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Get ready with Bey: Beyoncé teases out Cécred critics by highlighting her wash-day ritual

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Get ready with Bey: Beyoncé teases out Cécred critics by highlighting her wash-day ritual

Get ready with Bey: Beyoncé shared a rare behind-the-scenes look at her wash-day routine on Monday, dismissing those who criticize her haircare-line credentials with an up-close look at her natural tresses.

The ultra-private “Cowboy Carter” crooner hopped on the viral haircare trend and posted a nearly two-minute clip taking followers through the multistep process of caring for her color-treated tresses. In it, she explained how she maintains her textured blond hair with her seven-product regimen (and other tools) and subtly flexed about her “long and healthy” hair.

“It has been such a special experience seeing all of your #cecredwashday rituals all over my timeline… I just had to join in with something I had in the archives 🥰,” the Cécred founder wrote on Instagram, setting her founder video to her new “Bodyguard” track.

“Being disruptive and challenging everything people feel should be the process has always been exciting to me. My hair and music seemed to do that a lot over the years…,” she wrote. “Maintaining 25 years of blonde on natural hair through all the experimenting I do has played a huge part in developing @cecred’s products. It’s the hardest to keep color-treated hair healthy and strong, but @cecred is here. All quality, with NO shortcuts. Congratulations to the entire CÉCRED team for contributing to developing award-winning products. 💕 Happy #cecredwashday! You are CÉCRED.”

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The Grammy winner, who launched her luxury line in February, added that she’s really proud of the quality of her products. And, seated in various salon chairs through the tutorial, she took fans through washing, conditioning and styling her locks. She said that she blow-dries her hair on medium heat using a Dyson Airwrap attachment, flat irons it and uses “an old-school pressing comb” to straighten her curly hair.

“My hair has never grown so long, never been so moisturized and I’ve managed to keep my texture and my curls even with my hair so blond. And my hair is flourishing,” she said in the voice-over.

The multihyphenate, who grew up sweeping up hair in mom Tina Knowles’ salon, also seemed to address the criticism has she received since launching her haircare line, specifically complaints that she doesn’t showcase her natural hair and others who opine about her hair journey.

“The stigma and misconception that people who wear wigs don’t have long and healthy hair. That’s some b—,” she crooned, “because it ain’t nobody business.”

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On the official Cécred Instagram account, the brand said that the line “exists so anyone has the opportunity to show up how they choose. There’s no better way to celebrate that than with our founder, @beyonce sharing her own.”

Followers eagerly took to the comments section of Bey’s Instagram posts to weigh in on her reveal and subtle clapback.

“Woke up and called us all baldheaded straight to our face. And we ain’t gone do SHH about it! PERIOD! 💁🏾‍♀️” wrote attorney and content creator Blake Gifford.

“DAAAYYUUUMMM!!!! & that’s on PERIOD!! Beyoncé Translation: Now shut up! 😂😂👏🏽👏🏽👏🏽👏🏽👏🏽” added curly hair influencer Bianca Renee. “People love to hate on wigs but it’s low key the best way to protect your natural hair!! By just leaving it alone! You can HAVE hair and take care of that hair that’s UNDER the wig!!! 🙌🏽🙌🏽🙌🏽 Much respect for this video!! ❤️”

“I love to see it! Show them better than you can tell them. . . every time,” commented TV personality Alicia Quarles.

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“BEYONCÉ… A HAIR TUTORIAL?! WITH A VOICEOVER?! I’M FINNA CRY 😭😭😭” added a fan.

“She REALLY SAID “now look around everybody on MUTE! 🔇 🤫 🤐 “ added another.

Upon launching the brand, the “Break My Soul” and “Texas Hold ’Em” singer told Essence that she struggled with psoriasis during her childhood.

“The relationship we have with our hair is such a deeply personal journey,” she told the magazine.

“From spending my childhood in my mother’s salon to my father applying oil on my scalp to treat my psoriasis— these moments have been sacred to me,” she recalled, before saying the line is an ode to salons and barbershops, and to the communities they help foster.

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She also said that she finds hair — in any style — powerful and an important part of self-expression, especially for Black people, whose hair has been the subject of legislation, scrutiny and celebration.

“For me, joy comes from making myself a priority and making my hair a priority,” said Beyoncé. “It is really important for me to make time for the sacred rituals of self-care.”

Times staff writer Alexandra Del Rosario contributed to this report.

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The original 'Harry Potter' book cover art is expected to break records at auction

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The original 'Harry Potter' book cover art is expected to break records at auction

Thomas Taylor’s original cover illustration for Harry Potter and the Philosopher’s Stone (1997) is expected to break auction records at Sotheby’s on June 26.

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Thomas Taylor’s original cover illustration for Harry Potter and the Philosopher’s Stone (1997) is expected to break auction records at Sotheby’s on June 26.

Sotheby’s

The book cover art that introduced readers across the world to Harry Potter is expected to break auction records next month.

This past week, Sotheby’s announced the auction scheduled for June 26 in New York of Thomas Taylor’s original watercolor illustration for the first edition of Harry Potter and the Philosopher’s Stone. Published by Bloomsbury in 1997, the title kicked off the famous seven-book series.

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In a statement shared with NPR, the auction house said the artwork is expected to sell for $400,000 to $600,000 — a record estimate for any Harry Potter-related material ever offered at auction.

With over 500 million copies sold worldwide across 80 languages, the Harry Potter series has become a global phenomenon.

