Lifestyle
Classics Just Twisted Enough to Wear
Hang around the fashion industry for all of, oh, five minutes, and you’ll start to hear the term “classics with a twist.”
Designers say it, writers use it, marketing execs cite it. What they mean, typically, is something familiar, bent just enough to feel fresh — stylistically, and, of course, commercially.
Is it trite? Certainly. But I’ve been thinking about this cliché in recent days, as it applies so well to the best of what I’ve seen trudging through Paris Fashion Week: the clothes and outfits that contort the conventional just enough to make me lean in and say, “What’s going on there … and do I need it?”
It’s what I thought of when I saw the Yankees hat that Sigurd Bank, a forthright Dane who designs Mfpen, a Copenhagen label, was wearing when we met for coffee on Friday morning.
The hat looked like a kindergarten art project set upon by a hammerhead. Its faded brim was cleaved in half, a logo on the side had been stitched over by his daughter and the “NY” logo on the front had been covered with a swatch of plaid fabric held on by a safety pin.
He wasn’t taking a shot at New York in particular, but he did mention that there was “kind of an anti-U.S. thing going on in Europe” that compelled him to make his hat look less American.
I’ve seen tens of thousands of Yankees hats before, but none like Mr. Bank’s.
I’d also never seen an olive military jacket like the one Andre 3000 wore as he slithered into the Kenzo show just before the music kicked in. Here was the rarest creature at fashion week: a celebrity in the front row wearing his own clothes. What a concept.
The jacket was ragged and shredded. On the back, the musician had screen-printed a photo of his son. The most winning clothes are, as ever, the most personal.
Not that great style can’t be bought. On Friday, I visited the Avenue Montaigne store of Loewe, a brand that is skipping the runway this season as rumors circulate about the future of its creative director, Jonathan Anderson.
There I found a pair of pebble-grain penny loafers upgraded in a Kermit green so “aaoogah” eye-popping that it almost made me pay the roughly $1,000 price. The right twist can be budgetarily devastating.
If I was thinking more than usual about how much clothes should be tweaked this week, it was because I’d witnessed so much that felt overindulgent, if not borderline silly.
I saw, at Kenzo, bunny suits worn with underwear, an outfit suited only for a deleted scene in a Harmony Korine film. I saw, at Hodakova, a woman “dressed” in a stringless cello that nearly rendered her incapable of walking. At Vivienne Westwood, I saw ties the length of XXL lassos. (Designers, please stop trying to make the tie anything more than it is.)
Before these designers are given the keys to their venues, someone should remind them that a little adjustment can do a lot.
At least a few designers got the memo.
In a continuation of the paring-it-all-back approach he took in January for his men’s show, Rick Owens presented his version of wardrobe building blocks for women.
“Every once in a while we have to pull it back a bit,” Mr. Owens said backstage. He pulled it back just enough.
I’m not going to say that what Junya Watanabe presented wasn’t out there — moto jackets with sleeves made of boots are only for double-black, diamond-level dressers. But the flared snakeskin-like pants? The black coat made in geometric panels? The leather jacket that looked as if it had swallowed a hula hoop? All classic designs nudged along toward something new.
As for Matières Fécales, a label making its runway debut in Paris, the name almost kept me away. (It translates to fecal matter.) That would’ve been a mistake.
With the backing of Dover Street Market’s brand incubator, this was a sure-footed planting of the flag from the designers Hannah Rose Dalton and Steven Raj Bhaskaran. The pair, who are personalities in Mr. Owens’s extended universe, met in design school in Montreal a decade ago but are largely known for their own alien way of dressing. (Backstage after the show, Mr. Bhaskaran described their style as “posthuman.”) They are probably the only fledgling designers I can think of to already have 175,000 Instagram followers.
A flighty influencer brand this is not. Their debut, which owed a significant debt to the work of Mr. Owens as well as that of Alexander McQueen, flashed some true chops.
Hourglass blazers brandished shoulders peaked enough to recall the letter M. Sweaters were distressed with care, and leather jackets featured fecund sprouts of shearling at the collar and sleeve hem.
Models wore theatrical white makeup and witchy heels, but the nearly all black palette of the clothes themselves made the collection go down easily. They were classics. Twisted classics, but classics nonetheless.
Lifestyle
All about character: Jane Austen fans on their favorites
Jane Austen ready to party for her 250th birthday at the Jane Austen Society of North America’s Annual General Meeting in Baltimore.
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In her six completed novels, Jane Austen excelled at love stories: Elinor and Edward, Lizzie and Darcy, Fanny and Edmund, Emma and Knightley, Anne and Wentworth, heck even Catherine and Tilney. As her fans celebrate the 250th anniversary of her birth, they’d like you to know it’s a mistake to simply dismiss her work as light, frothy romances. It’s full of intricate plots, class satire and biting wit, along with all the timeless drama of human foibles, frailties and resolve.
