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Jonathan Anderson Is Leaving Loewe After Rampant Rumors

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Jonathan Anderson Is Leaving Loewe After Rampant Rumors

Finally, after months of rumors, it’s official: On Monday, LVMH announced that Jonathan Anderson, the designer who transformed Loewe from a minor Spanish leathergoods house into a cultural lodestar and is one of the buzziest names in the LVMH stable, a favorite of Daniel Craig, Greta Lee and Josh O’Connor, was leaving the brand.

“What he has contributed to Loewe goes beyond creativity,” Sidney Toledano, the chief executive of the LVMH Fashion group, said of Mr. Anderson in the news release. “He has built a rich and eclectic world with strong foundations in craft which will enable the House to thrive long after his departure.”

Where Mr. Anderson goes next, and who takes his place, was not revealed. Cliffhanger!

Not really.

Planned designer moves have been leaking like a sieve since last fall. Things could always change, but it is widely accepted that Jack McCollough and Lazaro Hernandez, the American founders of Proenza Schouler who stepped down from their label in January, will be taking Mr. Anderson’s place at Loewe. Mr. Anderson is expected to move to Dior, where he will most likely take the reins of both women’s and men’s wear, the first designer to unite the two halves of the house in decades.

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The mystery is not so much what happens next. The mystery is why it is taking so long, and unfurling so publicly. Even in a DOGE world where firings seem like everyday news, even in a world where designer change has begun to seem like the norm, this has been a painfully drawn-out procedure.

It’s easy to forget, in the fun of playing the fashion equivalent of fantasy football, that the designers involved are human beings rather than chess pieces, with teams of more human beings for whom they are responsible. As a result, Dior has a women’s wear designer, Maria Grazia Chiuri, who has been walking around for months with what seems to be a phantom guillotine hanging over her head.

Ms. Chiuri, 61, was the first woman to lead Dior in its approximately 80 years — and one of the few women at the head of a mega-luxury brand. In her nine years as artistic director of women’s wear, she helped take the brand from an estimated 2 billion euros in revenue to about 9 billion euros. She was also responsible for injecting a feminist note into its narrative and supporting female-led collectives and artists around the world, especially in India. Whatever anyone thinks of Ms. Chiuri’s work — and it could verge on the banal — or her politics (ditto), there’s no doubting her contribution to the business, her work ethic or her place in Dior’s history.

Yet according to the word on the street, Mr. Anderson, 40, has not only been finishing up his Loewe term but has also been working on a shadow Dior collection, even as Ms. Chiuri continues to work on her own. When Mikey Madison wore a remake of a 1956 Dior gown to the Oscars rather than a look from the current collection, it seemed like a portent. The rumors became so rampant that they helped prompt Kim Jones, the Dior men’s designer since 2018, to resign after his last show rather than exist in a state of further insecurity. (His position has not been filled, giving credence to the idea Mr. Anderson will take over both sides of the business.)

And the rumors cast a pall over not only Ms. Chiuri’s couture in January and her ready-to-wear show last month, but also Mr. Anderson’s Loewe presentation. “Was it the last or wasn’t it?” was as much a part of the reactions to the show as the designs themselves. It’s hard to commit to a designer’s vision — to buy into it — when it’s unclear if there’s a commitment to, or from, the designer himself.

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It is possible, of course, that the extended ambiguity is partly Ms. Chiuri’s doing. It’s possible that she is in the middle of a protracted contract negotiation about exactly what shape her departure will take and that no one involved is legally free to address the situation. It is generally believed that her cruise show in May, which will be held in Rome, her hometown, will be her farewell. LVMH declined to comment on why the transition was taking so long or why the news was being released in piecemeal fashion. Sometimes, refusing to address rumors is the best way to make them go away.

Not this time, however. This time, the rumors simply became the accepted state of affairs. Which makes it hard not to wonder why everyone involved did not simply acknowledge the truth, even if it emerged at an inconvenient time, the better to move forward. That would have cast Ms. Chiuri’s final Dior collections and Mr. Anderson’s last at Loewe as collectibles rather than question marks. It would have made the changes exciting rather than anti-climactic.

After all, if fashion reveals anything, it is that closure, as well as transparency, has its own kind of chic.

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Worldwide Pinhole Photography Day

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Worldwide Pinhole Photography Day

Nancy Breslin’s double self-portrait taken on Worldwide Pinhole Photo Day 2019. 4 minute pinhole exposure.

Nancy Breslin


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Nancy Breslin

Pinhole photography is an analog technique that uses a small aperture — a “pinhole” — and a light proof container to capture wonderfully dreamy-looking images.

April 26 is Worldwide Pinhole Photography Day. To celebrate, NPR’s Scott Simon spoke to Nancy Breslin, a fine art photographer specializing in pinhole photography.

Breslin brought a few pinhole cameras into the studio — one made of teak and brass, and one made of an old cookie tin. Breslin explained how the cookie tin camera works. First, you need a light tight container. Then you put a hole in it.

