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Art, Darling

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Art, Darling

Antwaun Sargent sat nursing a Negroni at Frankies Spuntino, his hang-out in Brooklyn, as he described the perks of his multilayered profession.

“I had dinner with Madonna,” he stated on a current Friday. “Coming of age as a homosexual man in Chicago within the ’90s, you possibly can think about, I used to be excited. I used to be obsessed along with her.”

However inside moments of their encounter final yr, Mr. Sargent hit earth. Pulling out her iPhone, his erstwhile idol proceeded to point out him artworks by Rocco Ritchie, her 21-year-old son with the filmmaker Man Ritchie, regaling him for practically an hour about her hopes for the boy.

“That made issues actual,” Mr. Sargent stated. “Right here was Madonna — a legend, an icon — asking for steering, simply being mother.”

It appears the pop diva had identified the place to show.

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Mr. Sargent, 33, a former kindergarten instructor turned artist and curator and vociferous champion of Black artists, had been appointed in January 2021 as a director at Gagosian, the blue-chip mega-gallery, with a mandate to make waves.

His first present, “Social Works,” in 2021, highlighted a multidisciplinary roster together with Theaster Gates, the architect David Adjaye and the filmmaker Linda Goode Bryant, who put in a small, working farm within the gallery area. The present additionally highlighted Mr. Sargent’s mission: to present Black artists, who had been solely haphazardly represented in main art-world establishments, a extremely seen seat on the desk.

It was a mission Mr. Sargent occurred to share with the cultural polymath Virgil Abloh, every bent on conveying a dedication and sense of neighborhood to artists of each stripe — painters, architects, sculptors, musicians and style designers.

So it was all however inevitable that Mr. Abloh, whose work encompassed style, music, structure and artwork, would invite Mr. Sargent to curate his retrospective on the Brooklyn Museum. The present was to be a crowning occasion in his profession — Mr. Abloh died final yr after a protracted sickness — and positively a feather in Mr. Sargent’s cap.

The exhibition, “Figures of Speech,” opens on July 1, with works organized alongside tables, not partitions, displaying artifacts and artworks from Mr. Abloh’s archive. The present departs considerably from its first incarnation, which was on show on the Museum of Up to date Artwork Chicago in 2019 and was curated by Michael Darling.

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The Brooklyn set up opens modestly with a 1981 highschool architectural challenge by Mr. Abloh and consists of his early style drawings, artworks and clothes. It goes on to showcase gadgets from influential collaborations with Takashi Murakami, Kanye West and Rem Koolhaas, in addition to items from the designer’s style labels: Pyrex Imaginative and prescient, Off-White and Louis Vuitton males’s put on.

The present’s imposing centerpiece, a country trying schoolhouse clad in pine, is constructed to operate as a real-life classroom providing guests “cheat sheets” classes, in disciplines that embrace industrial design, music, structure and style design. “All the things briefly that Virgil touched,” Mr. Sargent stated. The construction will occupy 1,400 sq. ft of the museum’s Nice Corridor.

Sure, it takes up area and that’s the level. “House is the thread that connects all of the work I do,” Mr. Sargent stated. House can connote energy, he stated. “The query is: ‘What are you going to do with that area?’”

If an artist is hoping merely to advance himself, “I’ve little interest in that,” Mr. Sargent stated. “However if you’re taking on area to create extra space for different folks, for different Black artists, I’ve a profound curiosity in that.”

Mr. Sargent himself means to take up extensive swaths of individuals’s consciousness. He writes prolifically and has revealed important essays in The New York Instances and The New Yorker, amongst different locations. Final yr he served as a visitor editor of Artwork in America, turning the journal’s new expertise subject in Might right into a platform for Black critics, painters and photographers. He has revealed a collection of home catalogs — zines, he calls them — at Gagosian.

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“He has an excellent sort of work ethic and is a crew participant,” Larry Gagosian stated. “He deserves the eye he’s been getting, however it’s not like he’s wanting a variety of consideration for himself. You’re not working with any individual who’s on a relentless ego journey.”

Mr. Gagosian added: “Numerous galleries have been being attentive to underrepresented artists of shade. However Antwaun actually pushed it rather more successfully.”