Tessa Harings (left) learns English country dance at the Jane Austen Society of North America’s 2025 Annual General Meeting
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“The basic reason why Austen is still popular today is because all of her characters are people we know in the world,” says Tessa Harings. She’s a high school teacher from Phoenix and one of the more than 900 attendees at the Jane Austen Society of North America’s Annual General Meeting, held in Baltimore this year. “We all know of someone who’s shy and aloof and needs to be brought into the crowd. We all know someone who’s quite witty, naturally. We all know someone who is a bit silly and always looking for attention.”
Colin Firth, properly memed from the 1995 BBC miniseries. His Darcy is a big favorite with the JASNA crowd.
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Shy and aloof? That could be Darcy. Naturally witty? Lizzie Bennet. Silly and looking for attention? Take your pick: baby sister Lydia or maybe the haughty Caroline Bingley or the unctuous Mr. Collins, all creations from what might be Austen’s most popular novel, Pride and Prejudice.
Her characters have permeated modern pop culture, even among people who’ve never opened her books. Harings says that’s one reason her students want to read these Regency-era novels. They want to understand the jokes in all those short videos and memes, like Mr. Collins making awkward dinner conversation.
He wants a wife, he compliments the potatoes. In Mr. Collin’s head, it makes sense.
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Her students enjoy the tension between Darcy and Lizzie: he’s very rich, so besotted by her against his will that he can hardly dance, glower and talk at the same time. Lizzie initially cannot stand him and refuses his first proposal, as shown in this soggy scene from the 2005 movie adaptation.
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Harings says Lizzie is her favorite Austen character. “She has such sharp, sarcastic wit and she’s so self-confident, despite the fact that she’s constantly being put down by the people around her for her supposedly lower position in life as the slightly less pretty of the mother’s two oldest daughters.”
Milliner Dannielle Perry (right) and her assistant Mia Berg of Timely Tresses in their Regency-era togs.
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“When I was a teenager, I loved Lizzie and I wanted to be Lizzie,” says milliner Dannielle Perry of Oxford, N.C. She’s read and reread all of Jane Austen’s books and she loves how they change for her as she’s gotten older. She’s now more sympathetic toward Mrs. Bennet, Lizzie’s mom: a woman desperate to get her five daughters married, least they be penniless since they can’t inherit their father’s estate. “I feel sorry for her in a way I never did before,” Perry says. “She is sort of silly, but she’s lived with a man for 20 years who largely dismisses her and thinks she’s frivolous.”
Doctoral student Katie Yu, of Dallas, has this analysis of Mrs. Bennett and her husband, who seems mentally checked-out at best: “He’s not a great father. He’s always putting his wife down in front of his daughters, he’s putting his daughters down in front of his daughters.” Yu says Mr. Bennet married Mrs. Bennet because she was pretty, treats her as an inferior, and often ignores her. This is why Mrs. Bennet goes on about her nerves and “has the vapors” whenever she’s stressed: she’s trying to get his attention.
“But,” says Tessa Harings, “she still has a level of street smarts that she has to get her daughters married. And yes, she’s sincerely concerned about their future … she actually, of the two of them, is the more concerned and involved parent.”
Tom Tumbusch explains 19th century dance moves to JASNA members.
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Dance instructor Tom Tumbusch, of Cincinnati, says men can learn a lot from Austen. “Modern men struggle to find good role models,” he says. “Reading Austen’s works can help them see the places where men can go wrong.” Mr. Bennet, for example. Or the libertine George Wickham who lies and runs off with the flighty Bennet sister, Lydia. Or maybe Willoughby from Sense and Sensibility, who leads Marianne Dashwood on, ghosts her and is later revealed to have abandoned an unmarried woman who gave birth to his child.
Oh, Marianne, he’s so not worth it!
On the other hand, Tumbusch says Jane Austen’s heroes can show men “how to be masculine in a constructive way,” like owning mistakes, taking responsibility and treating women with respect. It’s not just Darcy, who works behind the scenes getting Wickham to marry Lydia, it’s also Captain Wentworth from Persuasion. Tombusch says Wentworth does what men of his station should: he uses his own resources to help someone less fortunate, the poor, partially disabled widow Mrs. Smith. And in Sense and Sensibility, there’s the steadfast Col. Brandon. Hoping to make Willoughby’s rejection of Marianne less devastating to her, he exposes the libertine’s behavior. He rides hours to retrieve her mother when Marianne is near death. He patiently, oh-so-patiently, waits for her young, broken heart to mend.
All this while wearing a flannel waistcoat because he’s on the “wrong side of five and thirty” and needs to keep those ancient bones warm.
Before he rocked worlds as Snape, Alan Rickman made the earth move for viewers of the 1995 movie adaptation of Sense and Sensibility.
