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Feeling drained? Here's how to rediscover your childlike wonder

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Feeling drained? Here's how to rediscover your childlike wonder

The older I get, the more I enjoy acting like a kid.

I jump at every opportunity to do backflips in the pool and absolutely love seeing the circus when it’s in town. I’ll giggle over banana splits at Fluffy McCloud’s and relish the silly moments when my friends want to watch an animated movie or order an absurd treat like Carvel’s “Fudgie the Whale” ice cream cake. Every few months, my partner and I make a pilgrimage to the desert where we climb huge rocks and lie beneath the stars to feel existentially tiny.

I’ve loved all of these activities since I was young, but my last year has been especially joyful since I started learning the art of childlike wonder.

The phrase first came into my life as a way my partner would justify ordering Shirley Temples, but the more I thought about childlike wonder, the more I began to notice it. I’d find posts about it on social media and contemplate it with friends, including my co-worker Kailyn, who told me about the whimsy she felt as she rolled down a grassy hill at the Getty Center.

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And though these notions aren’t new to the world, recent research shows that experiencing awe and wonder can positively affect our mental and physical health, ultimately benefiting our lives. So in 2023, I sought out experts on awe and play and tried to reframe my life in L.A. around the big and tiny things that propel people into states of reverence and joy.

Through this, I discovered something profound yet simple: With the right perspective, and a little bit of effort, we can teach ourselves to generate childlike wonder in all sorts of places.

1. Look for awe in the mundane

Though Dacher Keltner has lived in Berkeley since 1996, he still has a distinctly SoCal vibe. His flowy blond hair looks eternally sun-kissed, and his disposition is equal parts optimistic and laid-back.

“Raised by an artist and a literature professor and living in the wild Laurel Canyon in the late ’60s, you know, life was awe,” Keltner said from his light-dappled kitchen.

A psychology professor at UC Berkeley, Keltner has been formally studying awe since 1999. As a scientist who focuses on the social functions of emotion, Keltner recently wrote “Awe: The New Science of Everyday Wonder and How It Can Transform Your Life” and was a consultant on Pixar’s “Inside Out.”

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Keltner said that when he first started researching awe, there were a few early studies on goosebumps, chills and neuroaesthetics, but no one had really zeroed in on the impact of the feeling.

“I always think in terms of phenomena. Where is the motion? Where do I see it? How do I feel it?” Keltner said. “It just seemed like almost everything that really mattered to me — from being at a concert, to sports teams I love winning a championship, to people I really admire, to having children — it’s just all awe.”

Nearly 25 years later, Keltner has these experiences — and what triggers them — down to a science.

“Awe is an emotion that you feel when you encounter vast things that are mysterious,” he explained. “Wonder is what follows awe. It is a mental state, less so an emotion. It’s just a mental state where you’re curious and wanting to explore and discover.”

Keltner has been able to determine eight wonders of life that often propel people into states of awe: moral beauty (witnessing the virtue of others); collective effervescence (often experienced in large groups like those at weddings, rallies or sporting events); nature; music; visual design (beautiful buildings, paintings and the like); spiritual and religious experiences; life and death; and epiphanies.

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Learning about these different kinds of wonder made it easier for me to zoom in on moments of awe that I could’ve otherwise forgotten, like carving through Laurel Canyon this summer in my beloved convertible, listening to KCRW play Sampha’s “Spirit 2.0” as the moon rose over the city.

When it comes to researching awe, Keltner often mixes qualitative questions and stories with quantitative measurements. One of his experiments had people create self-portraits while looking at either Yosemite Valley or San Francisco’s Fisherman’s Wharf. The self-portraits from Yosemite consistently had smaller subjects, suggesting that people’s sense of self — or ego — can shrink or even disappear when they’re experiencing awe.

“How much awe do you feel? Tell me a story? How small is your self? Do you feel humble? Draw a circle of the people you’re part of?” Keltner said as he listed various ways to measure awe. “Goosebumps, tears, vagal tone, default mode network deactivation, vocalizations, body postures. I mean, man, we can measure it, and that in its own right some people would not have predicted.”