Half artwork nerd, half crusader, Mr. Sargent has gathered the works of Black artists in two books, “Younger, Gifted and Black: A New Era of Artists” and “The New Black Vanguard: Pictures Between Artwork and Trend.” He continues to supervise exhibitions and publish important commentary on, amongst others, Kehinde Wiley, Alexandria Smith, Nick Cave and Amanda Williams.

Ms. Williams’s present of vibrantly colourful canvases is on view via July 8 at Park & 75, a Gagosian area, one among 10 initiatives that Mr. Sargent will juggle this summer season.

Ms. Williams’s religion within the curator is longstanding. “Antwaun will see works I’ve performed and sense why I’ve organized issues the best way I’ve, with out us having to speak about it,” she stated. “I belief that he is aware of my eye.” She is however the newest in a string of artists and designers Mr. Sargent sedulously promotes on @sirsargent, his Instagram, with near 100,000 followers.

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However it isn’t all grind. Nicely linked in social and style circles, he has popped up within the entrance rows of Thom Browne and Gucci reveals, and dropped in on the Bottega Veneta retailer opening in SoHo final fall. Artwork is his métier, however he takes an inclusive place. He’s a fan of designers like Grace Wales Bonner, Raf Simons at Prada and Kerby Jean-Raymond of Pyer Moss.

He has modeled for GQ and was lately noticed on the buying and selling flooring of the New York Inventory Alternate, his lean 5-foot-11 body and signature cuffed Russian karakul hat rendering him seen in a crowd that included Kanye West, Megan Thee Stallion and the photographer Tyler Mitchell (a buddy), all craning for a view of the Balenciaga spring 2023 present.

Within the relative calm of Frankies, Mr. Sargent talked quick, fingers tracing arabesques within the air as he reminisced concerning the highlights of his spring social season.

Earlier this yr whereas in Positano on the Amalfi Coast in Italy, he was invited to a celebration in Capri on the fabled Casa Malaparte, a Modernist villa on a excessive cliff and strictly off limits to most of the people.

“I had no thought how I used to be going to get there,” Mr. Sargent stated, noting that he additionally seemed like a “broke” author. He rented a ship and headed uncertainly for a dock marked on Google Maps with nothing however an arrow. “I needed to maintain telling myself, ‘It’s OK, I’m going to this loopy home that nobody will get to go to.’”

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He rattled on, reveling like a toddler in his success. The night was eye-opening. “We had dinner on the roof, and there was opera singing,” he stated. “It was additionally the night time that I noticed, ‘Wow, this world — it is not the world I come from.’”

There have been different indelible moments. Arriving in March at an Oscars after-party given by Madonna and her agent, the leisure mogul Man Oseary, Mr. Sargent was star-struck. Sean Combs, Jessica Chastain, Robert De Niro, Kim Kardashian and “nearly each identify you can drop, they have been there,” he stated. Even the waiters have been tarted up, he stated, “carrying blond wigs like Madonna.”

He rocked with the gang, transferring on to a celebration given by Beyoncé and Jay-Z however exiting promptly at daybreak to board a flight to New York. He was not about to overlook his assembly that day with the artist Rick Lowe.

Mr. Sargent cultivated his fierce sense of dedication early on. A Chicago native, he grew up within the notoriously blighted Cabrini-Inexperienced Properties, which have since been razed. “You realize what that situation was,” he stated coolly. “You realize frankly that lots of people by no means made it out of there.”

That he did he owes partly to his mom, he stated, who despatched him to a Catholic faculty and managed, whereas working at a Walgreens, to subsidize his youthful ambitions.

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“We have been under-resourced,” as he put it. However his mom didn’t balk when he requested to affix a scholar trade program in Germany, reassuring him merely, “we’ll determine it out.”

Bent on a profession in overseas service, he entered Georgetown College in 2007, volunteered for the Obama marketing campaign and served as an intern with Hillary Clinton earlier than accepting a put up with Educate for America, assigned to show studying and writing to a classroom of 30 rambunctious 4- and 5-year-olds in Brooklyn.

“I used to be getting up at 5:45 day by day to take the C practice to East New York, educating by day and writing, partying, doing all these issues {that a} 21-year-old does by night time,” he stated. He was beguiled by the artwork world, making gallery rounds together with his buddy and housemate JiaJia Fei, a digital strategist for the humanities.

