Connect with us

Lifestyle

Burned-out producer finds a new dream in her tiny plant shop

Published

on

That is the most recent in a collection we name Plant PPL, the place we interview folks of colour within the plant world. When you’ve got any options for PPL to incorporate in our collection, tag us on Instagram @latimesplants.

Is it doable to show what you like into what you do?

After years of battling burnout whereas working lengthy hours as a producer, Sasha Tempo was prepared to present it a shot.

In September, after internet hosting bimonthly plant pop-ups on the patio of her house, Tempo took a leap of religion and opened Vida Plant Store in a tiny showroom in downtown Lengthy Seaside.

Measuring simply 170 sq. toes, the sun-filled showroom appears like a cross between your favourite plant store and neighborhood reward retailer with a number of totally different types of crops — Monstera, peperomia, aglaonema and fiddle-leaf figs — and small-batch, domestically sourced items.

Advertisement

On the cabinets are handmade equipment by native artists, girls and folks of colour, together with plant holders by Little Feral, customized ceramic pots by Lengthy Seaside ceramist Beth Bowman, tiny pots by Lengthy Seaside’s Sara Pilchman Ceramics and eco-friendly candles by Moco and Roen.

Tempo, 33, was born to a Puerto Rican mom and a Black father who inspired her to embrace each of their cultures.

“When folks have a look at me, they don’t know what nationality I’m,” she says. “It makes it laborious for me. Particularly with the cultural shift that has been taking place. Generally it appears like folks need me to assert one or the opposite, however that’s unfair. I determine with being Puerto Rican and Black equally. I wish to symbolize each cultures.”

For Tempo, promoting items by a various group of artists is a part of what motivates her as a businesswoman. “I’ve soaps from Wato Cleaning soap, a Japanese and Black artist. I additionally promote hand-rolled incense from an organization referred to as Incausa that employs Indigenous artisans in Peru. After I host occasions, all the distributors I invite are folks of colour. I plan on that includes extra artists of colour within the store. It’s actually vital to me.”

Just like the tropical crops that dance in her showroom, Tempo can not await her plant store to develop.

Advertisement

“I wished to begin small,” she says. “However I hope to have a much bigger area at some point. I really feel a want and duty to become involved as a lot as I can in my neighborhood.”

I caught up with Tempo to speak about her journey from promoting to plant store proprietor and the old-school advertising and marketing marketing campaign she carried out on her approach to opening her first retail retailer.

A wide range of crops are on the market at Sasha Tempo’s plant studio, Vida Plant Store.

(Dania Maxwell / Los Angeles Occasions)

Advertisement

What impressed you to open a plant retailer?

My background is in promoting. I produced commercials for some massive manufacturers and promoting businesses. It’s a really hectic, high-pressure job with no work-life stability in any respect. I used to be working 60 hours every week and felt like I used to be working on a regular basis. I used to be struggling main burnout and felt unfulfilled.

Vegetation grew to become my type of self-care and had been a wholesome method for me to decelerate. After I checked in with them to see in the event that they wanted water or daylight, it was a method for me to hook up with the current second as an alternative of being on my cellphone or laptop on a regular basis.

How did you make the soar from promoting to plant retailer proprietor?

I used to be freelancing throughout the pandemic however was out of labor a superb a part of the time. I liked crops a lot and had about 50 crops in my Lengthy Seaside house. So I opened the facet patio of my house and did a pop-up plant store twice a month. I put old-school, handwritten “plant sale” indicators on a busy nook and it labored! Folks had been into crops throughout the pandemic and so many individuals confirmed up. I used to be shocked and touched.

It was an exquisite approach to meet my neighbors and join with folks after being remoted for therefore lengthy. It took off, so I wished to see if I may do it full-time, be glad and make a dwelling. I saved as a lot cash as I may, stop my job and opened Vida on Sept. 4. It’s solely been 4½ months, however I’m loving it. It’s scary, however I don’t remorse opening the store. I hope it really works.

It’s an enormous soar.

It’s scary. I’m a one-woman present and self-funded. I don’t have any staff and do the whole lot myself. I hand-pick all of the crops from native impartial nurseries. I all the time wish to get essentially the most lovely, wholesome, attractive crops in numerous colours and patterns in order that I’ve a pleasant number of crops for folks to choose up.

