Connect with us

Lifestyle

“I want to show that we exist in Paris.” Claudia Rivera makes space for Latino designers in French capital

Published

on

“I want to show that we exist in Paris.” Claudia Rivera makes space for Latino designers in French capital

Claudia Rivera, a Peruvian-Parisian creative director and photographer, is known for building worlds in Paris that are colorful and communal, events that feel like a home away from home for the Latino community there. Rivera pulls up to Holy Grounds Coffee & Tea in El Sereno for our interview between L.A. meetings. She is wearing jorts, a subversive basic tank and fresh, jewel-encrusted nails done by @leslydidthem with rings on every finger. Her thick waist-length hair, an emblematic feature of her Peruvian identity, flows freely. Rivera’s projects and photography are also an intersection of her cultures, with details inspired by her family or community, who are often her greatest subjects and audience, infused with the energy and street style of her hometown, Paris.

Rivera organized the first monthlong Latino festival in Paris, Sabor Latino Month, by crowdfunding thousands of euros via other young Latinos in the city who were craving something like this, and eventually getting it sponsored by Adidas Paris. Her annual event, Ñañaykuna, which started in 2021, celebrates the community of Latina women in Paris by highlighting their work with music, dancing and food. One year, Rivera took portraits of all the participants in her signature warm style. Now, Rivera, who just launched her new creative agency Amaru, is working on a pop-up inspired by a mercado you’d find in a Latin American country, bringing a collection of Latino brands from around the world — including L.A.’s Amor Prohibido, Kids of Immigrants and Equihua — to Paris on Sept. 14-15, right before Fashion Week. “As a Franco-Peruvian girl, I grew up without clothes that represented me,” says Rivera. “Clothing is something that can help you represent yourself. It’s part of your personality.” The idea with the event, called Lo Nuestro, is to show the diversity among Latino-owned fashion brands.

Claudia wears Roberto Sanchez animal print suit, Maison Margiela Tabi shoes, Shilita Créations jewelry.

Claudia wears Roberto Sanchez animal print suit, Maison Margiela Tabi shoes, Shilita Créations jewelry.

“I was always checking the events in Los Angeles and it was my dream to be there and to see [that],” says Rivera. “I think being Latino here is very complicated because of everything. But there is also the privilege that you can live in a country where you exist, where your community is present. That’s what I want to do in my life: I want to create the space that I dreamed for when I was a kid. And I want this for the next generation. I want to show that we exist in Paris. To share our culture with the other communities.”

Advertisement

This is what Image Making means to me: Ever since I was a little, I’ve understood the power and importance of images. My parents were one of the first Peruvians to have papers in France. They came to France in the ’90s. In 2003, my dad went back to Peru for the first time in 10 years after he left for France. My dad went to visit the families of all of our Peruvian friends in France to film their homes, greetings from their families. When he came back, my mom cooked a big meal and everyone came over to our house. In 2005 I went to Peru for the first time — I was 5 years old. I started as a kid to take the camera y empezaba yo tambien a querer filmar. It’s not just the images but the process. To make the images, you also need to connect, to take time. Es un momento de care también. Las imágenes te ayudan a conectar el mundo, conectar tu comunidad, tu familia. I know that my family, to see me always taking pictures of our culture, they started to say, “OK, maybe this is something beautiful.” By taking the photos, I helped them to value their daily life. I feel that los archivos son muy importantes.

Claudia wears her own Adidas jacket.

Claudia wears her own Adidas jacket.

What is the common thing or feeling that all of my work shares: El punto común es mostrar América Latina y highlight Latin American cultures. To tell our stories from our point of view.

My approach to personal style looks and feels like: I get very inspired by the culture of my family, but in the details. I started photography doing very colorful photos, with a lot of pink, a lot of orange, yellow, because these are the colors that are very present in traditional skirts in Peru. I include flowers in my work because flowers are present in the culture of my family. Hair is also very important for us.

What does my Paris feel like: I love Paris because it’s a city where there is a lot of diversity. It asks us to mix from all cultures. I feel very rich to have friends from all over the world. Growing up in Paris helped me understand Islam, other religions, other cultures from North African, South Africa, from Bangladesh. I have friends que vienen de todas partes del mundo. Compartimos mucho.

Advertisement

My work reveals about the city: It reveals that the Latino community exists [in Paris]. My projects don’t only interest people of the community — though of course they also like it porque es una expresión que we’ve always wanted to have — but there are also people from other communities that want to understand. And I think that’s a beautiful part of it: todos queremos abrirnos y entender las otras culturas.

