Entertainment
With Mindy Kaling in her corner, author Amina Akhtar sets out to shake rather than strangle stereotypes
On the Shelf
Almost Surely Dead
By Amina Akhtar
Mindy’s Book Studio: 302 pages, $26.96
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Amina Akhtar was 4 when she first watched “The Exorcist.” It was a particularly memorable family movie night. But what she remembers most about it — what inspired the fashion-editor-turned-author’s third novel, “Almost Surely Dead,” more than 40 years later — was an exchange during the viewing between her brother and father.
“My brother revealed that the film was based on a true story,” Akhar remembered during a phone interview from her home not far from Sedona, Ariz. She was terrified so her father, whose side of the family has Sufi lineage, sought to reassure her. “He said, ‘That’s okay, honey, I know how to do an exorcism — and we all will be fine.’ And he was dead serious, absolutely dead serious.”
“Almost Surely Dead” owes much to such formative experiences. Out Thursday from Mindy’s Book Studio, actor-writer-producer Mindy Kaling’s publishing and development imprint at Amazon, the genre-fluid novel opens with the attempted murder of its protagonist, pharmacist Dunia Ahmed. Part supernatural thriller, part social commentary, part family saga, it’s also a refashioning of the stereotypical first-generation assimilation narrative, with the help of some magic and insights into Sufism.
What it most has in common with Akhtar’s first two novels, “#FashionVictim” and “Kismet,” is that it’s a book only she could have written. Raised in Texas in a family of five, Akhtar first channeled her bottomless curiosity into a career in journalism. Fresh out of New York University, she became an assistant at Vogue, which launched her through a gantlet of fashion publications as an influential online editor just as legacy brands including the New York Times , Elle and New York magazine, where Akhtar helped develop its vertical the Cut, were investing in their websites.
On her way up through the ranks, Akhtar was the picture of confidence, but inside she was swimming in self-doubt. Her success and unhappiness nourished each other in vicious waves — until the tsunami hit.
In 2013, Akhtar lost the two forces propelling her forward — her job at Elle and her mother, who died of pancreatic cancer. Her confidence shaken, she moved from New York to Sedona to live with her father (as she still does) and left the media world to become, eventually, a novelist. Her first novel, 2018’s “#FashionVictim,” alchemized fashion satire and thriller tropes into an exciting hybrid. Her 2022 followup, “Kismet,” tweaked the trendy wellness-oriented mysticism of Sedona with the help of propulsive suspense and a murder of (occasionally narrating) crows.
It was “Kismet” that caught the attention of Kaling, who was just getting Mindy’s Book Studio up and running when the book came out. Seeking to develop more diverse stories, Kaling had teamed up with Amazon to acquire and publish books through the tech giant’s publishing outfit. (Amazon’s film studio gets the first look at potential adaptations of Mindy’s Books.)
“I felt like [Dunia] was literally a version of me,” Kaling said during a phone call. “I didn’t know I was craving this until I read it, but I am so glad that it exists. I think Amina is incredibly adept at creating worlds that lend themselves to the screen and is so well versed in urbane, witty writing as a former journalist. Her brilliance on the page is 100% her, and I am just a fan who wants other people to love her incredibly stylish writing as much as I do.”
“Almost Surely Dead” is being released under Mindy Kaling’s imprint with Amazon Publishing.
(Ari Michelson)
Indeed, Akhtar’s book is more than just a genre amalgamation begging for screen adaptation. She employs the perspectives of Dunia both as a grown-up and at age 5 — recalling family stories about jinn-like spirits — as well as a fictional podcast team investigating Dunia’s disappearance. The supernatural flashback chapters of Dunia’s sleepwalks unpeel the layers of trapped family secrets that land Dunia in her present condition. The true crime podcast and present-day narratives ground us in her day-to-day struggles of trying (and sometimes failing) to be the friend and daughter she yearns to be.
With all the interwoven elements, early readers have taken their pick of favorite parts. The novel’s editor, Megha Parekh, who also worked on “Kismet,” enjoyed the semi-satirical treatment of the current obsession with true crime podcasts.
Alex Segura is in an intimate writers group with Akhtar and Kellye Garrett (all three are part of the Crime Writers of Color network). The friends differ on their own favorite parts (Segura prefers the present-day narration, Garrett the podcast), but they agree that what sets “Almost Surely Dead” apart from (and above) Akhtar’s first two novels is the strong autobiographical cultural element.
“I think Amina did a fantastic job interweaving the supernatural and it felt very natural,” Segura reflected over the phone, “but the family tension in this book is really what resonated with me — how families are both flawed and challenging, but also ours. I think Amina is established but she was also flying a little under the radar; this book is her real breakout, the kind of book that you can tell she’s been working toward.”
