Lifestyle
Hey Babe, Let’s Meet for Steak, Crayons and … Jazz?
“Backgammon is the cruelest game — so much of it is based on luck,” said Joe Urso, who was one tournament away from earning his grandmaster title, but down a few points in his match on a recent Wednesday night last month.
Mr. Urso, 41, and several other backgammon enthusiasts were meeting for the Clinton Hill Backgammon Club’s weekly game at Funny Bar, a new jazz-bar-restaurant on the Lower East Side of Manhattan. The backgammon club typically convenes in the restaurant’s conversation pit, in the center of the space that once housed a mechanical bull.
Before Funny Bar, the Essex Street venue lived several lives. It was once a Western-themed barbecue joint, then a hip-hop brunch spot. And for 40-years, it housed Schmulka Bernstein’s, New York City’s first kosher Chinese restaurant. The current owners, Tom Moore and Billy Jones, have worked some relics from these disparate incarnations into Funny Bar’s design. But they made sure the new version had no distinguishable theme.
“A lot of restaurants and clubs in New York present these very complete ideas to the customer,” said Mr. Moore, 30, whose parents met working in Chicago’s hotel industry. In the past couple of years, the rise of the overly designed clubstaurant has homogenized Lower Manhattan’s nightlife aesthetics: wood treated to look patinated, shelves packed with tchotchkes and vintage photos framed to imply a storied, local status that has yet to be earned.
The cavernous 2,800-square-foot interior of Funny Bar, designed by Safwat Riad, reflects a cheeky, Lynchian sensibility, with kitschy glass bricks, a slick grand piano and just-between-us lighting. The dining room’s walls are lined with purposely empty shelves. Crayons and paper tablecloths add a playful vibe to the massive, low-slung leather booths. Servers with face tattoos wear spotless, buttoned-up uniforms, adding to the sense of dissonance and mischief. The overall effect may make diners feel like children who stole their parents credit cards and went out for martinis.
“There are a lot of couples mindlessly doodling each other, but I really like when there are businessmen eating together and they start using the crayons to do math on the tables,” said Ava Schwartz, Funny Bar’s director, who, alongside Mr. Moore, can be spotted most nights greeting regulars and running steak frites. Funny Bar goes through about 600 crayons a week.
The owners did not bother with a drink menu. “We’re not really going for special,” said Funny Bar’s head chef, Raphael Wolf. The restaurant’s menu is appropriately simple and crowd-pleasing: salad, steak frites and a brownie sundae. Usually, there’s an off-menu vegetable dish. Of the decision to offer only steak, Mr. Moore said he did not want diners to feel bloated or like their breath smelled; he wanted to keep the night sexy. “And nothing is sexier than steak,” he added.
Mr. Moore and Mr. Jones opened the more popular Nightclub 101 just a few blocks away, but they have been reluctant to over-publicize Funny Bar, preferring to let it find patrons slowly. The location — tucked away on the side of Essex Street that most New Yorkers avoid — makes it that much more “if you know, you know.” The bar does not promote scheduled musical performances, and it has fewer than 3,000 Instagram followers.
Despite being coy about seeking attention, Funny Bar has found an eclectic fan base. On any given night, the crowd includes young fashion hounds, baby stockbrokers, middle-aged couples on dates and musicians like King Princess and the Dare, who are connected to Mr. Moore and Mr. Jones through their third venue, Baby’s All Right in Brooklyn.
Over the course of a typical night, tables and parties tend to merge, with guests eventually spilling into the conversation pit, mirroring the bustle and spontaneity of live jazz — the only music you’ll ever hear in Funny Bar. (So much is its commitment to the genre, that it was even worked into the restaurant’s phone number: 212-516-JAZZ.)
Some patrons have compared the social swirl of Funny Bar to that of the bars portrayed in the first season of Sex and the City — a comparison that proves itself every time someone writes their phone number down in crayon, tears it from its sheet and hands it off to a cute stranger.
Lifestyle
What worked — and what didn’t — in the ‘Stranger Things’ finale
Sadie Sink as Max Mayfield.
Netflix
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Netflix
Yes, there are spoilers ahead for the final episode of Stranger Things.
On New Year’s Eve, the very popular Netflix show Stranger Things came to an end after five seasons and almost 10 years. With actors who started as tweens now in their 20s, it was probably inevitable that the tale of a bunch of kids who fought monsters would wind down. In the two-plus-hour finale, there was a lot of preparation, then there was a final battle, and then there was a roughly 40-minute epilogue catching up with our heroes 18 months later. And how well did it all work? Let’s talk about it.