Advertisement

My brother and mother watched the store for me after I was sick. However Lengthy Seaside appears like a superb neighborhood for this and I wished to begin out gradual and develop. I really feel a way of group right here that makes it particular. You don’t really feel it in L.A. the place individuals are all transplants. Folks actually wish to come out and help native mom-and-pop retailers.

Exterior of Vida Plant Shop

Vida Plant Store in downtown Lengthy Seaside.

(Dania Maxwell / Los Angeles Occasions)

It’s great how supportive the plant group is in Lengthy Seaside. We’re not aggressive and we root for one another. Dynelly [del Valle of Pippi+Lola] was one of many first folks within the plant group to welcome me right here. Foliage LB additionally got here and launched themselves and despatched their help. Courtney Warwick of Black Woman Inexperienced Thumb got here and took some pictures and reposted them on her social media and I used to be so touched by that. There isn’t a competitiveness or jealousy, simply loads of help and encouragement. It makes me emotional. I’m so grateful for the help. More often than not I really feel like I don’t know what I’m doing.

Talking of Dynelly, after I interviewed her, she joked that it took her 15 years to satisfy one other Puerto Rican in Los Angeles. Has that been your expertise?

[Laughs.] I didn’t meet loads of Puerto Ricans rising up within the San Fernando Valley. My mother all the time honks her horn and waves when she sees somebody driving with a Puerto Rico flag sticker on the again of their automobile.

Advertisement
Sasha Pace holds a green plant with large leaves and waxy pink flowers

Sasha Tempo poses for a portrait with an anthurium, her favourite plant.

(Dania Maxwell / Los Angeles Occasions)

Puerto Rico is such a lush place. Has it influenced your love of crops?

I’d positively say that touring to Puerto Rico over time has influenced my love of crops. One plant that makes me consider my tradition is the aloe vera. Rising up, my grandmother would present me use the plant as a masks. She would scrape the pulp and put it in a tonic. It was a approach to be linked to crops and use them in methods apart from ornament. Cultural data and traditions are so significant.

Your loved ones sounds supportive.

They’re so proud. I’m the primary individual in my household to personal my very own enterprise. My aunt informed me that I’m furthering the legacy of our household and am an instance to my youthful cousins.

For the grand opening, we had a celebration and performed music and lit sage and set good intentions for the store. My grandmother prayed over it in Spanish. My household is infused on this area.

Advertisement

The identify Vida should have some significance?

I believed it was vital to call the shop Vida as a result of vida means life in Spanish and crops and nature are life. It’s positively part of my tradition. I used to be proud to call my retailer a Spanish phrase.

How would you describe the shop’s vibe?

Calm. It’s welcoming and vivid and refreshing. I play my music and light-weight my incense. I really like all various kinds of music. That’s one thing that I’d prefer to develop sooner or later. I wish to collaborate with artists and invite native DJs to create a plant playlist that’s impressed by nature or the seasons.

Two hands hold a waxy green plant with pink leaves

Sasha Tempo holds an anthurium, her favourite plant.

(Dania Maxwell/Los Angeles Occasions)

Favourite plant?

If I needed to choose one, I’d have to choose the anthurium. The blooms are so colourful and vibrant and there’s something sexual about them. They’re waxy and moist.

Advertisement

What are your desires for the longer term?

I hope to have a much bigger area at some point in order that I can host extra workshops and occasions. I’d prefer to host plant-based dinners, artwork exhibits, botanical dying workshops. I wish to do issues that carry folks collectively.

Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Lifestyle

A member of the 'T-Shirt Swim Club' chronicles life as 'the funny fat kid'

Published

on

A member of the 'T-Shirt Swim Club' chronicles life as 'the funny fat kid'

“The first place I learned to be funny was on the schoolyard trying to defuse this weird tension around my body, says Ian Karmel. He won an Emmy Award in 2019 for his work on James Corden’s “Carpool Karaoke” special with Paul McCartney.

Kenny McMillan/Penguin Random House


hide caption

toggle caption

Advertisement

Kenny McMillan/Penguin Random House

Comedy writer Ian Karmel spent most of his life making fun of his weight, starting at a very young age.