Shrinking your ego or “self” may sound intimidating, but I like to think about it as feeling like a little guy. That might come from something literal — like wearing a size 5XL sweater for comfort — or it could be more poetic, like finding places where you feel tiny. I often experience this when I dive into the Pacific and roast marshmallows over the fire pits at Dockweiler Beach. Maybe you’ll get that same 5-year-old-in-an-adult-body sensation learning about far-off galaxies at Griffith Observatory’s planetarium or feeling the wind whip over the edge of a canyon.

2. But don’t forget to appreciate wonder in unsurprising places

Some of Keltner’s eight wonders might feel a bit obvious — of course you’ll feel awe when a new baby is born, or while processing a life-changing epiphany. It’s not shocking to learn that people access awe and gratitude while volunteering in their local communities, and by reflecting on the people who shaped their moral compass.

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“We were surprised that moral beauty was the most prevalent source of awe around the world,” Keltner said. “People aren’t talking about the Grand Canyon; what they’re talking about, it’s like, ‘Man, I had this teacher and she did everything for her students.’”

Spiritual wonder is another form of awe that’s always at our fingertips. Angelenos can partake in death meditations and sink into sound baths. We take trips to breakup boot camps, energy vortexes or atheist retreats. We laugh and cry inside the most ethereal sacred spaces and find ways to revel in the beauty of our loneliness.

For Keltner, working on this book in the wake of his brother’s death made grief feel like its own complex yet obvious source of wonder. His work made him wrestle with the awe-lessness that he was feeling, and eventually brought him to appreciate the cycles of life that are constantly in motion around us.

Your obvious sources of wonder might look different. I know that awe is guaranteed when I plan a night out with my friends at a crowded gay bar or buy tickets to see Beyoncé perform for a silver-swathed crowd of thousands at SoFi Stadium. I know I’ll find it at weddings, as I watch loved ones reflect on finding someone who turned their world upside down, and I’m guaranteed to feel it every time I get to hug my mom or dad, who live 2,500 miles away.

People aren’t talking about the Grand Canyon; what they’re talking about, it’s like, ‘Man, I had this teacher and she did everything for her students.’

— Dacher Keltner, author of ‘Awe: The New Science of Everyday Wonder and How It Can Transform Your Life’

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When I really need to ground myself, I’ll return to my favorite botanical gardens. Though I love taking special trips to the Huntington (to marvel at bonsai trees and sample various teas) and Descanso Gardens (to appreciate summer nights filled with ambient music and glowing foliage each winter), I’m loyal to UCLA’s garden, which is completely free. I find awe in the monstera leaves, often larger than my head, and make silent wishes on my favorite orange-and-black koi fish every time I visit.

It’s also easy enough to stumble upon the kind of jaw-dropping and awe-inspiring nature and design that Keltner mentions around California: We have drive-through redwoods, architectural triumphs, vibrant fields of flowers and spectacular ceilings. I can visit national parks of every flavor; float in lakes and swimming holes; and trip on psychedelics in the desert.

All of these channels for accessing wonder make Keltner hopeful: If awe is able to quiet the negative voices that get trapped in our heads, perhaps this sensation can better people’s lives.

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“I started to think about the problems associated with too much self-focus — depression, rumination, anxiety, shame, self-harm, suicide, body-image issues,” Keltner said. “People are sick of the self-focus [that’s] imposed upon us by Instagram and the like. They want to be free of the self.

“Here’s an emotion that frees us of that, and gets us to see how we’re a part of much larger things,” he continued. “And what good news.”

3. Allow yourself to be more playful

Though prioritizing awe is a huge revelation, it’s only one piece of this existential puzzle.

So many of the things that brighten my life are tethered to the softest and brightest parts of my childhood. My partner and I make up silly dances and comedy bits as we move through the day to make each other laugh. Even as I try new hobbies, I find myself returning to the activities that I loved when I was a teenager: swimming, watercolor painting and pottery. When I need to get out of a deep emotional funk, I’ll usually order birria tacos and put on my favorite movie of the last two decades: Pixar’s “Ratatouille.”

