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A wintry mix: 12 reading recommendations to get you through the storm
A woman walks through a snowy street in Manchester in 1939.
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If you’re hunkering down ahead of the big winter storm this weekend, we want to make sure you’re well prepared. Yes, with batteries, flashlights, toilet paper, and food but — perhaps most importantly — with good reading material.
We looked back through some recent interviews and Books We Love, our annual year-end reading guide, to find snowy suggestions to get you through the storm.
For the nonfiction lovers
Winter: The Story of a Season by Val McDermid, 2026
Scottish author Val McDermid is best known for her crime writing, a world of brutal murders and dark alleyways. But her new book, a work of creative nonfiction, is an ode to memories of winters past and a heartfelt appreciation of all the season has to offer. “I’m kind of hoping it charms you into winter as well,” McDermid told NPR’s Daniel Estrin. Her book meditates on warm soup, and winter festivals, and the comfort of coming indoors on a frigid day. “I like the contrast with being out in the outside, where it’s crisp and cold and when you come indoors and it’s all warm and lovely, and you can sit down with a good book and a good fire or a wee glass of whiskey,” she says. “What’s not to like about that?” — Samantha Balaban, senior producer, Weekend Edition
Ice: From Mixed Drinks to Skating Rinks – a Cool History of a Hot Commodity by Amy Brady, 2023
Amy Brady’s cultural history of ice in America is the unexpected nonfiction pleasure read I turned to in lieu of air conditioning one summer. Brady fascinates and educates, covering the immense impact and complex social histories of this now-ubiquitous and indispensable part of American life. There’s a lot to learn! Helpfully, Ice is divided into four parts: The Birth of an Obsession, Food and Drink, Ice Sports, and The Future of Ice. With clear prose and a lot of passion, Brady touches on many manifestations of ice; however, it feels like just the tip of the iceberg. Do you like surprisingly expansive niche subjects? I can’t recommend this one enough. — Jessica P. Wick, book critic and writer
Wintering: The Power of Rest and Retreat in Difficult Times by Katherine May, 2020
English writer Katherine May’s beautiful and unintentionally but uncannily timely 2020 book is about what she calls “wintering,” a way to weather tough periods when you feel cut off, sidelined or overwhelmed. Brought low by a perfect storm of personal challenges, May learns to slow down, hibernate and regroup. She becomes convinced that the cold has healing powers and explores how other creatures and cultures cope with the dark, frigid season. She takes up ice swimming, cradles an amazingly soft hibernating dormouse and considers the profusion of wolves and snow in fairy tales. May finds solace in her explorations, and readers, especially in these trying times of social distancing, will too. — Heller McAlpin, book critic
For the fiction lovers
The Land in Winter by Andrew Miller, 2025
There’s a storm beneath the somber surface of The Land in Winter, Andrew Miller’s 10th novel. The land is the rural West Country of England during the legendary Big Freeze of the early 1960s, when blizzards engulfed trains on their tracks and froze over rivers. The two young couples who anchor the book are, unsurprisingly, frozen too: a gentleman farmer uneasily married to a former nightclub hostess, and a posh doctor’s wife whose husband is conducting an affair with a patient. The action unfolds like a thaw, and by the end of this Booker-shortlisted novel, it feels as though the drama has soaked itself into your soul. — Neda Ulaby, correspondent, Culture Desk
The Trouble Up North by Travis Mulhauser, 2025
Travis Mulhauser perfectly evoked northern Michigan, in all its beauty and icy menace, in his previous novel, Sweetgirl. He returns to the region in this book, which is just as accomplished as his last. The novel follows a family of bootleggers and smugglers whose criminal enterprise has fallen on tough times, leading one member of the clan to take matters into her own hands. This is a top-notch literary thriller that’s extremely difficult to put down. — Michael Schaub, book critic
The Frozen River by Ariel Lawhon, 2023
Dig your crime novels blanketed with a late 18th-century, New England snow? How about with a capable, middle-aged midwife in the role of detective, telling the men in power things they absolutely do not want to hear? This compelling story begins in a river community in Maine with a body frozen in the ice; it unspools with the alleged assault of a minister’s wife. This is a most uncozy mystery that addresses the unbalanced power dynamics of men and women, rich and poor. Bonus: The character of the midwife and some plot points are based on a real person, Martha Ballard. Not quite true crime but true enough! — Melissa Gray, senior producer, Weekend Edition
