Lifestyle
6 design tricks to transform your home, according to a feng shui expert
In feng shui, the doorway is a gateway for life energy, or chi. And you can do a lot to affect how energy flows through it, says Cliff Tan, an architect and feng shui enthusiast with nearly 3 million followers on TikTok. One way is to make sure the doorway is as unobstructed as possible.
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Malaka Gharib/NPR
Got an uninspiring home office, a dingy living room or a cluttered entryway — but don’t have a huge budget to redecorate?
Cliff Tan, a London-based architect who runs dearmodern, a design account on TikTok with nearly 3 million followers, has some ideas on how to upgrade your living area — without spending a lot of money on new furniture, renovating or moving house. These ideas are inspired by the principles of feng shui, the ancient Chinese practice of designing spaces to promote harmony.
When decorating, you want to consider the flow of energy in your home and create “an environment that makes you feel good and supports whatever you’re doing,” Tan says. That might mean rearranging your existing furniture, being intentional about the purpose of each room and adding more light to your space.
Tan, author of the 2022 book Feng Shui Modern, shares simple, low-cost ways to transform your home environment.
1. Keep the entrance to your home unobstructed
“The front entrance is the most important part of the home,” says Tan. And it’s often people’s first impression of the house — not just for visitors but for yourself as well.
In feng shui, the doorway is a gateway for life energy, or chi. And you can do a lot to affect how energy flows through it, says Tan. One way is to make sure the doorway is as unobstructed as possible.
Examine your entryway. Is there a lot of clutter around it, like shoes, coats, bags or umbrellas? Or “a pile of recycling bags that you have to kick every time you open the door?” says Tan.
Find ways to keep the area clear. Put items back in the shoe rack or the coat closet where they belong. Or repurpose a table or bench from another part of your house to neatly store your recycling (in a cute bin if you can find one) and your keys.
Before decorating a space, “deal with the worst things first. That’s where the impact is greatest,” says Tan. It will free up your energy to make more balancing adjustments to a room.
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2. Handle the ugly things first
So you’re gazing around the house, an ongoing list of projects dancing in your head. Where should you start?
“With the ugliest things in your life,” says Tan. “Deal with the worst things first. That’s where the impact is greatest. There’s no point in creating a cute shelf in the kitchen when every time you walk in, you see this shoe rack and it makes you angry.”
If one bad element is ruining your harmonious feelings about your space, “fix that first,” says Tan. It will free up your energy to make more balancing adjustments.
Put the shoe rack somewhere else — or if you want to leave it in your kitchen, “make it nice,” says Tan. “Paint it pink, build a curtain around it.” The way you problem-solve can turn an annoyance into a statement piece or even a favorite part of your home.
Move your desk by a window and “let the light shine on your face, which can also give the impression that the room is much brighter,” says Tan.
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3. Spend your time in the nicest part of the house
Walk through your house and ask yourself, “Which is the nicest part?” says Tan. The most pleasant areas are usually by a window. As a source of light and natural ventilation, they can help circulate light, air and energy.
That’s where you want to spend most of your time. “This sounds like common sense, but you’d be surprised how often this is not done,” says Tan.
For example, some people who work from home tuck their desk away in a dark corner because they don’t want to be reminded of work when they’re off the clock, says Tan. “Even though they spend eight hours a day working, they’d rather have their empty couch in the beautiful sunlight.”
So move your desk by a window and “let the light shine on your face, which can also give the impression that the room is much brighter,” says Tan.
In a bedroom, always put your bed against a solid wall, says Tan. It’s nice and sturdy and makes you feel in charge of the space. And don’t put your head next to a door. “I will do anything I can to keep my head safe from all that movement.”
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4. Create an energy that makes you feel safe and comfortable
When you’re at home, you want to feel safe and secure, says Tan.
In feng shui, you can achieve that by placing yourself in what is called the “command position,” he says. Whatever is behind you should be nice and sturdy and make you feel in charge of the space.
In a bedroom, always put your bed against a solid wall, and try not to point your feet toward any openings in the room, says Tan. Too much energy comes through doors, and that can make sleepers feel vulnerable. And don’t put your head next to a door. “I will do anything I can to keep my head safe from all that movement.”
To mimic the varying lights and shadows in our natural environment, use multiple sources of indirect light to illuminate a room, says Tan. A big, overhead light glares “down the floor” and casts strong, unnatural shadows.
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5. Use multiple lamps to create warmth and consistency
According to feng shui, supplementing any natural phenomenon (like light) must be done with care.