That’s all to say that staying close to my playful childhood habits has made it easier to access awe, so I wanted to find out how these aspects of life are intertwined.

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Stuart Brown, founder of the National Institute for Play, began studying play in 1966, when he was tasked with figuring out a motive behind the Texas Tower shooting.

“I subsequently went to the Texas state prison system, through a grant, and studied homicidal males,” Brown explained. “And I found out in a pilot study of 26 or so of these individuals, that their play life was very different than a control group.”

This study set Brown on a lifelong mission to study play and how it shapes people’s lives and allows them to enter a gleeful state. Throughout the years, he has interviewed thousands of people — “from Nobel laureates to murderers” — to map out their play patterns.

Brown listed examples of his interview questions: “What did you really, really enjoy as a kid? What’s a joyful moment you had? What’s the first toy you had? Did you have pets? Were there vacation times that were tremendously important? Can you remember a moment of joyfulness where you were absolutely at peace with yourself?”

From those interviews, Brown identified the different play patterns that naturally manifest in each person. For some, that looks like body play — think of dancing or playing a sport — while other people will be more interested in musical play or object play (think of using a Lego set or collecting stamps or keys).

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Brown likened these play patterns to our fingerprints, saying they’re deeply embedded within each of us, but he added that many people don’t prioritize play as a significant part of personal well-being and fulfillment.

“Can you remember a moment of joyfulness where you were absolutely at peace with yourself?”

— Stuart Brown, founder of the National Institute for Play

That’s one huge challenge that the NIFP comes up against: Many people don’t see play as indispensable.

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“If you go back 50 years, people didn’t know that sleep was important,” said Tony Christopher, the executive director for the institute. “And today, it’s very clear that [if] you don’t get a good night’s sleep you are far from at your best.”

And when people don’t get to play, there are clear drawbacks. Brown said that people can be grumpier, more rigid, and worse problem solvers when they’re play-deprived.

“From birth to death, [play is] a part of being human,” Brown said. “But when it’s not experienced, there are consequences. And the consequences are mild depression, or an outlook that’s not optimistic and not creative and not innovative.”

(Changyu Zou / For The Times)

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4. Fill your life with people who expand your universe

When I hear Brown talk about play, it makes me think about Randy King Lawrence, the man behind Echo Park’s colorful and astounding Phantasma Gloria. Lawrence is the kind of person who always brings out my playful side, constantly showing people new ways to look at the world. He’s convinced me that everything looks a little more beautiful through one of his metal stencils or ruby-colored marbles.

“It’s just so damn fun, and it’s so easy,” Lawrence said of his art as we stood in his front yard in 2022. His words and enthusiasm struck me with a feeling that is now, clearly, awe. I had just moved to L.A., and seeing his art was one of the first experiences that convinced me that moving across the country wasn’t a massive mistake.

I’m lucky to be surrounded by many people who love to play, like my friend Charlie, who brought me to Griffith Park for Clown Zoo last spring to partake in a night of comedy. I think of my friends Sophia and Riley, who joined me at Akbar’s craft night one rainy Wednesday to decorate paper owls with pom-poms and beads, or Simone, whom I met in a ceramics class, and all of the long days we’ve spent at the Pottery Studio experimenting with glazes and throwing pots that sometimes crumple.

My roommates sometimes tease me about how silly my schedule often sounds — I’m not free that night because I’m seeing Cirque du Soleil. Wednesday I have to wake up at 6 in the morning to see the Oscar Mayer Wienermobile with the Los Angeles Breakfast Club — but these activities keep me feeling playful. Sometimes I’ll be sampling various crafts around the city and learning archery in Van Nuys, or jet-skiing to Catalina and riding railbikes through Ventura County.

But you don’t need to buy a jet ski or start woodworking to play more (though those are both great ways to get the feeling going). Swapping stories, making weekly or yearly rituals with friends and attending dinner parties are all great ways that adults can play.

