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Dungeons & Dragons turns 50 this year. Here’s what the game has meant to you.

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Dungeons & Dragons turns 50 this year. Here’s what the game has meant to you.

Vintage game modules from the role-playing game Dungeons & Dragons on display at The Dungeon Hobby Shop and Museum in Lake Geneva, which is located in the old offices of TSR, the company Gary Gygax created to sell the game.

E. Jason Wambsgans/Chicago Tribune/Tribune News Service via Getty Images


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E. Jason Wambsgans/Chicago Tribune/Tribune News Service via Getty Images

The first edition of tabletop role-playing game Dungeons & Dragons was released 50 years ago this year.

Since then, the game’s publisher, Wizards of the Coast, estimates that over 50 million people have played.

And it’s changed a lot since 1974. It was a pastime of nerds in the ‘80s and in part fueled the “Satanic Panic,” a time when concerned parents and news outlets linked the game teen killings and witchcraft.

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It’s become more mainstream after featuring in Netflix’s hit series Stranger Things. It also made its way to the big screen multiple times since 2000, most recently with 2023’s Dungeons and Dragons: Honor Among Thieves.

During the pandemic, it became a popular way for friends to stay connected through virtual campaigns held on Zoom or on ‘virtual tabletop’ websites like Roll20. NBC reported that D&D product sales rose 33% in 2020.

That momentum continued after lockdown into 2023, as Baldur’s Gate 3, a video game based on D&D, exploded in popularity, reaching over half a million concurrent players at its peak in September of 2023. It went on to win Game of the Year.

Throughout the decades, it’s remained as a way for its most loyal players to socialize with friends and escape to faraway lands. A few weeks ago, we asked readers and listeners to tell us what role the game has played in their lives.

Nearly 1,000 of you shared your passion for the game. Here are five of your stories.

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Memorializing loved ones

James Rubis and his wife Rena played D&D together throughout their relationship. When their daughter Gwen was born in 2003, they switched to online play to save time. As Gwen grew up, she became interested in playing with her parents. One day, Rena was playing an online game and encountered a Beholder – a floating, spherical monster with tentacles that have eyes on their ends. “My daughter saw that, and she went back to her room, and drew a picture of it and gave it to my wife – we still have it hanging on the wall in our spare room,” Rubis said.

A drawing of a beholder, a Dungeons & Dragons monster, done by James Rubis' late daughter Gwen.

A drawing of a beholder, a Dungeons & Dragons monster, done by James Rubis’ late daughter Gwen.

Courtesy James Rubis


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Courtesy James Rubis

The three of them started playing together as a family, in one-off games from Adventure in a Box, a monthly subscription service. “That was our monthly family time,” Rubis said. “We’d play 6 to 8 hours over the weekend once a month.”

In June of 2019, Gwen was killed in an accident while visiting family in California. Two weeks later, the monthly Dungeon in a Box arrived at Rubis’ house. “When I got that, it was like ‘Man, we’re not gonna get to do this again”, he said. He sent an email to the Dungeon in a Box customer service team thanking them for the memories their service allowed them. The co-founder responded, asking if they could honor Gwen’s memory in an upcoming campaign.

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Gwen’s character was included in the final chapter of a long sequence of adventures, which was sent to Rubis’ home. “I started going through the book, I found it, it’s been like 6 – 8 months since she had passed away, and I lost it, I just started crying. Because everything they put in there was her story, and how she acted,” he said. “She would’ve loved it.”

Bridging generations

Michael McKenna was introduced to D&D as a kid, when his older brother let him play with his friends. He rediscovered the game in 2017 through Critical Role, a web series where professional voice-actors play D&D in real time. His child Julius wanted to play the game, so Michael put his experience as a high school English teacher to use and wrote a one-on-one campaign for the two of them – and catered to the needs of Julius, who is transgender and has been diagnosed with autism.