Every Reason We Shouldn’t by Sara Fujimura, 2020
Olivia Kennedy is 15 going on 16 and the prodigal daughter of two Olympic figure skating darlings. A gold medal pairs skater at the junior level, Olivia no longer competes due to lack of funds and a crash-and-burn performance when she was 13. But things start looking up when short track speed skater Jonah Choi comes to town. The two bond immediately over mild teenage rebellions, workouts and the concept of being “normal.” They challenge each other because they know no other way – second best is not an option in the life of champions. — Alethea Kontis, author and book critic
Drive Your Plow Over the Bones of the Dead: A Novel by Olga Tokarczuk, translated by Antonia Lloyd-Jones, 2019
I originally picked up this book just because of the title. Later, I heard that Olga Tokarczuk had won the (delayed) 2018 Nobel Prize for Literature, and it made total sense because this book (originally published in 2009, released in English translation in 2019) is both deeply strange and deeply personal – a kind of noir murder mystery with feminist, leftist, vegetarian and academic undertones. Gorgeously written and immediately engaging, it is a complicated story about deer, hunters, age, infirmity, chaos and William Blake, driven by the rigorously no-BS practicality of its elderly narrator, Janina Duszejko, who is trying to figure out who is murdering all the hunters in her small, snowbound Polish village, all while contemplating the greater mysteries of life, Poland and the universe in general. — Jason Sheehan, author and book critic
And for the kids …
My Antarctica: True Adventures in the Land of Mummified Seals, Space Robots, and So Much More by G. Neri, illustrated by Corban Wilkin, 2024
Take a trip to the coldest, windiest, highest and driest continent in the world. Here, young readers will find answers to every question they’ve ever had about Antarctica – not to mention ones they hadn’t even thought to ask. Who is there now? Why? What do you eat when you’re there? G. Neri’s easygoing narrative reads like a journal, full of cartoons, photos and the occasional mummified seal. Plus, he profiles the many different scientists at work at McMurdo Station with humor, candor and wonder. Just be ready for one inevitable question after reading this book: “Can we go?” (For ages 7 to 10) — Betsy Bird, librarian and author of POP! Goes the Nursery Rhyme
Ten Ways to Hear Snow by Cathy Camper, illustrated by Kenard Pak, 2020
A gentle, affirmative story of a little girl’s winter walk through her neighborhood to visit a beloved grandmother. Lina is Lebanese American, she addresses her grandmother as “Sitti” and the two joyously cook stuffed grape leaves together. But the story’s focus is on Lina’s independence and connection to the sensory magic of a snowy day. Author Cathy Camper humorously evokes the “snyak, snyek, snyuk” of a child’s boots “crunching snow into tiny waffles” and the “scraaape, scrip, scrape” of shovels against the sidewalk. Kenard Pak’s softly saturated watercolors evoke winter’s diffused light and vivid pop of children’s mittens and hats, making cold days something to savor. (For ages 4 to 8) — Neda Ulaby, correspondent, Culture Desk
Wolf in the Snow by Matthew Cordell, 2017
As every schoolchild knows, little girls in red-hooded outerwear rarely fare well when encountering wolves in the wild. Yet in this nearly wordless tale, a girl’s meeting with a wayward wolf cub fuels a wary friendship that transcends their very different worlds. From the hyperrealism of the wolves, frightening in their detail, to the sketched-out, almost cartoonish, rendering of the girl, Matthew Cordell offers young readers a dreamy fable with a lot to say about making connections outside your comfort zone. (For ages 4 to 8) — Betsy Bird, librarian and author of POP! Goes the Nursery Rhyme
Toys Meet Snow by Emily Jenkins, illustrated by Paul O. Zelinsky, 2015
Whether you’re already acquainted with Lumphy, StingRay and Plastic from their chapter books, or are just meeting them now, you’re sure to love Toys Meet Snow. As the three venture out into the snow for the first time, their unique personalities shine through. Each toy’s impressions and observations are full of imagination and charm. Emily Jenkins’ masterful text is deceptively simple, and Paul O. Zelinsky’s warm and wonderful illustrations make this book an enchanting read for all seasons. (For ages 3 to 7) — Lisa Yee, author of “The Misfits” series
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Why Gen Z is movie-maxxing : Pop Culture Happy Hour
Inde Navarrette and Michael Johnston in Obsession.
