Lifestyle
Firings at CBS’ ’60 Minutes’ reflect the fight for media control in the age of Trump
Correspondents of CBS’ 60 Minutes pose for a portrait in 2023. From left to right, they are Sharyn Alfonsi, L. Jon Wertheim, Bill Whitaker, Lesley Stahl, Scott Pelley, Cecilia Vega, and Anderson Cooper. Former Executive Producer Bill Owens sits on the far right. Only Wertheim, Whitaker and Stahl remain at the program.
CBS Photo Archive/CBS via Getty Images/CBS
hide caption
toggle caption
CBS Photo Archive/CBS via Getty Images/CBS
Stay up to date with our Up First newsletter sent every weekday morning.
When CBS fired Scott Pelley on Tuesday night, the new 60 Minutes executive producer, Nick Bilton, told Pelley it was for insubordination at a staff meeting the day before.
The veteran correspondent argues he was defending the DNA of 60 Minutes and the integrity of its journalism.
The battle royale over the network’s most prestigious and profitable news program is part of a broader fight over the direction of CBS News.
And given CBS’s acquisition by a billionaire family whose business interests have become intertwined with the political interests of President Trump, it reflects a larger war over control of the media in the current moment.

That father and son, Larry and David Ellison, bought CBS’ parent company, Paramount, last summer. In January, they became co-owners of TikTok’s U.S. operations. Now they’re seeking approval from Trump’s regulators to buy Warner Bros. Discovery, the parent company of CNN.
A glamorous show shorn, for now, of most its stars
CBS fired Cecilia Vega, a correspondent, and Tanya Simon, the executive producer, from 60 Minutes last week. They are shown in this photo at the 2026 White House Correspondents’ Association Dinner on April 25, 2026 in Washington, D.C.
Kristina Bumphrey/Variety via Getty Images/Variety
hide caption
toggle caption
Kristina Bumphrey/Variety via Getty Images/Variety
But the specifics of this individual episode matter — for 60 Minutes, CBS, its audience of millions, and even the news business itself.
The program has been the most glamorous post in broadcast news. The correspondents are the stars of the show. And now, there are just three of them.
Anderson Cooper left last month, concerned over the direction of the network’s coverage. Last week was a virtual bloodbath: correspondents Cecilia Vega and Sharyn Alfonsi were fired. So were a producer and two show executives — including Tanya Simon, a longtime staffer who had stepped up as executive producer when her predecessor resigned in protest before the Ellisons’ takeover.

With Pelley’s ouster, only correspondents Lesley Stahl, Bill Whitaker, and Jon Wertheim remain. Now they are considering whether to resign, according to two associates with knowledge.
Their brand-new boss, Bilton, was previously a tech reporter for The New York Times and an investigative reporter for Vanity Fair. He executive-produced a documentary for Netflix about a couple accused of laundering Bitcoin and has been a producer on several other films.
Notably, he has no experience in television news.
Neither does Bari Weiss, whom David Ellison installed as the network’s editor in chief last October. The Ellisons also bought her center-right views-and-news site, The Free Press.
She has maintained that the network of Walter Cronkite needs a makeover for the digital moment. She has also contended for years that CBS, along with the rest of mainstream media, is too reflexively anti-Trump, anti-Israel, and too woke.
A rejection of CBS News executives’ overtures
The new executive producer of 60 Minutes, Nick Bilton, has been a tech journalist and documentary filmmaker, but lacks experience in broadcast news.
Matt Winkelmeyer/Getty Images/Getty Images North America
hide caption
toggle caption
Matt Winkelmeyer/Getty Images/Getty Images North America
Bilton attempted to set a conciliatory tone at Monday’s meeting — his first with the show. Pelley, a formidable veteran correspondent and former CBS Evening News anchor, wasn’t having it.
Pelley called Bilton unwelcome and unqualified. And Pelley said that Weiss was attempting to “murder” the program.
In firing Pelley on Tuesday, Bilton said the journalist had hijacked the meeting and rejected overtures to work constructively through their differences. (NPR obtained a copy of the firing notice.) Bilton wrote that Pelley’s “antipathy to the future of the show came through loud and clear.”