“Back then, he had a lot of problems expressing himself,” McKenna said, “but they really loved [D&D]”. The seemingly infinite set of directions to take the campaign started out overwhelming. Michael would ask Julius how his character Greta felt, or how she would react to a situation. “At first, Julius was like I don’t know, so we’d give options. Eventually, it became ‘this is what she’s doing’, and then it became ‘this is what I, Julius, am doing’,” McKenna recounted

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“We caught him at 1:30 in the morning, with a flashlight in their bed, and their Chromebook, writing fiction about their D&D character,” McKenna recalled and laughed.“And it’s like you should go to bed responsibly, but it was so great that they were doing that.” At first, Julius kept the contents of the writing to himself, but he began to open up, eventually sharing the game with friends. “They’ve been more comfortable in situations and activities because of exploring things in D&D. They’re more assertive.”

Connecting cultures across borders 

Khaver Siddiqi grew up in Karachi, Pakistan. The country has a Sunni Muslim majority, and making friends in other denominations was rare. Siddiqi began playing D&D in 1997, when a friend returned from a trip to England with a copy of the 2nd Edition box set. “We poured over the three books religiously every weekend,” Siddiqi told us “It was truly immersive for us as Pakistani teenagers, being transported to a place completely different from ours.”

Through his immersion in the world of D&D, he became curious about the real-world events and cultures that inspired the campaigns he played. “You go and you read and you realize, ‘Wow, other cultures have this fascinating history and mythology,’” he said. That curiosity then extended back to his view of his own culture, which he could study with a broader perspective. “It gave me a sense of purpose, an anchor in life to be like ‘This is my identity’.”

Siddiqi found community through the game, adding players from the Shia Muslim minority to his D&D party. Playing kept him and the rest of his friends grounded and connected through the country’s political strikes, government changes, and corruption. “There was chaos all around us at some point or another, whether it was political or otherwise. But every Friday night we would get together and play. It would drag into the early hours of Saturday morning or night,” he said.

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Siddiqi hopes that the worlds in D&D’s mythology will look more like where he grew up and include facets of his culture. He recalls how important representation has been for his family, “Like Miss Marvel – I have a daughter who looks up to her because she’s like ‘oh yeah, she’s Pakistani-American,’ that’s what was missing for me in D&D when I was growing up. It was all these Euro-centric settings.”

Helping people discover themselves

Abby Morrione Matz, a transgender woman, first chose to play a female character during her first big D&D campaign in 2000. “At this point in my life, I was still trying to get a sense of who I was gender and sexuality-wise. I decided to use it as a platform to try out being a girl in front of my friends,” she said. “I really got to explore myself, as an elf, a wizard, but as a woman for the first time.”

Creating the character, she was inspired by the Lord of the Rings – a text that inspired the world of D&D. “I fell in love with Éowyn,” she described, “I was like ‘oh my god, she’s so cool, I want to play someone like her,’ but I also really liked Gandalf, so I did a wizard, I combined the two.”

Matz’ identity has been generally accepted throughout her D&D community. She found a community looking to start a group for women only. “I contacted [the leader] like ‘how do you feel about trans women?’ and she’s like ‘I’ll see you on Wednesday.’ We’ve built a humongous community since then, I’ve met some of my absolute best friends through this game.”

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Platform for mental health and healing

In 2021, Stacia Seaman found her partner Reese in cardiac arrest in her home. “She wasn’t breathing,” Seaman said. “Her heart wasn’t beating. I had to do CPR on her while I waited for the EMTs to arrive.” She had suffered a reaction to an antibiotic and was left with mental and physical impairment due to lack of oxygen in her brain.

Stacia Seaman's partner, Reese, pictured at the hospital after she was found in cardiac arrest at her home.

Stacia Seaman’s partner, Reese, pictured at the hospital after she was found in cardiac arrest at her home.

Courtesy Stacia Seaman


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Courtesy Stacia Seaman

As Reese slowly recovered, Seaman began slowly introducing new activities. “We started with games,” she said. “We played Go Fish, we played Rummy, we played dominoes, and then she was able to come home.” Then, they reintroduced the game both had played throughout their lives: D&D.