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“Ideally you want it to be pinhole sized, like putting in a sewing needle, maybe half a millimeter or so.” Then, put in a piece of photographic paper. “When enough light hits, you have an image,” Breslin explained.

Capturing an image can take anywhere from a few minutes to a few hours, depending on how much light is being let in through the camera’s pinhole. The resulting images are surreal and a little spooky.

Breslin’s main series is called “Squaremeals: A Pinhole Diary of Eating Out.” She takes her pinhole camera out to lunch with friends. Then she takes one image during the meal.

A photo from Nancy Breslin's "Squaremeals: A Pinhole Diary of Eating Out" series.

A photo from Nancy Breslin’s “Squaremeals: A Pinhole Diary of Eating Out” series.

Nancy Breslin


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Nancy Breslin

Breslin describes an image from this series. Because the exposure was long, the still objects, like a waterglass, are sharp and in focus. But the moving objects, like Breslin and her dining companion, are blurry. “It becomes very ghostlike. Is that not the way our memories work? You know, our memories aren’t tight. It’s more like the impression,” Breslin said.

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If you want to participate in this year’s Worldwide Pinhole Photography Day, you can make your own pinhole camera using household objects.

Make your own pinhole camera:

  1. Find a light proof container. A cylindrical oatmeal container works well. 
  2. Line the inside black, either with black paper or black matte paint. This prevents light from bouncing around the container. 
  3. Poke a small hole directly into your container.
  4. Attach a “shutter” that covers the hole, but can be easily removed and replaced to take your picture. 
  5. Load photo sensitive material, like photopaper, inside of the container on the opposite side of your lens. 
  6. Take your photo! Point the hole toward the scene you want to capture and open your “shutter” to allow the light to enter the hole and deposit the image onto your photosensitive material. Remember that darker areas will require the shutter to be open longer, and brighter areas can have a lower exposure time.
  7. Develop your images. You can send your film to a photography lab, or, take to a local darkroom. Enjoy your pinhole masterpiece!

Ariel Plotnick edited this story.

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Lifestyle

Tell us: How much did you spend on Olympics tickets?

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Tell us: How much did you spend on Olympics tickets?

When tickets for the 2028 L.A. Olympics dropped earlier this month for locals, emotions around town quickly moved from pure excitement to shock and confusion.

Prices have been all over the place. A seat at the opening ceremony ranges from $329 to $5,519, The Times reported. Tickets for sessions similarly run the gamut. Some prices we’ve seen and heard: $2,460 for the women’s gymnastics team final. $498 for the men’s volleyball preliminary. $1,141 for the mixed track and field final. Women’s handball for $241. And yes, some lucky fans were able to grab $28 tickets for some events, but those opportunities have seemed slim.

We’re asking readers: If you have been lucky enough to snag tickets, how much did you spend and what event(s) will you be attending? Also, what does being at the first Los Angeles Olympics in 44 years mean to you? Share your experience using the form below and we may feature you in an upcoming story.

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Make Way for the Investment Bank Influencers

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Make Way for the Investment Bank Influencers

It’s 5:30 a.m. Allison Sheehan switches on the light in the bathroom of her New York City apartment and stretches in front of the mirror. “Welcome back to another morning in the life of an ‘investment baker,’ which means someone who works at an investment bank but also makes cakes,” she says at the beginning of the video, which she uploaded to TikTok in early 2025.

Tying an apron over her pajamas, Ms. Sheehan, now 26, proceeds to pipe lilac buttercream ruffles on a heart-shaped funfetti cake she had baked the night before.

At 6:50, she heads to the gym, filming herself doing crunches before heading home to shower, put on makeup and pick out an outfit. By 8:20, Ms. Sheehan heads to her wealth management job, at Goldman Sachs (she didn’t reveal the name of the bank in her videos while employed there).

In 2023, Ms. Sheehan, who has since made cakes for brands including Goop and LoveShackFancy as well as the model Gigi Hadid, was posting on social media as “The Investment Baker,” a persona she created for her custom-cake business, Alleycat.

On her Investment Baker Instagram and TikTok pages, Ms. Sheehan posted familiar influencer content like “What I eat in a week” and day-in-the-life videos, along with breakdowns of her corporate wardrobe. At the time, her DMs were inundated both with cake orders and with young women seeking advice on how to break into finance.

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The finance industry remains one of the most sought-after sectors for college graduates. In 2025, Goldman Sachs saw 360,000 students competing for just 2,600 internships — up 15 percent from the previous year. It has also historically insisted that employees maintain a low profile on the internet. Ms. Sheehan was careful never to disclose the bank at which she worked in her videos, and she never filmed herself in the office, per her employer’s rules. In fact, she never discussed finance much at all. Still, the tension between the “two worlds of baking and being a financier was the whole allure,” Ms. Sheehan said.