All of the dilemmas of the immigrant experience — particularly that of South Asians — are present in the book in ways that feel lived in and deeply personal. There is the weight of professional and cultural expectations for success and assimilation (but not too much of it). There are female friendships that begin as idealistic but turn sour. And there are the details of Dunia’s childhood: the birthday dress “full of frosting and flowers,” her father’s “princess and jinn” secret bedtime stories. At least to this South Asian American, they were as vivid and powerful as any madeleine. Like authors Celeste Ng and Sanjena Sathian, Akhtar manages to shake rather than strangle stereotypes.
It makes perfect sense that someone who had skyrocketed into the assimilated world of journalism and fashion, only to leave it behind and reconnect to the people who mattered most in a mystical landscape, would write a book like this.
“I’m literally out here in the middle of a mountain,” Akhtar says, “where I see wild animals more often than I see people, which is a very different experience than my past life in New York. I joke about how my dad was this ‘super-Pakistani’ dad who told me, ‘You will do this and you will do that’ — no questions asked — but now he is just the complete opposite, my best buddy, my No. 1 fan. I’m grateful I’ve got this time with him because it’s such a whole new wonderful experience for me that I want to write a sitcom about it.”
Fortunately, she has an in with Mindy Kaling.
Movie Reviews
Movie Review: ‘The SpongeBob Movie: Search for SquarePants’ – Catholic Review
NEW YORK (OSV News) – Cartoon characters can devolve into dullards over time. But some are more enduringly appealing than others, as the adventure “The SpongeBob Movie: Search for SquarePants” (Paramount) proves.
Yellow, absorbent and porous on the outside, unflaggingly upbeat SpongeBob (voice of Tom Kenny) is childlike and anxious to please within. He also displays the kind of eagerness for grown-up experiences that is often found in real-life youngsters but that gets him into trouble in this fourth big-screen outing for his character.
Initially, his yearning for maturity takes a relatively harmless form. Having learned that he is now exactly 36 clams tall, the requisite height to ride the immense roller coaster at Captain Booty Beard’s Fun Park, he determines to do so.
Predictably, perhaps, he finds the ride too scary for him. This prompts Mr. Krabs (voice of Clancy Brown), the owner of the Krusty Krab — the fast-food restaurant where SpongeBob works as a cook — to inform his chef that he is still an immature bubble-blowing boy who needs to be tested as a swashbuckling adventurer.
The opportunity for such a trial soon arises with the appearance of the ghostly green Flying Dutchman (voice of Mark Hamill), a pirate whose elaborately spooky lair, the Underworld, is adjacent to SpongeBob’s friendly neighborhood, Bikini Bottom. Subject to a curse, the Dutchman longs to lift it and return to human status.
To do so, he needs to find someone both innocent and gullible to whom he can transfer the spell. SpongeBob, of course, fits the bill.
So the buccaneer lures SpongeBob, accompanied by his naive starfish pal Patrick (voice of Bill Fagerbakke), into a series of challenges designed to prove that the lad has what it takes. Mr. Krabs, the restaurateur’s ill-tempered other employee, Squidward (voice of Rodger Bumpass), and SpongeBob’s pet snail, Gary, all follow in pursuit.
Along the way, SpongeBob and Patrick’s ingenuity and love of carefree play usually succeed in thwarting the Dutchman’s plans.
As with most episodes of the TV series, which premiered on Nickelodeon in 1999, there are sight gags intended either for adults or savvy older children. This time out, though, director Derek Drymon and screenwriters Pam Brady and Matt Lieberman produce mostly misfires.
These include an elaborate gag about Davy Jones’ legendary locker — which, after much buildup, turns out to be an ordinary gym locker. Additionally, in moments of high stress, SpongeBob expels what he calls “my lucky brick.” As euphemistic poop gags go, it’s more peculiar than naughty.
True to form, SpongeBob emerges from his latest escapades smarter, wiser, pleased with his newly acquired skills and with increased loyalty to his friends. So, although the script’s humor may often fall short, the franchise’s beguiling charm remains.
The film contains characters in cartoonish peril and occasional scatological humor. The OSV News classification is A-I – general patronage. The Motion Picture Association rating is PG — parental guidance suggested. Some material may not be suitable for children.
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Entertainment
Reiner family tragedy sheds light on pain of families grappling with addiction
When Greg heard about the deaths of Rob and Michele Reiner, and the alleged involvement of their son Nick, the news struck a painfully familiar chord.
It wasn’t the violence that resonated, but rather the heartache and desperation that comes with loving a family member who suffers from an illness that the best efforts and intentions alone can’t cure.
Greg has an adult child who, like Nick Reiner, has had a long and difficult struggle with addiction.
“It just rings close to home,” said Greg, chair of Families Anonymous, a national support program for friends and family members of people with addiction. (In keeping with the organization’s policy of anonymity for members, The Times is withholding Greg’s last name.)