They began by building a D&D Lego set that came with a playable adventure. “[Reese] took one look at that and said ‘When are we going to start playing again?’” Seaman said, “I was thinking we’re not.” But she decided to slowly help Reese begin playing.

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They created a character to play together, and Seaman reached out to the leader of a game for them to join, and described Reese’s situation. They welcomed the couple. “That’s one of the things I love about our gaming community: We get young kids, people with autism, and you just work with it,” Seaman said.

Seaman sees the game as benefitting Reese’s recovery.

Seaman credits Dungeons & Dragons for helping her partner Reese recover from a brain injury due to cardiac arrest.

Seaman credits Dungeons & Dragons for helping her partner Reese recover from a brain injury due to cardiac arrest.

Courtesy Stacia Seaman


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Courtesy Stacia Seaman

“It’s therapeutic,” she said. “It helps her with fine motor control because she’s rolling dice, it’s helping her cognitively because she’s in groups again. She’s just a happier person again. She’ll never be who she was, but she’s a lot more herself.”

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Video: Why Oakland Is Saying Goodbye to Pro Baseball

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Video: Why Oakland Is Saying Goodbye to Pro Baseball

The Major League Baseball team the Athletics played their final games this week in the Oakland Coliseum, which has been their home base in California for the past half-century. They’re expected to relocate to Las Vegas for 2028 at the whim of their billionaire owner, John Fisher, and in the meantime play in a minor-league ballpark in Sacramento. Jack Nicas of The New York Times explains how the plan to build a stadium in Las Vegas is driven by a single factor — money — and what it’s meant to Oakland.

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Where to get free trees in Los Angeles and Orange counties

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Where to get free trees in Los Angeles and Orange counties

Once upon a time — well, in 1928, actually — the city of Los Angeles took the progressive step of opening the Commonwealth Nursery in Griffith Park, which over the next 50 years grew millions of trees and plants — many propagated from native seeds — for the city’s parks and public buildings.

The nursery closed in the mid-1970s and fell into disrepair, but now the city and its partners are trying to resurrect at least a portion of it to grow native trees for Los Angeles residents to plant for free in their yards.

For more than 50 years, Los Angeles’ historic Commonwealth Nursery in Griffith Park grew millions of plants for the city’s parks and public spaces, but the 12-acre nursery fell into disrepair after it closed in the mid-1970s, as this ruined greenhouse overrun with vines attests.

(Jeanette Marantos / Los Angeles Times)

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The Commonwealth Nursery project, led by the city’s nonprofit contractor City Plants, and its staffing partner, the LA Conservation Corps, is just one piece of a much larger regional campaign by utilities and municipalities to increase the urban canopy of trees around greater Los Angeles, bringing beauty, shade and energy savings to city neighborhoods while expanding habitat for birds, insects and other wildlife.

That campaign involves planting trees in parkways and along streets. Many jurisdictions are also providing free trees to residents to plant in their yards, along with instructions and other support.

An old, long wood greenhouse with its roof partially caved in by a large eucalyptus branch.

One of the old greenhouses at Commonwealth Nursery, with its roof partially caved in by a large fallen eucalyptus branch.

(Jeanette Marantos / Los Angeles Times)

The program doesn’t just beautify treeless neighborhoods, said arborist Carlos Campero, executive director of the City Plants program; it also reduces energy use. A strategically planted deciduous tree can cool a house during the hottest months, reducing air-conditioning needs, and provide warmth from the sun in the winter, when it drops its leaves, to reduce heating costs as well. City Plants offers an online tool to help residents find the best location for planting trees on their property to maximize their energy savings.

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That buy-in makes all the difference in encouraging property owners to plant more trees, said Matthew Wells, public landscape manager for the city of Santa Monica, which began its tree giveaway program as an experiment in 2023.

