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He moved in with his grandmas during COVID. Now, they're all going to the Oscars

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He moved in with his grandmas during COVID. Now, they're all going to the Oscars

Filmmaker Sean Wan moved back in with his grandmothers Yi Yan Fuei, left, and Chang Li Hua during the pandemic. His film chronicling their day-to-day life has been nominated for an Academy Award in the Documentary Short Film category.

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Filmmaker Sean Wan moved back in with his grandmothers Yi Yan Fuei, left, and Chang Li Hua during the pandemic. His film chronicling their day-to-day life has been nominated for an Academy Award in the Documentary Short Film category.

Chris Pizzello/Invision/AP

Three years ago, during the height of COVID, 29-year-old filmmaker Sean Wang moved from New York back to California to live with his family, including his paternal grandmother, his Nai Nai, who’s 86, and his maternal grandmother, his Wài Pó, who’s 96.

“They live together. They sleep in the same bed. They’re kind of like best friends and roommates and soulmates in a way,” Wang says. “They really are the most pure form of joy in my life. I love them so much.”

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He wanted to preserve their unexpected time together, so he starting filming them. The result is a charming 17-minute documentary that is now nominated for an Oscar.

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Nai Nai & Wài Pó captures the grandmothers’ everyday lives in Fremont, Calif., as they wake up, read the newspaper, exercise, chop fruit and even mischievously arm wrestle. They sing, dance, reminisce — and joke about farting.

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“I wanted to show people how amazing and beautiful and complex people like my grandmothers are,” says Wang, who adds he was living with them and experiencing their joy at the same time there were a lot of anti-Asian hate crimes around the country. “Especially in the Bay Area where I’m from,” he said, “seeing people like my grandmothers, elderly people in our community being attacked; It was just this extreme juxtaposition of seeing that in the news on my computer and then walking into the same room as them and then lighting me up with a smile.”

Wang’s grandmothers played along; the documentary is both tender and funny.

“I hope that people who watch this film will really respect the elderly and their lives,” his Nai Nai, Yi Yan Fuei, told NPR in Mandarin (Wang’s sister, Jennifer Lee, interpreted for the grandmothers).

His Wài Pó, Chang Li Hua added, “I hope all the older generation people in the world see this movie and just see even in our twilight years, our later years of life, that we can still find joy.”


A filmmaker focused on family

This isn’t the only time Wang enlisted family for his filmmaking projects. For his first feature film, Dìdi, Wang asked Fuei to play the role of the strong-willed grandma. His mother, Christina Lee, inspired the onscreen mother who dreams of being a painter. She was also his location manager and script reader and is listed in the credits as associate producer. So was his sister, Jennifer, who is also fictionalized in Dìdi.

The semi-autobiographical story is set in the late 2000s. The main character Chris, played by Isaac Wang (no relation) fights with his sister, is mean to his mom, and has a crush on a girl; he chats on Myspace and searches online for things like “how to kiss.” He also starts videotaping his friends as they skateboard, something Wang himself used to do.

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In fact, Wang says he was inspired by filmmaker Spike Jonze, who also started out making skateboarding videos. Wang says he wanted to make his own coming-of-age movie.

“I remember being really inspired when Mid90s and Eighth Grade came out, because I loved both of those movies,” he said. “Movies like The 400 Blows, Stand by Me, Water Lilies, Ratcatcher, you know, the canon of movies about adolescence: … I can’t name the movie poster that has a 13-year-old Asian American kid looking back at me.”

At the Sundance Film Festival this year, Dìdi won the dramatic audience award and an award for best ensemble cast. A few weeks later, it was acquired by Focus Features.

“He has a unique voice,” says Michelle Satter, founding senior director of the Artist Programs Sundance Institute, which has helped nurture Wang’s filmmaking. “I think he’s stylistically exciting. His work is both funny and fresh and it has an incredible energy to it.”

‘I’m their plus one’

A few days after Dìdi premiered, Wang flew back to California to be with his grandmas as they watched Nai Nai & Wài Pó get nominated in the short documentary Oscar category. He says the whole experience is still so surreal; now he and his grandmothers are getting ready for the Oscars ceremony.

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“They’re taking me at this point, like I’m their plus one,” he half jokes.

Wang’s Nai Nai and Wài Pó say they’re over the moon.

“I’m happy beyond belief, I’m excited, I’m thankful to everyone, especially for their kindness to my grandson,” says Hua.

And Fuei says “it feels like old grandmas are now turning into princesses. I couldn’t have imagined this, so I’m really excited, really happy.”

