Lifestyle
Feeling drained? Here's how to rediscover your childlike wonder
The older I get, the more I enjoy acting like a kid.
I jump at every opportunity to do backflips in the pool and absolutely love seeing the circus when it’s in town. I’ll giggle over banana splits at Fluffy McCloud’s and relish the silly moments when my friends want to watch an animated movie or order an absurd treat like Carvel’s “Fudgie the Whale” ice cream cake. Every few months, my partner and I make a pilgrimage to the desert where we climb huge rocks and lie beneath the stars to feel existentially tiny.
I’ve loved all of these activities since I was young, but my last year has been especially joyful since I started learning the art of childlike wonder.
The phrase first came into my life as a way my partner would justify ordering Shirley Temples, but the more I thought about childlike wonder, the more I began to notice it. I’d find posts about it on social media and contemplate it with friends, including my co-worker Kailyn, who told me about the whimsy she felt as she rolled down a grassy hill at the Getty Center.
And though these notions aren’t new to the world, recent research shows that experiencing awe and wonder can positively affect our mental and physical health, ultimately benefiting our lives. So in 2023, I sought out experts on awe and play and tried to reframe my life in L.A. around the big and tiny things that propel people into states of reverence and joy.
Through this, I discovered something profound yet simple: With the right perspective, and a little bit of effort, we can teach ourselves to generate childlike wonder in all sorts of places.
1. Look for awe in the mundane
Though Dacher Keltner has lived in Berkeley since 1996, he still has a distinctly SoCal vibe. His flowy blond hair looks eternally sun-kissed, and his disposition is equal parts optimistic and laid-back.
“Raised by an artist and a literature professor and living in the wild Laurel Canyon in the late ’60s, you know, life was awe,” Keltner said from his light-dappled kitchen.
A psychology professor at UC Berkeley, Keltner has been formally studying awe since 1999. As a scientist who focuses on the social functions of emotion, Keltner recently wrote “Awe: The New Science of Everyday Wonder and How It Can Transform Your Life” and was a consultant on Pixar’s “Inside Out.”
Keltner said that when he first started researching awe, there were a few early studies on goosebumps, chills and neuroaesthetics, but no one had really zeroed in on the impact of the feeling.
“I always think in terms of phenomena. Where is the motion? Where do I see it? How do I feel it?” Keltner said. “It just seemed like almost everything that really mattered to me — from being at a concert, to sports teams I love winning a championship, to people I really admire, to having children — it’s just all awe.”
Nearly 25 years later, Keltner has these experiences — and what triggers them — down to a science.
“Awe is an emotion that you feel when you encounter vast things that are mysterious,” he explained. “Wonder is what follows awe. It is a mental state, less so an emotion. It’s just a mental state where you’re curious and wanting to explore and discover.”
Keltner has been able to determine eight wonders of life that often propel people into states of awe: moral beauty (witnessing the virtue of others); collective effervescence (often experienced in large groups like those at weddings, rallies or sporting events); nature; music; visual design (beautiful buildings, paintings and the like); spiritual and religious experiences; life and death; and epiphanies.
Learning about these different kinds of wonder made it easier for me to zoom in on moments of awe that I could’ve otherwise forgotten, like carving through Laurel Canyon this summer in my beloved convertible, listening to KCRW play Sampha’s “Spirit 2.0” as the moon rose over the city.
When it comes to researching awe, Keltner often mixes qualitative questions and stories with quantitative measurements. One of his experiments had people create self-portraits while looking at either Yosemite Valley or San Francisco’s Fisherman’s Wharf. The self-portraits from Yosemite consistently had smaller subjects, suggesting that people’s sense of self — or ego — can shrink or even disappear when they’re experiencing awe.
“How much awe do you feel? Tell me a story? How small is your self? Do you feel humble? Draw a circle of the people you’re part of?” Keltner said as he listed various ways to measure awe. “Goosebumps, tears, vagal tone, default mode network deactivation, vocalizations, body postures. I mean, man, we can measure it, and that in its own right some people would not have predicted.”