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“Adult play is not the same as childhood play,” Brown said. “We all have changed our tune as we age. I’m a grandfather and telling stories to my grandkids is a lot of fun to me. Whereas if I was telling stories when I was 18, I would have thought I was nuts.”

5. Slow down to appreciate things you take for granted

When Ingrid Barreneche is having a tough moment, she likes to move slowly and spend a little time on her patio.

“I walk out there and just close my eyes and I let the sun touch my skin,” Barreneche said. “That contact with the sun makes me feel immediately alive and [makes me] wonder.”

Barreneche, who did her MFA thesis on reclaiming wonder, was inspired by Rachel Carson’s 1965 book, “The Sense of Wonder.” Barreneche still creates art that’s intended to “awaken the viewer to rediscover the wonders of the world around them,” and as a resident of Boca Raton, Fla., she often finds awe and joy in admiring the fruit trees that surround her.

“In my backyard, I have a starfruit tree, and my nephew [and I], we call the tree the giving tree,” Barreneche said, a nod to the book by Shel Silverstein.

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“It’s such a beautiful thing and people throw [it] away — there’s just fruit everywhere,” she continued. “[When] there’s too much going on, we don’t notice those things.”

She described wonder as something that comes from her gut — a deep, instinctive practice that shapes the way she views the world throughout each day.

“I paint every day; I cook; I walk the dogs; I love,” she mused. “I’ve been with my husband 27 years, and I wonder, ‘How come I’m so blessed to have a love in my life? And such a good human being?’”

That perspective is exactly what Catherine L’Ecuyer, author of “The Wonder Approach,” suggests for those who are trying to reconnect with wonder.

“Wonder is the desire to know,” she said. “Wonder is not taking anything for granted, so it is seeing things as if it were for the first — or for the last — time.”

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“I paint every day; I cook; I walk the dogs; I love. I’ve been with my husband 27 years, and I wonder, ‘How come I’m so blessed to have a love in my life? And such a good human being?’”

— Ingrid Barreneche, artist

Ingrid Barreneche’s “A Tale of Life” (2023).

(Courtesy of Ingrid Barreneche)

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L’Ecuyer, who is a doctor of both education and psychology, said that adults often approach the world with more cynicism, which is “the opposite of wonder.”

“In my speeches, I often invite people to identify how capable of wonder they are by asking them, ‘When you woke up this morning and you saw the person that was at your side, did you feel wonder and awe?’” L’Ecuyer continued. “We adults tend to get used to the beauty of the world and take it for granted.”

Talking with L’Ecuyer made me feel lucky to have a love who makes every morning feel more exciting than the day before. My partner, Reanna, always finds new ways to make me appreciate the world on a deeper level. They introduce me to their favorite foods — a bucket of popcorn at Brain Dead Studios, or maybe a Fat Sal’s sandwich — with unbridled enthusiasm and always make me laugh while we run errands. On date nights, they’ll surprise me with mini-golf games at Sherman Oaks Castle Park or trips to the piers of Marina del Rey to admire the basking sea lions.

We’ll often spend joyful afternoons at their favorite museum, the bizarre and wonderful Museum of Jurassic Technology, which serves tea in a captivating rooftop garden filled with doves. Sometimes I’m able to bring them to a new-to-us hidden gem, like the Velaslavasay Panorama, which houses a breathtaking 360-degree panoramic painting of China’s Shenyang city in the early 1900s.

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Even on the hardest days, appreciating the presence and company of a loved one is a sure-fire way to access a little wonder.

6. Create new daily rituals, like ‘awe walks’

Keltner speaks of the world with an unbridled enthusiasm, as if he can find awe in nearly everything around him: when he’s noticing how the leaves change color in the fall; when he’s revisiting the music of Brian Eno; when he’s reading the work of Ralph Waldo Emerson, Walt Whitman or Rachel Carson.

He makes his work a daily practice through taking “awe walks,” where he’ll slowly observe the beauty surrounding him. He’ll often focus on small details, like a leaf on a tree, and then expand out to the big picture.

