responses. Some attendees say they’ve come because they’re struggling with how to care for aging parents, or because they lost a loved one during the pandemic. Others have recently been through a life transition — a move back home, a college graduation, recovery from an illness. Or they’re wrestling with anxieties about their mortality. No matter the reason, everyone seems to be seeking some form of comfort, connection and community.

Reading material suggested by Elizabeth Lui, who hosted a death cafe at the Philosophical Research Society.

“The tradition in Southern California has long been about the journey. Making the most of the journey creatively, playfully, intellectually,” Lui tells me in the Philosophical Research Society’s regal library. “That’s what I also like about the death cafe. It has this edge of humor to it. If you’re at a dinner party and it’s boring, you can just say, ‘Have I told you about the death cafe I go to?’ and everybody just laughs. It’s such a great entree to the conversation.”

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Lui’s twice-monthly gathering is one of several death cafes that have sprung up over the past two years in Los Angeles. Heavy Manners Library, an art space and lending library specializing in independent books and zines, holds one every other month. Its organizer, Emily Yacina, has made a habit of bringing donuts for the mostly 20- and-30-something tattooed crowd. Artist Ailene deVries held a death cafe in April at Gorky, an Eastside feminist collective that hosts workshops and pop-up events. North Figueroa Bookshop in Highland Park announced its first death cafe last summer, led by death doula Hazel Angell. A collaged flier for the meeting showed a skeleton hand clutching a butterfly above a succinct description written in gothic font: “A group discussion of death with no agenda, objectives or themes.”

The agenda-less ethos of the death cafe was developed in 2011 by Jon Underwood. The then 38-year-old Buddhist student and former government worker is widely credited for hosting the first modern death cafe at his home in East London. He was inspired to organize it after reading about Swiss “cafe mortels,” gatherings designed by the late sociologist Bernard Crettaz in 2004 to break the stigma around talking about death.

Underwood died unexpectedly in 2017 due to complications from leukemia, but the movement he kickstarted remains very much alive. A website maintained by Underwood’s mother and sister includes a how-to guide for those looking to start their own death cafe, and a directory that lists more than 18,000 death cafes around the world.

Greg Golden, 73, center, shares his experience beside fellow death cafe participants.

Greg Golden, 73, center, shares his experience beside fellow death cafe participants Danielle Tyas, 23, left, and Haley Twist, 32, right, at the Philosophical Research Society.

Megan Mooney, a clinical and medical social worker who serves as a volunteer spokesperson for Underwood’s umbrella organization, says she’s seen an increase in death cafe listings since 2020.

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“COVID really made people have to face their own mortality,” she said in a Facebook message. “There was no escaping it …There was a huge demand for people wanting to talk about death for the first time.”

That was certainly true for Lui, who says the “pervasiveness of death” during the first couple years of the pandemic led her to get certified as an end-of-life doula in March 2022.

“I really was alarmed by the fact that we couldn’t form a consensus on how to deal with the pandemic and deal with the widespread phenomenon of this many deaths,” she said. “I don’t think the seriousness of it was something that we were even able to grasp because we avoid this topic at all costs.”

Though Lui’s death cafe may be the most frequently held one in Los Angeles, it’s not the county’s first. Hospice social worker Betsy Trapasso claims that distinction, after having launched a death cafe from her home in Topanga Canyon in 2013.

“It’s not a support group. It’s not a grief group,” Trapasso told The Times that year. “My whole thing is to get people talking about [death] so they’re not afraid when the time comes.”

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During the event, Trapasso asked the group of aging professionals to inhale some lavender oil to relax at the start of the session. (Though she no longer hosts a death cafe, she maintains a Facebook page where she posts articles and events related to aging, grief and end-of-life care.)

Participants sit in a circle at the death cafe.

Participants sit in a circle at the death cafe.

More than a decade later, there are no bongos or essential oils at L.A.’s latest wave of death cafes and, most noticeably, their attendees skew younger. At the Thursday and Saturday sessions I attended at the Philosophical Research Society, most people were in their 20s, 30s and early 40s. At Heavy Manners Library on a Tuesday night, the group would not have looked out of place at a music show at the Echoplex down the street.

Lui sees the attendance of the millennials and zoomers at her death cafes as evidence of an unfortunate reality: that younger generations are experiencing the loss of loved ones. Some of them have cited suicide, alcoholism and drug overdoses as the cause.

“Young people are being exposed to friends dying, and more often than I think people realize,” she said.

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Yacina, who leads the death cafe at Heavy Manners Library, is one of them. The 28-year-old indie rock musician says a good friend of hers died during her sophomore year of college, and she found the experience isolating, profound and “identity-forming.” Then, in 2021, she mourned the death of yet another friend, whom she later wrote a song about. Yacina said she realized “there’s no escape to people dying, and in fact, it’s actually the one true thing that we all can count on.” It led her to wonder: “Why don’t we talk about it more?”