Shrinking your ego or “self” may sound intimidating, but I like to think about it as feeling like a little guy. That might come from something literal — like wearing a size 5XL sweater for comfort — or it could be more poetic, like finding places where you feel tiny. I often experience this when I dive into the Pacific and roast marshmallows over the fire pits at Dockweiler Beach. Maybe you’ll get that same 5-year-old-in-an-adult-body sensation learning about far-off galaxies at Griffith Observatory’s planetarium or feeling the wind whip over the edge of a canyon.
2. But don’t forget to appreciate wonder in unsurprising places
Some of Keltner’s eight wonders might feel a bit obvious — of course you’ll feel awe when a new baby is born, or while processing a life-changing epiphany. It’s not shocking to learn that people access awe and gratitude while volunteering in their local communities, and by reflecting on the people who shaped their moral compass.
“We were surprised that moral beauty was the most prevalent source of awe around the world,” Keltner said. “People aren’t talking about the Grand Canyon; what they’re talking about, it’s like, ‘Man, I had this teacher and she did everything for her students.’”
Spiritual wonder is another form of awe that’s always at our fingertips. Angelenos can partake in death meditations and sink into sound baths. We take trips to breakup boot camps, energy vortexes or atheist retreats. We laugh and cry inside the most ethereal sacred spaces and find ways to revel in the beauty of our loneliness.
For Keltner, working on this book in the wake of his brother’s death made grief feel like its own complex yet obvious source of wonder. His work made him wrestle with the awe-lessness that he was feeling, and eventually brought him to appreciate the cycles of life that are constantly in motion around us.
Your obvious sources of wonder might look different. I know that awe is guaranteed when I plan a night out with my friends at a crowded gay bar or buy tickets to see Beyoncé perform for a silver-swathed crowd of thousands at SoFi Stadium. I know I’ll find it at weddings, as I watch loved ones reflect on finding someone who turned their world upside down, and I’m guaranteed to feel it every time I get to hug my mom or dad, who live 2,500 miles away.
People aren’t talking about the Grand Canyon; what they’re talking about, it’s like, ‘Man, I had this teacher and she did everything for her students.’
— Dacher Keltner, author of ‘Awe: The New Science of Everyday Wonder and How It Can Transform Your Life’
When I really need to ground myself, I’ll return to my favorite botanical gardens. Though I love taking special trips to the Huntington (to marvel at bonsai trees and sample various teas) and Descanso Gardens (to appreciate summer nights filled with ambient music and glowing foliage each winter), I’m loyal to UCLA’s garden, which is completely free. I find awe in the monstera leaves, often larger than my head, and make silent wishes on my favorite orange-and-black koi fish every time I visit.
It’s also easy enough to stumble upon the kind of jaw-dropping and awe-inspiring nature and design that Keltner mentions around California: We have drive-through redwoods, architectural triumphs, vibrant fields of flowers and spectacular ceilings. I can visit national parks of every flavor; float in lakes and swimming holes; and trip on psychedelics in the desert.
All of these channels for accessing wonder make Keltner hopeful: If awe is able to quiet the negative voices that get trapped in our heads, perhaps this sensation can better people’s lives.
“I started to think about the problems associated with too much self-focus — depression, rumination, anxiety, shame, self-harm, suicide, body-image issues,” Keltner said. “People are sick of the self-focus [that’s] imposed upon us by Instagram and the like. They want to be free of the self.
“Here’s an emotion that frees us of that, and gets us to see how we’re a part of much larger things,” he continued. “And what good news.”
3. Allow yourself to be more playful
Though prioritizing awe is a huge revelation, it’s only one piece of this existential puzzle.
So many of the things that brighten my life are tethered to the softest and brightest parts of my childhood. My partner and I make up silly dances and comedy bits as we move through the day to make each other laugh. Even as I try new hobbies, I find myself returning to the activities that I loved when I was a teenager: swimming, watercolor painting and pottery. When I need to get out of a deep emotional funk, I’ll usually order birria tacos and put on my favorite movie of the last two decades: Pixar’s “Ratatouille.”
That’s all to say that staying close to my playful childhood habits has made it easier to access awe, so I wanted to find out how these aspects of life are intertwined.