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Focus Features
Two big horror films, Obsession and Backrooms, just smashed all box office expectations. So much of their success has been driven by Gen Z, which is now the biggest moviegoing demographic. But what makes a movie a Gen Z movie? Today we’re bringing you an episode of NPR’s It’s Been a Minute. Host Brittany Luse talks about this trend with Sam Adams and Reanna Cruz.
If you want to hear more about these movies, check out these episodes:
In ‘Obsession,’ love hurts. It really, really, really hurts.
‘Backrooms’ brings YouTube horror to the big screen
Zendaya brings ‘The Drama,’ we bring the spoilers
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Lifestyle
10 new books you won’t want to miss in July
I regret to inform you I’ll need to keep this introduction brief. Not because there’s any lack of things to say about July’s crop of notable new releases; it features award-winning journalists and several different flavors of anxiety about our bleak ecological future and data-dominated present, as well as the welcome returns of several beloved novelists.
No, these books certainly deserve some love, dear readers. It’s just that I’m finding it a bit tough to type while bearhugging a box fan. And since it seems that may be my last best chance to get through this latest U.S. heat wave here on the east coast without sweating through my shirt, I feel some urgency to get back at it.
So enough with the ado. With any luck, you’ll soon be cracking open one of these great reads on the beach — or in front of a decent air-conditioning unit, at any rate.
You Won’t Get Free of It: Stories of Mothers and Daughters, by Rachel Aviv (July 7)
Aviv, New Yorker staff writer and finalist for this year’s Pulitzer Prize, has a fairly extensive purview in her role as reporter at large. Still, when reviewing her latest work, Aviv noticed a crucial throughline: “I realized that, to some degree, I’d been writing about mother-daughter pairs for the last decade,” she explained to the Paris Review. Seeing this, she decided to collect and revise half a dozen of those stories, which cover ground from a daughter’s troubling fugue states to the immigrant nannies who must leave their own children behind, to Alice Munro’s daughter, whose claims of sexual abuse went unheeded yet regularly resurfaced in her mother’s fiction.
Country People, by Daniel Mason (July 7)
In Mason’s first novel since North Woods, 2023’s critical darling and book club stalwart, readers are plopped right back in the New England woods but the time scale has shrunk considerably. Whereas North Woods spanned centuries, his new novel confines itself to a single year, during which Miles, loving family man and lackadaisical Ph.D. candidate, plans to finally buckle down on that derelict degree of his and reassert his worth to one and all! At least, that’s the idea. But plans don’t stand much of a chance when there are eccentric neighbors to befriend and mysterious local legends to investigate.
Catch the Devil: A True Story of Murder, Deception, and Injustice on the Gulf Coast, by Pamela Colloff (July 14)
This is the first book from Colloff, a veteran investigative journalist for ProPublica and The New York Times Magazine. She has won multiple National Magazine Awards for stories focused on miscarriages of justice – such as her 2019 piece about Paul Skalnik, a grifter, fabulist, sexual predator and snitch, whose fabrications can be linked to dozens of wrongful convictions in Florida, including some sending the innocent to death row. Here Colloff expands upon that investigation, which gets a lot more room to breathe in the transition from magazine article to full-length book. What emerges in this disturbing account is a portrait of one man’s callous cruelty, and the law enforcers who had no problem tolerating a deal with the devil, provided it kept juicing the conviction rate.
