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At Disneyland's Pixar Place Hotel, hang out with Bing Bong and fall in love with animation

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At Disneyland's Pixar Place Hotel, hang out with Bing Bong and fall in love with animation

They say you shouldn’t sleep where you work, but Pixar chief Pete Docter means it at as a compliment when he says that Disneyland’s reimagined Paradise Pier Hotel — now branded to the Emeryville-based animation powerhouse — is like “walking into Pixar.”

An exaggeration, sure, but the Pixar Place Hotel entryway that greets guests echoes some of the branding seen on the company’s official campus, thanks to a large desk lamp — a nod to Pixar’s “Luxo Jr.” short and the “i” in Pixar’s logo — atop a ball with a red star. Likewise the mix of character designs and encased maquettes that dot the check-in area.

But the chilled-out takes on Pixar soundtracks, splashes of color and a couch that nods to Heimlich the caterpillar from the film “A Bug’s Life” ever-so-slightly shift the tone. There’s still an underlying corporate campus feel, but the aim is something warm, inviting and slightly whimsical — check the back of the lobby couch that acts as a jumping-off point for wall sketches of Remy from “Ratatouille.”

The feel — part art gallery, part lounge — is a drastic improvement from the hotel’s Paradise Pier days, when its entry corridors felt more like commuter spaces than comforting ones. The revamp of the Paradise Pier Hotel into the Pixar Place Hotel is the latest reinvention for the place of lodging at 1717 Disneyland Drive. Walt Disney Co. acquired the Anaheim property in 1995, when the 15-story building was known as the Pan Pacific Hotel, but its Paradise Pier Hotel days were likely numbered when the Paradise Pier section of Disney California Adventure became Pixar Pier in 2018.

“For those of you who are into the creative process, I think you’ll be really happy,” said Docter at the hotel’s opening ceremony this week. “This hotel really celebrates that. You get to see rough drawings, color studies, animation sketches.”

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There’s more to know if you’re considering a stay at the Pixar Place Hotel. Here’s what stood out from a tour of the property.

Achieving the Pixar tone

Disney likes to say that the Pixar Place Hotel is “Pixar-themed.” That’s not fully accurate, as the hotel is more Pixar-branded than it is themed, as a theme is an idea or a recurring art motif. Think of the California Craftsman look of the Disneyland Resort’s Grand Californian Hotel & Spa or the Midcentury Modern feel of the Disneyland Hotel next door.

The Pixar Place Hotel is striving for a contemporary theme that splits the difference between playfulness and elegance. This is evident in the cleaner look of the hotel from the outside, as it has been repainted white with subtle strips of color. Inside, there are cool, museum-like grays and whites that are broken up with intentional touches that celebrate the art of animation.

The floor, for instance, is accentuated with not-so-hidden stainless steel caricatures of Pixar characters. The maquettes, from films such as “Monsters Inc.” and “Finding Nemo,” are framed in glass cases with illuminated color panels. And near the rear of the lobby, wall sketches, which Disney said were painted by Pixar artists, evolve into lit CGI-like wire-frame portraits, attempting to show the evolution from hand-drawn to computer animation.

The art of the Pixar Place Hotel aims to show the evolution of computer animation.

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(Todd Martens / Los Angeles Times)

There’s a mix of styles, as much of the artwork was created specifically for the hotel. Across from the check-in desks, for instance, sits a “Finding Nemo” wall, where characters are seen in a more painterly presentation. The showcase piece of the lobby is a large mobile, situated above the Pixar lamp and ball, with abstracted, stained glass-like figures from “The Incredibles,” “Wall-E,” “Finding Nemo” and more. They are flanked by colored panels, which react to the music played in the area, an effect that is of course better seen in the evening.

“Pixar is a balance of sophistication and whimsy that really is core to their values,” said Kirstin Makela, an art director at Walt Disney Imagineering, the company’s secretive arm devoted to theme park experiences. “They’re a studio that’s been at the cutting edge of what they do. They take it very seriously that their characters are represented in that high esteem that they deserve because they are works of art.

“So it really is about creating a space that feels like a living art gallery that allows for the work to be elevated and feel celebrated, and allows for the work to get that dynamic pop of color and energy,” Makela continued.

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Inside the rooms

The revamped Pixar Place Hotel rooms have significantly more color than in prior incarnations.

(Todd Martens / Los Angeles)

Gone are the carpeted tan-and-beige-heavy rooms that marked the Paradise Pier Hotel, which seemed to be going for a sandy beach-type feel.

The remodeled Pixar Place rooms have wood panels for flooring, and are significantly brighter, thanks to a large Pixar mural above the bedding. The latter is a shift in hues, as the piece transitions from key scenes from Pixar films including “Up,” “Ratatouille,” “Toy Story,” “Finding Nemo,” “Soul,” “Coco”and “Inside Out.” The work is lit from the bottom, and has a brushed rather than CGI feel. It’s present in standard rooms and suites, and Disney said the goal was for it to look and feel something like a rainbow.