The response was so enthusiastic, Wells said, that the city has more than doubled the number of trees it plans to give away this fall and next spring, from 150 to 400, and once again, it’s including fruit trees and smaller trees that can live on a balcony, because so many of the city’s residents are renters who live in small spaces.

City Plants native tree nursery fills a small corner of the Commonwealth Nursery's empty terraced growing areas.

City Plants’ fledgling native plant nursery fills a small corner of the Commonwealth Nursery’s terraced — and mostly unused — growing areas.

(Jeanette Marantos / Los Angeles Times)

Like other jurisdictions, Santa Monica provides lots of instructions to help ensure the trees survive. “For many people, this might be the first tree they’ve ever planted, so we want them to know how to look after it,” Wells said. “We don’t want it to be like, ‘Somebody gave me a goldfish and I killed it within a month. And I’ve never had a pet again.’”

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Most jurisdictions, including the city of Los Angeles, are getting their giveaway yard trees from wholesale nurseries. But nursery manager Amanda Bashir Chaves said City Plants is trying to increase its native tree offerings by collecting seeds (with permission) from Griffith Park and other locations and then raising those plants in a small section of the Commonwealth Nursery — a project it hopes can expand with time.

The 12-acre nursery grew more than 500,000 plants the first year it opened in 1928, according to a history by the Friends of Griffith Park, and between 1 million to 2 million plants annually after that, while providing jobs for some 45 people. An acre-sized lath house provided shade for tender seedlings, and an innovative rainwater collection system provided water for irrigation six months of the year. Acres of terraced growing areas and multiple greenhouses produced many native plants grown from seed collected around the park such as sumacs, ceanothus, yellow-blooming flannel bush, manzanitas, barberries, monkeyflowers, Catalina cherry, toyon and coffeeberry.

A smiling woman, Amanda Bashir Chaves, holds up a potted California buckeye sapling with bright green leaves.

Nursery manager Amanda Bashir Chaves holds up a native California buckeye sapling she grew from seed at the City Plants’ Commonwealth Nursery.

(Jeanette Marantos / Los Angeles Times)

A young burgandy-haired woman, Gia Hernandez, plants seeds with a young man in a khaki shirt, Lorenzo Chavez.

LA Conservation Corps workers Gia Hernandez, in the orange vest, and Lorenzo Chavez planting Cleveland sage seeds at the Commonwealth Nursery.

(Jeanette Marantos / Los Angeles Times)

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“In one planting bed alone, 75,000 coast live oaks were growing from locally collected acorns, a sight which astonished and amazed the 500 park employees who attended the nursery’s official grand opening in 1928,” according to the history.

It all came to an end after the passage of Proposition 13 in 1978, which limited property taxes to 1% of assessed values and more than halved property tax revenues overnight. “Budget cuts made supporting the facility and its staff untenable,” according to the history, “and as a result, the nursery fell into great disrepair.”

Today, the greenhouses are overgrown with leftover plants, their roofs smashed by giant fallen eucalyptus branches. It’s not clear what will happen to those ruined greenhouses, but Chaves and Campero hope their nursery can expand to grow large native shrubs like toyon and lemonade berry, as well as some of the non-invasive, non-native trees offered to residents, in the large unused terraced growing areas at the site, Chaves said.

More plants could mean more jobs for the LA Conservation Corps, which contracts with the city to grow and distribute trees under the City Plants program, Chaves said. So far, Chaves has been running the nursery herself, with the assistance of two Conservation Corps members, Lorenzo Chavez and Gia Hernandez, who help with the time-consuming work of planting seeds and separating seedlings into their own pots.

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How to get a free tree

In almost all cases, you must be a customer of the utility and/or resident of the municipality. Some entities, like City Plants, offer trees throughout the year, depending on availability.