Yet Ms. Sheehan was informed that her baking content was seen as a “reputational risk” for the firm. She was instructed to delete every post on her TikTok and Instagram and to change her handle so that it made no reference to the word “investment.” When Ms. Sheehan drew comparisons to the firm’s chief executive, David Solomon, who moonlights as a D.J., she was told she could not compare herself to him. She pushed back, saying that the firm’s policy should apply to everyone. “It doesn’t work like that,” she said she was told.

Like Ms. Sheehan, Sahilee Waitman, 28, used the fact of her employment at an investment bank as a hook for her TikTok videos. Ms. Waitman moved to New York City from Amsterdam to work in compliance at an investment bank in 2023. She soon started posting day-in-the-life content, detailing everything from her workouts to what she ate for lunch, with the goal of building financial autonomy outside her corporate role. Both women were clear that while they worked at investment banks, they were not investment bankers, often a point of contention or confusion in the comments section.

The New York Times reached out to many of the investment bank employees on TikTok, but they declined to comment for this article, fearing the risk to their reputation. The New York Times also reached out to 14 different banks, among them Goldman Sachs, but none responded to requests for comment regarding the matter of social media use among employees.

Despite these fears, investment banking content is going viral across social media. Nearly 60,400 videos tagged #investmentbanking have appeared on TikTok in recent years. Time-stamped 100-hour work weeks and late-night keyboard A.S.M.R. regularly draw hundreds of thousands of views on TikTok. Part of the appeal is that influencers offer a more realistic depiction of the world of work than can be gleaned from shows like “Industry” on HBO or from actual recruitment events.

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Ms. Sheehan was determined to show that even bankers could have a life outside work. In October 2024, a year after posting her first video, a meeting with her manager appeared unexpectedly on Ms. Sheehan’s calendar. At first, she thought it might be good news. But the excitement was short-lived when she was greeted by three compliance officers. “We see you have an online persona called ‘The Investment Baker,’” she recalled them saying.

At present, there is no widely agreed-upon policy regarding employees’ personal social media use. The Financial Industry Regulatory Authority, the largest independent regulator for brokerage firms in the United States, and the Securities and Exchange Commission, a government agency that regulates the entire U.S. securities industry, have rules and guidance dictating that employees cannot share any information that is deemed confidential or in any way sensitive. But how firms apply their own internal policy is at their discretion.

Hannah Awonuga, the former head of colleague engagement at Barclays U.K. and a cultural transformation and inclusion consultant, sees both parties as at risk. Employees might find themselves on the wrong side of human resources. For employers, “once you allow staff to post freely,” she said, “you run the risk that they might express an opinion on a Saturday that goes against your values.”

For decades, “workism” — the belief that work is central to one’s identity — has infiltrated the American ethos, particularly for many city dwellers, whose hobbies and leisure activities can fall by the wayside. Increasingly, younger workers are pushing back, demanding a healthier work-life balance and actively working to decouple their identity from their careers.

The world of high finance is one of the last sectors to catch up. “Once you work in these industries,” Ms. Waitman said, “you’re essentially taught to choose one lane.” You are either a “serious professional,” she said, or a “creative.” “I just don’t believe those things are mutually exclusive,” she added.

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Ms. Waitman, who is Black, hoped that by posting on TikTok, she would be promoting diversity in the industry. She received the occasional negative comment, insisting she must be a “secretary,” but a majority of her messages were positive, she said, and came from other women seeking her advice about pursuing careers in finance.

At the time, Ms. Waitman did not receive pushback from her employer on her videos, though she made sure to declare any outside business activity to compliance and her director. “I think firms are just now catching on to this,” Ms. Waitman said. “Once they find out, you have compliance on your neck.”

A recent glossy fashion spread in Interview Magazine entitled “Meet the Finest Boys in Finance” highlighted what can happen when young finance professionals attract the wrong kind of publicity. The designer-heavy photo shoot was mocked and meme-ified online for violating Wall Street’s sacrosanct rule against flashiness.

Across social media, some women were quick to point out the double standard at play. “But women get fired from Goldman for being influencers …” read one comment left on a TikTok video about the spread.

In fact, many of the people posting influencer-like content are young women, which is at odds with the traditionally male-dominated world of high finance.

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A spokesperson for Goldman Sachs told Bloomberg that the interviews in Interview Magazine were not approved by the firm.

After the compliance meeting, Ms. Sheehan did as she was instructed and archived all her social media posts. Three months later, though, she put them back up. “I didn’t see my posts as a violation of the bylaws,” she said. Immediately, another meeting with compliance landed on her calendar. This time, her cake business was taking off, and Ms. Sheehan decided to hand in her resignation. (Goldman Sachs did not respond to requests for comment.)

As banks are forced to iron out their policies in an ever more online world, workers sharing the minutiae of their days is likely to become an increasing headache for compliance. “If you have five followers, there’s no need to make anyone aware,” Ms. Awonuga said. But, she added, “as more Gen Z’s come into the workplace and grow in their roles, I just don’t know how feasible it becomes to say you’re not allowed a social media presence.”

Ms. Sheehan, meanwhile, has no regrets. “I cannot believe,” she said, “that they were concerned about me making pink cakes when people are insider trading.”

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