In his own statement late Tuesday evening, shared with NPR, Pelley accused CBS’s new news leadership of killing 60 Minutes‘ DNA and pushing him “to inject falsehoods and bias into a politically sensitive story” and “to include assertions that are unverified.”
The accusations, to which CBS has not yet responded, echo those made by Alfonsi and Vega, the two correspondents fired last week.
Earlier this year, Alfonsi publicly complained after Weiss held one of her stories at the last minute, and kept it frozen for weeks, demanding an on-camera interview with a Trump White House official that never played out. It ran, unchanged from the intended version, with additional statements from the administration tacked on to the end.
After being fired, Vega said in a statement obtained by NPR that her team had “experienced efforts to insert political bias into our stories.”
“Let’s call this what it is: censorship, both censorship and self-driven” Vega continued. “It is dangerous for the show and dangerous for democracy.”
Weiss previously rejected Alfonsi’s and Vega’s allegations. (CBS said Vega’s claims, for example, were “not based in reality” while expressing appreciation for her work.)
Weiss and Bilton say digital threat requires a 60 Minutes overhaul now
In a meeting this morning, Weiss said that Pelley chose his own path — that is, to be fired rather than to find a way to work through his concerns, according to attendees. The network and Weiss have not yet publicly addressed Pelley’s accusations of interference.
Bilton and Weiss say they respect the show’s traditions, its accomplishments and its legacy of enterprise reporting, extended interviews and visual storytelling. It rose in the ratings 9% over the past season under Simon.
The two news leaders say, however, 60 Minutes needs to be overhauled before it becomes increasingly irrelevant in the era of streamers and other sources of news, information and entertainment in the digital age.
Interviews with 12 current and former CBS News staffers, from producers to executives, suggest great reservations and suspicions remain about Weiss’ judgment and her ability to handle the prominent and even famous journalists on whom her division relies.
Weiss had initially sought to reinvent the CBS Evening News, dropping a two-anchor format that had sagged in the ratings. Cooper turned down Weiss’ overtures to anchor it and left the network altogether, concerned about her approach, according to associates. (They spoke on condition of anonymity because Cooper has not chosen to speak publicly on the matter.)
David Ellison became chairman and CEO of CBS’ parent company, Paramount, after buying it last year.
Noam Galai/Getty Images for Paramount/Getty Images North America
hide caption
toggle caption
Noam Galai/Getty Images for Paramount/Getty Images North America
The ratings have continued to sag under new anchor Tony Dokoupil. And some CBS journalists, including producers who have left the Evening News, have publicly accused Weiss of making editorial decisions driven by politics. She has rejected those claims.
The decision to take on overhauling two key shows — one listing, one highly profitable, both high profile — carries significant risks for Weiss and the network, even apart from other considerations.
But the Ellisons’ presence cannot be ignored.

When Shari Redstone was negotiating the sale of CBS’s parent company, Paramount, to the Ellisons’ Skydance Media last year, the network announced the end of Stephen Colbert’s late night show. He had been one of the president’s most biting and acerbic critics.
David Ellison also made a series of concessions directly to Trump’s chief broadcast regulator, Federal Communications Commission Chair Brendan Carr, gutting CBS’s diversity, equity and inclusion initiatives and appointing a conservative ombudsman to field complaints of bias against its news reporting.
Carr and other regulators approved the Paramount deal last summer.
The accommodations echo those made by other media titans.
Amazon and Blue Origin founder Jeff Bezos remade the editorial pages of the Washington Post, which he owns, into a far more hospitable zone for Trump at the outset of his second term. So did Los Angeles Times owner Dr. Patrick Soon-Shiong, a noted medical device inventor. Amazon and Blue Origin have multi-billion dollar contracts with the federal government. Soon-Shiong’s medical research firm routinely has patent applications up for review with federal regulators. One was approved Tuesday.
