Lifestyle
L.A. Affairs: Should I believe my partner or an anonymous tipster on Facebook?
Our meet was not cute; he wrote psychological thrillers, not rom-coms. I appeared in his suggested profiles on Instagram. He followed, and I, a wannabe actor who shrewdly noted the CAA tag in his bio, followed back. No matter how much this city jades you, that hope of getting “discovered” is stubborn. I ignored all the other starving female actors he followed. I ignored the absence of tagged posts and friends in his photos.
On our first date, I was 10 months sober in AA and I had been celibate for a year and a half. I had sworn that the next time I had sex would be antithetical to all the sex I’d had before: sober, consensual and with genuine trust and care for each other.
He took this oath seriously, and I was grateful. After two months of hand stuff and dry humping, Malibu hiking, making out at Yamashiro and dressing up for Cinespia at Hollywood Forever Cemetery, I finally let him put the P into the V in an Airbnb in Joshua Tree. We had sex under the late October stars, and in the morning, we went at it again on top of a rock in the middle of the park.
He bought me vegan Van Leeuwen on the drive back, and from then on, we were sufficiently hooked.
He spoke of his past infrequently, but would answer when asked. He was born in Virginia, he told me, where I am also from. But shortly thereafter, he moved to Beachwood Canyon with his parents and younger brother. He promised to one day show me the house he grew up in. He went to UCLA and had been living in Hollywood with his brother ever since they graduated. He mentioned a few friends, but I never saw them.
I reasoned that he was in his 30s, and he worked in a lonely, every-man-for-himself kind of industry. And he had his brother, with whom he was supremely close, though I had yet to meet him either.
By Christmas, I was getting antsy.
He told me he loved me just as the ball dropped on New Year’s Eve. A week later, the January wildfires came. We escaped together, and my worried father on the East Coast paid for a hotel room further south. We made romance out of tragedy and took our time on the way back when the Sunset fire evacuation orders were lifted. Driving up PCH, he flipped a U to pull into a shake shop.
“We used to go here all the time as kids,” he said. Then he grabbed his credit card and instructed me to order us two shakes. I figured this nostalgia must have distracted him from the fact that my weak stomach could not handle dairy in such large quantities.
Still, I ordered one — I didn’t want to put a dimmer on his inner child indulgence. Later, I threw up, but it was worth it; I was grateful to be included in such a joyous memory of his.
The initial chaos of the fires subsided, and I had still yet to meet anyone in his life. We were nearing six months. I never felt suspicious though. Just restless.
He took my impatience in stride and spoke of plans for me to meet his younger brother soon. Later, he reasoned that he was waiting until after my birthday — he didn’t want to ruin my celebratory state with the truth.
An anonymous woman online struck first, just one week before. It was in one of those Facebook groups. You know the one: Are We Dating the Same Guy? Los Angeles LA.
He was in my bathroom when I got the alert. He didn’t grow up in L.A., the woman wrote. He lived with his twin. He didn’t go to UCLA. He’ll never commit to you.
When he returned, all I could do was hand him my phone. He didn’t pull away from the screen in shock. He simply sat on the bed, took a deep breath and repeated the same monologue he’d delivered to all of the young female actors before me.
It was true. His brother wasn’t two years younger, but two minutes. They were twins. He didn’t grow up in L.A., but in Virginia and then all over the U.S. He didn’t go to UCLA, but to a university in Virginia.
He said he and his twin were in cahoots on this bizarre lie. They had been telling it to women for years. He said the industry would take him more seriously if he were from here. He said people had prejudices against male twins. (Huh? I thought.) He looked at me with his sad baby blues and shared how he told these innocuous falsities, ultimately, out of deep-seeded self-hatred.
My pity outweighed my pride, and we stayed together another month and a half. I fought for us. I wanted to fix him, to give him the love he claimed to never have gotten. I too had done horrible things to quench my self-loathing. But look at me now!
Being a positive influence became a new addiction. I gave him bell hooks’ “All About Love,” which emphasizes the necessity for honesty in all partnerships. I gently suggested therapy. We distracted ourselves by maximizing my AMC Stubs to see all the Oscar-nominated movies.
But questions kept coming, and my trust was crumbling. It wasn’t the content of the lies, but the ease and frequency with which they were told.
“What about that shake place?” I asked one day abruptly. “It was just a random shake place.” He smirked. I’d like to say that was the end — the realization that he let me make myself physically sick for his lies — but it wasn’t.
That same month, I moved to Silver Lake, and he helped immensely. He went on tours with me, built my bed and schlepped all my clothes over from Hollywood. And that’s what’s so frustrating: As much as it was sick, it was also sweet. As much as he may have appeared psychotic, he was also romantic. Just like this city.