Makeup Jade Benaim
Hair Santa Mari Juanna
Nails Alicia Faucher
Special thanks Cecile Armand, Hélène Tchen, Manon Guerby, Santa Mari Juanna Lab

Claudia wears Gypsy Sport crochet dress, Maison Margiela Tabi shoes, Shilita Créations jewelry.

Claudia wears Gypsy Sport crochet dress, Maison Margiela Tabi shoes, Shilita Créations jewelry.

Claudia Rivera

Advertisement

Lifestyle

After years of avoiding the ER, Noah Wyle feels ‘right at home’ in ‘The Pitt’

Published

on

After years of avoiding the ER, Noah Wyle feels ‘right at home’ in ‘The Pitt’

Wyle, who spent 11 seasons on ER, returns to the hospital in The Pitt. Now in Season 2, the HBO series has earned praise for its depiction of the medical field. Originally broadcast April 21, 2025.

Hear The Original Interview

Continue Reading

Lifestyle

TMZ Streaming Live, Come Into Our Newsroom and Watch Things Happen!

Published

on

TMZ Streaming Live, Come Into Our Newsroom and Watch Things Happen!

TMZ Live Stream
Come Into Our Office and Watch News Happen!!!

Published

Advertisement

Advertisement

Advertisement
Continue Reading

Lifestyle

Doctors says ‘The Pitt’ reflects the gritty realities of medicine today

Published

on

Doctors says ‘The Pitt’ reflects the gritty realities of medicine today

From left: Noah Wyle plays Dr. Michael “Robby” Robinavitch, the senior attending physician, and Fiona Dourif plays Dr. Cassie McKay, a third-year resident, in a fictional Pittsburgh emergency department in the HBO Max series The Pitt.

Warrick Page/HBO Max


hide caption

toggle caption

Advertisement

Warrick Page/HBO Max

The first five minutes of the new season of The Pitt instantly capture the state of medicine in the mid-2020s: a hectic emergency department waiting room; a sign warning that aggressive behavior will not be tolerated; a memorial plaque for victims of a mass shooting; and a patient with large Ziploc bags filled to the brink with various supplements and homeopathic remedies.

Scenes from the new installment feel almost too recognizable to many doctors.

The return of the critically acclaimed medical drama streaming on HBO Max offers viewers a surprisingly realistic view of how doctors practice medicine in an age of political division, institutional mistrust and the corporatization of health care.

Advertisement

Each season covers one day in the kinetic, understaffed emergency department of a fictional Pittsburgh hospital, with each episode spanning a single hour of a 15-hour shift. That means there’s no time for romantic plots or far-fetched storylines that typically dominate medical dramas.

Instead, the fast-paced show takes viewers into the real world of the ER, complete with a firehose of medical jargon and the day-to-day struggles of those on the frontlines of the American health care system. It’s a microcosm of medicine — and of a fragmented United States.

Many doctors and health professionals praised season one of the series, and ER docs even invited the show’s star Noah Wyle to their annual conference in September.

So what do doctors think of the new season? As a medical student myself, I appreciated the dig at the “July effect” — the long-held belief that the quality of care decreases in July when newbie doctors start residency — rebranded “first week in July syndrome” by one of the characters.

That insider wink sets the tone for a season that Dr. Alok Patel, a pediatrician at Stanford Medicine Children’s Health, says is on point. Patel, who co-hosts the show’s companion podcast, watched the first nine episodes of the new installment and spoke to NPR about his first impressions.

Advertisement

To me, as a medical student, the first few scenes of the new season are pretty striking, and they resemble what modern-day emergency medicine looks and sounds like. From your point of view, how accurate is it?

I’ll say off the bat, when it comes to capturing the full essence of practicing health care — the highs, the lows and the frustrations — The Pitt is by far the most medically accurate show that I think has ever been created. And I’m not the only one to share that opinion. I hear that a lot from my colleagues.

OK, but is every shift really that chaotic?

I mean, obviously, it’s television. And I know a lot of ER doctors who watch the show and are like, “Hey, it’s really good, but not every shift is that crazy.” I’m like, “Come on, relax. It’s TV. You’ve got to take a little bit of liberties.”

Advertisement

As in its last season, The Pitt sheds light on the real — sometimes boring — bureaucratic burdens doctors deal with that often get in the way of good medicine. How does that resonate with real doctors?

There are so many topics that affect patient care that are not glorified. And so The Pitt did this really artful job of inserting these topics with the right characters and the right relatable scenarios. I don’t want to give anything away, but there’s a pretty relatable issue in season two with medical bills.

Right. Insurance seems to take center stage at times this season — almost as a character itself — which seems apt for this moment when many Americans are facing a sharp rise in costs. But these mundane — yet heartbreaking — moments don’t usually make their way into medical dramas, right?

