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L.A. Affairs: My ‘Eat, Pray, Love’ life failed. Would returning to L.A. work out this time?

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L.A. Affairs: My ‘Eat, Pray, Love’ life failed. Would returning to L.A. work out this time?

I had just slipped back into bed after our infant daughter’s 4 a.m. feeding when my partner, Sean, turned over and said, “We should go now. I smell smoke.”

Our air-quality monitor leaped from green to yellow. My breath dried my throat.

We hadn’t gotten an evacuation notice yet. “Let’s wait a bit,” I said, as if staying in bed meant the Eaton fire wasn’t real.

In L.A.’s brittle landscape of concrete rectangles and choking freeways, Eaton Canyon, just seven miles from where we live, was a sanctuary to thousands of people. It saved my life many times. And it was now ablaze, with the fire spreading rapidly.

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From our dark bedroom, we scanned our phones for information, zooming in and out of the slow-loading Cal Fire evacuation map. The red perimeter pushed against the yellow warning zone that our Eagle Rock house fell under.

The evening before, I’d reported the burned acreage aloud to my partner as LAist updated its website: “400 acres, zero containment.” Then, “800 acres, zero containment,” my voice trembling as if the burn map was of my own skin. The next morning the number of acres on fire had reached the thousands.

I looked at pictures we’d taken at Eaton Canyon on New Year’s Day, a week before the fire: Our baby wrapped against my chest smiling her toothless grin; my feet planted in the stream.

The Arroyo Seco, “dry stream” in Spanish, comes down from the San Gabriel Mountains in Angeles National Forest and runs along the two-lane freeway in Pasadena. In the last few years, this oft-parched waterway gained depth because of unprecedented rainfall. Three inches of water became three feet, and swimming holes appeared.

Eaton Canyon trail hikers showed up in their bathing suits, carrying towels. A waterfall and swimmable creek nestled in a shady canyon is a Southern California unicorn. And it welcomed dogs!

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During the pandemic, families, tiny day-camper explorers and the public en masse hit the trails in their masks and basketball sneakers; it suddenly felt like Disneyland. Portable speakers drowned out the creek music. The litter irritated me, as did waiting in line to log-cross the creek. But the crowds also meant something important: Eastside Angelenos had a place to put their fear and worries during a time when we were afraid just to breathe.

I’d started hiking the Altadena trails after my divorce a decade earlier. I offered my loneliness and heartbreak to the live oaks and sycamores, refuse they could make into something useful the same way they convert carbon dioxide into oxygen. Nature became my refuge. It gobbled up my sorrows with its gaping mouth of everything-ness.

I’d start on a trail, breathe in the sweet sage brush and dust and feel myself fall into a harmonic unfolding that had nothing to do with me personally.

With the end of my marriage, California’s raging drought and wildfires and the impending 2016 elections, I fled to Berlin. At the time, I didn’t know how to grow a new life for myself in L.A. The brown hills past the 134 Freeway made me lonely. I bolted to a city of more verdant environs. Green meant hope.

When I returned a year later, the man I had not voted for was still president, my “Eat, Pray, Love” experiment had notably failed and I was certain that, at 38, I’d never find love again or have children. I showed up at the Arroyo most days, sometimes to a half-dry, cracked creek bed. I realized then that nature feeds us in two ways. The first is through recreation and adventure. The other is when we are grappling with the unknown and surrounded by chaos. Then, nature presents its cycles as consolation, reminding us that, whatever is happening, we can rely on things to change.

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Eventually, the drought passed, as did the one in my heart. The waterfall went from trickle to spout. I baptized my pregnant belly in the Arroyo waters. I would bring my new-mother-overwhelm there. And 12 days after her birth, I introduced my newborn to the Arroyo, beaming as though she was meeting a grandparent. I wanted to show her what I learned: that we are never alone among the tadpoles, silt and stones, that we belong to nature too.

As the Eaton fire raged, lashing palm trees and devouring the Craftsmans of our L.A. neighbors, our daughter slept in her bassinet, unaware of airborne toxins. Sean and I shoved her rompers and sleep sacks into a backpack, rummaged through our clothes and grabbed enough underwear for an indeterminable amount of time away. I scooped my jewelry into a shoebox with my passport. We dressed for the day, then returned to bed for a couple of hours of fitful sleep, ready to go when we needed to.

Sean looked at me as if I had lost my mind when I grabbed the dog’s leash at 7 a.m., opened our door to a screen of tawny haze and pulled our confused pet behind me. A thin, rusty coil of sun smoldered through a patch in the clouds.