“You can get to awe quickly, but to really make it rich, it’s got to be part of this broader pursuit of wonders — of life,” he said. “It’s about a lot of deeper stuff. It’s about your life philosophy, and what you find meaningful, what Aristotle called eudaimonia: What do I care about? And how do I find it in music? And then act upon it?”

By centering awe, Keltner believes that people are more inclined to preserve nature, help each other and reach “big ideas that move our mind.”

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“Awe tells you what’s sacred to you,” he said. “And we will fight for sacred stuff; we will sacrifice for what’s sacred.”

The daily awe practices that I’ve integrated into my own life are fairly simple. I now take a 30-minute-long walk every morning, and try to take a photo of something special that I wouldn’t have noticed if I were in a hurry. As I explore my neighborhood day after day, I’ll find myself pausing to take in a lush natural tunnel made by curving trees and the tropical birds that one of my neighbors keeps in their front yard.

I’ve been trying to slow down and really appreciate the beauty that’s constantly around me. I’m acknowledging the small and special joys, pausing for even just a second to acknowledge a new leaf that sprouted on one of my houseplants, or how lucky I am to live two minutes from a taco stand with the best homemade tortillas I’ve ever tasted.

I’m doing my best to appreciate my life for what it is — not what it once was, or not what it could be in the future. (There’s no way to say that without it feeling corny, so please cut me a little slack.) It doesn’t always feel like it’s working, but I’m sure that even the most optimistic people still have bad days.

I don’t believe that awe will combat all of the depression and anxiety that plagues my brain, but I know that strengthening my sense of wonder has helped me appreciate things more deeply. I hope that I’ll continue to find awe each morning, as the sun streams through my window and my partner snores lightly from the other side of the bed.

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If nothing else, I hope that this reinvigorated sense of playfulness and wonder will keep compelling me to move through the world with a little more kindness and buoyancy, so I can float down the river of life knowing I didn’t miss all the beauty it has to offer.

Lifestyle

11 new books in April offer a chance to step inside someone else’s world

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11 new books in April offer a chance to step inside someone else’s world

April may well be “the cruelest month,” as T.S. Eliot famously opined — and even a five-minute doomscroll makes it tough to deny that cruelty is riding at anything but record levels lately. But remember you do have an alternative to doomscrolling, one that’s been around much longer: cracking open a book — or doomflipping, I suppose you could call it.

Don’t get me wrong: The books expected this month don’t exactly radiate escapist good vibes, riddled as they are with anxiety, corruption, unfulfilled desire — even the occasional direct challenge to our notions of reality itself. But they do offer the opportunity to step into someone else’s shoes and get to know their own particular view of our shared world — and sometimes that’s consolation enough. Which is nice, because it may have to be this month.

Transcription, by Ben Lerner (4/7)

The jacket copy of Lerner’s novella is basically a journalist’s stress dream: Commissioned to write what may be the final profile of his mentor, an aging literary icon, Lerner’s narrator fries his only recording device just minutes before the interview by dropping his phone in the sink. What follows is a meditation on memory, art and fatherhood, expressed in a handful of conversations that we’ve got plenty of cause to find unreliable, given the circumstances. As in his previous novels, including The Topeka School, Lerner centers some version of himself in this strangely captivating blend of fiction, memoir and critical essay, shot through with humor and anxiety.

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American Fantasy, by Emma Straub (4/7)

Speaking of premises that read like one of my nightmares: Straub’s novel portrays the American Fantasy cruise ship and its themed voyage dedicated to an aging boyband and their loyal superfans — at this point, mostly middle-aged women addled with nostalgia and the looming terrors of menopause. The book bounces between the perspectives of a reluctant attendee, a band member and the boat’s hypercompetent event director, who really doesn’t deserve this. It’s infused with a blend of bemused humor and abiding sympathy familiar to readers of Straub’s previous novels, All Adults Here and This Time Tomorrow.

