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92NY, a historic cultural center, turns 150 — grappling with today's Israel-Hamas war
The 92nd Street Y, New York is celebrating its 150th anniversary. As a Jewish cultural institution, it’s also facing criticism related to the Israel-Hamas war.
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The 92nd Street Y, New York is celebrating its 150th anniversary. As a Jewish cultural institution, it’s also facing criticism related to the Israel-Hamas war.
92NY
Nonprofits often struggle to adhere to their original mission statements, especially as they develop new programs and serve new audiences. For Jewish institutions, the Israel-Hamas war has been an inflection point.
That’s been especially true of The 92nd Street Y, New York, which turns 150 this month.
92NY was founded by a group of German Jewish New Yorkers as one of the earliest branches of the Young Men’s Hebrew Association, which were modeled on the Young Men’s Christian Associations, better known as the YMCA.
It had a simple goal — help immigrants assimilate, said Seth Pinsky, CEO of 92NY.
“They saw a growing wave of Eastern European Jews and felt that these new immigrants would need a place where they could learn how to become Americans, become educated, gain skills, and adjust to a new life in a new country,” Pinsky said.
Swimming at New York’s Young Men’s Hebrew Association (YMHA) in 1911. The YMHA eventually became The 92nd Street Y, New York, a cultural force that hasn’t lost its community center vibe.
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92NY
Over time, The 92nd Street Y, New York became much more: a nondenominational, cultural powerhouse open to all. “Even though it was founded as a Jewish institution, has always been a Jewish institution, it is also an institution that has always served the wider world,” said Pinsky.
‘Category buster’
Look through the archives and it seems like anybody who’s anybody in culture, science, politics and the like has appeared at 92NY: writers such as Dylan Thomas and Nobel Peace Prize winner Elie Wiesel, entertainers like Paul Robeson and Carol Burnett, and scientists like Dr. Jane Goodall. Modern dance pioneers Martha Graham and José Limón taught at 92NY before founding their own companies. Alvin Ailey debuted his best known work, Revelations at 92NY in 1960.
Martha Graham was among the modern dance pioneers who taught at 92NY before founding her own company.
The 92nd Street Y, New York
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The 92nd Street Y, New York
Every day, thousands of people still use The 92nd Street Y, New York as their local community center. They come for its swimming pool, daycare, gym and numerous classes, from tap dancing to jewelry making.
They also come for events and lectures. Recent speakers include actor Emily Blunt and actor/singer Audra McDonald, former U.S. Rep Liz Cheney, and Ambassador Deborah Lipstadt, the U.S. Special Envoy to Combat and Monitor Antisemitism. During the pandemic, 92NY started streaming virtual presentations online, reaching millions of people around the world.
“It’s a category buster and there’s really nothing else like it anywhere,” said Pinsky.
Pinsky said 92NY was built on Jewish and American values including “debate and a robust exchange of ideas.” From Israeli prime ministers to civil rights activists, for decades it has thrived as a place for diverse programs and points of view.
Ambassador Deborah Lipstadt, U.S. Special Envoy to Monitor and Combat Antisemitism, spoke with Rabbi David Ingber, senior director at 92NY’s Bronfman Center for Jewish Life on Jan. 24, 2024.
Vladimir Kolesnikov/Michael Priest Photography/The 92nd Street Y, New York
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Vladimir Kolesnikov/Michael Priest Photography/The 92nd Street Y, New York
But that identity was shaken after the Hamas-led attacks on Israel on Oct. 7, 2023. Afterward, 92NY postponed an event by one of its divisions, the well-regarded Unterberg Poetry Center.
Pulitzer Prize-winning writer Viet Thanh Nguyen was scheduled to talk at 92NY two weeks after the attacks. But he was also one of hundreds of writers who’d signed an open letter in the London Review of Books condemning Israel’s occupation and calling for a ceasefire. The Israeli government says that a ceasefire could lead to further attacks.
Nguyen’s novels are about surviving war and trauma, but Pinsky said it was not the right time for him to appear at 92NY.
“It was during the traditional Jewish period of mourning, and it was about a week after the so-called Day of Rage, when Hamas called for the targeting not just of Israelis, but of Jews and Jewish institutions,” Pinsky said. “And so what we said was not that he couldn’t hold those opinions and not that he could never appear on our stage. But maybe that moment wasn’t the right moment.”
The Poetry Center’s director, Bernard Schwartz, refused to postpone and quickly arranged for the event to take place at a local bookstore instead.
Nguyen told the audience he believed he was canceled.
