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Blake Lively inspires more actresses to speak out against Hollywood toxicity

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Blake Lively inspires more actresses to speak out against Hollywood toxicity

Kate Beckinsale (left) and Abigail Breslin are sharing stories of on-set harassment and retaliation, inspired by Blake Lively’s public accusations against Justin Baldoni.

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Amy Sussman/Getty Images and Valeria Macon/AFP via Getty Images

Blake Lively’s civil rights complaint against Justin Baldoni isn’t just dominating headlines. It’s also inspiring other actresses to speak out against the toxic masculinity and on-set harassment they say they’ve experienced themselves.

In separate social media posts this week, Kate Beckinsale and Abigail Breslin shared their own stories about harassment and retaliation, describing them as part of an industrywide problem. And while they didn’t name many names, they both pointed to Lively’s high-profile case as the impetus for speaking up.

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“What it has highlighted is this machine that goes into effect when a woman complains about something legitimately offensive, upsetting, harmful, or whatever in this industry,” Beckinsale said in her Instagram video.

Months after the release of Lively’s movie It Ends With Us, she filed a lengthy complaint with California’s Civil Rights Department accusing Baldoni — her co-star and director — of sexually harassing her and violating her physical boundaries, prompting her to raise concerns during filming.

In the complaint, which was published by the New York Times in mid-December, Lively also alleges that Baldoni and his production studio, Wayfarer, then retaliated against her by hiring a crisis publicity firm to smear her reputation during the movie’s promotional cycle this summer.

Bryan Freedman, an attorney for the studio, told NPR that Lively’s claims are “categorically false” and “another desperate attempt to ‘fix’ her negative reputation.” But consequences for Baldoni have been swift: His talent agency dropped him, his podcast co-host publicly quit and a global women-focused nonprofit rescinded a solidarity award it had given him just weeks earlier.

Lively’s complaint — which could be the precursor to a lawsuit — includes thousands of pages of texts and emails between Baldoni and his representatives, which her lawyers say were obtained through a subpoena. She hasn’t spoken publicly beyond the legal filing.

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“I hope that my legal action helps pull back the curtain on these sinister retaliatory tactics to harm people who speak up about misconduct and helps protect others who may be targeted,” Lively told The Times in a statement.

In the days since, a growing number of Hollywood actresses have come forward to thank Lively for doing so — and to lend a hand in lifting that curtain.

Beckinsale says she has “about 47 million” similar stories

Beckinsale posted an Instagram video on Monday detailing examples of poor working conditions on various film sets and the retaliation she said she’s experienced for speaking out about them.

Speaking into the camera, Beckinsale stressed that she doesn’t know Lively or Baldoni personally and wasn’t on the set of It Ends With Us herself — but in her own career has amassed “about 47 million stories similar to this.”

The British actress, who made her on-screen debut in Kenneth Branagh’s 1993 adaptation of Much Ado About Nothing, is known for her roles in action films like Van Helsing, Total Recall and the Underworld franchise.

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Beckinsale described being “felt up” by a trusted crew member on a film when she was 18, and having her concerns dismissed by both actresses she told — including one who was “known for being a supporter of women.”

She also recalled working on a film set where her co-star was “drunk every day,” which resulted in long hours that kept her from seeing her daughter. She said raising those concerns only ended up hurting her, as people on set referred to her in pejorative terms and the studio dismissively gave her a bike “so I could ride around the studio lot while I was waiting.”

Editor’s note: The following video contains profanity which some viewers may find offensive.

Some of the consequences were physical, she said. She cited two instances where she was put on such a strict diet and exercise regimen for a movie that she lost her period, and spoke of being forced by her own publicist to do a photoshoot while bleeding from a miscarriage.

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Beckinsale also said she had been harmed in a “very unsafe fight situation” with two different actors in two different films.

“I was gaslit and made to feel like I was the problem — blamed and ostracized, left out of cast dinners, not spoken to — as soon as I mentioned there was a problem,” she added.

The only individual Beckinsale mentioned by name was disgraced former producer Harvey Weinstein, whose decades of alleged sexual misconduct fueled the global #MeToo movement when they came to light in 2017. Beckinsale says in the video that she was fortunate enough never to have been harassed by Weinstein, but described how he would blacklist actors who turned down his projects.

Beckinsale says she often hears men say the climate has gotten better since over the years — but was quick to dispute that notion.

“I’m grateful to Blake Lively for highlighting the fact that this is not an archaic problem that no one’s facing — this is continuing,” she said. “And then when it does happen, a machine goes into place to absolutely destroy you.”

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Breslin breaks her silence on the since-dismissed lawsuit against her  

Abigail Breslin — whose 2006 starring role in Little Miss Sunshine propelled her to fame at age 10 — also took to social media to share her thoughts.

“In light of recent events regarding the attempt to destroy the career and livelihood of a fellow actress and woman, I have felt compelled to write this, as I have unfortunately been subject to the same toxic masculinity throughout my life,” Breslin, now 28, wrote in a Tumblr post that she also shared on Instagram.

Breslin went on to discuss one of those experiences, commenting publicly for the first time on a since-withdrawn lawsuit filed against her last year by producers of her 2024 film Classified.