Cloudthief, by Nathaniel Rich (July 14)
Though it’s his fiction we’re discussing here, it’s important to note Rich’s reporting has earned plaudits, too, as well as a few film adaptations. No matter the medium, climate change is usually on his mind, as well as the blunt, rather bleak, prognosis he offered on Fresh Air in 2019: “There’s a huge range of outcomes … ranging from the not very good to the apocalyptic.” Which is to say I’m surprised to find myself describing his newest response to global catastrophe as a rollicking good time – and not just because I’ve never said those words, in that order, in my life. This spry, funny caper features a freelance environmental reporter who inadvertently breaks bad, careening under the influence of lust and a light wallet toward the novel’s big centerpiece: the planned heist of a massive data center.
Data Empire: The Power of Information to Organize, Control, and Dominate, by Roopika Risam (July 14)
And now, for another book centered on data – albeit from a rather different angle. This illuminating history from Risam, a Dartmouth professor, traces the practice of collecting information – and the power conferred by possessing it – from the bones that were humans’ first archives, to the omnipresent systems that shape (or outright determine) life today. As Risam asks, “What has it meant – and what will it mean – when records that once served only to help us remember, come to rule?” A pressing question (see: those data centers), which you’re probably better served trying to answer with the help of Risam than, say, Alexa or Claude.
It Will Come Back to You: Stories, by Sigrid Nuñez (July 14)
For someone with nine novels to her name, Nuñez got a later start than you might expect, having published her first book when she was already in her mid-40s. More than three decades later, now a spry 75 years old, the National Book Award winner has gotten around to publishing her first collection of short stories. The 13 stories here have been culled from across her career, but each one resonates clearly with the warm timbre of her voice: simple, unadorned prose and mundane setups, from which she consistently manages to tease out glimpses of truth, elusive and profound.
They Stole a City: Wilmington’s White Supremacist Coup and the Families Who Live with Its Legacy, by Lauren Collins (July 14)
The only coup d’etat to succeed on U.S. soil is, at most, a distant historical afterthought these days. To be honest, I can’t recall reading a single textbook entry that even remarked on the 1898 race massacre in Wilmington, N.C., an action led by white supremacists that left many (historian estimates say up to 300) Black Wilmingtonians dead and permanently scarred a community newly aware of its simmering animus and vulnerability to violent overthrow. So I’m grateful for Collins’ new chronicle of the infamous event, which fills in some serious gaps in the American collective memory and explains how its perpetrators cultivated the disorienting silence that persists in the historical record today.
Yellow Pine, by Claire Vaye Watkins (July 21)
I don’t think I’ve ever actually laid eyes on the Mojave Desert but after reading Watkins’ latest novel, it feels like I can picture it more vividly than some streets I’ve actually lived on. No, it’s “not a beginner’s wilderness,” as Watkins concedes in Yellow Pine, but this landscape so redolent of death is also deceptively robust with life, if only you’re patient enough to find it. Too bad, then, that it’s also on fire. And choked by drought, irradiated by military test sites and soon to be sacrificed to a massive new solar array named, inexplicably, Yellow Pine. But those aren’t the only complications confronting the book’s main character, Rose, whose aspirations of becoming a kind of climate hermit warp a bit under the pressure of a rekindled love and the pendulum swing of rage and despair at the state of the world.
Cool Machine, by Colson Whitehead (July 21)
Ray Carney is back, for what regrettably appears to be the last time. The lifelong Harlemite, hard-luck furniture dealer and ambivalent crook starred previously in Harlem Shuffle and its sequel, Crook Manifesto. His perspective is our window on the changing eras of the historically Black neighborhood, from the mid-1950s on. In this, the final installment in Whitehead’s brisk, exceedingly entertaining Harlem Trilogy, readers catch up with Carney around the start of the 1980s, following him deeply into Reagan’s decade. The novel also represents the end of an era for Whitehead, whose attention has been exclusively occupied with these characters since he won Pulitzer Prizes for consecutive novels, The Underground Railroad and Nickel Boys.
Beginning Middle End, by Valeria Luiselli (July 28)
The gifted young Mexican writer returns this month with her fourth novel, the second she has written in English and her first since Lost Children Archive launched to widespread plaudits more than seven years ago. Her new book, like her previous one, also concerns the travels of a small family – only this time, the road leads not through the American Southwest but Sicily. And the history sought by its mother-daughter main characters is not a record of bureaucratic cruelty but something much more intimately personal: the links shaped and tested by generations of shared heritage and experience.


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