The Ellisons are hoping to win approval from federal regulators next month for their purchase of Warner Bros. Discovery in a deal valued at more than $110 billion. It would include Warner Bros. Studio, HBO and CNN, among other properties.
As Weiss routs CBS News’ old guard, the question of what role she might play at CNN — and what changes that portends at CBS — hangs over journalists at the two networks. The fate of 60 Minutes serves as a high-stakes case study for both.
Lifestyle
If you plan to catch up on reading this summer, start with these 3 books
I love reviewing books but sometimes the pace of reading them can feel like that classic I Love Lucy episode at the chocolate factory. The conveyer belt speeds up and the books keep coming along faster than they can be “wrapped” in a review. Summer gives me a chance to catch up with some good books that whizzed by in spring.
James Lasdun’s The Family Man: Blood and Betrayal in the House of Murdaugh came out the first week of May, which is when I read it. This nonfiction book, which grew out of a piece Lasdun wrote for The New Yorker, is about the investigation and conviction of prominent South Carolina lawyer Alex Murdaugh for the 2021 murders of his wife and adult son.
Then came the real-life plot twist: A little over a week after Lasdun’s book was published, Murdaugh’s conviction was overturned because of jury tampering. A retrial is being scheduled. Rather than rendering The Family Man obsolete, this new twist intensifies the miasma of stories that swirl around the Murdaugh case — including suspicious deaths and embezzlement.
Lasdun is a “true crime” writer in the reflective mold of his late New Yorker colleague Janet Malcolm. Although investigating the double murder case drives this narrative, Lasdun is most interested in exploring the ultimate unsolvable mystery: the mystery of evil.
Farrar, Straus and Giroux
Harriet Clark’s debut novel, The Hill, which came out in May, has been getting tons of deserved praise. The novel draws explicitly from Clark’s own background: Born in 1980, Clark was 11 months old when her mother, a member of the radical Weather Underground, was arrested and sentenced for her involvement in a Brinks armored truck robbery that resulted in the deaths of three men. Clark’s maternal grandparents got custody and she visited her mother in prison for almost 40 years, before she was paroled in 2019.
Clark’s main character, Suzanna, is 8 when the story begins and living with her grandparents, former members of the American Communist Party. The plot here is a marvel of sustained claustrophobic stasis. Every week, Suzanna is taken — first by her grandfather, then by a nun, then on her own — to visit her mother at the Children’s Center in Hillcrest prison. Suzanna’s voice charges this novel with intelligence:
Each week … my mother fixed and re-fixed my hair. I slept and didn’t sleep, . … Around us women counted down to release, but my mother and I had been released from countdowns. No reason to look forward, no interest in looking back, we were, as I saw it, free of the past and free of the future. Carnival Day, Friendship Day, Birthday Day — the holidays in the Center followed their own lilting rhythms, and eventually we submitted again to the lull and pleasures of our timeless life.
All the while I was reading The Hill, I kept thinking of E.L. Doctorow’s The Book of Daniel, inspired by the Rosenberg case. The two novels differ in scope, but like Doctorow, Clark interrogates the cost of parents’ radical commitment to their children, as well as how the world itself shifts radically, from generation to generation.
Sometimes I put aside a good book for a bad reason. Mary Costello’s slim novel, A Beautiful Loan, touted as a devastating story about relationships, came out in March. “No,” I thought back then, “not another ersatz Sally Rooney in time for St. Patrick’s Day.”
But, one empty afternoon, I picked it up and kept reading, mostly because the present-tense narration of the main character, Anna, struck me as so weird in tone. Her deadened voice was at odds with her emotional turbulence. Here’s 19-year-old Anna summarizing how Paul, an elusive older man she’ll eventually marry, keeps her in thrall to what she calls “this oscillating life”:
In the middle of the night, … he rises on one elbow in the bed beside me and, in an urgent, desperate voice, says, I love you. In the morning, he makes no reference to this, and I think he must have spoken in his sleep. Never again in our lives together will he say those three words.
