Entertainment
Review: Winter Olympics opening ceremony was a sleek Italian spectacle, as only they could deliver
The Olympics are back, wearing their warm Winter Games gear. Although there will be a couple of weeks of sports competitions to come, none are possible without an opening ceremony, a combination of solemn official protocol with a fantastic representation of the host country’s culture and character, evoking the Olympic spirit itself. There are few opportunities to mount an entertainment of this scale — not even a Super Bowl halftime show can compare.
This year we are in Italy, for the bi-metropolitan Milan-Cortina games, held in the city’s San Siro Stadium and in the north where the mountains are. The ceremonies, too, were split geographically, with Olympic cauldrons in both cities, with the athletes’ parade further shared with Livigno and Predazzo, national delegations divided according to where their events would be held.
1. Human bobbleheads of Italian composers Rossini, left, Puccini and Verdi. (Robert Gauthier/Los Angeles Times) 2. Dancers on stage in San Siro Stadium. (Robert Gauthier/Los Angeles Times)
The main business took place in the arena. Directed by Marco Balich, who specializes in big shows, it was elegant, in a sleek, clean-lined Italian way, and over the top, also in an Italian way. Color played a great part, the program beginning in white (a balletic interpretation of Antonio Canova’s sculpture “Psyche Revived by Cupid’s Kiss”), moving to to black and white (a nod to Fellini’s “La Dolce Vita” and its paparazzi), and then to a riot of color, as giant floating tubes of paint sent streams of colored fabric stageward.) There were dancing human bobbleheads of opera composers Verdi, Puccini and Rossini, as if they were mascots for Team Rigoletto, Team Tosca and Team William Tell. There were dancing gladiators and moka pots, a phalanx of runway models dressed (in Armani) in green, white and red, to represent the Italian flag.
In white and shiny silver, with an ostrich feather boa and a reported $15 million worth of diamond jewelry, there was a statuesque, statue-still Mariah Carey, who is not Italian, but sang in Italian, the standard “Nel blu, dipinto di blu,” known here as “Volare,” which merged into her own “Nothing Is Impossible.” (She must by now be accounted a citizen of the world.) Why did I find this so moving? I am not someone who ordinarily cares anything about Carey, but she was marvelous in this context.
Mariah Carey performed the Italian tune “Volare,” before leading into “Nothing Is Impossible.”
(Robert Gauthier/Los Angeles Times)
The parade of nations is also a fashion show; for whatever reason, the cold weather gear is generally better looking than the togs of summer. (As usual, Ralph Lauren designed the American outfits — white puffy jacket with knit caps of a Scandinavian pattern.) As ever, the countries arrived alphabetically (apart from Greece, who always gets to march first; Italy, coming in last as the host country; France, in penultimate position as the host of the next Winter Games; and the U.S., third to last as the host of the games, in 2034, after that). It makes neighbors of Lebanon, Lichtenstein and Lithuania, and so on, equal in standing if not in size. (I have a special fondness for the small delegations from the less imposing nations.) There was an especially big hand for the Ukrainian team, dressed in their national colors.
The second half opened with a cartoon in which an animated Sabrina Impacciatore (of “The White Lotus” and, “The Paper,” which NBC happily did not cross-promote), traveled backward through previous Winter Games before coming to life to lead an energetic production number that traveled back to now. (She should get some sort of athletic medal for this performance.) The Chinese pianist Lang Lang accompanied Cecilia Bartoli singing the Olympic anthem, and the great Andrea Bocelli, flanked by strings, offered a thrilling reading of Puccini’s “Nessun Dorma.” Surrounded by dancers, the Italian rapper Ghali read an antiwar poem by Gianni Rodari.
Sabrina Impacciatore leading a group of dancers during the ceremony.
(Robert Gauthier/Los Angeles Times)
The theme of the evening, and of evenings going forward, it is hoped, was “Armonia,” or harmony, not just between the city and the country (expressed symbolically through dance), but, as a series of speeches made clear, among everybody, everywhere.
“At a time when so much of the world is divided by conflict, your very presence demonstrates that another world is possible. One of unity, respect and harmony,” said Giovanni Malagò, president of the organizing committee, addressing the athletes. Kirsty Coventry, the first female president of the IOC, noted that while Olympic athletes are fierce competitors, they “also respect, support and inspire one another. They remind us that we are all connected, that our strength comes from how we treat each other, and that the best of humanity is found in courage, compassion and kindness.”