Stuart Brown, founder of the National Institute for Play, began studying play in 1966, when he was tasked with figuring out a motive behind the Texas Tower shooting.
“I subsequently went to the Texas state prison system, through a grant, and studied homicidal males,” Brown explained. “And I found out in a pilot study of 26 or so of these individuals, that their play life was very different than a control group.”
This study set Brown on a lifelong mission to study play and how it shapes people’s lives and allows them to enter a gleeful state. Throughout the years, he has interviewed thousands of people — “from Nobel laureates to murderers” — to map out their play patterns.
Brown listed examples of his interview questions: “What did you really, really enjoy as a kid? What’s a joyful moment you had? What’s the first toy you had? Did you have pets? Were there vacation times that were tremendously important? Can you remember a moment of joyfulness where you were absolutely at peace with yourself?”
From those interviews, Brown identified the different play patterns that naturally manifest in each person. For some, that looks like body play — think of dancing or playing a sport — while other people will be more interested in musical play or object play (think of using a Lego set or collecting stamps or keys).
Brown likened these play patterns to our fingerprints, saying they’re deeply embedded within each of us, but he added that many people don’t prioritize play as a significant part of personal well-being and fulfillment.
“Can you remember a moment of joyfulness where you were absolutely at peace with yourself?”
— Stuart Brown, founder of the National Institute for Play
That’s one huge challenge that the NIFP comes up against: Many people don’t see play as indispensable.
“If you go back 50 years, people didn’t know that sleep was important,” said Tony Christopher, the executive director for the institute. “And today, it’s very clear that [if] you don’t get a good night’s sleep you are far from at your best.”
And when people don’t get to play, there are clear drawbacks. Brown said that people can be grumpier, more rigid, and worse problem solvers when they’re play-deprived.
“From birth to death, [play is] a part of being human,” Brown said. “But when it’s not experienced, there are consequences. And the consequences are mild depression, or an outlook that’s not optimistic and not creative and not innovative.”
(Changyu Zou / For The Times)
4. Fill your life with people who expand your universe
When I hear Brown talk about play, it makes me think about Randy King Lawrence, the man behind Echo Park’s colorful and astounding Phantasma Gloria. Lawrence is the kind of person who always brings out my playful side, constantly showing people new ways to look at the world. He’s convinced me that everything looks a little more beautiful through one of his metal stencils or ruby-colored marbles.
“It’s just so damn fun, and it’s so easy,” Lawrence said of his art as we stood in his front yard in 2022. His words and enthusiasm struck me with a feeling that is now, clearly, awe. I had just moved to L.A., and seeing his art was one of the first experiences that convinced me that moving across the country wasn’t a massive mistake.
I’m lucky to be surrounded by many people who love to play, like my friend Charlie, who brought me to Griffith Park for Clown Zoo last spring to partake in a night of comedy. I think of my friends Sophia and Riley, who joined me at Akbar’s craft night one rainy Wednesday to decorate paper owls with pom-poms and beads, or Simone, whom I met in a ceramics class, and all of the long days we’ve spent at the Pottery Studio experimenting with glazes and throwing pots that sometimes crumple.
My roommates sometimes tease me about how silly my schedule often sounds — I’m not free that night because I’m seeing Cirque du Soleil. Wednesday I have to wake up at 6 in the morning to see the Oscar Mayer Wienermobile with the Los Angeles Breakfast Club — but these activities keep me feeling playful. Sometimes I’ll be sampling various crafts around the city and learning archery in Van Nuys, or jet-skiing to Catalina and riding railbikes through Ventura County.
But you don’t need to buy a jet ski or start woodworking to play more (though those are both great ways to get the feeling going). Swapping stories, making weekly or yearly rituals with friends and attending dinner parties are all great ways that adults can play.
“Adult play is not the same as childhood play,” Brown said. “We all have changed our tune as we age. I’m a grandfather and telling stories to my grandkids is a lot of fun to me. Whereas if I was telling stories when I was 18, I would have thought I was nuts.”