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There’s other Pixar art in the room, as above a red couch is a framed piece showing different characters — Bo Peep from “Toy Story,” Joe Gardner from “Soul,” Sadness from “Inside Out” — in varying states of movement. Disney credited the latter to Tasha Sounart, a creative director at the animation studio. Also included in the rooms is the hardbound “The Art of Pixar” book, and various depictions of the Pixar lamp and ball, from an actual lamp on the desk to traces of the ball and the lamp in the bedding, carpeting and decorative pillows.

Each room features the Pixar lamp that serves as the company’s logo.

(Richard Harbaugh / Disneyland Resort )

In describing the aesthetic, Imaginering’s interior design manager Tami Empero said, “The trend in hotels today are really neutral colors, like beiges and grays. We really focused on red, yellow and blue to drive home the Pixar theme.”

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A hotel with character(s)

At select times, a jazz musician acting as Joe Gardner from Pixar’s “Soul” will perform in the hotel lobby.

(Christian Thompson / Disneyland Resort)

The Pixar Place Hotel is unique in that it has exclusive character interactions to help give the space a sense of life and playfulness. On a third-floor pool deck, for instance, guests will find the pink, elephant-like creature Bing Bong from “Inside Out.”

And in the lobby, a piano will feature a jazz musician given a slight Joe Gardner makeover. Entertainment offerings will vary by day, but expect to find Bing Bong most mornings and afternoons near the pool, and jazz music is currently scheduled to be played five days per week, mostly in the evenings.

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Bing Bong from “Inside Out” will meet guests on the pool deck of Disneyland’s Pixar Place Hotel.

(Todd Martens / Los Angeles Times)

Imagineering also found some places for clever injections of Pixar personalities. Take, for instance, the pool deck’s fire pit, where flames sprout from fixtures designed to look like Anger from “Inside Out” or Ember from the more recent “Elemental.”

The pool deck is home, too, to a water slide for little ones featuring “Finding Nemo’s” turtle character of Crush and a splash pad that boasts a number of characters from the underwater film, including Hank and Dory. Notable design elements include lighting designed to mimic seaweed and some choral reef rockwork.

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A fire pit in the look of the character Anger from “Inside Out.”

(Christian Thompson / Disneyland Resort)

Some lesser known Pixar works are also highlighted outdoors near the pool, home to a walk-up window featuring salads, burgers, chicken fingers and the like, as well as frozen alcoholic floats. The outpost, dubbed Small Bytes, opens in March.

A gaming area features chess tables, a nod to the short “Geri’s Game,” as well as shuffleboard that references “La Luna” via star-affixed discs and a cornhole-inspired game that nods to the animation studio’s “Bao,” in which players will toss adorable dumplings into steamer baskets.

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Perks, dining, pricing and a piece of fine print

Southern California chain Great Maple operates the three dining areas of Pixar Place Hotel.

(Christian Thompson / Disneyland Resort)

While all Disneyland Resort hotels offer slightly earlier access to the parks (30 minutes before opening) — and Pixar Place is no different — the animation-focused hotel also has its own, relatively convenient entry to Disney California Adventure park. The gate is across the street from the hotel and tucked away next to the Grand Californian. Pixar Place Hotel guests can use it to enter and exit the park.

There are three dining options at the hotel, including the poolside walk-up window. The core restaurant is the latest outpost of Southern California chain Great Maple, which features a diner aesthetic and mostly comfort food options. Pixar Place is the first hotel at the Disneyland Resort to outsource its food offerings, meaning all three dining facilities are handled by Great Maple. I’ve only dined at Great Maple once, and opted for the $28 burger, a hearty offering albeit a bit on the pricier side for a family-focused theme park hotel. Near Great Maple in the lobby is the more casual Sketch Pad Cafe, a grab-and-go coffee shop. The hotel currently does not offer in-room dining.

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Great Maple does feature stoic, black-and-white portraits of Pixar characters, but its look slightly clashes with the rest of the hotel, as green-tinted bar seats and booths deviate from the Pixar colors featured so prominently elsewhere. A better fit would have been something more akin to the Lamplight Lounge, the Pixar-focused restaurant at Disney California Adventure that features music and artwork from the films, as well as menus and drinks that nod to the studio’s history.

While it’s worth noting that the Pixar Place aesthetic, from the lobby to the rooms, is a drastic improvement from the dated Paradise Pier Hotel, it can certainly no longer be considered a budget — or even low-priced —offering at the Disneyland Resort. In a sampling of room rates throughout the year, I found nothing lower than $405 per night for a standard room, and about $100 more for high-traffic holiday months.