Taylor’s illustration — which depicts the boy magician with his trademark round spectacles and lightning bolt-shaped forehead scar boarding the train to Hogwarts from King’s Cross Station’s platform 9 3/4 — was first offered at auction at Sotheby’s in London in 2001, according to the statement. At that point, there were only four published Harry Potter books, yet Pottermania was already taking hold: the artwork sold for a then-record-breaking 85,750 pounds.

Sotheby’s said it expects the return of the artifact to the auction block to do exponentially better this time around, as the appetite for Potter-related fare has only increased over the past couple of decades with the release of the blockbuster films and various spinoffs. In 2021, an unsigned first edition of Harry Potter and the Philosopher’s Stone sold for $421,000 at Heritage Auctions in Dallas — the current record for a Harry Potter-related item.

Richard Austin, Sotheby’s global head of books & manuscripts, said in a statement that Taylor’s work “serves as the visual blueprint for the boy wizard who has since inspired millions worldwide.”

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A rookie assignment

This handout from Christie’s shows the cover of J.K. Rowling’s first novel Harry Potter And The Philosopher’s Stone.

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This handout from Christie’s shows the cover of J.K. Rowling’s first novel Harry Potter And The Philosopher’s Stone.

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Illustrator Taylor was a 23-year-old recent art school graduate when he received the commission from Bloomsbury to create a cover illustration for a fantasy children’s book by the then-unknown author J.K. Rowling.

It was the artist’s first professional assignment. According to Taylor, he wasn’t given much in the way of creative license.

“I was actually asked to paint this scene by the editor at Bloomsbury who said, ‘could you please paint Hogwarts at King’s Cross Station and Harry approaching the Hogwarts Express?’ ” said Taylor in a 2022 video interview for the J.K. Rowling online fan community, The Rowling Library. “I was very new and just starting out, so I didn’t feel I could say ‘No, I think it should be something different.’ So I was just doing what I was told, really.”

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He read Rowling’s manuscript on the train after that meeting — one of the very first people to do so.

“It was a stack of paper. It was only printed on one side. Chapter 11 wasn’t there, because the author was changing something, so it was missing Chapter 11. And it had a few notes and things in it as well. So it was a very, very early printout,” Taylor told The Rowling Library.

After delivering his painting to the publisher, Taylor said for a few months he used the blank underside of each manuscript page for sketching. “And then I think I put the rest of it in the recycling bin,” he said. “Of course now I really regret that.”

Mixed feelings

Taylor has gone on to become an award-winning children’s book author and illustrator. His titles include the series Eerie-on-Sea. Bloomsbury reissued Philosopher’s Stone as part of its 25th anniversary commemorative reprint of the Harry Potter books in 2022.

But Taylor said he long had mixed feelings about this early, giant success.

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“Normally when you start out as an illustrator, you kind of hope that your first work will be a bit forgotten and then you’ll develop and get better and better,” Taylor told The Rowling Library. “But of course, in this case, this first piece of work has sort of followed me my entire career. So I look at it and I think, ‘Why did I paint that? Why didn’t I paint something more exciting?’ “

But he said he’s finally made peace with it — in part because of how prized his Harry Potter book cover painting has become at auction.

“It is quite striking when I see an auction catalog, and then there’s a first edition Charles Dickens, and then Beatrix Potter or something, and then there’s my picture,” he said. “It is fun to see it appear in places like that.”

Indeed, Taylor’s artwork will be go under the hammer in June as part of a sale that includes works by such literary greats as Sir Arthur Conan Doyle, Charles Dickens, F. Scott Fitzgerald, Edgar Allan Poe — and a handwritten manuscript by none other than J.K. Rowling.

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Tom Brady Shuts Down Jeff Ross Over Robert Kraft Massage Joke

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Tom Brady Shuts Down Jeff Ross Over Robert Kraft Massage Joke

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Bernard Hill, who starred in 'Titanic' and 'The Lord of the Rings,' dies at 79

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Bernard Hill, who starred in 'Titanic' and 'The Lord of the Rings,' dies at 79

Bernard Hill arrives on the red carpet at a Leicester Square cinema for the Royal Performance of The Hobbit: An Unexpected Journey on Dec. 12, 2012.

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Bernard Hill arrives on the red carpet at a Leicester Square cinema for the Royal Performance of The Hobbit: An Unexpected Journey on Dec. 12, 2012.

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English actor Bernard Hill, best known for roles in Titanic and The Lord of the Rings, died on Sunday. He was 79.

Hill’s agent, Lou Coulson, confirmed his death to NPR. Coulson said Hill was with his fiance and son at the time.

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Hill’s acting career spanned over 50 years both onscreen and on-stage. His latest role aired Sunday as the main character’s father in the BBC show The Responder.

Lindsay Salt, the director of BBC drama, described Hill as a one-of-a-kind actor.

“His long-lasting career filled with iconic and remarkable roles is a testament to his incredible talent,” Salt said in a statement.

One of Hill’s most memorable performances was in the 1997 Oscar-winning film Titanic. Playing Captain Edward John Smith, Hill showcased a chilling combination of shock and guilt as water gushed into the ship’s wheelhouse.

In The Lord of the Rings trilogy, Hill showed his versatility as King Théoden of Rohan. In one scene, Hill’s character is weak and decrepit. In another, he is leading a cavalry charge with the iconic words “Arise! Arise! Riders of Théoden!”

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Hill, a native of Manchester, England, was also praised for his role as Yosser Hughes in Boys from the Blackstuff, a British show about a group of men navigating Liverpool during a time of high unemployment and a struggling economy.

Over the decades, Hill received several nominations and awards for his performances, including an award from the Screen Actors Guild for his role in The Lord of the Rings: The Return of the King.

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