“When a suit was filed against me by a former employer, (the suit was withdrawn), after making a confidential complaint against a coworker for unprofessional behavior, I had the silly and naive impression that they would believe me,” Breslin wrote.

According to Variety and other entertainment news outlets, the producers of Classified sued Breslin after she made accusations against her older male co-star, Aaron Eckhart.

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The complaint, obtained by Variety, says production on the film “almost ground to a halt” after Breslin accused Eckhart of “aggressive, demeaning and unprofessional behavior” that “placed her at various times in peril.” The lawsuit says the on-set producer investigated and “found no evidence” to support Breslin’s “wild, hysterical and imaginary allegations” against her co-star. Her refusal to be alone with Eckhart in certain scenes also forced them to spend $80,000 in accommodations, according to court documents cited by Variety.

A representative for Breslin told People at the time that the actress “categorically denies all contended allegations against her and unequivocally stands by her statement, which she confidentially provided to SAG,” referring to the actors’ union.

NPR has reached out to representatives for Eckhart, who has not commented publicly on the lawsuit or the allegations within it. Jeffrey Konvitz, who represented the producers in the lawsuit, confirmed to NPR that the case was settled by the parties and dismissed, but declined to comment further.

“Instead of being believed and protected, a suit was filed against me for having the audacity to speak up,” Breslin wrote. “I was publicly shamed and defamed in the process. A reputation I had cultivated for over 2 decades had now been tainted as I became the crazy, paranoid and, to quote directly, ‘hysterical and wild’ woman, who apparently just had it in for men.”

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Breslin expressed her disappointment that the #MeToo movement didn’t lead to more lasting changes as she had hoped. She said she’s realized that experiences like hers have become the norm, and that “behind closed doors — to them — we are still just noisy women.”

“To change the narrative, we do not need more women to scream,” she said. “We just need a lot more men to shut up and listen.”

Other actresses speak up in support of Lively 

A number of other actors have come forward to show their support for Lively in the days since news of her complaint broke.

She’s received public encouragement and thanks from several people involved in It Ends With Us, from book author Colleen Hoover to co-stars Jenny Slate and Brandon Sklenar.

Alexis Bledel, America Ferrera and Amber Tamblyn — friends of Lively’s since they starred together in the Sisterhood of the Traveling Pants films of the early 2000s — issued a joint statement of solidarity.

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“We are struck by the reality that even if a woman is as strong, celebrated and resourced as our friend Blake, she can face forceful retaliation for daring to ask for a safe working environment,” they wrote. “We are inspired by our sister’s courage to stand up for herself and others.”

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Do You Believe in Life After Death? These Scientists Study It.

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Do You Believe in Life After Death? These Scientists Study It.

Upon arrival at the family’s home, the team was shown into the kitchen. A child, who was three, the youngest of four home-schooled siblings, peeked from behind her mother’s legs, looking up shyly. She wore a baggy Minnie Mouse shirt and went to perch between her grandparents on a banquette, watching everyone take their seats around the dining table.

“Let’s start from the very beginning,” Dr. Tucker said after the paperwork had been signed by Misty, the child’s 28-year-old mother. “It all began with the puzzle piece?”

A few months earlier, mother and child had been looking at a wooden puzzle of the United States, with each state represented by a cartoon of a person or object. Misty’s daughter pointed excitedly at the jagged piece representing Illinois, which had an abstract illustration of Abraham Lincoln.

“That’s Pom,” her daughter exclaimed. “He doesn’t have his hat on.”

This was indeed a drawing of Abraham Lincoln without his hat, but more important, there was no name under the image indicating who he was. Following weeks of endless talk about “Pom” bleeding out after being hurt and being carried to a too-small bed — which the family had started to think could be related to Lincoln’s assassination — they began to consider that their daughter had been present for the historical moment. This was despite the family having no prior belief in reincarnation, nor any particular interest in Lincoln.

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On the drive to Amherst, Dr. Tucker confessed his hesitation in taking on this particular case — or any case connected to a famous individual. “If you say your child was Babe Ruth, for example, there would be lots of information online,” he said. “When we get those cases, usually it’s that the parents are into it. Still, it’s all a little strange to be coming out of a three-year-old’s mouth. Now if she had said her daughter was Lincoln, I probably wouldn’t have made the trip.”

Lately, Dr. Tucker has been giving the children picture tests. “Where we think we know the person they’re talking about, we’ll show them a picture from that life, and then show them another picture — a dummy picture — from somewhere else, to see if they can pick out the right one,” he said. “You have to have a few pictures for it to mean anything. I had one where the kid remembered dying in Vietnam. I showed him eight pairs of pictures and a couple of them he didn’t make any choice on, but the others he was six out of six. So, you know, that makes you think. But this girl is so young, that I don’t think we can do that.”