I guarantee when people see this, they’re going to nod their head because they know someone who has been affected by a huge hospital bill.

If you’re going to tell a story about an emergency department that is being led by these compassionate health care workers doing everything they can for patients, you’ve got to make sure you insert all of health care into it.

Advertisement

As the characters juggle multiple patients each hour, a familiar motif returns: medical providers grappling with some heavy burdens outside of work.

Yeah, the reality is that if you’re working a busy shift and you have things happening in your personal life, the line between personal life and professional life gets blurred and people have moments.

The Pitt highlights that and it shows that doctors are real people. Nurses are actual human beings. And sometimes things happen, and it spills out into the workplace. It’s time we take a step back and not only recognize it, but also appreciate what people are dealing with.

2025 was another tough year for doctors. Many had to continue to battle misinformation while simultaneously practicing medicine. How does medical misinformation fit into season two?

I wouldn’t say it’s just mistrust of medicine. I mean that theme definitely shows up in The Pitt, but people are also just confused. They don’t know where to get their information from. They don’t know who to trust. They don’t know what the right decision is.

Advertisement

There’s one specific scene in season two that, again, no spoilers here, but involves somebody getting their information from social media. And that again is a very real theme.

In recent years, physical and verbal abuse of healthcare workers has risen, fueling mental health struggles among providers. The Pitt was praised for diving into this reality. Does it return this season?

The new season of The Pitt still has some of that tension between patients and health care professionals — and sometimes it’s completely projected or misdirected. People are frustrated, they get pissed off when they can’t see a doctor in time and they may act out.

The characters who get physically attacked in The Pitt just brush it off. That whole concept of having to suppress this aggression and then the frustration that there’s not enough protection for health care workers, that’s a very real issue.

A new attending physician, Dr. Baran Al-Hashimi, joins the cast this season. Sepideh Moafi plays her, and she works closely with the veteran attending physician, Dr. Michael “Robby” Robinavitch, played by Noah Wyle. What are your — and Robby’s — first impressions of her?

Advertisement

Right off the bat in the first episode, people get to meet this brilliant firecracker. Dr. Al-Hashimi, versus Dr. Robby, almost represents two generations of attending physicians. They’re almost on two sides of this coin, and there’s a little bit of clashing.

Sepideh Moafi, fourth from left, as Dr. Baran Al-Hashimi, the new attending physician, huddles with her team around a patient in a fictional Pittsburgh teaching hospital in the HBO Max series The Pitt.

Sepideh Moafi, fourth from left, as Dr. Baran Al-Hashimi, the new attending physician, huddles with her team around a patient in a fictional Pittsburgh teaching hospital in the HBO Max series The Pitt.

Warrick Page/HBO Max


hide caption

toggle caption

Advertisement

Warrick Page/HBO Max

Part of that clash is her clear-eyed take on artificial intelligence and its role in medicine. And she thinks AI can help doctors document what’s happening with patients — also called charting — right?

Yep, Dr. Al-Hashimi is an advocate for AI tools in the ER because, I swear to God, they make health care workers’ lives more efficient. They make things such as charting faster, which is a theme that shows up in season two.

But then Dr. Robby gives a very interesting rebuttal to the widespread use of AI. The worry is that if we put AI tools everywhere, then all of a sudden, the financial arm of health care would say, “Cool, now you can double how many patients you see. We will not give you any more resources, but with these AI tools, you can generate more money for the system.”

Advertisement

The new installment also continues to touch on the growing corporatization of medicine. In season one we saw how Dr. Robby and his staff were being pushed to see more patients.

Yes, it really helps the audience understand the kind of stressors that people are dealing with while they’re just trying to take care of patients.

In the first season, when Dr. Robby kind of had that back and forth with the hospital administrator, doctors were immediately won over because that is such a big point of frustration — such a massive barrier.

There are so many more themes explored this season. What else should viewers look forward to?

I’m really excited for viewers to dive into the character development. It’s so reflective of how it really goes in residency. So much happens between your first year and second year of residency — not only in terms of your medical skill, but also in terms of your development as a person.

Advertisement

I think what’s also really fascinating is that The Pitt has life lessons buried in every episode. Sometimes you catch it immediately, sometimes it’s at the end, sometimes you catch it when you watch it again.

But it represents so much of humanity because humanity doesn’t get put on hold when you get sick — you just go to the hospital with your full self. And so every episode — every patient scenario — there is a lesson to learn.

Michal Ruprecht is a Stanford Global Health Media Fellow and a fourth-year medical student.

Continue Reading

Trending