5. Slow down to appreciate things you take for granted
When Ingrid Barreneche is having a tough moment, she likes to move slowly and spend a little time on her patio.
“I walk out there and just close my eyes and I let the sun touch my skin,” Barreneche said. “That contact with the sun makes me feel immediately alive and [makes me] wonder.”
Barreneche, who did her MFA thesis on reclaiming wonder, was inspired by Rachel Carson’s 1965 book, “The Sense of Wonder.” Barreneche still creates art that’s intended to “awaken the viewer to rediscover the wonders of the world around them,” and as a resident of Boca Raton, Fla., she often finds awe and joy in admiring the fruit trees that surround her.
“In my backyard, I have a starfruit tree, and my nephew [and I], we call the tree the giving tree,” Barreneche said, a nod to the book by Shel Silverstein.
“It’s such a beautiful thing and people throw [it] away — there’s just fruit everywhere,” she continued. “[When] there’s too much going on, we don’t notice those things.”
She described wonder as something that comes from her gut — a deep, instinctive practice that shapes the way she views the world throughout each day.
“I paint every day; I cook; I walk the dogs; I love,” she mused. “I’ve been with my husband 27 years, and I wonder, ‘How come I’m so blessed to have a love in my life? And such a good human being?’”
That perspective is exactly what Catherine L’Ecuyer, author of “The Wonder Approach,” suggests for those who are trying to reconnect with wonder.
“Wonder is the desire to know,” she said. “Wonder is not taking anything for granted, so it is seeing things as if it were for the first — or for the last — time.”
“I paint every day; I cook; I walk the dogs; I love. I’ve been with my husband 27 years, and I wonder, ‘How come I’m so blessed to have a love in my life? And such a good human being?’”
— Ingrid Barreneche, artist
Ingrid Barreneche’s “A Tale of Life” (2023).
(Courtesy of Ingrid Barreneche)
L’Ecuyer, who is a doctor of both education and psychology, said that adults often approach the world with more cynicism, which is “the opposite of wonder.”
“In my speeches, I often invite people to identify how capable of wonder they are by asking them, ‘When you woke up this morning and you saw the person that was at your side, did you feel wonder and awe?’” L’Ecuyer continued. “We adults tend to get used to the beauty of the world and take it for granted.”
Talking with L’Ecuyer made me feel lucky to have a love who makes every morning feel more exciting than the day before. My partner, Reanna, always finds new ways to make me appreciate the world on a deeper level. They introduce me to their favorite foods — a bucket of popcorn at Brain Dead Studios, or maybe a Fat Sal’s sandwich — with unbridled enthusiasm and always make me laugh while we run errands. On date nights, they’ll surprise me with mini-golf games at Sherman Oaks Castle Park or trips to the piers of Marina del Rey to admire the basking sea lions.
We’ll often spend joyful afternoons at their favorite museum, the bizarre and wonderful Museum of Jurassic Technology, which serves tea in a captivating rooftop garden filled with doves. Sometimes I’m able to bring them to a new-to-us hidden gem, like the Velaslavasay Panorama, which houses a breathtaking 360-degree panoramic painting of China’s Shenyang city in the early 1900s.
Even on the hardest days, appreciating the presence and company of a loved one is a sure-fire way to access a little wonder.
6. Create new daily rituals, like ‘awe walks’
Keltner speaks of the world with an unbridled enthusiasm, as if he can find awe in nearly everything around him: when he’s noticing how the leaves change color in the fall; when he’s revisiting the music of Brian Eno; when he’s reading the work of Ralph Waldo Emerson, Walt Whitman or Rachel Carson.
He makes his work a daily practice through taking “awe walks,” where he’ll slowly observe the beauty surrounding him. He’ll often focus on small details, like a leaf on a tree, and then expand out to the big picture.
“You can get to awe quickly, but to really make it rich, it’s got to be part of this broader pursuit of wonders — of life,” he said. “It’s about a lot of deeper stuff. It’s about your life philosophy, and what you find meaningful, what Aristotle called eudaimonia: What do I care about? And how do I find it in music? And then act upon it?”