Eventually, my suspicions outgrew my compassion. I finally called him out for all the Instagram baddies he followed, and he blew up, accusing me of self-sabotaging. The sad part is I believed it. It took a long call with my sponsor to understand my misgivings were valid and that I deserved someone who would put in the work to regain my trust when they’d broken it. He wasn’t capable of that.
We went no contact for a week and then met for take-out Thai food in Silver Lake Meadow. He had finally read “All About Love” (allegedly) and claimed he’d made a therapy appointment. I told him maybe in some time he could call me. It was bittersweet and strangely cinematic. We kissed and then walked off in opposite directions.
I cried for a week and I had hope for about a month. But just like with substances, the situation looked increasingly strange and seedy the further I got from it. We did meet up again in the summer. He had quit therapy and started smoking, and I caught him stumbling in some random lies again. I ended it for good over text.
Early on, he joked that “the worst thing you can call someone in L.A. is a poser.” I wish I’d noted that line as foreshadowing, but just like any good mystery, the clues are only evident in hindsight.
The author works as a freelance production assistant and at the front desk of a local yoga studio. She lives in Silver Lake. She’s on Instagram: @margaretkeanee.
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
Lifestyle
Why Gen Z is movie-maxxing : Pop Culture Happy Hour
Inde Navarrette and Michael Johnston in Obsession.
Focus Features
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Focus Features
Two big horror films, Obsession and Backrooms, just smashed all box office expectations. So much of their success has been driven by Gen Z, which is now the biggest moviegoing demographic. But what makes a movie a Gen Z movie? Today we’re bringing you an episode of NPR’s It’s Been a Minute. Host Brittany Luse talks about this trend with Sam Adams and Reanna Cruz.
If you want to hear more about these movies, check out these episodes:
In ‘Obsession,’ love hurts. It really, really, really hurts.
‘Backrooms’ brings YouTube horror to the big screen
Zendaya brings ‘The Drama,’ we bring the spoilers
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Lifestyle
10 new books you won’t want to miss in July
I regret to inform you I’ll need to keep this introduction brief. Not because there’s any lack of things to say about July’s crop of notable new releases; it features award-winning journalists and several different flavors of anxiety about our bleak ecological future and data-dominated present, as well as the welcome returns of several beloved novelists.
No, these books certainly deserve some love, dear readers. It’s just that I’m finding it a bit tough to type while bearhugging a box fan. And since it seems that may be my last best chance to get through this latest U.S. heat wave here on the east coast without sweating through my shirt, I feel some urgency to get back at it.
So enough with the ado. With any luck, you’ll soon be cracking open one of these great reads on the beach — or in front of a decent air-conditioning unit, at any rate.
You Won’t Get Free of It: Stories of Mothers and Daughters, by Rachel Aviv (July 7)
Aviv, New Yorker staff writer and finalist for this year’s Pulitzer Prize, has a fairly extensive purview in her role as reporter at large. Still, when reviewing her latest work, Aviv noticed a crucial throughline: “I realized that, to some degree, I’d been writing about mother-daughter pairs for the last decade,” she explained to the Paris Review. Seeing this, she decided to collect and revise half a dozen of those stories, which cover ground from a daughter’s troubling fugue states to the immigrant nannies who must leave their own children behind, to Alice Munro’s daughter, whose claims of sexual abuse went unheeded yet regularly resurfaced in her mother’s fiction.
Country People, by Daniel Mason (July 7)
In Mason’s first novel since North Woods, 2023’s critical darling and book club stalwart, readers are plopped right back in the New England woods but the time scale has shrunk considerably. Whereas North Woods spanned centuries, his new novel confines itself to a single year, during which Miles, loving family man and lackadaisical Ph.D. candidate, plans to finally buckle down on that derelict degree of his and reassert his worth to one and all! At least, that’s the idea. But plans don’t stand much of a chance when there are eccentric neighbors to befriend and mysterious local legends to investigate.
Catch the Devil: A True Story of Murder, Deception, and Injustice on the Gulf Coast, by Pamela Colloff (July 14)
This is the first book from Colloff, a veteran investigative journalist for ProPublica and The New York Times Magazine. She has won multiple National Magazine Awards for stories focused on miscarriages of justice – such as her 2019 piece about Paul Skalnik, a grifter, fabulist, sexual predator and snitch, whose fabrications can be linked to dozens of wrongful convictions in Florida, including some sending the innocent to death row. Here Colloff expands upon that investigation, which gets a lot more room to breathe in the transition from magazine article to full-length book. What emerges in this disturbing account is a portrait of one man’s callous cruelty, and the law enforcers who had no problem tolerating a deal with the devil, provided it kept juicing the conviction rate.