London Falling: A Mysterious Death in a Gilded City and a Family’s Search for Truth, by Patrick Radden Keefe (4/7)

In Keefe’s previous book Say Nothing, the veteran reporter took hold of a single loose thread — a mother’s decades-old disappearance — and pulled with such tenacity that the history of an entire tumultuous era raveled into view. Here, Keefe applies a similar approach — only this time, instead of Northern Ireland’s Troubles, the context of his latest book is modern London’s obliging relationship with the international financial elite. But as before, there’s an intimately human tragedy at the heart of Keefe’s investigation: a young man’s fatal plunge into the Thames and all the uncomfortable questions British authorities appear reluctant to pursue.

The Edge of Space-Time: Particles, Poetry, and the Cosmic Dream Boogie, by Chanda Prescod-Weinstein (4/7)

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“You too can have your mind altered — no drugs necessary.” This, from the book’s introduction, offers something of a promise — which Prescod-Weinstein keeps with gusto, in this jaunty affront to just about everything our senses tell us about the world. The Dartmouth physicist’s follow-up to her lauded debut, The Disordered Cosmos, draws from just about every intellectual nook and cranny — from Bantu linguistics and Star Trek, to hip-hop and gender theory — to weave an idiosyncratic illustration of the universe as physicists understand it today. It’s an accessible take on a flabbergasting subject which, to put it mildly, offers a rather different view of reality than the one I remember learning in school.

My Dear You: Stories, by Rachel Khong (4/7)

This is Khong’s third book of fiction and her first short story collection. In it, she shows off the kind of range suggested by her previous novel, the tripartite Real Americans published two years ago. Here, in the new collection, heavy subjects such as race and grief coexist with conjured spirits and a psychic cat, extraterrestrials and a God who has reconsidered the whole “human” thing — and given everyone a deadline by which they’ll need to decide what other species they’d like to be instead. Understandably, given the givens so far.

Go Gentle, by Maria Semple (4/14)

Now this, my friends, is what we call a romp. Semple is best known for funny, deceptively poignant portraits of mothers in midlife crisis — see: Where’d You Go, Bernadette, a smash best-seller with its own Hollywood adaptation. The star of her newest novel is Adora Hazzard, a divorced philosopher with a sullen teenage daughter, a job teaching morals to rich kids and a growing “coven” of friends living nearby. Hold on tight, though — this one’s plot has twists and turns in abundance, as Hazzard certainly earns her last name in a series of, dare I say, shenanigans, animated always by a subtle, irrepressible joie de vivre.

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On the Calculation of Volume, Book IV, by Solveig Balle, translated from the Danish by Sophia Hersi Smith and Jennifer Russell (4/14)

Yep, it’s still November 18. This unassuming date has detained Balle’s narrator for three novels already, and is likely to continue doing so for another three after this one. I hesitate to relate any more details about where the plot of the planned septology stands at this point, for fear of spoiling it for folks who still intend to catch up. Suffice to say, change is afoot at this point for our timelocked narrator, who may not be nearly as alone in her plight as she had initially thought.

Last Night in Brooklyn, by Xochitl Gonzalez (4/21)

Gonzalez stays close to home with her third novel. A dyed-in-the-wool Brooklynite, born and bred, the author of Olga Dies Dreaming has already earned a nod as a Pulitzer finalist for her column concerning gentrification in the borough she calls home. So the departure in her latest book is less in space than time, as her latest novel deposits readers in Brooklyn in 2007, on the cusp of global financial freefall, for a story of class, race, dangerous aspirations and the looming death of a heady era, which bears unmistakable echoes of The Great Gatsby.

American Men, by Jordan Ritter Conn (4/21)

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The American men referred to in the grandly sweeping title of Conn’s sophomore book of narrative journalism, in fact, number just four. Each of these men bears the mantle of masculinity differently, grappling differently with all the pressures that the label entails, but each one has also bared his experiences and innermost thoughts to Conn with equally thorough candor. From these four interspersed stories Conn does not produce any sociological claims, still less a polemic, so much as a portrait of four lives so disarmingly frank, it can be difficult to look away — and maybe we shouldn’t.