By centering awe, Keltner believes that people are more inclined to preserve nature, help each other and reach “big ideas that move our mind.”
“Awe tells you what’s sacred to you,” he said. “And we will fight for sacred stuff; we will sacrifice for what’s sacred.”
The daily awe practices that I’ve integrated into my own life are fairly simple. I now take a 30-minute-long walk every morning, and try to take a photo of something special that I wouldn’t have noticed if I were in a hurry. As I explore my neighborhood day after day, I’ll find myself pausing to take in a lush natural tunnel made by curving trees and the tropical birds that one of my neighbors keeps in their front yard.
I’ve been trying to slow down and really appreciate the beauty that’s constantly around me. I’m acknowledging the small and special joys, pausing for even just a second to acknowledge a new leaf that sprouted on one of my houseplants, or how lucky I am to live two minutes from a taco stand with the best homemade tortillas I’ve ever tasted.
I’m doing my best to appreciate my life for what it is — not what it once was, or not what it could be in the future. (There’s no way to say that without it feeling corny, so please cut me a little slack.) It doesn’t always feel like it’s working, but I’m sure that even the most optimistic people still have bad days.
I don’t believe that awe will combat all of the depression and anxiety that plagues my brain, but I know that strengthening my sense of wonder has helped me appreciate things more deeply. I hope that I’ll continue to find awe each morning, as the sun streams through my window and my partner snores lightly from the other side of the bed.
If nothing else, I hope that this reinvigorated sense of playfulness and wonder will keep compelling me to move through the world with a little more kindness and buoyancy, so I can float down the river of life knowing I didn’t miss all the beauty it has to offer.
Lifestyle
MLK concert held annually at the Kennedy Center for 23 years is relocating
Natalie Cole and music producer Nolan Williams, Jr. with the Let Freedom Ring Celebration Choir at the Kennedy Center in January 2015.
Lisa Helfert/Georgetown University
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Lisa Helfert/Georgetown University
Let Freedom Ring, an annual concert in Washington, D.C., celebrating the life of Martin Luther King Jr., has been a signature event at the John F. Kennedy Center for the Performing Arts for more than 20 years. Aretha Franklin, Gladys Knight and Chaka Khan have performed, backed by a choir made up of singers from D.C. area churches and from Georgetown University, which produces the event.
But this year’s event, headlined by actor and rapper Common, will not be held at the Kennedy Center.
Georgetown University says it is moving Let Freedom Ring to D.C.’s historic Howard Theatre in order to save money.
For Marc Bamuthi, it wouldn’t make sense to hold it at the Kennedy Center this year.

Until March 2025, Bamuthi was the Kennedy Center’s artistic director for social impact, a division that created programs for underserved communities in the D.C. region. He regularly spoke at the MLK Day event. “I would much rather that we all be spared the hypocrisy of celebrating a man who not only fought for justice, but who articulated the case for equity maybe better than anyone in American history … when the official position of this administration is an anti-equity position,” he said.
President Trump has criticized past programming at the Kennedy Center as “woke” and issued executive orders calling for an end to diversity in cultural programming.
In February 2025, Trump took over the Kennedy Center and appointed new leadership. Shortly thereafter the social media division was dissolved. Bamuthi and his team were laid off.
Composer Nolan Williams Jr., Let Freedom Ring‘s music producer since 2003, also says he has no regrets that the event is moving.

“You celebrate the time that was and the impact that has been and can never be erased. And then you move forward to the next thing,” said Williams.
This year, Williams wrote a piece for the event called “Just Like Selma,” inspired by one of King’s most famous quotes, “The arc of the moral universe is long, but it bends towards justice.”
Williams says sometimes the quote is “interpreted in a passive way.”
“The arc doesn’t just happen to move. We have to be agents of change. We have to be active arc movers, arc benders,” said Williams. “And so throughout the song you hear these action words like ‘protest,’ ‘resist,’ ‘endure,’ ‘agitate,’ ‘fight hate.’ And those are all the action words that remind us of the responsibility that we have to be arc benders.”