And then there was Charlize Theron, of all people, quoting her countryman Nelson Mandela: “Peace is not just the absence of conflict; peace is the creation of an environment where all can flourish, regardless of race, color, creed, religion, gender, class, caste or any other social markers of difference,” This is, of course, exactly what some portion of this nation would call “woke,” and though such divisions are not the exclusive province of the United States, it was easy enough to read this as a message delivered to the White House.
Charlize Theron quoted her fellow countryman Nelson Mandela in her speech.
(Robert Gauthier/Los Angeles Times)
Finally, two Olympic torches were lit two Olympic cauldrons, in Milan and Cortina, their flames at the center of shape-shifting spheres. Almost inevitably, the ceremonies flirted with, or embraced, corniness at times, but even (or especially) when it was corny, it was terrifically affecting. I ran through half a dozen handkerchiefs over the course of the proceedings. Admittedly, I might be unusually susceptible to these things, but I doubt I’m the only one.
Let the games begin.
Movie Reviews
‘Leader’ Twitter review: Netizens call Legend Saravanan starrer a watchable commercial entertainer | Tamil Movie News – The Times of India
The action film ‘Leader,’ starring Legend Saravanan, released in theatres worldwide today (April 3). Directed by Durai Senthilkumar, the film features an ensemble cast including Andrea Jeremiah, Lal, Shaam, and Payal Rajput. The film opened in more than 300 theatres across Tamil Nadu and is already trending on social media with audience reactions. After facing heavy trolling for his debut film ‘The Legend,’ Saravanan returned with ‘Leader,’ hoping to prove himself as a commercial action hero. Fans quickly took to social media to share their reviews of the film.
Fans praise the action moments and the second half
Several viewers called ‘Leader’ a watchable commercial entertainer. According to fans, the movie takes time to pick up but becomes interesting as it progresses. Several social media users said the second half is enjoyable after the first half. Several reviewers also noted that the film becomes more entertaining in the second half. The interval block and some action sequences are considered the best parts. The train fight in the climax also caught the attention of online fans, who described the sequence as a brilliant ride that adds to the movie’s overall excitement.
Mixed reactions from viewers on performances and story
While some viewers focused on the amazing action sequences, many considered it a typical mainstream commercial film. Viewers further complained that the first half of the film took too long, and some plot points were too predictable. Nonetheless, many fans agreed that Legend Saravanan’s acting in this film is much better than in his last project. The works of Andrea Jeremiah, Shaam, and Lal have also earned applause from fans. Music director Ghibran has been praised for his background score, which many fans mention added life to several scenes.
‘Leader’ – Plot and cast
‘Leader’ is set in the Thoothukudi port city; the lead character is a car mechanic who works in a large gangster dock. It presents the lead hero’s views on polar opposites and features thrilling battles with the villain. A recent flashback details the hero’s difficult past and differences, offering insight into his main reason for being at the dock. Legend Saravanan, along with Andrea Jeremiah, Shaam, Lal, and Payal Rajput, are in the lead cast. It is an action-packed mass film for commercial movie lovers.
Entertainment
Gucci Mane was kidnapped, robbed by rappers Pooh Shiesty and Big30, prosecutors say
Rapper Pooh Shiesty kidnapped and robbed fellow rapper and mentor Gucci Mane in a music studio ambush, federal prosecutors say.
The Department of Justice announced on Thursday that Memphis rappers Pooh Shiesty and Big30 planned and executed the “coordinated armed takeover” at a Dallas music studio in January.
According to prosecutors, eight of nine suspects in the incident, including Pooh Shiesty, born Lontrell Williams. Jr., and his father, Lontrell Williams Sr., who’s known around the Memphis music scene as “Mob Boss,” were arrested Wednesday in Nashville and Memphis, Tenn., and Dallas.
Williams Jr. allegedly arranged a “business meeting” with Gucci Mane to discuss the terms of his recording contract. Things took a turn and, according to the Justice Department, Williams Jr. brandished an AK-style pistol and forced one of the victims to sign a release from the recording contract at gunpoint.
Big30, born Rodney Wright Jr., allegedly barricaded the studio door with his body to prevent Gucci Mane and the other victims from escaping.
The other men involved in the ambush also pulled out firearms and robbed the other victims of Rolex watches, jewelry, cash and other high-value items, according to a federal complaint, which also states that one victim was choked nearly to unconsciousness.
In 2020, Gucci Mane, born Radric Davis, signed newcomer Williams Jr. to his record label 1017 Records. Davis came across the “Breaking News” rapper after several of his singles started to gain traction on social media. The rapper’s 2021 breakout hit, “Back in Blood,” climbed the Billboard charts, and Williams Jr. went multiplatinum.