Small Town Girls: A Memoir, by Jayne Anne Phillips (4/21)

Phillips won the 2024 Pulitzer Prize in Fiction for her last book, Night Watch, a wrenching portrayal of trauma and recovery set in a West Virginia mental asylum following the Civil War. Now, Phillips (“one of our greatest living writers,” according to Michael Chabon, one of that year’s Pulitzer jurors) is returning to the Allegheny Mountains of West Virginia, not in historical fiction but in personal retrospect. It’s where Phillips grew up, where she has come to set most of fiction, and her new memoir is not so much about her life alone as it is her lifelong relationship with this place she “can never truly leave.”

The Story of Birds: A New History from Their Dinosaur Origins to Today, by Steve Brusatte (4/28)

Brusatte could not be any clearer about this, folks: Birds. Are. Dinosaurs. The American paleontologist underlines the idea, which is apparently a century and a half old, early and often in The Story of Birds. This expansive history of our fine-feathered neighbors, as scientists understand them today, traces an evolutionary thread that leads directly from landbound behemoths like the triceratops to the airborne raptors that patrol our own skies. As he has done in his previous books — which covered dinosaurs and mammals, respectively — Brusatte offers a lively, loving introduction to his topic that’s as comprehensive as it is accessible.

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Lifestyle

Exercise is vital to your health, but so are the arts. Here’s how to reap the benefits

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Exercise is vital to your health, but so are the arts. Here’s how to reap the benefits

When she has time, Daisy Fancourt likes to sit at the piano and play something by Bach, Francis Poulenc or, if her children are with her, a nursery rhyme.

There’s nothing frivolous about playing or listening to music. It can reduce stress and inflammation, improve heart health, lift moods and slow cognitive decline, according to Fancourt’s book, “Art Cure: The Science of How the Arts Save Lives,” out in February. Other artistic pursuits, from painting landscapes to taking salsa lessons, have similar benefits.

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Shelf Help is a wellness column where we interview researchers, thinkers and writers about their latest books — all with the aim of learning how to live a more complete life.

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“I think somehow the arts are still seen as ‘fluffy,’ even though we have such strong evidence about everything they do,” says Fancourt, a professor of psychobiology and epidemiology at University College London, and director of the World Health Organization’s Collaborating Centre for Arts and Health. She calls art the forgotten fifth pillar of health, alongside diet, exercise, nature and sleep.

“With physical activity, we all take it seriously — even if people don’t do it, they know they ought to be doing it. And I think it would be wonderful to get to that same place with the arts.”

Portrait of author Daisy Fancourt.

Portrait of author Daisy Fancourt.

(Tom Burton)

Despite Fancourt’s skill as a pianist (as a college student, she played for a classical radio station between taking classes at Oxford University and interning at a hospital arts program), she insists that people needn’t be master artists to improve their physical health and mental well-being. A simple visit to a museum or a live theater production can do wonders, as can a humble activity such as knitting.

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Scientist that she is, Fancourt presents plenty of evidence for art as a cure to what ails us. But her main concern is helping people “see how they can apply the evidence in their daily lives and make changes that will improve their health.”

This interview has been condensed and edited for clarity.

What are some of the most important ways that the arts can make us healthier?

When we engage in the arts, we activate reward and pleasure networks in the brains, we experience the release of dopamine as a happy hormone, and we also psychologically give our brains what they need to be happy. We give our brains a sense of autonomy, control, mastery and a way of regulating our emotions, all of which are fundamental to our mental health.

Arts engagement affects nearly every region of the brain. And if we engage regularly, it actually affects the size, structure and functioning of those brain regions, which can help with the development of brains in young children. It can help with the preservation of cognition as we get older. It can even help our brain to develop new neural pathways around brain injuries.

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Every system in the body is affected by art. So when we breathe through singing, we support our respiratory muscles. When we dance, we reduce our blood pressure and glucose levels. When we look at relaxing paintings, we actually activate our pain analgesic response.

"Art Cure" by Daisy Fancourt book cover.

“Art Cure” by Daisy Fancourt book cover.