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The Kennedy Center announced Tuesday that its celebration of Martin Luther King Jr. next week will feature the Missionary Kings of Harmony of The United House of Prayer for All People’s Anacostia congregation.
The audio and digital versions of this story were edited by Jennifer Vanasco.

Lifestyle
Disneyland is pivoting on ‘Star Wars’ Land. Here’s why.
Disneyland’s Star Wars: Galaxy’s Edge is turning back the clock.
In a shift from its original ambitions, the land will no longer be primarily set in the time period of the recent “Star Wars” sequels. That means modern villain Kylo Ren will be out, at least as a walk-around character, while so-called “classic” characters such as Darth Vader, Luke Skywalker, Han Solo and Princess Leia Organa will make their way into the fictional galactic town of Black Spire Outpost.
The changes, for now, are specific to Disneyland and are not currently planned to come to Walt Disney World’s version of the land, according to Disney. They also mark a significant tweak from the intent of the land, which was designed as an active, play-focused area that broke free from traditional theme park trappings — character meet and greets, passive rides and Mickey-shaped balloons. Instead of music, guests heard radio broadcasts and chatter, as the goal was to make Black Spire Outpost feel rugged and lived-in.
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It was to be a place of living theater, where events unfolded in real time. That tone will now shift, as while the in-land radio station won’t go away, Disneyland will soon broadcast composer John Williams’ “Star Wars” orchestrations throughout the area. The changes are set to fully take effect April 29, although Disney has stated some tweaks may roll out earlier.
The character of Rey, introduced in “Star Wars: The Force Awakens,” will still appear in the land, although she’ll now be relegated to the forest-like area near the attraction Star Wars: Rise of the Resistance. While the latter is due for refurbishment beginning Jan. 20, park representatives said it’s routine maintenance and no changes are planned for the land’s showcase ride, which will still feature Kylo Ren and the First Order.
Guests will also soon be able to find the Kylo Ren character at a meet and greet in Tomorrowland. Other personalities previously introduced to Galaxy’s Edge, including Chewbacca, Ahsoka Tano, the Mandolorian, Grogu and droid R2-D2, will still be featured in the land.
Taken as a whole, the moves turn Galaxy’s Edge into something more akin to a “Star Wars” greatest hits land. When the area opened in 2019, the hope was guests would feel as if they were protagonists able to choose their own adventure. Galaxy’s Edge came with its own vernacular, and an elaborate game in the Play Disney mobile app that was designed to track a guest’s reputation and be used in the land. It was once said, for instance, that Disney’s cast members — staff, in park parlance — would be able to recognize if someone’s personality leaned resistance, First Order or rogue. Such aspirations never materialized.
When Galaxy’s Edge opened in 2019, it was designed to feel rugged and lived-in.
(Allen J. Schaben / Los Angeles Times)
Galaxy’s Edge was a theme park experiment, asking how deeply guests would want to engage in physical spaces. But it came with challenges, namely that as these lands evolve to feel more like locations where action is unfolding in real time, the level of activity needed to maintain the illusion increases. And Galaxy’s Edge forever lacked some of its teased and hyped elements — there were no smugglers, for instance, tapping you on the shoulder in the cantina. When a land is designed to speak to us, we notice when it’s quiet.
Theme parks are also evolving spaces, responding to shifts in creative direction as well as guest feedback. In an online press conference announcing the move, Disney didn’t allow for deep questioning, but a reworking of the land to incorporate the franchise’s classic (and arguably more popular) characters feels in some part an acknowledgment that theme park visitors likely crave familiarity over ongoing narratives designed to play make-believe. Or at least that such a direction is easier to maintain.
“Since the very inception of Star Wars: Galaxy’s Edge, we really always imagined it as a platform for storytelling,” said Asa Kalama, a creative executive with Walt Disney Imagineering, the company’s arm devoted to theme park experiences, at the media briefing. “That’s part of the reason we designed this neutral Wild West space town because it allowed it to be a framework in which we could project different stories.”
Galaxy’s Edge on April 29 is dropping its fixed timeline and will soon incorporate more characters, including Darth Vader.