“We went to each attainable present, to each occasion, to no matter was taking place,” Mr. Sargent stated. “Once I’m fascinated, I would like to fulfill everybody. I must learn every part.”

He decided to contribute in a roundabout way. “Writing grew to become that method,” he stated.

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He was shaken at first. “No one likes to face a clean display screen,” he stated. However neither was educating a stroll within the park.

“This was not some tony Higher East Aspect situation,” he stated. “You needed to actually imagine in these youngsters, to help them.” Youngsters, like artists, he got here to be taught, “can sniff out a foul thought. They’re the hardest critics. However if you’re there for them, they realize it.”

He’s nicely conscious that the artwork world might not show as steadfast. “We’ve had moments the place Black artists are ascendant within the tradition, after which a number of years later, they’re gone,” he stated. “With none structural modifications from establishments, what you’ve is style, a pattern.”

He raced to maintain up together with his ideas, phrases darting in a fusillade. “I wish to be sure that, yeah, yeah, yeah, that this present enthusiasm for artists of shade is not only a second,” he stated.

“For me, it’s about not being the director at a gallery or the curator at a museum however about determining methods to have corporations put money into inventive communities. It’s about writing, making exhibitions — all these other ways of preserving the door open for folks of shade, pushing folks via.”

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Earnest however not solemn, Mr. Sargent paused midstream to discipline a textual content from his buddy, Mr. Mitchell, who wished his opinion on some silver eyeglass frames he deliberate to purchase. Mr. Sargent signaled his approval, then seemed up and broke into a smile. “Yeah, I’m spinning a variety of plates within the air,” he stated.

Does all that vitality, sustained partly by vegan protein-and-berry smoothies and a routine of biking, depart room for a personal life? Not a lot, it appears. He shares an house within the Carroll Gardens neighborhood of Brooklyn with Ms. Fei, who is commonly photographed with him at artwork world gatherings.

“We used to say that we’re every others’ selfies,” Mr. Sargent stated.

They return a dozen years. The house is giant sufficient that one of many rooms doubles as a walk-in closet as a result of, Mr. Sargent stated, with out a hint of embarrassment, “we now have so many garments.”

He remembers these years as a string of sketchily improvised celebrations. “In our 20s, we’d throw these loopy events in our yard,” he stated. There have been impromptu mini movie festivals. “We’d have our associates carry blankets and challenge films onto the wall.”

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His schedule lately leaves little time for entertaining, a lot much less romance. He lately ended a three-year relationship with a efficiency artist. “It’s exhausting in a relationship to seek out steadiness, particularly if you’re in a hyper-productive second in your profession,” he stated. “Proper now I’m considering it is likely to be good to have that second to give attention to work.”

Nonetheless, he was due for a relaxation. About to depart for a protracted weekend at GoldenEye, a luxurious resort on the northern coast of Jamaica, he betrayed a contact of tension.

Disconnecting? Nicely, that was going to be an experiment. “I’ve by no means taken trip, not even for 4 days,” he stated. “I’m afraid to remain for much longer.

“Already, I’m considering, ‘Oh my God, what if I get bored?’”

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Should you lend money to your loved ones? NPR listeners weigh in

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Should you lend money to your loved ones? NPR listeners weigh in

Photo illustration by Becky Harlan/NPR


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Photo illustration by Becky Harlan/NPR


Photo illustration by Becky Harlan/NPR

Has a friend or family member ever asked to borrow money from you?

Earlier this month, Life Kit asked our audience this question for an episode we did on the social etiquette of lending money. The act of generosity can unite people in times of hardship. But it can also complicate relationships — especially if the borrower doesn’t pay the loan back.

We received nearly 50 emails on the matter. Many of you reiterated a general rule we discussed in the episode: if a loved one asks for a loan, give the money as a gift if you can afford it.

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But we also heard different perspectives. Some of you told us how lending money destroyed your friendships. Some offered advice on how to get money back from a negligent borrower. And others shared heartening stories about how the funds changed a person’s life.

Here is a selection of listener responses. These have been edited for length and clarity.