A Beautiful Loan spans 25 years and Anna’s obsessive devotion to two men, one dog, the writings of Camus and Jung, and the practice of Islam. Like the other two books I’ve caught up with here, it may not be the ideal “beach read,” but it would be perfect for a wash-out of a summer weekend.
Lifestyle
Your people-pleasing is making you lonely. Here’s how to build a village
“I hear all the time — I’m 35, 45, 55, 65, 75 — and I have no idea who I am. I don’t know what I want, I don’t know what I need, I’ve only lived in a role. Good girl, good daughter, good wife, good employee, good grandma … who am I?” Beatriz Victoria Albina says of the thousands of women she’s specialized in serving for the last decade. “From there, we struggle to make decisions. We take on a therapist role in relationships, always listening, always supporting, always problem-solving, but we don’t get that support in return for so many reasons.”
Shelf Help is a wellness column where we interview researchers, thinkers and writers about their latest books — all with the aim of learning how to live a more complete life.
A certified somatic life coach, breathworker and former nurse practitioner, who resides in Brooklyn, Albina is the author of “End Emotional Outsourcing: How to Overcome Your Codependent, Perfectionist, People-Pleasing Habits” (out in paperback this September), which educates readers on these phenomena and shows them how to live a more fulfilling life. Her book guides readers through techniques such as body-based somatic practices and thought work, building to the capacity for utilizing healthy boundaries and direct communication.
Albina is also the host of the popular podcast “Feminist Wellness.” In the podcast, she serves as a loving alternative auntie figure and often addresses her audience with quirky pet names such as “my tender ravioli.” A queer Latina who immigrated from Argentina at 3 years old with her family when they fled the dictatorship of the 1980s, she has grown a following for her sage advice, warm sense of humor and loving voice, as well as for contextualizing how ending emotional outsourcing actively confronts the external systems of oppression that govern our world.
“We learned, often when we were preverbal or very young, that our authentic self is not OK, is not appreciated, is not welcome, is not the right way to be. Whether that’s in our family of origin, in our extended family or in institutions,” Albina says.
With her background in healthcare, Albina also leans into the science behind what she teaches, educating her readers — “my nerds,” as she calls them — on science-backed, trauma-informed techniques to connect with themselves and transform their relationships from codependence to interdependence. Her aim is to reroute individuals from relying on the approval of the people and systems outside to instead deepening our relationships with ourselves and our community in ways that are more fulfilling.
Albina spoke with us over Zoom from New York. This interview has been edited for length and clarity.
“End Emotional Outsourcing” author Beatriz Victoria Albina.
(Photo courtesy of author.)
You coined the term “emotional outsourcing” — why? Do you hope that people will adopt it rather than using the other terms that make up the subtitle of your book?
I really wanted to delineate that these aren’t who you are. They’re verbs. They’re what you’re doing. They’re survival habits, so they are brilliant and laudable ways that you learned to secure safety, belonging, and worth outside of yourself when that felt like the only option. So we really need a sea change where we move away from, “It’s who I am.” Instead, let’s really talk about, “It’s what I was doing, and sometimes it’s what I still do out of habit, but it’s not inherent to who I am as a mammal.”
Are these three subtitle terms — codependent, perfectionist, people–pleasing — interchangeable or interlinked? What differentiates them from one another?
They each inform each other. Codependent habits are really about managing other people, and then people-pleasing is one way we can do that. Perfectionism is when we bring it home to ourselves — ‘I’ve got to control who I am and, thus, how I’m being seen so that I’m not rejected.’ It all really comes down to attachment wounding in a really deep way, and the ways that we seek to feel not-so-freaked-out when that wounding gets activated.
How can readers identify if this book is for them?
Downplaying our needs, stuffing down our feelings. Not knowing what we want, because we’ve spent so long prioritizing others. If you believe that if you don’t take care of someone, that they’ll leave or stop loving you. If you accept less than optimal treatment because you don’t want to be left. If you avoid advocating for yourself because it feels selfish or scary or bad. Overexplaining, over-apologizing, over-justifying. Not resting. Feeling guilty when you take a break or set a boundary. I could go on.