“Art is supposed to keep our minds and hearts open. So the greatest irony of all of this is that what could save us — or one of the things that could save us — art — has been silenced,” Nguyen said.
Writers, including playwright Tony Kushner, signed an open letter angry at 92NY’s decision. Some of those scheduled to speak last fall withdrew. Schwartz and the two other members of the Poetry Center’s staff resigned, effectively suspending the program.
“It sends a terrible message, because writers have to be able to express themselves,” said James Shapiro, an author and English professor at Columbia University. He’s been actively involved with 92NY for years, including teaching a class on Shakespeare. He said he’s so furious, he doesn’t plan to return.
“I’m a Zionist. I’m a supporter of the Y. I’m a defender of my community,” said Shapiro, “And when a group within that community is effectively making it worse by aligning it with a view that Jews censor writers who don’t line up with their beliefs, it sets a terrible example.”
Shapiro praised the work of the Poetry Center’s small staff and “the brave stand that they took in defense of free speech.”
Pinsky said he’s well aware there are people in the literary world “who are not happy with the decision we made.” He vowed to rebuild the Poetry Center. “We’re ready to do the work and we think our poetry program and literature program is an important one, and it’s one that we want to get back on its feet.”
Cultural institutions need to ‘reconsider everything we do’
92NY is just one of many cultural institutions getting heat for whatever they do — or don’t do — related to the Israel-Hamas war. The decisions they make could affect their funding, audiences and staff morale.
“The 92nd Street Y, like all Jewish institutions, but I think all institutions with conscience, have to think ‘How do we respond?’ ” said Susannah Heschel, chair of the Jewish Studies Program at Dartmouth College. “I think it means we have to reconsider everything we do. As a professor of Jewish Studies, what do I hope to achieve? And I’m not sure.”
CEO Pinsky said 92NY’s commitment to a “robust exchange of ideas” hasn’t changed. Since Oct. 7, it has featured conversations that have been both critical and supportive of the Israeli government.
Trying to make sense of difficult topics is one of the many reasons people go to 92NY. But they also come for concerts or to take a class or go for a swim. Pinsky said its mission to enrich individuals and create community is needed now “more than any time” in its 150-year history.
“The fabric of society is being pulled apart in so many different ways,” he said. “And bringing people together and making them feel connected is incredibly important. And that’s who we’ve always been and that’s who we continue to be.”
This story was edited for audio and digital platforms by Jennifer Vanasco.
Sonja Christopher — the first person ever voted off the show “Survivor” — has died … this according to a current contestant on the show.
Liz Wilcox — who stars in season 46 of “Survivor,” which is underway right now — announced the sad news on X Friday … saying she met Sonja over Christmas and shared a photo of the two talking on FaceTime on her account.
She writes, “Today, the legend herself Sonja Christopher of Season One passed away. I had the pleasure of meeting her on Christmas. She had so much spunk + love for Survivor and what the show brought to her life. I hope you’re singing + playing your heart out somewhere beautiful, Sonja.”
On behalf of the family, Liz says people shouldn’t send flowers … but, instead donations to Mt. Diablo Unitarian Universalist Church in Walnut Creek, CA, the Cancer Support Community in SF, or the Sjogren’s Foundation. She did not provide a cause of death.
Sonja competed on “Survivor: Borneo” in 2000 and, despite getting along well with her teammates, got ousted after several missteps led to her team losing that first week. She received the boot because of it, making her the first person ever to be voted off the island.
In a sense, her appearance on the series was historic … and many still remember her.
Christopher’s known for playing her ukulele on the show — and, she seemed to remember her time fondly on “Survivor” despite her early exit … telling EW in 2020 the whole experience gave her a platform to raise money for causes she believed in.
Sonja was 87.
RIP
Jon Bon Jovi at the Mohegan Sun in Uncasville, Conn., in 2013.
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Jon Bon Jovi at the Mohegan Sun in Uncasville, Conn., in 2013.
David Bergman/Hulu
Hulu’s docuseries Thank You, Goodnight: The Bon Jovi Story, spends a lot of time building up the Bon Jovi legend — exploring the band’s almost unbelievable 40-plus-year run from playing hardscrabble rock clubs in New Jersey to earning platinum albums and entry into the Rock & Roll Hall of Fame.
But what moved me most in the four-part series was something more revealing: its close look at the struggle by lead singer Jon Bon Jovi to overcome vocal problems which nearly led him to quit the band.
Footage of the singer croaking through vocal exercises, undergoing laser treatments, enduring acupuncture and finally turning to surgery is sprinkled throughout the series, which toggles back and forth between his problems in 2022 and a chronological story of the band’s triumphs and tragedies from its earliest days.