Use the loan as a teaching moment

Early in their marriage, my son and daughter-in-law had trouble making their paychecks stretch — and started asking my hubby and me for money.

I said yes with a couple of strings attached. First, it would only be a one-time thing. Second, they had to keep track, in writing, of how the money was being spent so I could see where the money was going. They were not thrilled with the idea, especially because I would see how they spent their money, but I didn’t care.

The exercise made them aware of where the money went. It only took a couple of months and they were living within their means. They are now doing well. They purchased a house they could afford when interest rates were low. —Joan Shurtliff

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Saving my friend from high interest rates

My friend had a situation where she was in credit card debt on a card with a high interest rate, so I paid it off for her. It was over $500. I told her to pay me back over time.

It didn’t make sense to me that she should waste money on interest. My parents fronted me money for two months of credit card bills between college and my first post-college job. I paid them back after I had some paychecks under my belt. My friend’s family doesn’t have that luxury, and I don’t think she should be penalized for that. —Yvonne Marcoux

Don’t be afraid to ask for your money back

A college classmate of mine was hard on his luck. He had become unemployed for a spell and was having difficulties making ends meet. He asked if he could borrow money. I lent him $500 with the expectation that when things were better, he would pay me back.

After about two years, I called it in. I felt uncomfortable because I couldn’t tell for sure if he actually had the means to do so, but he was now employed. It took him a couple months, but he paid me back in full. —Mariann Duya

Consider their character

One day, a good friend of mine — a former roommate and tenant — sent an email to me and some friends. He just lost his job and humbly asked all of us if he we could loan him money for one month’s rent.

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It was unusual for him to ask for such a loan. My friend is a hardworking man who is responsible with his money. He was a dependable roommate and tenant who always paid on time.

I consulted with my wife. She suggested that we lend him the full amount and consider it a gift. We were in a financial position where we could afford to do so. My friend was very grateful. From what I understand, we were the only ones in the group email to lend him money.

About a year later, after he found another job and got back on his feet again, he paid us back in full. It was a pleasant but not total surprise considering his character and our friendship. Though we were totally fine with letting the money go as a gift, it was nice to know that friends can keep their word too. —Oscar Fornoles

So far, so good

I often lend money to family, partners, friends and coworkers. I even proactively offer loans. They also lend me money. I can only remember one issue over very little money that I lended to a guy I didn’t know well. Maybe I’m lucky? Maybe it’s my environment? Do I choose my friends well? —Daniel Garzón

Glad I made it a gift

Several years ago I loaned $500 to a longtime friend. She was going through a hard time after a rough divorce. Out of compassion for her situation I wanted to help.

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But before I did that, I asked myself if I was prepared to never see that money again. I’m glad the answer was yes — because she never paid me back or ever mentioned it. —Salvatrice Kemper

Thank you to everyone who responded to our call out. To take part in our next audience-generated story — and get great life advice from experts — sign up for Life Kit’s weekly newsletter.

This story was edited by Meghan Keane. The visual editor is Beck Harlan. We’d love to hear from you. Leave us a voicemail at 202-216-9823, or email us at LifeKit@npr.org.

Listen to Life Kit on Apple Podcasts and Spotify, and sign up for our newsletter.

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Seth Plummer In 'The Pacifier' 'Memba Him?!

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As summer starts, Taylor Swift, Post Malone and Morgan Wallen maintain chart reigns

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As summer starts, Taylor Swift, Post Malone and Morgan Wallen maintain chart reigns

Post Malone (left) and Morgan Wallen on the red carpet at the 57th Annual CMA Awards on November 8, 2023 in Nashville, Tenn.

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We’re trying out something a little new here: Each week, we’ll be taking a quick look at the newest Billboard charts to see, in the immortal words of Shakespeare, “who loses and who wins; who’s in, who’s out.” (Thankfully, the stakes are far lower here than in King Lear, despite the potential for high drama.) Even in this impossibly fickle era, when the days of a homogenized pop music culture are long gone, the weekly charts published by Billboard still give some indication of what listeners are turning to, what social media trends are running the game and who’s currently riding high. What we’re hoping to do is to provide some context that helps us ground and understand the current data — and maybe even help us divine larger narratives about what we’re listening to. So here we go.