“Being a kid is terrifying — and if you can be the funny fat kid, at least that’s a role,” Karmel says. “To me, that was better than being the fat kid who wasn’t funny, who’s being sad over in the corner, even if that was how I was actually feeling a lot of the time.”

For Karmel, the jokes and insults didn’t stop with adolescence. He says the humiliation he experienced as a kid navigating gym classes, and the relentless barrage of fat jokes from friends and strangers, fueled his comedy.

Advertisement

For years, much of his stand-up comedy centered around his body; he was determined to make fun of himself first — before anyone else could do it. “At least if we’re destroying me, I will be participating in my own self-destruction so I can at least find a role for myself,” he says.

Karmel went on to write for The Late Late Show with James Corden. He has since lost more than 200 pounds, but he feels like he’ll have a lifelong relationship with fatness. He wrote his new memoir, T-Shirt Swim Club: Stories from Being Fat in a World of Thin People, along with his sister Alisa, who channeled her experience into a profession in nutrition counseling.

“Once we lost a bunch of weight … we realized we’d never had these conversations about it with each other,” Karmel says. “If this book affects even the way one person thinks about fat people, even if that fat person happens to be themselves, that would be this book succeeding in every way that I would hope for.”

Interview highlights

On using the word “fat”

There’s all these different terms. And, you know, early on when I was talking to Alisa about writing this book, we were like: “Are we going to say fat? I think we shouldn’t say fat.” And we had a conversation about it. We landed on the determination that it’s not the word’s fault that people treat fat people like garbage. And we tend to do this thing where we will bring in a new word, we will load that word up with all of the sin of our behavior, toss that word out, pull a new one in, and then all of a sudden, we let that word soak up all the sin, and we never really change the way we actually treat people. …

I’ve been called fat, overweight or obese, husky, big guy, chunky, any number of words, all of those words just loaded up with venom. … We decided we were going to say “fat” because that’s what we are. That’s what I think of myself as. And I’m going to take it back to basics.

Advertisement

On the title of his memoir, T-Shirt Swim Club

T-Shirt Swim Club: Stories from Being Fat in a World of Thin People

T-Shirt Swim Club

Penguin Random House


hide caption

toggle caption

Advertisement

Penguin Random House

Thank God for learning about the damage that the sun does to our bodies, because now all sorts of people are wearing T-shirts in the pool. But when we were growing up, I don’t think that was happening. It’s absurd. We wear this T-shirt because we … want to protect ourselves from prying eyes — but I think what it really is is this internalized body shame where I’m like, “Hey, I know my body’s disgusting. I know I’m going to gross you out while you’re just trying to have a good time at the pool, so let me put this T-shirt on.” And it’s all the more ridiculous because it doesn’t change anything. It doesn’t actually cover you up, it hugs every curve!

On how bullying made him paranoid

You think like, if four or five people are saying this to my face, then there must be vast whisper campaigns. That must be what they’re huddled over. … Anytime somebody giggles in the corner and you are in that same room, you become paranoid. There’s a part of you that thinks like, they must be laughing at me.

Advertisement

On how fat people are portrayed in pop culture

Fat people, I think, are still one of the groups that it’s definitely OK to make fun of. That’s absolutely true. … I’m part of this industry too, and I’ve done it to myself. … Maybe it’s less on the punch line 1719964293 and more on the pity. You know, you have Brendan Fraser playing the big fat guy in The Whale. And at least that’s somebody who is fat and who has dealt with those issues. Maybe not to the extent of like a 500- and 600-pound man, but still to some extent. And good for him. I mean, an amazing performance, but still one where it’s like, here’s this big, fat, pathetic person.

On judgment about weight loss drugs and surgery

It’s this ridiculous moral purity. What it comes down to for me is you [have] your loved ones, you have your friends. And whatever you can do to spend more time on earth with those people, that’s golden to me. That’s beautiful, because that is what life is truly all about. And the more you get to do that, the healthier and happier you are. So those people out there who are shaming Ozempic or Wegovy or any of that stuff, or bariatric surgery, those people can pound sand. And it’s so hard in a world that is built for people who are regular size, and in a world that is also simultaneously built to make you as fat as possible with the way we treat food. It’s like, yo, do the best you can!