Back in 2018, for instance, I stayed at Paradise Pier at a rate of $327.60 per night. I did stop staying at the hotel because it’s not the quietest of places to sleep, meaning you will hear the alarm clocks of neighboring rooms, as well as any loud guests, some coughs and sneezes included. Since this is a family-focused hotel, expect that it will be on the noisier side.

So if you opt for this locale, maybe just use those Bluetooth-enabled alarm clocks to play the “Soul” soundtrack on repeat as a bit of low-level white noise.

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Britney Spears Open to Treatment Plan as Team Weighs Options

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If you loved ‘Sinners,’ here’s what to watch next

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If you loved ‘Sinners,’ here’s what to watch next

Michael B. Jordan plays twin brothers Smoke and Stack in Sinners.

Warner Bros. Pictures


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What to watch if you loved…

Ryan Coogler’s supernatural horror stars Michael B. Jordan playing twin brothers who open a 1930s juke joint in Mississippi. Opening night does not go as planned when vampires appear outside. “In a straightforward metaphor for all the ways Black culture has been co-opted by whiteness, the raucous pleasures and sonic beauty of the juke joint attract the interest of a trio of demons … they wish to literally leech off of the talents and energy of Black folks,” writes critic Aisha Harris. The film made history with a record 16 Academy Award nominations.

We asked our NPR audience: What movie would you recommend to someone who loved Sinners? Here’s what you told us:

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Near Dark (1987)
Directed by Kathryn Bigelow; starring Adrian Pasdar, Jenny Wright, Lance Henriksen
If you want another cool vampire movie with Western kind of vibes, check out Kathryn Bigelow’s Near Dark — super underseen and kind of hard to find, but really gritty and sexy and another very different take on what you might think is a genre that had been wrung dry. – Maggie Grossman, Chicago, Ill.

30 Days of Night (2007)
Directed by David Slade; starring Josh Hartnett, Melissa George, Danny Huston
It follows a group of people in a small Alaskan town as they struggle to survive an invasion of vampires who have taken advantage of the month-long absence of the sun. Both this and Sinners revolve around a vampire takeover and the people’s fight to outlast the “night.” – Nathan Strzelewicz, DeWitt, Mich.

The Wailing (2016)
Directed by Na Hong-jin; starring Kwak Do-won, Hwang Jung-min, Chun Woo-hee, Jun Kunimura
In this South Korean supernatural horror film, a mysterious illness causes people in a quiet rural village to become violent and murderous. A local police officer investigates while trying to save his daughter, who begins showing the same disturbing symptoms. The film blends folk horror, religion, and psychological dread, exploring themes of faith, evil, and moral weakness. Like Sinners, it centers on a supernatural force corrupting a close-knit community, builds slow-burning tension, and examines spiritual conflict and human frailty. – Amy Merke, Bronx, N.Y.

Fréwaka (2024)
Directed by Aislinn Clarke; starring Bríd Ní Neachtain, Clare Monnelly, Aleksandra Bystrzhitskaya
In this Irish folk horror film, a home care worker, Shoo, is assigned to stay with an elderly woman who’s convinced she’s under siege by malevolent fairies. Like Sinners, Fréwaka blends folk traditions and social commentary with horror. The social failures Shoo copes with (untreated mental health issues, religious abuse) are just as frightening as the supernatural forces. – Kerrin Smith, Baltimore, Md.

And a bonus pick from our critic:

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Ma Rainey’s Black Bottom (2020)
Directed by George C. Wolfe; starring Viola Davis, Chadwick Boseman, Glynn Turman
This is an adaptation of August Wilson’s play about a legendary blues singer (Viola Davis) muscling through a recording session with white producers who want to control her music. Chadwick Boseman’s blistering in his final role. – Bob Mondello, NPR movie critic

Carly Rubin and Ivy Buck contributed to this project. It was edited by Clare Lombardo.

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Solar energy for renters has taken off in 10 states. Not in California

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Solar energy for renters has taken off in 10 states. Not in California

The tiny town of West Goshen, Calif., was exactly the kind of place that community solar was designed for.

Near Visalia, most of its 500 residents live in mobile homes, where companies won’t install rooftop panels without a solid foundation. And until recently, they used propane for heating and cooking, with price fluctuations in the winter posing hardships for low-income families.

Community solar, in which residents get a discount on their bills for subscribing as a group to small solar arrays nearby, was designed to help low-income residents, apartment dwellers, renters and others who can’t put panels on their own roofs.

Over the last 11 years, New York, Maine, Minnesota, Massachusetts and other states have built thriving community solar programs. But California has built, at most, only 34 projects since 2015, and experts say that’s a generous accounting.

“We’ve had community solar for a dozen years, and it simply has not produced anything of scale and anything of note,” said Derek Chernow, director of Californians for Local, Affordable Solar and Storage, a developer trade group that’s pushing to get a more robust program off the ground. “Projects don’t pencil out.”