The nursery rhyme that goes “Ladybird, ladybird, fly away home, your house is on fire, your children are gone” cruelly repeated in my head. It’s all going to be gone, I thought with a shudder.

By 9 a.m., we were sitting in evacuation traffic on the 5 Freeway, heading to family in Orange County. The fire had not jumped the freeway into Eagle Rock, but an evacuation warning appeared on my phone beside dozens of frantic texts from my San Marino moms group: “Don’t come to Joshua Tree! Power’s out. No gas or groceries!,” “Unsafe water alert for Pasadena!” and a slew of links to resources for formula, diapers and wipes.

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With our daughter and dog, Sean and I shuttled back and forth between my mother-in-law’s and parents’ houses for the next two weeks. I downloaded the Environmental Protection Agency’s air-quality app. I still keep careful watch on the stats. Now we’re back in our house and the fires have ceased, but we no longer open the windows when cooking for fear of polluted air. Instead of off-leash sloshing up the Arroyo, I take the baby and dog to the park and worry because neither of them can wear masks. Once again, life feels chaotic. I’m afraid to breathe.

I know healthy forests need regular burnings, but it is not natural for whole communities to be leveled overnight, for fire insurers to abandon their patrons and for people to lose their homes and what they love most about living in them.

I tell myself that nature’s gift in hard times is to remind us of its perpetual cycles. Today it is raining. The air will be breathable again one day. Spring will come, but I don’t know if there will be green leaves this year in the canyon.

The author is a writer, educator and mother who’s working on a memoir. She’s on Instagram: @sophiecsills

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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They set out to elevate karaoke in L.A. — and opened a glamorous lounge that pulls out all the stops

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They set out to elevate karaoke in L.A. — and opened a glamorous lounge that pulls out all the stops

Brothers Leo and Oliver Kremer visited karaoke spots around the globe and almost always had the same impression.

“The drinks weren’t always great, the aesthetics weren’t always so glamorous, the sound wasn’t always awesome and the lights were often generic,” says Leo, a former bassist of the band Third Eye Blind.

As devout karaoke fans, they wanted to level up the experience. So they dreamed up Mic Drop, an upscale karaoke lounge in West Hollywood that opens Thursday. It’s located inside the original Larrabee Studios, a historic 1920s building formerly owned by Carole King and her ex-husband, Gerry Goffin — and the spot where King recorded some of her biggest hits. Third Eye Blind band members Stephan Jenkins and Brad Hargreaves are investors of the new venue.

Inside the two-story, 6,300-square-foot venue with 13 private karaoke rooms and an electrifying main stage, you can feel like a rock star in front of a cheering audience. Want to check it out? Here are six things to know.

The Kremer brothers hired sculptor Shawn HibmaCronan to create an 8-foot-tall disco-themed microphone for their karaoke lounge.

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1. Take your pick between a private karaoke experience or the main stage

A unique element of Mic Drop is that it offers both private karaoke rooms and a main stage experience for those who wish to sing in front of a crowd. The 13 private rooms range from six- to 45-person capacity. Each of the karaoke rooms are named after a famous recording studio such as Electric Lady, Abbey Road, Shangri La and of course, Larrabee Studios. There is a two-hour minimum on all rentals and hourly rates depend on the room size and day of the week.

But if you’re ready to take the center stage, it’s free to sing — at least technically. All you have to do is pay a $10 fee at the door, which is essentially a token that goes toward your first drink. Then you can put your name on the list with the KJ (karaoke jockey) who keeps the crowd energized throughout the night and even hits the stage at times.

Harrison Baum, left, of Santa Monica, and Amanda Stagner, 27, of Los Angeles, sing in one of the 13 private karaoke rooms.

Harrison Baum, left, of Santa Monica, and Amanda Stagner, 27, of Los Angeles, sing in one of the 13 private karaoke rooms.

2. Thumping, high sound quality was a top priority

As someone who toured the world playing bass for Third Eye Blind, top-tier sound was a nonnegotiable for Leo. “Typically with karaoke, the sound is kind of teeny, there’s not a lot of bass and the vocal is super hot and sitting on top too much,” he says. To combat this, he and his brother teamed up with Pineapple Audio, an audio visual company based in Chicago, to design their crisp sound system. They also installed concert-grade speakers and custom subwoofers from a European audio equipment manufacturer called Celto, and bought gold-plated Sennheiser wireless microphones, which they loved so much that they had an 8-foot-tall replica made for their main room. Designed by artist Shawn HibmaCronan, the “macrophone,” as they call it, has roughly 30,000 mirror tiles. “It spins and throws incredible disco light everywhere,” says Leo.

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Lights beam on a stage.