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L.A. Affairs: As a divorced mom, I was conflicted about dating. Until I met him

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L.A. Affairs: As a divorced mom, I was conflicted about dating. Until I met him

I was three years post-divorce, with a 12-year-old son and a newly adopted puppy, living in Park La Brea, where a community of single moms had come together. We were all free from the burden of marriage and entertained the idea of “getting back out there.” None of us had ever really dabbled with dating apps. We took the plunge together and began sending profiles of potential suitors around. We’d hype each other up for dates and then share hilarious post-date stories on group calls.

I was conflicted about dating. After my marriage had failed, I discovered I needed a lot of solo time to regenerate myself with regularity. I also didn’t want to bring anyone new into my son’s life for fear that he’d think another man had become my priority. I thought it would be fun to take a lover, but nothing serious. Ideally I could get dressed up once a week and go to a great restaurant or experience something fun in the city with zero expectations for the future and no strings attached.

My first app date was coffee with a drummer from a Midwest band I regularly saw in college. The conversation consisted of him endlessly name-dropping and asking zero questions about me. That made me ruthless in my swiping, inevitably resulting in corny app messages including “There are no more bees in your Hive.”

My three red flags for profile photos were: no photos on a step-and-repeat; no photos with a celebrity; and no photos cheers-ing with a drink. I had zero interest in dating anyone obsessed with stars or fame. Try steering clear of those in this city.

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The idea of dating again had me sobbing to a girlfriend while driving to my next date. She reminded me of my dating plan by saying, “It’s just one date.” Expecting the worst, I was surprised instead to meet a successful entrepreneur and triathlete with sexy curly hair, an empty nester who lived in the suburbs an hour north of L.A. We had matched because he happened to be in the city, and my five-mile radius setting allowed him to appear. However, we came from worlds apart.

Him: Married young, clean-cut professional, impeccable dresser, no TV watching, a generous philanthropist, up at 5 a.m. to work out daily. He was a go-getter, a ball of energy, and he knew virtually nothing about pop culture. He was an adult man with a retirement plan, which made him sexy.

Me: Married later, unconventional creative type, tattoos, a lover of colorful trendy clothes, a free spirit and, after decades of wild partying, sober.

We found each other equally fascinating. We were dating outside our boxes. It was intoxicating.

I had declared that I didn’t need a man or a relationship, but this guy was different. This magnificent man kept showing up with flowers, leaving sweet cards, washing my car and filling my fridge. He did what he said he was going to do and always picked up my calls. A giver, not a taker, he showed me how to be a true partner in a relationship. Bit by bit, I was falling in love, and our chemistry was euphoric.

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But even with all that, it soon became a game of Tetris, lining up the windows of time to spend together and where work, friends, parenting and solo-time pieces fit into the puzzle.

One date turned into three years of adventuring, monthly travels, new restaurants, cities, family weddings and concerts. He still drove into L.A. once or twice a week and most weekends, adding 240 miles and six hours of travel to the weekly grind. There were casual conversations about the future and even living together. I was committed to getting my son through high school. And then my life would be my own, so my typical response was: “Life will be wildly different in three years, and we’ll figure it out then.”

We got more intertwined in each other’s lives all while trying to compromise and negotiate the appropriate amount of time together. I have a firm quality-over-quantity mentality, while he craved a full-time partner to kiss goodnight and wake up with every morning. I continued to try to find more time for us to be together, and he reluctantly adjusted to not living together or seeing me every day. We coasted this way for a while, but the lack of focus on future plans became more glaring. It became obvious to him that I did have a plan. But it didn’t include a man.

When my son leaves for college in two years, I plan to put some dents in my bucket list: spontaneously travel, do volunteer work, sail the seas, visit friends and family — to be “free” in the sense that I would have no other significant person influencing my decisions.

My boyfriend was exhausted from remaining hopeful that I would want to settle into domestic daily bliss together, and it became clear that scenario might never materialize with me. We found ourselves at a crossroads and ultimately ended it.

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It’s easier to end a relationship when someone’s cheating or betraying you, which has been my experience. But when you’re with someone healthy, loving and emotionally present, more is at stake. Giving up something because the timing is off, coupled with the persistent desire to maintain your original wants and needs, takes courage.

We’re only a couple of months post-breakup, and neither of us regrets the decision. It’s been sad and hard with a zillion reminders of each other. However, there is a spectacular life to live out there and all kinds of ways to do it with or without a partner. I get to decide, not because I need someone but because I want someone. We had to follow our instincts and be true to who we are.

We met up for a final dinner to exchange items and made a future date to circle back and see where our journeys have taken us. Maybe then, the timing will be right.

The author is the co-founder of the Good Things agency (Instagram: @goodthingsteam) and lives in Hollywood.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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'Nickel Boys' challenges us to see in new, striking ways : Pop Culture Happy Hour

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'Nickel Boys' challenges us to see in new, striking ways : Pop Culture Happy Hour

Ethan Herisse in Nickel Boys.

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Ethan Herisse in Nickel Boys.

Orion Pictures

Adapted from the Pulitzer prize-winner novel from Colson Whitehead, Nickel Boys tells the story of two Black boys who form an unshakeable bond at a segregated reform school in the Jim Crow South. It’s quite ambitious and unlike other prestigious book to film adaptations you’ve probably seen — most of it unfolds in the first-person perspective.

Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture

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