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Wang says they’ll be stunning on the red carpet.

Filmmaker Sean Wang, left, and his grandmothers Chang Li Hua and Yi Yan Fuei, and producer Sam Davis pictured at the Oscar Nominees Luncheon in Beverly Hills on February 12.

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Cheddar bay biscuits, cheap margs and memories: Readers share their nostalgia for chain restaurants

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Cheddar bay biscuits, cheap margs and memories: Readers share their nostalgia for chain restaurants

Affordable, familiar and reassuring are the features that make American chain restaurants a near-ubiquitous presence throughout the country; it is almost as if they are baked into our roadside culture.

Despite well-documented financial struggles, a tough economy and shifting diet trends, these restaurants withstand time.

This series explores why these places have such strong staying power and how they stay afloat at a time of rapid change.

Read our first three pieces in this series, including how these restaurants leverage nostalgia to attract diners, how they attempt to keep costs affordable, and how social media has changed the advertising game – and become a vital key to restaurants’ success. 

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America’s chain restaurants are not the most glamorous places to eat. And yet, as we’ve reported, they hold a special place in many Americans’ hearts.

We asked readers what comes to mind when they think of restaurants like Olive Garden, Applebee’s or Texas Roadhouse — and you shared plenty of stories.

Not all of the respondees waxed poetic about the merit of these restaurants. David Horton, 62, from New York, for example, said: “The food is mostly frozen and only has flavor from the incredible amounts of sodium they use.”

But overwhelmingly, responses described vivid childhood memories shared in booths looking excitedly over laminated menus and the type of adolescent rites of passage that seem right at home in the parking lot of a suburban chain restaurant.

There’s a science behind why these sorts of memories have such a hold on us.

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The feeling of nostalgia is linked closely to food and smell, and these restaurant chains are often where core memories – like graduation celebrations or first dates – are made.

Chelsea Reid is an associate professor at the College of Charleston who studies nostalgia. And she’s no more immune to nostalgic feelings than anyone else even though she has a better understanding of the chemistry behind the feeling.

“Even just saying Red Lobster, I can kind of picture the table and the things that we would do and the things we’d order, and my mom getting extra biscuits to take home,” she said.

A Red Lobster restaurant is seen in Fairview Heights, Ill., in 2005.

A Red Lobster restaurant is seen in Fairview Heights, Ill., in 2005.

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Her nearest Red Lobster closed down, but a local farmers’ market sells a scone reminiscent of Red Lobster’s famed Cheddar Bay Biscuits – a scent she says immediately transports her back to those childhood family outings to the seafood chain.

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“I can see my mom wrapping these up in a napkin and putting them in her purse for when we would be like, ‘hey, we’re hungry,’ and she pulls out a purse biscuit.”

Full disclosure: Your intrepid reporters are not without sentimentality. Before launching this project, when it was just a kernel of an idea, we talked frequently about the role these restaurants played in our own lives.

Jaclyn: I distinctly remember cramming into a booth at my local Chili’s in my hometown, Cromwell, Ct., for most birthday dinners until the age of 13 or so.

I’d be surrounded by my mom, dad and brother, and I got to pick whatever I wanted. Except I always chose the same thing: Chicken crispers with a side of fries, topping the night off with the molten lava chocolate cake we’d share as a family.

I can picture it so clearly, down to the booth we’d sit in. Now, my family is spread out. But my love for Chili’s runs deep, and I still get warm and fuzzy when I think about it.

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These days, I’m in my 30s, and I need to worry about my health and getting in 10,000 steps a day. So, no, I don’t regularly go to Chili’s now.

But when I do? Those chicken crispers I had as a kid are still on the menu, and yes, I’m likely to order them today (even if on my adult tastebuds, the salt content quickly turns my mouth into the Sahara Desert).

And it’s not to celebrate my birthday. It’s because one of my best friends is telling me she’s getting a divorce over cheap, and sugary, margaritas.

Alana: When the pandemic struck in 2020 and much of the country went into lockdown, there I was mostly alone in my one bedroom apartment, staring at the walls.

After what seemed like a lifetime, I was finally able to expand my tiny COVID bubble.

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One of my first “dining out” experiences during that time was in the parking lot of the Hyattsville, Md., Olive Garden where my friend and I sat in absolute glee to be reunited – not just with one another, but also the chain’s staple soup (zuppa toscana for me, please), salad and breadsticks (you can have all the breadsticks if I can have your share of the salad tomatoes).

Since then, that friend and many others have moved away – too far to meet up for a sit-down over a (mostly) hot meal at a reasonably priced restaurant in a city not famed for being cheap.