Others have giveaways timed to specific dates or events. Southern California Edison, for instance, offers free trees to some customers through a partnership with the Arbor Day Foundation’s Community Canopy and Energy-Saving Trees programs. Trees go quickly, but you can join SCE’s wait list or subscribe to the foundation’s newsletter to be informed of upcoming giveaways in other locations, said program manager Kristen Bousquet.

Some utilities, such as the Metropolitan Water District of Southern California, offer rebates on electric bills to customers who purchase trees.

Tall narrow pots of endangered Southern California black walnut seedlings and Engelmann oak seedlings.

The LA Conservation Corps, which contracts with City Plants to grow native trees at Commonwealth Nursery, is growing some endangered varieties as well, such as Southern California black walnut seedlings, left, and Engelmann oak seedlings.

(Jeanette Marantos / Los Angeles Times)

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Note, too, that while Los Angeles County and several municipalities may not provide free yard trees — the county spends almost all of its $20 million budget for trees on trimming or otherwise maintaining its 170,000 street trees, said Deputy Director of Transportation Steve Burger — they will take requests to add trees to parkways in front of homes. If you live in a county-maintained neighborhood, you can fill out an online form to request that Los Angeles County Public Works plant a parkway tree.

If you don’t see your jurisdiction, contact your local municipality or power provider to find out if they offer a free yard tree program.

Tree giveaway programs

Anaheim TreePower Residential Program is a partnership between Anaheim Public Utilities and Anaheim Community Services that provides up to six free trees to be delivered to the homes of utilities customers, who can choose their trees from a catalog of nearly 50 species. Customers must sign a planting agreement and work with a TreePower representative to find the best location on their property for their trees. Customers may also purchase up to three 5-gallon trees from the nursery of their choice and get a $20 rebate per tree. The mature height of rebate trees cannot exceed 25 feet.

Altadena Heritage Committee is offering one free 15-gallon tree for residents who place a request by Oct. 15. Pickup is on Nov. 16. Five species are available: Western sycamore, Chinese flame tree, California pepper, pink trumpet tree and pink dawn chitalpa.

Burbank Water & Power, in partnership with the Arbor Day Foundation, provides up to three free trees for Burbank residents and 20 trees for Burbank businesses.

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Glendale Water & Power Tree Power offers customers up to three free shade trees on a first-come-first-served basis (single family homes only). Customers can call the city’s arborist at (818) 957-4425 to participate or fill out a form online. Trees will be delivered with stakes, ties, arbor guards and an instructional DVD on tree planting and maintenance.

Grow Monrovia, a nonprofit community nursery and gardens on the grounds of the Maryknoll Sisters retirement home, is providing free oak saplings to residents of Foothills communities from Pasadena to Glendora on Oct. 7, 16, 21 and 28. Giveaway events start at 5 p.m. except on Oct. 16, when the event begins at 10 a.m.; events will feature presentations about the benefits of oak trees and how to care for them. Grow Monrovia offers tree giveaways and planting activities throughout the year.

Long Beach Tree Planting Program provides Long Beach residents with a free tree for their parkway area only (the strip of ground between the sidewalk and the curb). Wait times are typically two months or longer, and tree planting is paused between July and September due to the heat. Residents can request a tree from a list of nearly 50 available species.

Los Angeles City Plants provides up to seven free shade trees for city residents through this partnership between the city and the LA Conservation Corps. Residents can choose from a list of about 30 water-efficient species. City Plants offers regular tree giveaway events (sign up to be notified about upcoming events); you can also order trees online and have them delivered. Free trees are available for schools, businesses and apartment owners as well. Unsure whether you live in the city limits? Enter your address on the website to confirm eligibility. City Plants plants street trees in parkways at the request of residents or neighborhoods, but due to high demand, has temporarily paused that part of its program until it can complete earlier requests.

Los Angeles County does not provide free yard trees but does accept requests from county residents to plant street trees in the parkways in front of their homes.

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Metropolitan Water District of Southern California offers rebates — applied to customer utility bills — of $100 per tree for up to five trees for customers who remove their turf lawns and plant trees as part of their new landscape plans.