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JASNA president Mary Mintz, of McLean, Va., says though Jane Austen is largely known for her marriage plots, it’s really the human need for connection that grounds her stories. “She writes about the relationships between parents and children, between siblings or among siblings, she writes about relationships with friends. And she is really insightful. When you combine that with her knowledge of human psychology, it’s a great formula for success.”

Mintz is fascinated by Emma’s pivotal character, Miss Bates. She’s a spinster and member of the gentry class who lives with her elderly mother on an extremely limited income. She’s also a nervous chatterbox, “someone who can’t stop talking,” says Mintz. “I’ve known a lot of Misses Bates in my lifetime… people who seem insecure and feel as though they have to fill up silence, but are really good-hearted people.”
When Emma is rude to Miss Bates, she’s firmly chastised by her neighbor, Mr. Knightley. It becomes a turn-around moment in the story. Humbled, Emma apologizes. She also sees how she’s been wrong to meddle in the love life of Harriet Smith, a pretty teenager whose parents are unknown.
Mintz says there’s an interesting link between Bates and Harriet, if you put two and two together.
“In Jane Austen’s actual life, mothers and daughters often share the same name,” she explains. That pattern can be seen in many of her novels. “We don’t know who Harriet Smith’s natural mother is, but at one point Miss Bates is referred to as ‘Hetty,’ which could be a diminutive for ‘Harriet.’ “
That’s the first clue. The second clue occurs during that scene where Knightley sets Emma right. He says of Miss Bates, “she has sunk from the comforts she was born to.” He then draws a contrast between the spinster’s current station and her former one: “You, whom she had known from an infant, whom she had seen grow up from a period when her notice was an honour…”
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Emma’s father is quite wealthy, so why would Miss Bates’ notice have once been so esteemed? Mary Mintz asks, “Is because she had a child out of wedlock?”
And could that child be… Harriet Smith?
The mind: it boggles! A Jane Austen Easter egg! It’s just one example of how multi-dimensional her novels are and why so many people will continue loving, analyzing and discussing her work well into the next 250 years.

Jacob Fenston and Danny Hensel edited and produced this report.
Lifestyle
Rob Reiner and Wife Michele Had Throats Slit By Family Member
Rob Reiner And Wife Michele
Throats Slit By Family Member
Published
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Updated
Rob Reiner and his wife Michele had their throats slit by a family member, possibly after an argument inside their Los Angeles home, leading to their tragic deaths … TMZ has learned
It’s unclear what exactly triggered the violence, which went down Sunday afternoon in Brentwood … but we’re told one of Rob’s daughters found her parents dead and told police a family member had killed them. PEOPLE reports the couple’s son, Nick, is being questioned in connection with the murders.
Our sources also say the daughter told police the family member “should be a suspect” because they’re “dangerous.”
TMZ broke the story … Rob and Michele suffered lacerations consistent with knife wounds and LAPD’s Robbery Homicide Division is investigating the case.
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Dispatch audio captures a firefighter calling for backup to the Brentwood mansion around 3:30 PM … though it doesn’t provide any further information about the circumstances in the abode.
Rob was 78. Michele was 68.
Lifestyle
Sunday Puzzle: Major U.S. cities
Sunday Puzzle
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On-air challenge
I’m going to read you some sentences. Each sentence conceals the name of a major U.S. city in consecutive letters. As a hint, the answer’s state also appears in the sentence. Every answer has at least six letters. (Ex. The Kentucky bodybuilders will be flexing tonight. –> LEXINGTON)
1. Space enthusiasts in Oregon support landing on Mars.
2. Contact your insurance branch or agent in Alaska.
3. The Ohio company has a sale from today to next Sunday.
4. The Colorado trial ended in a sudden verdict.
5. Fans voted the Virginia tennis matches a peak experience.
6. I bought a shamrock for decorating my house in Illinois.
7. All the Connecticut things they knew have now changed.
8. Can you help a software developer in Texas?
Last week’s challenge
Last week’s challenge came from Mike Reiss, who’s a showrunner, writer, and producer for “The Simpsons.” Think of a famous living singer. The last two letters of his first name and the first two letters of his last name spell a bird. Change the first letter of the singer’s first name. Then the first three letters of that first name and the last five letters of his last name together spell another bird. What singer is this?
Challenge answer
Placido Domingo
Winner
Brock Hammill of Corvallis, Montana.
This week’s challenge
This week’s challenge comes from Robert Flood, of Allen, Texas. Name a famous female singer of the past (five letters in the first name, seven letters in the last name). Remove the last letter of her first name and you can rearrange all the remaining letters to name the capital of a country (six letters) and a food product that its nation is famous for (five letters).
If you know the answer to the challenge, submit it below by Thursday, December 18 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.
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