I recently revisited the Hyattsville Olive Garden for this story. And even though my life is now different, my friends have moved away, and the world has shifted, there it was, exactly the same.

And I liked it.

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Many readers said that these restaurants were the type of place a family who could rarely afford to eat outside a home could treat themselves on rare occasions.

Like Julie Philip, 51, from Dunlap, Ill., who wrote: “Growing up in the 70’s and 80’s, Red Lobster was an Easter tradition. We would dress up, go to church, then drive close to an hour to Red Lobster.”

She continued, “It was one of only a few days a year that we could afford to eat at a ‘fancy restaurant.’ I remember my parents remarking that they had to spend $35 for our family of four. I no longer consider Red Lobster a ‘fancy restaurant,’ but as an adult, my family and I often still eat there at Easter. I remind my kids that we are keeping up a family tradition and I tell them stories of my childhood while eating.”

The original Applebee's restaurant was called T.J. Applebee's Rx for Edibles & Elixirs and it opened in Decatur, Ga., in 1980.

The original Applebee’s restaurant was called T.J. Applebee’s Rx for Edibles & Elixirs and it opened in Decatur, Ga., in 1980.

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For Sarah Duggan, an Applebee’s parking lot evokes a key memory from young adulthood.

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Duggan, 32, from North Tonawanda, N.Y., wrote that every time she sees an Applebee’s, she remembers the time her friend, in an act of teenage rebellion, got her belly button pierced in the parking lot of a Long Island Applebee’s — inside the trunk of the piercer’s “salvage-title PT Cruiser.”

Duggan held the flashlight.

She wrote, “I can’t picture those sorts of college kid shenanigans happening in the parking lot of a regular Long Island diner or other independent restaurant, but it seems right that it was at Applebee’s.”

She continued, “It makes me think about how nobody, from riotous camp counselors to your spouse’s grandparents, looks or feels out of place at a chain restaurant.”

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New Video Shows Plane Carrying NASCAR’s Greg Biffle Exploding

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New Video Shows Plane Carrying NASCAR’s Greg Biffle Exploding

NASCAR’s Gregg Biffle
Jet Turns Into Ball Of Flames …
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President Trump to add his own name to the Kennedy Center

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President Trump to add his own name to the Kennedy Center

President Donald Trump stands in the presidential box as he visits the John F. Kennedy Center for the Performing Arts in Washington, D.C, on March 17, 2025.

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The John F. Kennedy Center for the Performing Arts will now have a new name — the “Trump-Kennedy Center.” White House press secretary Karoline Leavitt announced the news on social media Thursday, saying that the board of the center voted unanimously for the change, “Because of the unbelievable work President Trump has done over the last year in saving the building.”

Shortly after the announcement, Ohio Democrat Rep. Joyce Beatty, an ex-officio member of the board, refuted the claim that it was a unanimous vote. “Each time I tried to speak, I was muted,” she said in a video posted to social media. “Participants were not allowed to voice their concern.”

When asked about the call, Roma Daravi, vice president of public relations at the Kennedy Center, sent a statement reiterating the vote was unanimous: “The new Trump Kennedy Center reflects the unequivocal bipartisan support for America’s cultural center for generations to come.”

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Other Democrats in Congress who are ex-officio members of the Kennedy Center Board, including Sen. Chuck Schumer and Rep. Hakeem Jeffries issued a statement stating that the president is renaming the institution “without legal authority.”

“Federal law established the Center as a memorial to President Kennedy and prohibits changing its name without Congressional action,” the statement reads.

Earlier this year, Trump installed himself as the chairman of the center, firing former president Deborah Rutter and ousting the previous board chair David Rubenstein, along with board members appointed by President Biden. He then appointed a new board, including second lady Usha Vance, White House Chief of Staff Susie Wiles, Fox News host Laura Ingraham and more.

Trump hinted at the name change earlier this month, when he took questions before becoming the first president to host the Kennedy Center Honors. He deferred to the board when asked directly about changing the name but said “we are saving the Kennedy Center.”

The president was mostly hands off with the Kennedy Center during his first term, as most presidents have been. But he’s taking a special interest in it in his second term, touring the center and promising to weed out programming he doesn’t approve of. His “One Big Beautiful Bill” included $257 million for the building’s repairs and maintenance.

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Originally, it was called The National Cultural Center. In 1964, two months after President Kennedy was assassinated, President Lyndon Johnson signed legislation authorizing funds to build what would become the John F. Kennedy Center for the Performing Arts.

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