To mimic the varying lights and shadows in our natural environment, use multiple sources of indirect light to illuminate a room, says Tan. A big, overhead light glares “down the floor” and casts strong, unnatural shadows. Table lights and spotlights, however, create depth by giving you more control over the direction and quality of light. Use these smaller lights to highlight areas of focus, like a piece of artwork or a reading nook.
To create a sense of warmth and consistency in your home, “make sure all your bulbs are the same color temperature,” says Tan. He recommends bulbs between 2700 and 3000 kelvins. They offer a cozy, relaxing glow.
What may work in one room may not work in another. That’s how people end up with a beautiful round table that looks lost in your long, rectangular dining room, says Tan. Your furniture should showcase the best qualities of the room and “make the space as good as it can be.”
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6. Consider a room’s dimensions when picking out furniture
Social media can be an exciting place to find interior design ideas, but what might work in one room may not work in another. That’s how you end up with a beautiful round table that looks lost in your long, rectangular dining room, says Tan. “It’s too fat, it’s too short and it doesn’t fill up the space.”
When designing a room, the goal is to optimize flow, says Tan. You want to keep energy from moving too quickly through the space, but a room that’s too stuffy or cumbersome to navigate around can also feel stagnant.
So pick furniture that interacts well with the room. You don’t want a coffee table so large that you’re always barking your shins when you try to get up, and you also don’t want two small armchairs in a zone that would be much better for a full-size couch.
“Nothing beats working with your space,” says Tan. Your furniture should showcase the best qualities of the room and “make the space as good as it can be.”
This episode was produced by Sylvie Douglis. The digital story was edited by Malaka Gharib. The visual editor is Beck Harlan. We’d love to hear from you. Leave us a voicemail at 202-216-9823, or email us at LifeKit@npr.org.
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Lifestyle
Veteran actor T.K. Carter, known for ‘The Thing’ and ‘Punky Brewster,’ dies at 69
Actor TK Carter arrives for the premiere of “The LA Riot” at the Tribeca Film Festival, Monday, April 25, 2005, in New York.
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Mary Altaffer/AP
DUARTE, Calif. — Veteran actor T.K. Carter, who appeared in the horror film “The Thing” and “Punky Brewster” on television, has died at the age of 69.
Carter was declared dead Friday evening after deputies responded to a call regarding an unresponsive male in Duarte, California, according to the Los Angeles County Sheriff’s Department.
Police did not disclose a cause of death or other details, but said no foul play was suspected.
Thomas Kent “T.K.” Carter was born Dec. 18, 1956, in New York City and was raised in Southern California.
He began his career in stand-up comedy and with acting roles. Carter had been acting for years before a breakthrough role as Nauls the cook in John Carpenter’s 1982 horror classic, “The Thing.” He also had a recurring role in the 1980s sitcom “Punky Brewster.”
Other big-screen roles include “Runaway Train” in 1985, “Ski Patrol” in 1990 and “Space Jam” in 1996.
“T.K. Carter was a consummate professional and a genuine soul whose talent transcended genres,” his publicist, Tony Freeman, said in a statement. “He brought laughter, truth, and humanity to every role he touched. His legacy will continue to inspire generations of artists and fans alike.”
Lifestyle
Kylie Jenner Shows Off Cleavage in Tight Leather Top While Promoting New Perfume
Kylie Jenner
Cosmic Cleavage …
Flaunts Boobs While Pushing New Fragrance
Published
Kylie Jenner‘s full-bodied new fragrance is out … and, she’s using her bust to promote it — pushing up her cleavage for the ad.
The model posed in the sleeveless red leather top which perfectly matched the fragrance bottle she held against her head.
Waiting for your permission to load the Instagram Media.
The star’s looking away from camera … though we imagine if she could see fans looking at the pic, she might tell them her eyes were up about a foot or so!
She captioned the post by telling fans the new smell is called COSMIC INTENSE … a spin-off of her original “COSMIC” which feels “warmer, creamier, and even more addictive.”
KJ’s gotta promote the perfume now because she’s not going to have much time to work on her business in upcoming weeks … as we imagine she’ll attend every awards show with her man, Timothée Chalamet.
As you know … Chalamet got handsy with Jenner shortly after winning the Critics Choice Award for Best Actor — grabbing her backside while sitting in the audience. He’d just said he loved her in his acceptance speech as well.
Maybe Chalamet will grab a bit of her cosmic cleavage if he wins a Golden Globe this weekend!