“It’s just so horrible to be the parent or a loved one of somebody that struggles with [addiction], because you can’t make any sense of this,” he said. “You can’t find a way to help them.”
Every family’s experience is different, and the full picture is almost always more complicated than it appears from the outside. Public details about the Reiner family’s private struggles are relatively few.
But some parts of their story are likely recognizable to the millions of U.S. families affected by addiction.
“This is really bringing to light something that’s going on in homes across the country,” said Emily Feinstein, executive vice president of the nonprofit Partnership to End Addiction.
Over the years, Nick Reiner, 32, and his parents publicly discussed his years-long struggle with drug use, which included periods of homelessness and multiple rehab stints.
Most recently, he was living in a guesthouse on his parents’ Brentwood property. Family friends told The Times that Michele Singer Reiner had become increasingly concerned about Nick’s mental health in recent weeks.
The couple were found dead in their home Sunday afternoon. Los Angeles police officers arrested Nick hours later. On Tuesday, he was charged with their murder. He is currently being held without bail and has been placed under special supervision due to potential suicide risk, a law enforcement official told The Times.
Experts in substance use cautioned against drawing a direct line between addiction and violence.
“Addiction or mental health issues never excuse a horrific act of violence like this, and these sort of acts are not a direct result or a trait of addiction in general,” said Zac Jones, executive director of Beit T’Shuvah, a nonprofit Los Angeles-based addiction treatment center.
The circumstances around the Reiners’ highly publicized deaths are far from ordinary. The fact that addiction touched their family is not.
Nearly 1 in 5 people in the U.S. has personally experienced addiction, a 2023 poll from the Kaiser Family Foundation found.
Two-thirds of Americans have a family member with the disease, a proportion that is similar across rural, urban and suburban dwellers, and across Black, Latino and white respondents.
“Substance use disorders, addiction, do not discriminate,” Jones said. “It affects everyone from the highest of the high [socioeconomic status] to people that are experiencing homelessness on Skid Row. … There is no solution that can be bought.”
During interviews for the 2015 film “Becoming Charlie,” a semi-autobiographical film directed by Rob Reiner and co-written by Nick Reiner, the family told journalists that Nick, then in his early 20s, had been to rehab an estimated 18 times since his early teens. Nick Reiner has also spoken publicly about his use of heroin as a teenager.
Such cycles of rehab and relapse are common, experts said. One 2019 study found that it took an average of five recovery attempts to effectively stop using and maintain sobriety, though the authors noted that many respondents reported 10 or more attempts.
Many families empty their savings in search of a cure, Feinstein said. Even those with abundant resources often end up in a similarly despairing cycle.
“Unfortunately, the system that is set up to treat people is not addressing the complexity or the intensity of the illness, and in most cases, it’s very hard to find effective evidence-based treatment,” Feinstein said. “No matter how much money you have, it doesn’t guarantee a better outcome.”
Addiction is a complex disorder with intermingled roots in genetics, biology and environmental triggers.
Repeated drug use, particularly in adolescence and early adulthood when the brain is still developing, physically alters the circuitry that governs reward and motivation.
On top of that, co-occurring mental health conditions, traumas and other factors mean that no two cases of substance abuse disorders are exactly the same.
There are not enough quality rehabilitation programs to begin with, experts said, and even an effective program that one patient responds to successfully may not work at all for someone else.
“There is always the risk of relapse. That can be hard to process,” Greg said.
Families Anonymous counsels members to accept the “Three Cs” of a loved one’s addiction, Greg said: you didn’t cause it, you can’t cure it and you can’t control it.
“Good, loving families, people that care, deal with this problem just as much,” he said. “This is just so common out there, but people don’t really talk about it. Especially parents, for fear of being judged.”
After the killings, a family friend told The Times that they had “never known a family so dedicated to a child” as Rob and Michele Reiner, and that the couple “did everything for Nick. Every treatment program, therapy sessions and put aside their lives to save Nick’s repeatedly.”
But the painful fact is that devotion alone cannot cure a complex, chronic disease.
“If you could love someone into sobriety, into recovery, into remission from their psychiatric issues, then we’d have a lot fewer clients here,” Jones said. “Unfortunately, love isn’t enough. It’s certainly a part of the solution, but it isn’t enough.”
If you or someone you know is experiencing a mental health crisis, help is available. Call 988 to connect to trained mental health counselors or text “HOME” to 741741 in the U.S. and Canada to reach the Crisis Text Line.
Jake Reiner, Nick Reiner, Romy Reiner, Michele Singer Reiner and Rob Reiner attend Four Sixes Ranch Steakhouse’s pop-up grand opening at Wynn Las Vegas on Sept. 14, 2024.
(Denise Truscello / Getty Images for Wynn Las Vegas)
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