Pasadena Water & Power Shade Trees Rebate offers a $25 rebate on shade trees purchased by utility customers for residential yards or businesses, and an extra $5 rebate if the trees were purchased in Pasadena. Trees must be at least 2-gallon size and be planted in the ground along the south- and/or west-facing walls of your home or business. Participants must purchase trees from the utility’s approved list of more than 30 species. Residents in the utility’s income-qualified bill payment assistance program get an additional $25 bonus per tree. Customers are limited to 10 trees every five years.

Santa Monica began a free tree giveaway for residents last year with 150 fruit and shade trees, which were quickly snatched up. This fall, winter and spring the city plans to increase its overall offerings to 400 trees, including trees that can be grown in containers, according to Public Landscape Manager Matthew Wells. Tree varieties include Eureka lemon, pink guava, Golden Delicious apple, coast live oak, olive, crape myrtle, California sycamore, desert willow and torrey pines. For giveaway details, follow Santa Monica on Instagram or visit the city’s events page.

Torrance residents can request that the city plant a street tree in the parkway in front of their home. The city plants an average of 400 street trees a year in its parkways, according to the website.

TreePeople is working with multiple jurisdictions in Los Angeles, Riverside and San Bernardino counties to plant more trees, and periodically offers free tree giveaways to residents of those communities, such as the 200 fruit trees it is offering Pacoima residents from 8 a.m. to 4 p.m. Oct. 12 at El Nido Farmer’s Market. Check TreePeople’s calendar or sign up for a newsletter to find out about upcoming events.

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How a catchy tune became the soundtrack to TikTok's silliest videos

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How a catchy tune became the soundtrack to TikTok's silliest videos

MIDI inputs in Logic for the song Monkeys Spinning Monkeys taken from Kevin MacLeod’s Youtube channel. Unlike other artists who seek to protect the rights to their creative work, McLeod encourages anyone to use his music for free. “I just want my stuff to be heard,” he says.

Kevin MacLeod/YouTube/Screenshot for NPR


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Kevin MacLeod/YouTube/Screenshot for NPR

Turn to TikTok for some amusement, and you’ll find short videos of a fluffy cat cuddling a fluffy dog, a toddler clutching a bag of Doritos as though it were a teddy bear, or a penguin creating flipper-print artwork.

You’ll have to turn up the volume to hear what all these posts have in common: a song created ten years ago called “Monkeys Spinning Monkeys” by Kevin MacLeod.

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Although few people know the name of the song or the person who composed it, over the past decade, it’s served as the background music for millions of TikToks and has been played billions of times. It’s also all over Instagram and YouTube.

The song’s story illustrates one of the core ways that music and social media have shaped each other over the last decade—with the proliferation of viral, loopable songs that immediately telegraph a video’s mood on digital platforms designed for ease of copying sound from video to video.

The man behind the monkeys

Kevin MacLeod is a prolific composer who got his start as a computer programmer. He created songs for fun on his computer and in front of audiences at improv comedy shows.

MacLeod’s compositions are what’s known as “library music,” stockpiles of songs that content creators draw upon to score their works. These are the sort of melodies that you would never queue up on Spotify but end up in the background of all sorts of things: video games, films, and countless short videos.

“Usually, I’ll be like watching a YouTube video and the music sucks,” says MacLeod. “And I’m like, well, let me try to do something better.”

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And once he tries his hand at something better, he releases it for free.

In the early days of his career, MacLeod would craft his own licenses — not to protect his rights, but to give them away. MacLeod says his approach was to “find a license, and then do everything the opposite,” adding clauses like “you have the right to use this for your personal things. You have the right to use this commercially. You can sell this thing in another product if you want to.”

Then Creative Commons came along, standardizing royalty-free rights. While some composers and industry people argue that such sharing undermines composers’ ability to make a living, MacLeod says he just wants his work out in the world.