(Christian Thompson / Disneyland Resort)
Kalama pointed to next year being the 50th anniversary of the initial “Star Wars” movie and this May’s theatrical film, “The Mandalorian & Grogu,” as to why this was the opportune time to shift the direction of the land. To coincide with the release of the latter, the attraction Millennium Falcon: Smugglers Run will receive a new mission May 22, which will also mean the land’s two rides will soon be set in different “Star Wars” time frames.
The ride makeover will feature three new locations from the “Star Wars” films — planets such as the urban Coruscant or gas realm of Bespin, as well as the wreckage of the second Death Star near Endor. Each flight crew will determine the destination. Additionally, those seated in the ride’s “engineer” positions will be able to communicate with Grogu, colloquially referred to as “baby Yoda.”
Star Wars: Galaxy’s Edge was meticulously designed to be set between episodes eight and nine of the core saga, with its ships modeled after the most recent films. When guests encountered characters, for instance, they would speak to them as if they were visitors on the fictional planet, often trying to suss out someone’s allegiance. It was indicated by Michael Serna, executive creative director with Disney Live Entertainment, that such a level of playfulness would continue.
Darth Vader, for instance, is said to be on the planet of Batuu seeking to hunt Luke Skywalker. Luke, for his part, is described as roaming the land looking for Force artifacts, while Leia and Han will be spotted in areas near the Millennium Falcon and Oga’s Cantina, the latter tempting Han while Leia will serve the role of a recruiter. Timelines for the land’s bar and shops will also be dialed back to better reflect the the classic characters, although “Star Wars” die-hards maybe shouldn’t think too hard about it as an animatronic figure such as Oga’s robotic DJ “Rex” is best known for a different role during that era.
The character of Rey, introduced in “Star Wars: The Force Awakens,” will still meet with guests in Galaxy’s Edge, although she will be stationed near the ride Star Rise: Rise of the Resistance.
(Allen J. Schaben / Los Angeles Times)
Galaxy’s Edge had been moving in a more populist direction for some time. The reframing of the ride Smugglers Run was the first major indication that Disney would pivot from the land’s initial design intent. Luke, meanwhile, was introduced to the land for limited appearances in 2025, and that character followed the arrival of the Mandalorian and Grogu. And the lack of Williams’ score in the land has long been a common guest complaint. The film’s “Main Title,” as well as “Han Solo and the Princess,” “The Desert and the Robot Auction,” “The Emperor” and other Williams selections will now be heard in the land.
While the vibe and tenor of Galaxy’s Edge will shift, Serna stressed it’s still designed as a place for guest participation. “It’s still an active, living land, if you will,” he said.
And if Galaxy’s Edge is now a mesh of timelines and characters, that simply makes it more in-line with what already exists at the resort. To put it another way: No one has been confused that New Orleans Square has ghosts and pirates next to a cozy place for beignets. Likewise, we don’t wonder why “Cars” character Doc Hudson is dead in the current timeline of the films but alive on the ride — and then memorialized via an ofrenda during the land’s Halloween makeover.
Theme parks remain a place where imagination reigns.
Lifestyle
Keep an eye out for these new books from big names in January
The Ides of January are already upon us. Which means that by now, most of the sweetly misguided pollyannas who made New Year’s resolutions have already given up on that nonsense. Don’t beat yourself up about it! Travel and exercise would only have hogged your precious reading time anyway.
And boy, is there a lot of good stuff to read already. This week alone, a reader with an active imagination may pay visits to Norway and Chile, China and Pakistan. Later this month brings new releases from big names on either side of the Atlantic Ocean.
(By the way, this year the Book Ahead is transitioning from weekly posts to monthly, for a broader lens on the publishing calendar.)
The School of Night, by Karl Ove Knausgaard, translated by Martin Aitken (Jan. 13)
Knausgaard is an alchemist. The prolific Norwegian consistently crafts page-turners out of the daily drudgery you’d usually find sedative rather than thrilling. The same inexplicable magic permeates his latest series, which began with The Morning Star and here gets its fourth installment. Only, unlike projects such as his autofictional My Struggle, Knausgaard here weaves his interlinked plots with actual magic – or supernatural horror, at least, as a vaguely apocalyptic event loosens the tenacious grip of his characters’ daily cares. The School of Night features Kristian Hadeland, an eerie figure in previous books, whose faustian bargain promises to illuminate this mystery’s darkest corners.