Lifestyle
Washington National Opera leaves Kennedy Center, joining slew of artist exits
A view of the John F. Kennedy Center for the Performing Arts, which the current board is calling the Trump Kennedy Center, in Washington, DC, on Dec. 26, 2025.
Brendan Smialowski / AFP via Getty Images
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Brendan Smialowski / AFP via Getty Images
The Washington National Opera is leaving the John F. Kennedy Center for the Performing Arts, its home since 1971.
Friday’s news, shared with NPR in a statement via email from the opera company, comes in response to new policies which the 70-year-old performing arts group said strain its financial model.
The Washington National Opera stressed the “amicability” of its decision to end its longtime residency at the Kennedy Center. But it said the center’s new business model, which requires productions to be fully-funded in advance, is incompatible with the usual mix of ticket sales, grants and donations that cannot all be secured ahead.
“Opera companies typically cover only 30-60% of costs through ticket sales, with the remainder from grants and donations that cannot be secured years ahead when productions must be planned,” the statement said.
The company added the model also does not accommodate its artistic mission, which aims to balance popular works such as West Side Story, slated for May 2026, with more obscure and experimental operas, such as the little-known Scott Joplin work, Treemonisha, scheduled for March. “Revenue from major productions traditionally subsidizes smaller, innovative works,” the statement said.
Artistic director Francesca Zambello, who has led the company for 14 seasons, shared her regrets in a statement with NPR, while also looking to the future.
“I am deeply saddened to leave the Kennedy Center,” Zambello said. “In the coming years, as we explore new venues and new ways of performing, Washington National Opera remains committed to its mission and artistic vision. Our repertory will continue to include diverse offerings, from monumental classics to more contemporary works, presented in bold visual productions with first-class musical values.”
In addition to a continued presence for now on the Kennedy Center website, the opera company launched its new independent website within a few hours of its announcement.
“After careful consideration, we have made the difficult decision to part ways with the Washington National Opera due to a financially challenging relationship,” the Kennedy Center wrote in an email to NPR on Friday. “We believe this represents the best path forward for both organizations and enables us to make responsible choices that support the financial stability and long-term future of the Trump Kennedy Center.”
On social media, Kennedy Center executive director Richard Grenell said it was the center’s decision to sever ties with the opera company — and not the other way around.
“The Trump Kennedy Center has made the decision to end the EXCLUSIVE partnership with the Washington Opera so that we can have the flexibility and funds to bring in operas from around the world and across the U.S.” Grenell said. “Having an EXCLUSIVE relationship has been extremely expensive and limiting in choice and variety.”
Grenell reposted his message on Saturday after he was alerted that his X.com account had been hacked and the original message had been removed.
President Donald Trump was named chairman of the Kennedy Center’s board in February 2025. His name was added to the Kennedy Center in December following a vote by the Trump-appointed members of its board. Since the power of the venue’s board to rename the center is currently in dispute, NPR continues to refer to the Kennedy Center using its legal name.
A string of exits
The Washington National Opera’s departure is the latest and perhaps most significant in a string of artist exits from the cultural institution since Trump took over the institution.
Backlash from ticket-buyers, slated performers, and certain board members—including Shonda Rhimes—was swift.
Artists are continuing to cancel performances. But one of the first to do so was a touring production of the musical Hamilton. In a statement on X in March 2025, producer Jeffrey Seller said he opposed the Trump administration’s ousting of many Democratic board members.
“The recent purge by the Trump Administration of both professional staff and performing arts events at or originally produced by the Kennedy Center flies in the face of everything this national center represents,” wrote Seller.
Actress and writer Issa Rae followed suit with a post on Instagram, cancelling her sold-out March performance.
A slew of additional artists and performance companies canceled after the board’s vote to rename the center “The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts.” Congress has not yet authorized the name change.
Grenell has responded to many cancellations on social media, condemning the artists. After Banjo player Béla Fleck canceled his performance because he said the center had become “political,” Grenell wrote on X, “You just made it political and caved to the woke mob who wants you to perform for only Lefties.
“This mob pressuring you will never be happy until you only play for Democrats. The Trump Kennedy Center believes all people are welcome—Democrats and Republicans and people uninterested in politics. We want performers who aren’t political—who simply love entertaining everyone regardless of who they voted for.”
Find a running list of these cancellations below.
Sonia De Los Santos
On Jan. 8, singer-songwriter Sonia De Los Santos announced on Instagram that she was canceling her upcoming February concert at the Kennedy Center. “As an artist,” wrote De Los Santos, “I treasure the freedom to create and share my music, and for many years I have used this privilege to uplift the stories of immigrants in this country.”