In your book, you guide readers toward becoming interdependent, rather than codependent or independent. How does one make this distinction in their relationships? What implications does this transition have on day-to-day life?
The way you know the difference is felt in the body. In a codependent pattern, in a codependent survival habit, we are doing things, saying things, being things to attempt to get someone else, to have an emotion, to try to manage or control the way someone else thinks about or relates to us. The choice that we’re making is not centered in self. Reciprocity within capitalism and white supremacy is tit for tat. In codependency, it’s also tit for tat.
Meanwhile, interdependence is when we are two autonomous humans, relating from mutuality and reciprocity that is flowing like water. We’re not manipulating or pushing ourselves, we’re not manipulating or controlling them. In interdependence, we’re giving from our emotional overflow, and the love and care we receive in that reciprocity, for caring for the people in our lives, balances out. But we’re not putting ourselves out to the point where we’re living in resentment, because we’re not making it mean anything about ourselves, or them, or our relationship.
We hear often about the epidemic of loneliness that we are living in. In your book, at the end, you talk about how through ending emotional outsourcing, you’ve cultivated a fulfilling chosen family, and that you make a practice of showing up for community care. What advice might you have for folks who recognize that they’re craving something different from how they’re presently experiencing their day-to-day realities but can’t see how to change it?
All right, listen, community care, babies. You’ve got to do the day-to-day banal stuff with your friends. You know, if you want a village, you’ve got to be a villager. Villages aren’t made in one coffee date and a lunch date, and drinks at a loud bar where you can’t hear anything anyway.
So, like, my friend and I go to the supermarket together on Mondays, and I go with her to pick up her kid because I want to spend time with her and that’s what she’s got to do. Go with your friend to the community garden, help them weed their tomatoes. Your body needs a new coat? Go thrifting together. Do the daily dumb stuff. Help your friends, you know? Not to brag, but I’m very good at laundry. The life I want is in doing the things of life. It’s having a soup club where we take turns dropping off soup at each other’s houses. That’s what community building is about.
Could you talk about the connection between the thought work and the body-based somatics that you teach?
When we’re daydreaming and ruminating and self-reflecting and mentally time-traveling or imagining other people’s thoughts, we’re not present. Somatic and nervous system support helps us to step into presence. When we are actually present in the moment, we’re in conscious awareness and we’re present in our bodies. It’s not any more complicated than that. That allows us to step into choiceful-ness. I can pick the meaning-making here. And I can listen to my body, and I can make a choice that is supportive of the collective, but it’s not self-abandoning. It respects the people around me without disrespecting myself. We drop into the present moment, and we write a new story in real time, hopefully with the whole body on board. And that’s how, very slowly, through somatic (body-based) practices, we start to create a lot more room to actually be a real person in our lives.
You’ve included journaling questions to work with, especially in the thought–work section. What advice do you have for folks who want to do the journaling but are struggling with adding it to perhaps our perfectionist-created to-do list. Any tips?
Yes. The kitten step is community. Text a friend, ‘Do you want to do these stupid journals together?’ And then hopefully she says, ‘Yes.’ And then you meet every other week for an hour on Wednesday, and you friggin’ do it. And you body double, or you read them to each other. You make a plan that involves another person, or a group, because we’re pack animals. We need to co-regulate. When the book first came out, I had a free book club, because we need each other. So, make a book club! Or tell your therapist or your coach you’re going to be doing these questions and then bring them to the session.
Lifestyle
Kennedy Center removes Trump’s name from the building
A tarp covers the facade of the John F. Kennedy Memorial Center for the Performing Arts in Washington, DC, on June 13, 2026. Workers removed President Donald Trump’s name from the facade of the building.
Alex Wroblewski/AFP via Getty Images
hide caption
toggle caption
Alex Wroblewski/AFP via Getty Images
WASHINGTON – Workers have taken down President Donald Trump’s name from the Kennedy Center, hours after a court-ordered Friday deadline to remove it from the building, and less than six months after it was first affixed to the iconic performing arts venue. The removal of the more than a dozen bronze letters followed a judge’s ruling that the Center could not be renamed without Congressional approval.