This Is Where the Serpent Lives, by Daniyal Mueenuddin (Jan. 13)
The setting in Mueenuddin’s debut novel — a modern Pakistan rife with corruption, feudalism and resilience — thrums with such vitality, it can feel like a character in its own right. But the home of this sweeping saga of class, violence and romance can also be seen as a “distorting mirror,” says Mueenuddin, whose short stories have earned him nods for the Pulitzer Prize and National Book Award. “Without a doubt,” he told NPR’s Weekend Edition, “I’ll have failed miserably if readers don’t see in this a great deal of themselves and of their communities.”
Pedro the Vast, by Simón López Trujillo, translated by Robin Myers (Jan. 13)
It won’t take long to finish this hallucinatory vision of ecological disaster. Getting over Trujillo’s disquieting novella, however, is another matter. The eponymous Pedro is a eucalyptus farmer who has worked the dangerous, degrading job all his life, so it’s to be expected when he’s among the workers who pick up a bad cough from a deadly fungus lurking in the grove. Less expected is the fact that, unlike his colleagues, Pedro does not die but wakes up changed, in ways both startling and difficult to comprehend. This is the Chilean author’s first book to be translated into English.
Fly, Wild Swans: My Mother, Myself and China, by Jung Chang (Jan. 13)
Chang began this story more than 34 years ago, with Wild Swans, a memoir that viewed 20th century Chinese history through the prism of three generations of women — and remains banned in China still. Now, Jung picks up the story where she left off, in the late 1970s when Chang’s departure set her family’s story on heartbreakingly separate paths — her own, unfolding in the West, and that of the family she left behind in China. Jung applies a characteristically wide lens, with half an eye on how the past half-century of geopolitical tumult has upturned her own intimate relationships.
Crux, by Gabriel Tallent (Jan. 20)
It’s been the better part of a decade since Tallent published his debut novel, My Absolute Darling, a portrait of a barbed father-daughter relationship that NPR’s reviewer described as “devastating and powerful.“ In his follow-up, Tallent returns to that adolescent minefield we euphemistically call “coming of age,” this time focusing on a complicated bond between a pair of friends living in the rugged Mojave Desert. It’s an unlikely friendship, as sustaining as it is strained by their unforgiving circumstances, as the pair teeter precariously on the cusp of adulthood.
Departure(s), by Julian Barnes (Jan. 20)
The winner of the 2011 Booker Prize (and finalist for several more) returns with a slim book that’s a bit tough to label. You’ll find it on the fiction shelf, sure, but also, it’s narrated by an aging British writer named Julian who is coping with a blood cancer diagnosis. The lines aren’t easy to find or pin down in this hybrid reflection on love, memory and mortality, which is as playful in its form as its themes are weighty.
Half His Age, by Jennette McCurdy (Jan. 20)
“If I could have shown myself where I am now, I would not have believed it when I was little,” McCurdy told WBUR in 2023. The former child star certainly has undergone a dramatic transformation in recent years — from noted Nickelodeon alum to a writer whose best-selling memoir, I’m Glad My Mom Died, made a pretty compelling case why kid actors “should not be allowed to go anywhere near Hollywood.” Now she’s stepping into fiction, with a debut novel that features a provocative, at times puzzling, courtship and the same black humor that shot through her previous work.
Vigil, by George Saunders (Jan. 27)
One of America’s most inventive stylists returns with his first novel since the Booker Prize-winning Lincoln in the Bardo. It’s hard not to hear some echoes of A Christmas Carol in this one, which also finds a mean old magnate in need of some supernatural bedside attitude therapy. But don’t expect a smooth show from narrator Jill “Doll” Blaine, the comforting spirit assigned to dying oil baron K.J. Boone. For one thing, the unrepentant fossil fuel monger can expect more than just three visitors in this darkly funny portrait of a life ill-lived.
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