Cloudthief, by Nathaniel Rich (July 14)
Though it’s his fiction we’re discussing here, it’s important to note Rich’s reporting has earned plaudits, too, as well as a few film adaptations. No matter the medium, climate change is usually on his mind, as well as the blunt, rather bleak, prognosis he offered on Fresh Air in 2019: “There’s a huge range of outcomes … ranging from the not very good to the apocalyptic.” Which is to say I’m surprised to find myself describing his newest response to global catastrophe as a rollicking good time – and not just because I’ve never said those words, in that order, in my life. This spry, funny caper features a freelance environmental reporter who inadvertently breaks bad, careening under the influence of lust and a light wallet toward the novel’s big centerpiece: the planned heist of a massive data center.
Data Empire: The Power of Information to Organize, Control, and Dominate, by Roopika Risam (July 14)
And now, for another book centered on data – albeit from a rather different angle. This illuminating history from Risam, a Dartmouth professor, traces the practice of collecting information – and the power conferred by possessing it – from the bones that were humans’ first archives, to the omnipresent systems that shape (or outright determine) life today. As Risam asks, “What has it meant – and what will it mean – when records that once served only to help us remember, come to rule?” A pressing question (see: those data centers), which you’re probably better served trying to answer with the help of Risam than, say, Alexa or Claude.
It Will Come Back to You: Stories, by Sigrid Nuñez (July 14)
For someone with nine novels to her name, Nuñez got a later start than you might expect, having published her first book when she was already in her mid-40s. More than three decades later, now a spry 75 years old, the National Book Award winner has gotten around to publishing her first collection of short stories. The 13 stories here have been culled from across her career, but each one resonates clearly with the warm timbre of her voice: simple, unadorned prose and mundane setups, from which she consistently manages to tease out glimpses of truth, elusive and profound.
They Stole a City: Wilmington’s White Supremacist Coup and the Families Who Live with Its Legacy, by Lauren Collins (July 14)
The only coup d’etat to succeed on U.S. soil is, at most, a distant historical afterthought these days. To be honest, I can’t recall reading a single textbook entry that even remarked on the 1898 race massacre in Wilmington, N.C., an action led by white supremacists that left many (historian estimates say up to 300) Black Wilmingtonians dead and permanently scarred a community newly aware of its simmering animus and vulnerability to violent overthrow. So I’m grateful for Collins’ new chronicle of the infamous event, which fills in some serious gaps in the American collective memory and explains how its perpetrators cultivated the disorienting silence that persists in the historical record today.
Yellow Pine, by Claire Vaye Watkins (July 21)
I don’t think I’ve ever actually laid eyes on the Mojave Desert but after reading Watkins’ latest novel, it feels like I can picture it more vividly than some streets I’ve actually lived on. No, it’s “not a beginner’s wilderness,” as Watkins concedes in Yellow Pine, but this landscape so redolent of death is also deceptively robust with life, if only you’re patient enough to find it. Too bad, then, that it’s also on fire. And choked by drought, irradiated by military test sites and soon to be sacrificed to a massive new solar array named, inexplicably, Yellow Pine. But those aren’t the only complications confronting the book’s main character, Rose, whose aspirations of becoming a kind of climate hermit warp a bit under the pressure of a rekindled love and the pendulum swing of rage and despair at the state of the world.
Cool Machine, by Colson Whitehead (July 21)
Ray Carney is back, for what regrettably appears to be the last time. The lifelong Harlemite, hard-luck furniture dealer and ambivalent crook starred previously in Harlem Shuffle and its sequel, Crook Manifesto. His perspective is our window on the changing eras of the historically Black neighborhood, from the mid-1950s on. In this, the final installment in Whitehead’s brisk, exceedingly entertaining Harlem Trilogy, readers catch up with Carney around the start of the 1980s, following him deeply into Reagan’s decade. The novel also represents the end of an era for Whitehead, whose attention has been exclusively occupied with these characters since he won Pulitzer Prizes for consecutive novels, The Underground Railroad and Nickel Boys.
Beginning Middle End, by Valeria Luiselli (July 28)
The gifted young Mexican writer returns this month with her fourth novel, the second she has written in English and her first since Lost Children Archive launched to widespread plaudits more than seven years ago. Her new book, like her previous one, also concerns the travels of a small family – only this time, the road leads not through the American Southwest but Sicily. And the history sought by its mother-daughter main characters is not a record of bureaucratic cruelty but something much more intimately personal: the links shaped and tested by generations of shared heritage and experience.


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