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The West Goshen residents were among the lucky few, becoming part of a community solar project in 2024.

“It has kind of allowed us to kind of breathe a little bit,” said resident and community organizer Melinda Metheney. Her bill has dropped by about $300 in the summer months, thanks to the 20% community solar discount, stacked with other low-income discounts and clean energy incentives, she said.

West Goshen’s panels sit about 10 miles out of town, in a field surrounded by farms. Energy and climate experts agree California must add much more clean energy to its grid, some 6 gigawatts by 2032, the California Public Utilities Commission said in a new plan last week.

Assemblymember Christopher M. Ward (D-San Diego), who in 2022 authored a bill to create a more effective community solar program, said the state needs to double its annual solar installation rate to reach that goal and is not on track to do that using only large utility-scale solar farms and individual rooftop arrays.

“We need mid-scale community solar,” he said.

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Aerial view of solar panels installed on top of Extra Space Storage in Pico Rivera

Energy and climate experts agree California must add much more clean energy to its grid, some 6 gigawatts by 2032, the California Public Utilities Commission said in a new plan last week. Above, solar panels at Extra Space Storage in Pico Rivera.

(Kayla Bartkowski / Los Angeles Times)

He and a coalition of environmental groups, solar developers and the Utility Reform Network, a ratepayer advocacy group, worked to put his 2022 law into effect. They coalesced around requiring utilities to pay community solar developers and customers for the electricity they feed to the grid using the same formula they use for people who install rooftop solar.

But in May 2024, the California Public Utilities Commission decided to go with a late-in-the-game proposal backed by the state’s investor-owned utilities to pay community solar at a lower rate.

The agency, along with its public advocate’s office, argued that crediting solar developers at the higher rate would raise bills for customers who don’t have solar, who would still have to shoulder the cost of grid maintenance. It’s similar to the argument they’ve made to cut incentives for rooftop solar.

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The new program relied on federal money, including the Biden administration’s Solar for All, to sweeten the deal for developers. But the utilities commission spent very little of the $250 million available under that grant before the Trump administration tried to claw it back last summer, and now it is held up in litigation.

At a legislative oversight hearing last week, Kerry Fleisher, the commission’s director of distributed energy resources, blamed the loss for the new program’s failure to launch.

“There’s been a tremendous amount of uncertainty in terms of the Solar for All funding that was intended to supplement this program,” Fleisher said. “That’s part of the reason why this has taken longer than normal.” She said the commission still plans to release a program in the next several months.

Ward, the San Diego lawmaker who wrote the community solar bill, called the program “fatally flawed” in an interview.

He’s now considering a bill to bring the community solar program more in line with what he initially envisioned — higher incentives, requirements for battery storage, and compliance with state law that mandates new houses be built with solar.

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A study last year funded by a solar trade group found that could save California’s electric system $6.5 billion over 20 years. But Ward’s effort to revive his program last year failed to pass the Assembly appropriations committee.

“All the other states in our country that have adopted similar community solar program models, they are working,” said Ward, adding that 22 states have programs comparable to the one solar advocates want in California. “The writing on the wall suggests that, exactly as we feared years ago, this was not the way to go.”

California Public Utilities Commission spokesperson Terrie Prosper called California “a leader in cost-effective, least-cost solar deployment overall compared to any other state,” in an emailed statement.

Under the commission’s definition, the state has brought on 34 projects, representing 235 megawatts of community solar. But studies from groups such as the Institute for Local Self-Reliance and Wood Mackenzie use different definitions for community solar, and they show California far behind at least 10 other states.

Meanwhile, advocates and developers involved in successful community solar projects in California say they were difficult to get off the ground.

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A view of homes in the Avocado Heights area of Los Angeles County

Homes in the Avocado Heights area of Los Angeles County are part of a community solar project.

(Kayla Bartkowski / Los Angeles Times)

One that came online in May in the unincorporated communities of Bassett and Avocado Heights in the San Gabriel Valley provides solar electricity to about 400 low-income residents. They get 20% discounts on their electric bills for subscribing to panels installed on two Extra Space Storage building rooftops in Pico Rivera.

Organizers said it took nearly five years to find the right location and comply with utility requirements. They also got a grant in addition to funding provided by the state utilities commission’s solar program.

It “would not have happened if it hadn’t been for the grant,” said Genaro Bugarin, a director at the Energy Coalition nonprofit that proposed and coordinated the project.

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Brandon Smithwood, vice president of policy at Dimension Energy, the developer for the project in West Goshen, said he still hopes to see a community solar program in California that compensates projects for the way they help out the grid.

“We’ve seen it can work, and we know what we have won’t work,” Smithwood said at the hearing.

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