De Los Santos, who was nominated for a Latin Grammy for best children’s album in 2018, stated that “I do not feel that the current climate at this beloved venue represents a welcoming space for myself, my band, or our audience.”
Béla Fleck performs onstage during the 67th Annual Grammy Awards Premiere Ceremony at Peacock Theater on Feb. 2, 2025 in Los Angeles.
Leon Bennett/Getty Images for The Recording Academy
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Leon Bennett/Getty Images for The Recording Academy
Béla Fleck

Performing at the Kennedy Center “has become charged and political, at an institution where the focus should be on the music,” wrote American banjo player Béla Fleck about his scheduled appearance with the National Symphony Orchestra in an official statement posted to Instagram on Jan. 7. “I have withdrawn from my upcoming performance with the NSO at The Kennedy Center,” he wrote. “I look forward to playing with the NSO another time in the future when we can together share and celebrate art.”
The 18-time Grammy winner has performed at the Kennedy Center in the past.
Stephen Schwartz
The composer and lyricist for the beloved musicals Wicked, Godspell and Pippin was expected to host a gala fundraiser for the Washington National Opera in May 2026. On Jan. 2, Schwartz announced his withdrawal. According to NBC News, Schwartz reflected that the Kennedy Center was “founded to be a political home for free artistic expression for artists of all nationalities and ideologies.” Today, he said, making an appearance “has now become an ideological statement.”
Richard Grenell quickly responded to Schwartz’s withdrawal, calling it a “bogus” report in a statement posted on X and saying reporters were plagiarizing a “fake @RollingStone story.” Schwartz was “never signed,” Grenell wrote.
Reports from NBC and other outlets, including Variety, have refuted this claim, publishing screenshots showing that Schwartz was promoted on the Kennedy Center’s website prior to his cancellation.
Stephen Schwartz attends the 2025 Songwriters Hall Of Fame Induction Ceremony at Marriott Marquis Times Square on Jun. 12, 2025 in New York City.
Theo Wargo/Getty Images for Songwriters Hall Of Fame
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Theo Wargo/Getty Images for Songwriters Hall Of Fame
The Cookers
The seven-piece band of veteran jazz musicians announced shortly before Dec. 31 that they would not perform at the Kennedy Center for “A Jazz New Year’s Eve:”
“We know this news is disappointing,” reads the statement on their website. “We are not turning away from our audience, and do want to make sure that when we do return to the bandstand, the room is able to celebrate the full presence of the music and everyone in it. Our hope is that this moment will leave space for reflection, not resentment.”
The statement went on to say, “We remain committed to playing music that reaches across divisions rather than deepening them.”
Chuck Redd
The American jazz drummer and longtime host of the Kennedy Center’s annual Christmas Jazz Jam chose to cancel his 2025 appearance when he “saw the name change on the Kennedy Center website and then hours later on the building,” according to a statement sent to the Associated Press.

On Dec. 27, the Kennedy Center announced its plan to file a $1 million lawsuit against Redd. “Any artist canceling their show at the Trump Kennedy Center over political differences isn’t courageous or principled—they are selfish, intolerant, and have failed to meet the basic duty of a public artist: to perform for all people,” said Kennedy Center spokesperson Roma Daravi.
In a letter shared with NPR, Richard Grenell condemned Redd: “Regrettably, your action surrenders to the sad bullying tactics employed by certain elements on the left, who have sought to intimidate artists into boycotting performances at our national cultural center.”
Doug Varone and Dancers
“The renaming for me has kind of pushed me off a cliff,” said choreographer Doug Varone on Dec. 31, when he spoke with NPR’s Morning Edition. Varone, who was set to showcase members of his Doug Varone and Dancers company at the Kennedy Center in April 2026, pulled the performance.
John F. Kennedy, for whom the Kennedy Center was established as a living memorial, “believed in the arts as kind of the beating heart of our nation,” said Varone.
“I believe that the level of artistry has dropped drastically since the administration change, and the employees that were responsible for the quality of the work at the center have all been let go.”
After canceling, the company started a crowdfunding campaign to help offset its financial loss. It raised over $42,000, exceeding its $40,000 goal.
Magpie
In a statement posted to Facebook on Jan. 5, Greg Artzner of the American folk duo Magpie announced the decision to pull their Feb. 28 concert, set to play on the Kennedy Center’s Millennium Stage.