Therese Madden and Joel Wolfram produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

Advertisement

Continue Reading

Lifestyle

Christopher Reeve's Son Will Reeve to Cameo in James Gunn's 'Superman'

Published

on

Christopher Reeve's Son Will Reeve to Cameo in James Gunn's 'Superman'

Advertisement
Continue Reading

Lifestyle

Dining out with a big group? Learn the social etiquette of splitting the check

Published

on

Dining out with a big group? Learn the social etiquette of splitting the check

Let’s say you’re at a restaurant with a group of friends. You ordered appetizers, maybe got a bottle of wine for the table, went all in for dessert … then the bill arrives.

No one is offering to cover the whole tab. So how do you handle the check? Do you split it evenly among everyone at the table? What if you only got a salad while your buddy got the surf and turf special?

Splitting the bill is a fine art. Whether you’re eating family-style at a Korean barbecue joint or having a three-course meal at a fancy restaurant, there should be “a sense of equality in how the check is divvied up” when the meal ends, says Kiki Aranita, a food editor at New York Magazine and the former co-chef and owner of Poi Dog, a Hawaiian restaurant in Philadelphia.

She goes over common scenarios you may encounter while dining out with a large group — and how to dial down the awkwardness by keeping things fair and square.

Advertisement

Scenario 1: I arrived to dinner late. Everyone at the table already ordered drinks and appetizers and are about to order their entrees. What should I do?

When you’re ready to order, tell your server you want your food and drinks on a separate check, says Aranita. “It’s easier to deal with than having to split a check in complicated percentages at the end of the night.”

If you do choose separate checks, tell your server that at the start of the meal, not the end. That way they can make note of everyone’s individual orders. Not every establishment offers this option, but it doesn’t hurt to ask.

Scenario 2: Everyone ordered alcohol except me — and now they want to split the tab fair and square!

Speak up, says Aranita. “Just be like, ‘Hey guys — I didn’t drink.’ Usually, that’s enough for everyone to reconfigure the bill to make it fairer. The problems only arise when you don’t speak up.”

Advertisement

If you are ordering round after round of $20 cocktail drinks, be conscious of the people in your party who didn’t order as much as you. When the bill arrives, “maybe pick up a larger portion of the tip” to make up for your drinks, says Aranita.

Scenario 3: We’re a party of six. Is it OK to ask the server to split the check six ways?

Many restaurants now have updated point-of-sale systems that make it easier for servers to split the check in myriad ways, says Aranita. But it doesn’t always mean you should ask them to do so.

Aranita, who has also been a bartender and server, recommends a maximum of two to four credit cards. Servers “have enough to deal with” when working with a large party, especially on a busy night. And running several cards with different tip percentages isn’t ideal.

“If you’re a party of six, just put down two credit cards” and Venmo each other what you owe, she says. This approach also works out great for that person in your group who’s obsessed with racking up credit card points. 

Advertisement

Scenario 4: It’s my birthday. My friends should pay for my meal, right?

In American culture, it’s assumed that if your friends take you out to dinner for your birthday, they will cover your meal. But that’s not always the case, says Aranita.

If you set up your own birthday dinner, don’t expect to people to pay for you, she says. You picked the restaurant and invited your friends on your terms. So in this scenario, put down your card at the end of the meal. Your dining mates may pick up your tab, but if they don’t, “that’s perfectly fine. You’re saying: ‘I can celebrate me and also pay for me.’ ”

Scenario 5: It’s my friends’ first time at my favorite restaurant. I’m going to order an appetizer that I think everyone at the table will love. We’re all splitting the cost of that, right?

It can be easy to get swept away by the menu at a favorite restaurant, but don’t assume your dining partners share the same enthusiasm for the twice-fried onion rings. “You have to get their consent at the beginning of the meal. Say, ‘hey, is it cool if I order appetizers for the table?’ ” says Aranita. If you forgot to ask this question, assume that you will pay for the order.

Advertisement

This episode was produced by Sylvie Douglis. The digital story was edited by Meghan Keane. The visual editor is Beck Harlan. We’d love to hear from you. Leave us a voicemail at 202-216-9823, or email us at LifeKit@npr.org.

Listen to Life Kit on Apple Podcasts and Spotify, and sign up for our newsletter.

Continue Reading

Trending