The same year, the rapper received a five-year prison sentence on firearms conspiracy charges out of the Southern District of Florida. In October, Williams Jr. was released early after serving three years on the condition that he would serve home detention.
The “Federal Contraband” hitmaker was still on house arrest in January when the alleged music studio takeover took place. According to the complaint, evidence used to charge the men included electronic monitoring data that placed Williams Jr. at the Dallas studio, which also violates the terms of his home detention conditions.
Other evidence included phone records, records confirming that Williams Sr. rented a car used by the men, surveillance video from the studio, fingerprints recovered from the crime scene matching those of two defendants, records placing some of the men at a nearby hotel after the robbery, and social media posts that pictured some of the charged men with what appeared to be stolen watches and jewelry, prosecutors said.
“These defendants will be transported to the Northern District of Texas to face their crimes,” said D. Michael Dunavant, U.S. attorney for the Western District of Tennessee.
Williams Jr.’s legal representation did not respond to a request for comment on Thursday.
If convicted, each defendant faces a sentence of up to life in prison.
Movie Reviews
Sharwanand Biker Movie Review
39
Movie Name : Biker
Release Date : April 03, 2026
123telugu.com Rating : 3.25/5
Starring : Sharwanand, Dr Rajashekhar, Malvika Nair & Others.
Director : Abhilash Reddy
Producers : Vamsi Krishna Reddy, Pramodh Uppalapati
Music Director : Ghibran Vaibodha
Cinematographer : J Yuvraj
Editor : Anil Pasala
Related Links : Trailer
Sharwanand has now come up with the sports drama Biker. Directed by Abhilash Reddy, the movie stars Rajasekhar in a key role. Let’s see how the film is.
Story:
Vikas Narayan aka Vikky (Sharwanand) is a top-class motocross racer.. Since childhood, he is trained rigorously by his father Sunil Narayan (Rajasekhar). However, Vikky suddenly leaves the sport, putting his father in a tough spot.
Why did Vikky leave racing? How is he connected to Ananya (Malavika Nair)? What is her role in his life? What happened after Vikky left the sport? This forms the crux of the story.
Plus Points:
We have already seen multiple sports dramas in Tollywood, but motocross racing has never been explored before, and that becomes the USP of Biker. Even though a few moments appear familiar, the unexplored territory in Telugu cinema keeps the proceedings engaging, and credit where it’s due.
The sport sequences are superbly shot and choreographed. Some moments truly keep us on the edge of our seats. To make a film on a less popular sport in India by weaving emotional moments around it, the director does a pretty good job in helping the movie connect with the regular audience.
Sharwanand looks in his best shape, and it’s good to see him try his hand at multiple genres. He brings sincerity to his performance as a professional racer and is effective in the emotional segments as well. His scenes with Rajasekhar work well. With Biker, Rajasekhar (Angry Man) reaches a new level, playing his part with utmost dignity and elegance.
When veterans play their age and become an integral part of the story instead of trying to outshine others, it’s a pleasure to watch. From here on, Rajasekhar could become the go-to actor for character roles in Telugu cinema. The second half is comparatively more engaging with decent emotional depth. Malavika Nair is fine in her role.
Minus Points:
Biker plays it safe in key moments with familiar tropes, which prevents it from reaching the next level. The vulnerability of the protagonist should have been explored more during the actual racing portions to make it stand apart from regular sports dramas. Some elements feel too easy for the hero to achieve, which takes away from the realism.
Instead of external factors, if the hero had been troubled by his own internal thought process during the racing, the impact could have been much higher. The episodes involving the hero’s sponsorship needed better execution.
The racing scenes are no doubt solid, but the moments leading up to them could have been still better. The conflict point between the lead pair is meaningful, but it is underutilized. The first half is slow at times, and isn’t upto the mark on the whole.
Technical Aspects:
Ghibran’s background score is solid in the thrilling moments, and the sound design is excellent. Cinematographer Yuvraj does a fabulous job in picturizing the racing sequences. The editing is fine in the latter half, but needed improvement in the first half.
The production values are solid. Director Abhilash Reddy takes up a not-so-popular sport and delivers an engaging film with a fair number of good moments. Had he avoided a few clichés, the movie could have reached a whole new level.
Verdict:
On the whole, Biker is an engaging sports drama with a never-before-explored motocross racing backdrop and good performances. The racing scenes are brilliant, and the film is carried by Sharwanand and Rajasekhar with their impressive performances. The first half is slow, and there are a few convenient moments. The use of certain tropes could have been avoided for better impact. Nonetheless, if you enjoy sports dramas, Biker turns out to be a satisfactory watch.
123telugu.com Rating: 3.25/5
Reviewed by 123telugu Team
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