In a court filing, Kennedy Center Executive Director and Chief Operating Officer Charles Matthew Floca confirmed that President Trump’s name has been removed from the building façade, despite what Floca said were weather-related delays. References to Trump on the center’s website are also gone.
Just a month into his second term, Trump ousted the Kennedy Center’s president, board chair and board members, then replaced them with a group of trustees that soon named Trump as chairman. Soon after, the president’s name was added to the building, so that it became, “The Donald J. Trump and the John F. Kennedy Memorial Center for the Performing Arts.”
The administration had on Friday asked a higher court to stay the ruling as it argued that Trump’s name on the building had helped attract donors and was crucial to raising funds for the Kennedy Center’s renovation.
“Without the name, “Trump” on the Building, our fundraising will not only come to a halt,” the administration wrote in a court filing, “but any and all monies raised or committed would be obligated to be returned, refunded or terminated.”

An appeals court denied that request Friday night. Workers erected scaffolding on Friday around the section of the building where Trump’s name had been added in December 2025. Then, in a pre-dawn operation, the laborers draped the scaffolding in tarpaulin, before removing the giant metallic letters. The Kennedy Center had asked a judge to briefly extend the deadline for this removal —because of Friday night thunderstorms forecast for Washington D.C.
Finally, with the scaffolding up, and tarpaulin covering their efforts, workers began to remove Trump’s name. Hundreds of people braved the rain and thunderstorms overnight to document the take-down. Some heckled those involved for hiding the removal using tarpaulin – with shouts of “Cover up!” and “Cowards!”
Among the onlookers watching proceedings was Krystal Brewer, 40, who works for a social justice advocacy group. She said removing Trump’s name was a way to enforce accountability, maintain government checks and balances, and reclaim a piece of Washington from a president who she said has tried to impose his stamp on the nation’s capital. “It’s about just not being able to do something just because you think you’re the most powerful person and you can defy the courts,” Brewer said.
Protestors wave a U.S. and signs as workers prepare to remove President Donald Trump’s name from the John F. Kennedy Center for the Performing Arts in Washington, Saturday, June 13, 2026.
Cliff Owen/AP
hide caption
toggle caption
Cliff Owen/AP
Trump has recently overseen the controversial demolition of the White House’s East Wing in favor of a giant ballroom, and ordered large banners of his face to hang from several federal buildings during his second term. “I wanted to see us get a part of our city back,” said Brewer. “With all the things that he’s trying to destroy and corrupt and taint and alter, it’s nice to see a piece of it being restored.”
Also among those gathered on the Center’s plaza Friday was Rep. Joyce Beatty of Ohio, who initiated the lawsuit to remove Trump’s name from the building. She wrote on social media that she had stood outside to watch, writing “No more stalling. It’s time for Trump to obey the law.”

Watching the tarps go up a little before 2 a.m., Saturday, another onlooker, 60-year-old nurse Mary Foltz, said it was a metaphor for the Trump administration.
“I think there’s a lack of transparency — and that’s just the epitome of it,” Foltz said. “This is a meme.”
-
Oregon33 seconds agoOPB’s First Look: Success at small schools
-
Pennsylvania6 minutes agoRecently rescued Ragdoll cats available for adoption from Pennsylvania SPCA
-
Rhode Island13 minutes agoYour 2026 Rhode Island Summer Bucket List – Rhode Island Monthly
-
South-Carolina15 minutes agoAnother S.C. GOP Runoff Poll Shows Alan Wilson in the Lead – FITSNews
-
South Dakota21 minutes agoMonday Forecast: Red Flag Warning for SW South Dakota and parts of NE Wyoming
-
Tennessee28 minutes ago
See which Tennessee companies are asking for $3B in tariff refunds
-
Texas31 minutes agoBig 12 pursuing legal action against Texas Tech, Texas attorney general over Brendan Sorsby
-
Utah36 minutes ago
Utah Jazz will match any offer sheet Walker Kessler …