Worked: The final battle
The strongest part of the finale was the battle itself, set in the Abyss, in which the crew battled Vecna, who was inside the Mind Flayer, which is, roughly speaking, a giant spider. This meant that inside, Eleven could go one-on-one with Vecna (also known as Henry, or One, or Mr. Whatsit) while outside, her friends used their flamethrowers and guns and flares and slingshots and whatnot to take down the Mind Flayer. (You could tell that Nancy was going to be the badass of the fight as soon as you saw not only her big gun, but also her hair, which strongly evoked Ripley in the Alien movies.) And of course, Joyce took off Vecna’s head with an axe while everybody remembered all the people Vecna has killed who they cared about. Pretty good fight!
Did not work: Too much talking before the fight
As the group prepared to fight Vecna, we watched one scene where the music swelled as Hopper poured out his feelings to Eleven about how she deserved to live and shouldn’t sacrifice herself. Roughly 15 minutes later, the music swelled for a very similarly blocked and shot scene in which Eleven poured out her feelings to Hopper about why she wanted to sacrifice herself. Generally, two monologues are less interesting than a conversation would be. Elsewhere, Jonathan and Steve had a talk that didn’t add much, and Will and Mike had a talk that didn’t add much (after Will’s coming-out scene in the previous episode), both while preparing to fight a giant monster. It’s not that there’s a right or wrong length for a finale like this, but telling us things we already know tends to slow down the action for no reason. Not every dynamic needed a button on it.
Worked: Dungeons & Dragons bringing the group together
It was perhaps inevitable that we would end with a game of D&D, just as we began. But now, these kids are feeling the distance between who they are now and who they were when they used to play together. The fact that they still enjoy each other’s company so much, even when there are no world-shattering stakes, is what makes them seem the most at peace, more than a celebratory graduation. And passing the game off to Holly and her friends, including the now-included Derek, was a very nice touch.
Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington.
Netflix
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Netflix
Did not work: Dr. Kay, played by Linda Hamilton
It seemed very exciting that Stranger Things was going to have Linda Hamilton, actual ’80s action icon, on hand this season playing Dr. Kay, the evil military scientist who wanted to capture and kill Eleven at any cost. But she got very little to do, and the resolution to her story was baffling. After the final battle, after the Upside Down is destroyed, she believes Eleven to be dead. But … then what happened? She let them all call taxis home, including Hopper, who killed a whole bunch of soldiers? Including all the kids who now know all about her and everything she did? All the kids who ventured into the Abyss are going to be left alone? Perfect logic is certainly not anybody’s expectation, but when you end a sequence with your entire group of heroes at the mercy of a band of violent goons, it would be nice to say something about how they ended up not at the mercy of said goons.


Worked: Needle drops
Listen, it’s not easy to get one Prince song for your show, let alone two: “Purple Rain” and “When Doves Cry.” When the Duffer Brothers say they needed something epic, and these songs feel epic, they are not wrong. There continues to be a heft to the Purple Rain album that helps to lend some heft to a story like this, particularly given the period setting. “Landslide” was a little cheesy as the lead-in to the epilogue, but … the epilogue was honestly pretty cheesy, so perhaps that’s appropriate.
Did not work: The non-ending
As to whether Eleven really died or is really just backpacking in a foreign country where no one can find her, the Duffer Brothers, who created the show, have been very clear that the ending is left up to you. You can think she’s dead, or you can think she’s alive; they have intentionally not given the answer. It’s possible to write ambiguous endings that work really well, but this one felt like a cop-out, an attempt to have it both ways. There’s also a real danger in expanding characters’ supernatural powers to the point where they can make anything seem like anything, so maybe much of what you saw never happened. After all, if you don’t know that did happen, how much else might not have happened?
This piece also appears in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.
Listen to Pop Culture Happy Hour on Apple Podcasts and Spotify.
Lifestyle
The Best of BoF 2025: Conglomerates, Controversy and Consolidation
Lifestyle
Sunday Puzzle: P-A-R-T-Y words and names
On-air challenge
Today I’ve brought a game of ‘Categories’ based on the word “party.” For each category I give, you tell me something in it starting with each of the letters, P-A-R-T-Y. For example, if the category were “Four-Letter Boys’ Names” you might say Paul, Adam, Ross, Tony, and Yuri. Any answer that works is OK, and you can give answers in any order.
1. Colors
2. Major League Baseball Teams
3. Foreign Rivers
4. Foods for a Thanksgiving Meal
Last week’s challenge
I was at a library. On the shelf was a volume whose spine said “OUT TO SEA.” When I opened the volume, I found the contents has nothing to do with sailing or the sea in any sense. It wasn’t a book of fiction either. What was in the volume?
Challenge answer
It was a volume of an encyclopedia with entries from OUT- to SEA-.
Winner
Mark Karp of Marlboro Township, N.J.
This week’s challenge
This week’s challenge comes from Joseph Young, of St. Cloud, Minn. Think of a two-syllable word in four letters. Add two letters in front and one letter behind to make a one-syllable word in seven letters. What words are these?
If you know the answer to the challenge, submit it below by Wednesday, December 31 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.
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