Refusing to be Fat Elvis
Jon Bon Jovi was interviewed for Thank You, Goodnight.
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Jon Bon Jovi was interviewed for Thank You, Goodnight.
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Through it all, a question hangs: Will Bon Jovi ever recover enough vocal strength to lead a 40th anniversary tour?
“If I can’t be the very best I can be, I’m out,” he tells the cameras, still looking a bit boyish despite his voluminous gray hair at age 62. “I’m not here to drag down the legacy, I’m not here for the ‘Where are they now?’ tour … I’m not ever gonna be the Fat Elvis … That ain’t happening.”
Filmmaker Gotham Chopra — who has also directed docuseries about his father, spiritualist Deepak Chopra, and star quarterback Tom Brady — digs deeply into the band’s history, aided by boatloads of pictures, video footage and early recordings provided by the group.
Former Bon Jovi guitarist Richie Sambora in Thank You, Goodnight
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Former Bon Jovi guitarist Richie Sambora in Thank You, Goodnight
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Chopra gets folks from the group’s tight inner circle to speak up, including former manager Doc McGhee and guitarist Richie Sambora, who quit the band in 2013. (“Are we telling the truth, or are we going to lie, what are we going to do?” Sambora cracks to his offscreen interviewer. “Let’s figure it out.”)
But anyone expecting gossipy dish will walk away disappointed. Even major scandals in the band’s history are handled with care, including the firing of founding bassist Alec John Such in 1994 (and the admission that his replacement, Hugh McDonald, already had been secretly playing bass parts on their albums for years), drummer Tico Torres’ stint in addiction treatment and Sambora’s decision to quit midway through a tour in 2013, with no notice to bandmates he had performed alongside for 30 years.
Sambora’s explanation: When issues with substance use and family problems led him to miss recording sessions, Bon Jovi got producer John Shanks to play more guitar on their 2013 record What About Now. And Sambora was hurt.
“[Bon Jovi] had the whole thing kinda planned out,” Sambora says, “which basically was telling me, um, ‘I can do it without you.’”
Building a band on rock anthems
Jon Bon Jovi with guitarist Phil X.
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Jon Bon Jovi with guitarist Phil X.
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The docuseries shows how young New Jersey native John Bongiovi turned a job as a gofer at legendary recording studio The Power Station – owned by a cousin — into a recording of his first hit in the early 1980s, Runaway. His song eventually caught the ear of another little-known artist from New Jersey called Bruce Springsteen.
“The first demo I got of Jon’s was a good song,” says Springsteen, a longtime friend of Bon Jovi. “I mean, Jon’s great talent is these big, powerful pop rock choruses that just demand to be sung by, you know, 20,000 people in an arena.”
Thank You, Goodnight shows the band really took off by honing those rock anthems with songwriter Desmond Child, while simultaneously developing videos that showcased their status as a fun, rollicking live band. Hits like You Give Love a Bad Name, Livin’ on a Prayer and Wanted: Dead or Alive made them MTV darlings and rock superstars.
Through it all, the singer and bandleader is shown as the group’s visionary and spark plug, open about how strategically he pushed the band to write hit songs and positioned them for commercial success.
“It wasn’t as though I woke up one morning and was the best singer in the school, or on the block, or in my house,” he tells the camera, laughing. “I just had a desire and a work ethic that was always the driving force.”
I saw that dynamic up close in the mid-1990s when I worked as a music critic in New Jersey, spending time with Jon Bon Jovi and the band. Back then, his mother ran the group’s fan club and was always trying to convince the local rock critic to write about her superstar son – I was fascinated by how the band shrugged off criticisms of being uncool and survived changing musical trends, led by a frontman who worked hard to stay grounded.
Bon Jovi was always gracious and willing to talk; he even introduced me to then-New Jersey Gov. Christine Todd Whitman at one of his legendary Christmas charity concerts. (And in a crazy coincidence, the band’s backup singer Everett Bradley is an old friend from college.)
I think the docuseries captures Bon Jovi’s skill at leading the group through challenges musical and otherwise — from metal’s slow fade off the pop charts to the rise of grunge rock — something the singer rarely gets credit for achieving.
Still, much of Thank You, Goodnight feels like an extended celebration of the band and its charismatic frontman, leavened by his earnest effort to regain control of his voice. If you’re not a Bon Jovi fan, four episodes of this story may feel like a bit much (I’d recommend at least watching the first and last episodes.)
More than anything, the docuseries feels like an extended argument for something Bon Jovi has struggled to achieve, even amid million selling records and top-grossing concert tours – respect as a legendary rock band.