Upcoming L.A. death cafes

She organized the Echo Park death cafe in June 2022, just a few months before Lui started one in Los Feliz. Like Lui, Yacina had recently gotten certified as an end-of-life doula, and the pandemic had planted the idea of death more firmly in her consciousness. In a phone interview, she recalled worrying that she could lose her parents to COVID-19.

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“It was such a scary feeling, but the truth is, you could lose anyone at any time,” she said.

It’s a truth that deVries, the 27-year-old artist who recently held a death cafe at Gorky and plans to hold another in Long Beach this summer, had to learn the hard way.

“When I was 18, my partner just suddenly passed in a very traumatic way, so I wasn’t really sure where to put the conversation,” she said. “I think the death cafe was the first time that I felt I had a container to express my interest.”

Reading material suggested by Elizabeth Lui.

Reading material suggested by Elizabeth Lui.

Sara Alessandrini, 35, listens closely as another participant shares during the death cafe.

Sara Alessandrini, 35, listens closely as another participant shares during the death cafe.

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Not everyone who attends these events has experienced a death in their family or community. Some attendees instead see death as a potent metaphor for life’s big changes and all the grief that comes along with them.

“It also helped me with living life in the moment and letting go of certain things,” said Sara Alessandrini, a 35-year-old filmmaker who attends Lui’s death cafe at the Philosophical Research Society.

When it’s her turn to share her reason for coming to the Thursday afternoon group, Alessandrini announces to the group that she wants to reflect not on the death of a person, but of her childhood. She talks about boundaries and healing. It prompts others to chime in, openly sharing stories about their upbringings. When the conversation comes to a pause, Lui offers some warm advice to Alessandrini: “I think you need to protect yourself even better than you think you’re protecting yourself.”

Lui often takes on a maternal role in the group. During one of my visits, she asks for an attendee’s phone number so she can text them a message of support on a day they say they’re dreading. At a separate session, she gets up from her chair to console someone in emotional distress. After the meetings, she emails death-themed book and movie recommendations to newcomers, who often comprise the majority of attendees. Timothy Leary’s “Design for Dying,” the Oscar-winning Japanese drama “Departures,” and the Sundance-winning documentary “How to Die in Oregon,” are all on her list.

Since many of her attendees are artists themselves, she sends out invites to their events, which often intersect with ideas about death. Recent examples include an online radio program featuring songs for funerals and a solo show about grief debuting at the Hollywood Fringe festival this month.

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Lui sometimes signs her emails: “Hope to see you when it fits.” She wants attendees to know there’s no obligation to return to her death cafe. Even still, the group can sometimes get large and unwieldy. At one recent death cafe, Lui recalled, there were 30 people, “and that was a little too much.”

Michael Allison, 62, laughs a little while sharing with the group of participants in the death cafe.

Michael Allison, 62, laughs a little while sharing with the group of participants in the death cafe.

The death cafe can sometimes feel like group therapy. But Lui makes no claims of being a therapist. “I think in a good way, we’re not therapists,” she told me. “Because we’re not just nodding and listening and letting them figure out their own truth. We actually have some ideas about where you find meaning in your life.”

At the Thursday afternoon death cafe at the Philosophical Research Society, everyone has so much to say that the conversation stretches for hours. Toward the end, it becomes loose and playful, resembling a late-night heart-to-heart. Between bouts of tears and laughter, someone asks: Do you think you know that you’re dead after you’ve died? Another poses a question: Is it just me, or has anyone else ever wondered if your dead parent can see you when you’re having sex? The room giggles, and it reminds one attendee to share her own story about her deceased mother.

At some point, Lui asks whether anyone knows the time. It’s 6 p.m. — meaning the death cafe has stretched on for four hours, twice as long as scheduled. Lui frantically apologizes, but nobody seems to mind. They hang around, talking and eating cupcakes.

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“Maybe we need a weekend retreat or something?” Lui suggests. But even a few days wouldn’t be enough to contain everyone’s questions about one of life’s greatest mysteries. For now, her cafe will have to suffice.

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'We Are Lady Parts' rocks with bracing honesty and nuance : Pop Culture Happy Hour

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'We Are Lady Parts' rocks with bracing honesty and nuance : Pop Culture Happy Hour
The Peacock series We Are Lady Parts is a bold and very funny comedy about an up-and-coming London punk band called Lady Parts. The members of Lady Parts, and its manager, are all young Muslim women, from various racial and ethnic backgrounds. Over the course of its first season, each member experiences triumphs and setbacks – including its lead guitarist, who strives to overcome stage fright. The show is about to return for a new season, so today, we are revisiting our conversation about it.
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