TOP SONGS

As NPR Music’s critic Ann Powers observed over the holiday weekend on All Things Considered, the summer of 2024 seems to be leaning toward country — or at least country-flavored bops. The Billboard Hot 100, which ranks the top singles (via a combination of data from streaming, digital and physical sales and radio airplay) is dominated this week by the uptempo country breakup tune “I Had Some Help” by Post Malone featuring Morgan Wallen.

Post Malone made his name as a hip-hop/pop guy, but in recent months, he’s collaborated with both Beyoncé and Taylor Swift. In his current bid for song of the summer, he’s teamed up with Morgan Wallen — who remains perhaps the biggest star in Nashville, despite (or maybe in part because of) a string of controversies. This is the second week at the top spot for “I Had Some Help.”

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At No. 2 is one of Kendrick Lamar’s many recent Drake diss tracks, “Not Like Us,” followed by Tommy Richman’s “Million Dollar Baby” at No. 3. Richman, a largely unknown singer and rapper before last month, teased his vaguely funk-tinged song on TikTok, where it found huge viral success and racked up millions of views even before he released the full single.

Two of Ann’s other predictions for summer hits round out the Top 5 singles for the week of June 1: Shaboozey’s hybridic country/hip-hop/rock anthem “A Bar Song (Tipsy)” at No. 4 and, debuting at No. 5, Billie Eilish’s woozy, seductive “Lunch.” As Eilish recently said to Morning Edition about “Lunch”: “It’s so fun and it’s silly and it’s … I don’t know. Life is so unserious. It’s important to remember to have a little fun with it.” If ever there was a time for such a thing, wouldn’t it be summer?

TOP ALBUMS

Speaking of Eilish: She and her record labels, Darkroom and Interscope, pitched a fierce battle to knock chart queen Taylor Swift out of the top spot of the Billboard 200, the weekly albums chart. Swift’s album The Tortured Poets Department had already spent its first four weeks perched at No. 1. Eilish’s new album, Hit Me Hard and Soft, did not do quite well enough to push royalty off the throne, but according to Luminate, the company that puts together the data for the Billboard charts, Eilish earned 339,000 “equivalent album units” — her biggest week ever. (Stay with us for a moment. An “equivalent album unit” is industry-speak for an enigmatic formula: the combination of tracks streamed or downloaded, plus physical or digital album sales, expressed as an approximation of what decades ago would have been a simple transaction — one album sold.)

Nevertheless, Swift won a fifth week at No. 1, with a total of 378,000 album units. How did she prevail? In short, by knowing exactly how to fire up her fanbase on the marketing front. Team Swift launched a marketing counteroffensive that included six new digital versions of Tortured Poets and a new CD version — all of which were sold exclusively on Swift’s website. She also released a remix of her song “Fortnight” — the biggest single from Tortured Poets, and the one that happens to feature a fellow named Post Malone.

This is a game that Eilish knows too: For the race up the chart, she released nine colored vinyl editions and her own digital version of Hit Me Hard and Soft that included isolated vocal tracks for each song, as well as a new remix of her song “L’Amour De Ma Vie.” The complete album was also promotionally priced as an iTunes download at $4.99. It’s a move that recalled industry marketing campaigns of the pre-streaming era — that is, back when Eilish was just a tween herself. (Given how easy and cheap it is for listeners to inhale whole albums these days, it’s not that surprising that all 10 tracks from Hit Me Hard and Soft have individually hit the Hot 100.)

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All of these fevered machinations took place under the umbrella of a single corporate behemoth: Universal Music Group, which distributes both Swift’s and Eilish’s music. Cynics might note that no matter which individual artist made it to No. 1, Universal was guaranteed to clinch the top spot.

WORTH NOTING

The fourth studio album from Zayn Malik, Room Under the Stairs, finds the former One Direction star taking a turn toward Americana and country, aided by Nashville producer Dave Cobb. (Clearly, this is the sound of 2024, even for a fellow born and raised in Bradford, England.)

The album — Malik’s first in three years — hasn’t quite resonated with a large public: It enters the Billboard 200 chart this week at No. 15. But it’s also given Malik an intriguing career first: an entry on the Americana/Folk Albums chart, positioned at No. 5.

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