“I just want my stuff to be heard,” explains MacLeod. “You know, you gotta make it as easy as possible.”

Soundtracks spread with two taps of a finger

In the early days of YouTube, users posted pretty much anything regardless of copyright, says Bondy Kaye, a researcher at the University of Leeds and cofounder of the TikTok Cultures Research Network.

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But with crackdowns by digital fingerprinting programs like Content ID, Kaye says people increasingly turned to royalty-free songs, including “Monkeys Spinning Monkeys.”

“And then you just follow that train as it goes all the way to TikTok,” says Kaye.

Kaye says that while YouTube lets users upload new videos, TikTok makes it easier to create videos that build off existing content with features that allow users to splice a reaction video alongside the original, take a short clip from it, or reuse the music. (Instagram also contains a similar feature.)

“So if you happen to see a viral video, with just two taps of your finger, you can create and publish a new video using that same song.”

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As more people saw TikToks with “Monkeys Spinning Monkeys,” more people made TikToks with “Monkeys Spinning Monkeys,” too.

Something magical about “Monkeys”

TikTok said they couldn’t provide us with all-time numbers, but rankings by industry watchers over the last few years routinely show “Monkeys Spinning Monkeys” among the most used songs on the platform. MacLeod says that out of his 2,000 compositions, “Monkeys Spinning Monkeys” accounts for half of all listens.

“Monkeys Spinning Monkeys” contains a fluty melody and bouncy bass line— musical elements that signal “fun” to the listener.

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Even with the Creative Commons license, he’s still earned over seven figures—mostly from other countries that don’t always follow the same payment protocol.

So is “Monkeys Spinning Monkeys” just a song in the right place, with the right permissions, at the right time? Or is there something special about it that makes it such an appealing soundtrack for our favorite silly, joyful highlights?

“The answer is both,” jokes Paula Harper, a musicologist at the University of Chicago who writes about sound and the internet.

Harper says “Monkeys Spinning Monkeys” subtly uses some classic musical references, like its booming bass line.

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Musicologist Paula Harper says “Monkeys Spinning Monkeys” shares some elements from classical music, like this aria by Mozart. Both songs feature a bouncy bass line that highlights the songs’ intended comic relief.

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“You can find examples going back to the 18th century where composers like Mozart are using boom, boom, boom, boom,” says Harper, mimicking the bouncing bass line, “to signify this is goofy, this is silly, this is comic relief.” For example, she points to the first aria in Mozart’s Don Giovanni, “Notte e Giorno Faticar,” when a similar baseline introduces Leporello as “the goofy comic-relief servant character.”

Then there’s a melody “that is definitely evocative of something like a calliope, like a carousel,” says Harper. A good example, she says, is the circus march “Barnum and Bailey’s Favorite,” which shares the same basic structure of a light melody on top of an alternating bass line.

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The light, tinkling melody of “Monkeys Spinning Monkeys” comes from computer-synthesized flutes, but evokes the same sort of carousel or circus atmosphere as songs like the march “Barnum and Bailey’s Favorite”

YouTube

When “Monkeys Spinning Monkeys” comes on, Harper says people probably are not consciously thinking about old-timey circuses, and they’re definitely not thinking about Mozart. But together, the song plays on associations we already have to evoke a mood immediately.

Composer Kevin MacLeod acknowledges that “Monkeys Spinning Monkeys” is musically unexceptional. “I mean, the mix isn’t particularly great. The instruments aren’t particularly great…. There’s nothing sonically interesting about it,” admits MacLeod.

But it pulls together these musical ideas in a way that lets you know what’s happening, and with – he thinks – a bit of subtlety.

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“It’s not assaulting you with comedy. You know, there’s not slide whistles and train horns and cars honking,” laughs MacLeod. “People like it. People use it. And it does the thing.”

That “thing” has gone from platform to platform, cat video to cat video. And no matter what happens to TikTok, the sound of “Monkeys Spinning Monkeys” will likely be stuck in our heads for years to come.

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