“There isn’t really anything defensible” about Trump, said the statement from Artzner and Magpie’s Terry Leonino. Although they had planned an evening of songs with messages of unity and hope, “We are personally and philosophically in agreement with the belief underlying the growing boycott,” they said. “The stand being taken by fellow artists we respect and admire has created a moral picket line. We stand with them in solidarity.”
An update on Jan. 9 said that Magpie would now be performing a longer version of that concert on Feb. 21 at Seekers Church in Washington, D.C., now called, “The Traveling John F. Kennedy Center for the Performing Arts Restoration Roadshow.”
Kristy Lee
Folk singer Kristy Lee canceled her Jan. 14 Kennedy Center performance due to “recent efforts to impose political branding on the Center,” according to a statement posted on her website.
“Public arts spaces should be free from political influence,” Lee said in her statement. “I step back out of respect for artistic freedom and the Kennedy Center’s founding mission, not in opposition to its staff, artists, or audience.”
On Jan. 14, Lee plans to host a live-streamed concert instead, titled “Showing Up: From the Kennedy Center to the Couch.”
Low Cut Connie
Philadelphia rock and roll band Low Cut Connie pulled their concert, set for February 2025, “Upon learning that this institution that has run non-partisan for 54 years is now chaired by President Trump himself and his regime,” according to a statement posted on their Facebook page.
“Maybe my career will suffer from this decision,” wrote band frontman Adam Weiner, “but my soul will be the better for it.”
Rhiannon Giddens

In Feb. 2025, folk singer Rhiannon Giddens announced her departure from the Kennedy Center lineup in a social media statement. “I cannot in good conscience play at The Kennedy with the recent programming changes forced on the institution by this new board,” wrote Giddens.
Giddens transferred her May 11 concert, “Old-Time Revue,” to The Anthem concert hall, also in Washington, D.C.
Balún
The Puerto Rican band, based in Brooklyn in New York City, canceled their Kennedy Center performance, which had been set for Feb. 27, 2025.
According to a statement posted to Balún’s Instagram account, “recent events made it clear that the space no longer aligns with our values. Our safety, integrity, and commitment to justice come first.”
Issa Rae attends HBO’s final season premiere of “Insecure” at Kenneth Hahn Park on Oct. 21, 2021 in Los Angeles, California.
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Kevin Winter/Getty Images
Issa Rae

“Thank you so much for selling out the Kennedy Center for ‘An Evening With [Me],’” wrote Issa Rae, the acclaimed star and creator of HBO’s Insecure, on her Instagram stories page in Feb. 2025. “Unfortunately, due to what I believe to be an infringement on the values of an institution that has faithfully celebrated artists of all backgrounds through all mediums, I’ve decided to cancel my appearance at this venue.”
“Hamilton”
In March 2025, Hamilton producer Jeffrey Seller announced on X that the Tony-award winning musical phenomenon would no longer run as scheduled at the Kennedy Center. According to the statement, the decision was made both for political and for business reasons. Not only was there “a new spirit of partisanship,” the statement read in part, but “it would be “financially and personally devastating to the employees of Hamilton if the new leadership of the Kennedy Center suddenly canceled or re-negotiated our engagement. The actions of the new Chairman of the Board in recent weeks demonstrate that contracts and previous agreements simply cannot be trusted.”

The Kennedy Center was swift to respond to Hamilton‘s cancellation. On X in a now-deleted post, Richard Grenell accused Hamilton star and creator Lin Manuel-Miranda of being “intolerant of people who don’t agree with him politically,” and stated that the decision was “a publicity stunt that will backfire.”
In the months since the show’s cancellation at the Center, Hamilton has continued to sell out theaters on Broadway and in venues nationwide who host its North American touring company.
U.S. Marine Band
The U.S. Marine Band announced in February 2025 that the Marine Band would not perform in the Equity Arc Wind Symphony event, a collaboration between Marine Band members and selected high school musicians.
The U.S. Marine Band, known also as “The President’s Own” was founded by an Act of Congress in 1798, making it the country’s oldest professional music organization.
Composer Kevin Charoensri, whose music had been scheduled to be performed by the band at the event, stated in a Facebook post that Diversity, Equity, and Inclusion (DEI) orders resulted in the cancellation of the Equity Arc concert:
“It has come to my attention that the program, one based on equity and diversity of voices, is no longer supported at the federal level under this administration,” Charoensri wrote. “It was for this reason that the program and performance were canceled.”
The U.S. Marine marching band performs in the 120th Tournament of Roses Parade January 1, 2009 in Pasadena, California.
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Alberto E. Rodriguez/Getty Images
Jennifer Vanasco edited this story.
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