(Celadon Books)

In the book, you describe screen time as the “ultra-processed food” of the arts. Why isn’t watching content on screens as beneficial as experiencing the arts in person?

When we looked at people going to the cinema versus going to live theater or music gigs, we found there were no benefits to cognition from regularly going to the cinema as they got older, but they had better cognitive preservation if they were going to live performances instead. That’s not to say [engaging in the arts] online is necessarily bad for you — there are plenty of examples where it’s good. But it can dilute benefits you would get from real-life social interactions.

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You point out that narratives on TV can have some benefits, but now people are migrating to even shorter videos on TikTok and Instagram. How do you think about the difference between consuming content on, say, Netflix versus scrolling on TikTok?

We know that shortened engagement just doesn’t provide the same kind of meaning that you can get from longer engagement. And it’s not just online. We’re guilty of that even when we go to museums. The average amount of time that people spend looking at artwork in museums is 28 seconds. If you really want to enjoy the arts, you have to give them your attention, whether that’s really looking at a picture properly in a gallery and thinking about your response to it, or whether it’s taking the time — not for a 30-second clip on TikTok — but a 30-minute drama that’s actually going to allow you to get into the details of storylines and characters.

So, I recently tried and failed to read “Ulysses.” People might have lofty ambitions to read a great novel or learn how to play an instrument, but at the end of the day they turn on the TV because they’re exhausted. What are some strategies to engage with the arts in a meaningful way when people have limited time and energy?

Pick the art you want to do, not the art you think you ought to do. So if “Ulysses” is what you want to be reading, then great, but don’t think that some kind of highbrow art is going to be the best for you. It’s not. You need to pick art that you think you’re going to enjoy, that speaks to you, that you have a frame of reference for. So that’s my first point. My second point is to make it equal to your energy level. If you don’t have the energy to read a book, why not turn on a concert on the radio? But don’t be on your phone. Don’t be doing anything else. Don’t multitask. Just sit and enjoy that concert and that experience.

Another thing to consider: How can you make [regularly engaging with the arts] doable? If you would normally go out and meet up with friends in the evening for a drink, well, how about going and meeting up and doing a craft activity instead? So it’s not requiring any more time. If you’d normally read the news on your way to work, swap that for a book. Those simple swaps can make it much more feasible.

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TAKEAWAYS

From “Art Cure: The Science of How the Arts Save Lives”

I was fascinated by the “tragedy paradox” that you mentioned in your book. Can you talk about why art that deals with depressing and scary situations can actually make us feel happier at times?

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It makes sense that happy art would make you happy. But actually, reading sad books or listening to sad songs, even watching scary films, people say that makes them feel happier. In our real lives, if we experience a sad or scary thing, then it’s sad or scary. But when we’re experiencing it through art, because it’s art, we know it’s not real, therefore there’s a detachment from it. Our brains get to use that experience almost as a learning process, to think about, “How can I regulate this emotion? How would I respond in the real world?” Also, we find that when we have negative and positive emotions together, we find events much more memorable, including arts events.

[Note: Fancourt writes in the book that sad or scary works of art that trigger negative memories from our past do not help us regulate our emotions.]

How often should we be engaging with the arts to get the full health benefit?

Think about it like you think about food. So we all need to be eating every day. We should all be doing some kinds of arts every day.

People dancing to music

(Maggie Chiang / For The Times)

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‘The Pitt’ approaches the end of a very long shift : Pop Culture Happy Hour

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‘The Pitt’ approaches the end of a very long shift : Pop Culture Happy Hour

Noah Wyle in the second season of The Pitt.

Warrick Page/HBO Max


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Warrick Page/HBO Max

In HBO Max’s The Pitt, an ER full of doctors, nurses and staff are put through tense, high-stakes shifts. The first season was a critical success and won the show a raft of Emmy Awards. Now the second season is close to an end, and while this shift has been less catastrophic in some ways, it’s clear that everyone, including attending physician Dr. Robby (Noah Wyle) is stretched very, very thin. 

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