Karaoke jockeys Sophie St. John, 27, second from left, and Cameron Armstrong, 30, right, get the crowd involved with their song picks at Mic Drop.

3. A concert-level performance isn’t complete without good stage lighting and a haze machine

Each karaoke room features a disco ball and dynamic lighting that syncs up with whatever song you’re singing, which makes you feel like you are a professional performer. There’s also a haze machine hidden under the leather seats. Meanwhile, the main stage is concert-ready with additional dancing lasers and spotlights.

Brett Adams, left, of Sherman Oaks, and Patrick Riley of Studio City  sing together in one of the private rooms at Mic Drop.

Brett Adams, left, of Sherman Oaks, and Patrick Riley of Studio City sing karaoke together inside a private lounge at Mic Drop.

4. The song selection is vast, offering classics and new hits

One of the worst things that can happen when you go to karaoke is not being able to find the song you want to sing. At Mic Drop, the odds of this happening are slim to none. The venue uses a popular karaoke service called KaraFun, which has a catalog of more than 600,000 songs (and adds 400 new tracks every month), according to its website. Take your pick from country, R&B, jazz, rap, pop, love duets and more. (Two newish selections I spotted were Raye’s “Where Is my Husband” and Olivia Dean’s “Man I Need,” which both released late last year.) In the private karaoke rooms, there’s also a fun feature on Karafun called “battle mode,” which allows you and your crew of up to 20 people to compete in real time. KaraFun also has an entertaining music trivia game, which I tested out with the founders and came in second place.

The design inspiration for Mic Drop was 1920s music lounges and 1970s disco culture, says designer Amy Morris.

The design inspiration for Mic Drop was 1920s music lounges and 1970s disco culture, says designer Amy Morris.

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5. The interiors are inspired by 1920s music lounges mixed with ‘70s disco vibes

A disco ball hangs from the ceiling.

A disco ball hangs from the ceiling.

If you took the sophisticated aesthetic of 1920s music lounges and mixed it with the vibrant and playful era of 1970s disco culture, you’d find Mic Drop.

When you walk into the lounge, the first thing you’ll see is a bright red check-in desk that resembles a performer’s dressing room with vanity lights, several mirrors and a range of wigs. “So much of karaoke is about getting into character and letting go of the day, so we had the idea to sell the wigs,” says Oliver. As you continue into the lounge, the focal point is the stage, which is adorned with zebra-printed carpet and dramatic, red velvet curtains. For seating, slide into the red velvet banquettes or plop onto a gold tiger velvet stool. Upstairs, you’ll find the intimate karaoke studios, which are decorated with red velvet walls and brass, curved doorways that echo the building’s deco arches, says Mic Drop’s interior designer, Amy Morris of the Morris Project.

Sarah Rothman, center, of Oakland, and friend Rachel Bernstein, left, of Los Angeles, wait at the bar.

Sarah Rothman, center, of Oakland, and friend Rachel Bernstein, left, of Los Angeles, wait at the bar.

6. You can order nontraditional karaoke bites as you wait for your turn to sing

While Mic Drop offers some of the food you’d typically find at a karaoke lounge such as tater tots, truffle popcorn and pizza, the venue has some surprising options as well. For example, a 57 gram caviar service (served with chips, crème fraîche and chives) and shrimp cocktail from Santa Monica Seafood. For their pizza program, the Kremer brothers teamed up with Avalou’s Italian Pizza Company, which is run by Louis Lombardi who starred in “The Sopranos.” He’s the brainchild behind my favorite dish, the Fuhgeddaboudit pizza, which is made with pastrami, pickles and mustard. It might sound repulsive, but trust me.

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As for the cheeky cocktails, they are all named after famous musicians and songs such as the Pink Pony Club (a tart cherry pomegranate drink with vodka named after Chappell Roan), Green Eyes (a sake sour with kiwi and melon named after Green Day) and Megroni Thee Stallion (an elevated negroni named after Megan Thee Stallion).

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You’re Invited! (No, You’re Not.) It’s the Latest Phishing Scam.

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You’re Invited! (No, You’re Not.) It’s the Latest Phishing Scam.

When John Lantigua, a retired journalist in Miami Beach, checked his email one recent morning, he was glad to see an invitation.

“It was like, ‘Come and share an evening with me. Click here for details,’” Mr. Lantigua said.

It appeared to be a Paperless Post invitation from someone he once worked with at The Palm Beach Post, a man who had left Florida for Mississippi and liked to arrange dinners when he was back in town.

Mr. Lantigua, 78, clicked the link. It didn’t open.

He clicked a second time. Still nothing.

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He didn’t realize what was going on until a mutual friend who had received the same email told him it wasn’t an invitation at all. It was a scam.