The audio and digital versions of this story were edited by Jennifer Vanasco.
As a newly single woman in my 50s in Los Angeles, I was terrified. I’d been married so long that the last time I’d heard the words “sexy” and “hot” was when I’d ordered sea bass in a spicy shiitake broth. I hadn’t been nipped, tucked, suctioned, filled or augmented. I figured I stood a better chance of being hit by lightning than hit on by a good-looking guy.
Understandably my girlfriends were getting weary of my “I’m going to die alone” attitude so they dragged me out to have some fun, which I assumed meant a glass of wine and a nice cheese plate, not shots of tequila in a trendy nightclub in Westlake. The last time I was in a club I was doing the Hammer Dance in parachute pants! I was in over my head. What if no one checked me out or asked me to dance. My self-esteem was already so low that I considered spending the rest of the year in bed. Maybe I just needed 11 months to reevaluate my Sleep Number and catch up on “The Bachelor.”
As it turned out, guys don’t ask you to dance anymore. They just move in on you. One guy moved in so close, it was less about dancing and more about grinding. I joked that in some countries, we were now officially married.
He didn’t get the joke, and I was not about to stay with a man with no sense of humor. I was starting to enjoy myself when fate reminded me that I was newly separated and supposed to be miserable and made me trip on an unseen step. I fell. Hard. On a concrete floor.
I was mortified. I was sure people were laughing at me, but instead, they just stepped over me on the way to the bar. Alcohol trumps everything. I got up, dusted off my pride and went back on the dance floor. I was in the middle of “raising the roof” when a pocket-sized man approached me and asked if I liked his friend. At first, I thought he was referring to his penis in the most unimaginative way, but then he gestured behind me to his actual friend — a thirtysomething tall, dark and gorgeous man. And me definitely likey!
He introduced himself in broken English as Daniel. He had just moved to Southern California from Italy to be a chef at a local hot spot. I felt like I was stepping into the pages of a Harlequin romance. Pretty soon he’d be shirtless on a horse, and I’d be behind him, holding his abs so I didn’t fall. Like I really needed a reason.
He suggested we go back to his apartment for Prosecco and more dancing, and I did what any mid-50s woman would in my situation: I threw all reason, good sense and safety concerns to the wind and blurted “Yes, God, yes!”
Daniel asked if I had a friend who could join us because the pocket-sized man had ironically big pockets and would pick up our tab and drive us in his fancy SUV. I knew convincing a girlfriend wouldn’t be easy, so I went for the jugular. I used guilt. I’d been miserable for months going on years. Did my friends really want to deny me one night of a superficial, meaningless lust connection?
After a speedy ride where I sat on my one good butt cheek, the four of us arrived at Daniel’s apartment in Agoura Hills. He popped open some bubbly and made a toast that was seductive and unintelligible, but I was suddenly in my head.
What was I doing? I wasn’t ready for sex. I wouldn’t even get naked in front of a mirror! And what about the bump on my butt from the fall that was swelling by the minute? Would it be too conspicuous if I sat on a bag of ice or frozen peas? Before I could get to the freezer, Daniel pulled me and my spiraling in for a slow dance and he started singing to me in Italian. It was corny, off-key and incredibly romantic. My girlfriend, Shauna, seeing where this might go, asked Daniel’s friend to drive her home. (That is a comedy of errors for a whole other essay.)
I didn’t say goodbye. I was too focused on Daniel’s roaming hands that were headed south for warmer regions. I yelped as he touched the bruised cheek then quickly recovered with a flirty laugh. Encouraged by my fake flirty laugh, he started undoing the buttons on my jeans. I stopped him and moved his hands up. He moved them down. I moved them up. I wondered if you could have sex with your clothes on. It had been a minute since I’d had sex with someone new. Maybe things had changed.
He took my hand and led me to the bedroom. I looked at the bed and briefly wondered if the sheets were clean. As a mom, I could get stains out of anything. My domestic reverie was cut short as he took off his shirt. I looked at his ridiculous body and I knew it was my turn. I also knew I wasn’t ready. I got into bed fully clothed, and he crawled in next to me. He pulled me in and kissed me, and I forgot all about the divorce, the heartache and the fear of being alone. I was making out with a hot Italian guy with a hematoma on my butt that was now the size of a ping-pong ball, and it was exactly what I needed. I felt hotter and sexier than any sea bass, but most important, I felt hopeful. Maybe I was going to be OK after all.
The author is a Golden Globe-winning TV comedy writer from England. She lives in Woodland Hills, but her adventures happen everywhere. She’s on Instagram: @mariaannebrown
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
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