Phishing scams have long tried to frighten people into clicking on links with emails claiming that their bank accounts have been hacked, or that they owe thousands of dollars in fines, or that their pornography viewing habits have been tracked.

The invitation scam is a little more subtle: It preys on the all-too-human desire to be included in social gatherings.

The phishy invitations mimic emails from Paperless Post, Evite and Punchbowl. What appears to be a friendly overture from someone you know is really a digital Trojan horse that gives scammers access to your personal information.

“I thought it was diabolical that they would choose somebody who has sent me a legitimate invitation before,” Mr. Lantigua said. “He’s a friend of mine. If he’s coming to town, I want to see him.”

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Rachel Tobac, the chief executive of SocialProof Security, a cybersecurity firm, said she noticed the scam last holiday season.

“Phishing emails are not a new thing,” Ms. Tobac said, “but every six months, we get a new lure that hijacks our amygdala in new ways. There’s such a desire for folks to get together that this lure is interesting to people. They want to go to a party.”

Phishing scams involve “two distinct paths,” Ms. Tobac added. In one, the recipient is served a link that turns out to be dead, or so it seems. A click activates malware that runs silently as it gleans passwords and other bits of personal information. In all likelihood, this is what happened when Mr. Lantigua clicked on the ersatz invitation link.

Another scam offers a working link. Potential victims who click on it are asked to provide a password. Those who take that next step are a boon to hackers.

“They have complete control of your email and, in turn, your entire digital life,” Ms. Tobac said. “They can reset your password for your dog’s Instagram account. They can take over your bank account. Change your health insurance.”

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Digital invitation platforms are trying to combat the scam by publishing guides on how to spot fake invitations. Paperless Post has also set up an email account — phishing@paperlesspost.com — for users to submit messages for verification. The company sends suspicious links to the Anti-Phishing Working Group, a nonprofit that maintains a database monitored by cybersecurity firms. Flagged links are rendered ineffective.

The scammers’ new strategy of exploiting the desire for connection is infuriating, said Alexa Hirschfeld, a founder of Paperless Post. “Life can be isolating,” Ms. Hirschfeld said. “When it looks like you’re getting an invitation from someone you know, your first instinct is excitement, not skepticism.”

Olivia Pollock, the vice president of brand for Evite, said that fake invitations tended to be generic, promising a birthday party or a celebration of life. Most invitations these days tend to have a specific focus — mahjong gatherings or book club talks, for instance. “The devil is in the details,” Ms. Pollock said.

Because scammers don’t know how close you are with the people in your contact list, fake invitations may also seem random. “They could be from your business school roommate you haven’t spoken to in 10 years,” Ms. Hirschfeld said.

Alyssa Williamson, who works in public relations in New York, was leaving a yoga class recently when she checked her phone and saw an invitation from a college classmate.

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“I assumed it was an alumni event,” Ms. Williamson, 30, said. “I clicked on it, and it was like, ‘Enter your email.’ I didn’t even think about it.”

Later that day, she received texts from friends asking her about the party invitation she had just sent out. Her response: What party?

“The thing is, I host a lot of events,” she said. “Some knew it was fake. Others were like, ‘What’s this? I can’t open it.’”

Andrew Smith, a graduate student in finance who lives in Manhattan, received what looked like a Punchbowl invitation to “a memory making celebration.” It appeared to have come from a woman he had dated in college. He received it when he was having drinks at a bar on a Friday night — “a pretty insidious piece of timing,” he said.

“The choice of sender was super clever,” Mr. Smith, 29, noted. “This was somebody that would probably get a reaction from me.”

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Mr. Smith seized on the phrase “memory making celebration” and filled in the blanks. He imagined that someone in his ex-girlfriend’s immediate family had died. Perhaps she wanted to restart contact at this difficult moment.

Something saved him when he clicked a link and tried to tap out his personal information — his inability to remember the password to his email account. The next day, he reached out to his ex, who confirmed that the invitation was fake.

“It didn’t trigger any alarm bells,” Mr. Smith said. “I went right for the click. I went completely animal brain.”

The new scam comes with an unfortunate side effect, a suspicion of invitations altogether. It’s enough to make a person antisocial.

“Don’t invite me to anything,” Mr. Lantigua, the retired journalist, said, only half-joking. “I’m not coming.”

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The New Rules for Negotiating With Multibrand Retailers

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The New Rules for Negotiating With Multibrand Retailers
Partnerships with multibrand players remain vital to fashion brands of all sizes, but the rules of engagement have changed as the sector has come under immense strain. BoF breaks down what brands need to know to reduce risk while building lasting relationships.
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