Connect with us

Entertainment

'The Last of Us': Kaitlyn Dever breaks down explosive finale, teases 'crazier' Season 3

Published

on

'The Last of Us': Kaitlyn Dever breaks down explosive finale, teases 'crazier' Season 3

It’s 6 a.m. in Brisbane, Australia, and Kaitlyn Dever is thinking about going to the beach. Except it’s pouring rain outside, which is the only reason she had the option to check out the waves in the first place. The deluge has delayed her call time for “Godzilla x Kong: Supernova,” the monster movie she’s been shooting for the past couple of months.

Just how hard is it raining? Like a normal downpour? Or is it the kind of deluge we see in the final minutes of the season finale of “The Last of Us”?

“It’s actually pouring like the finale of ‘The Last of Us,’” Dever says, laughing.

With the beach off the menu, we have plenty of time to settle in and talk about the bruising (and possibly confusing) season finale of “The Last of Us.” Anyone thinking that the finale might feature a showdown between Dever’s character, Abby Anderson, the young woman who killed Joel (Pedro Pascal) to avenge her father’s death, and Ellie (Bella Ramsey), who has been hunting Abby to exact her own revenge, might be disappointed.

Abby doesn’t turn up until the episode’s last three minutes. When she does finally arrive, she ambushes Ellie. It’s not a tender reunion.

Advertisement

“I let you live,” Abby hisses. “And you wasted it!”

Then we hear the sound of a gunshot and the screen goes black. After a reset, we see Abby lying on a sofa in an entirely different environment, being beckoned from her respite to meet with militia leader Isaac (Jeffrey Wright). She strides to a balcony in Seattle’s T-Mobile Park, the stadium now being used as a base for the Washington Liberation Front. Her entrance is positively papal, and as Abby surveys the scene, a graphic lands on the screen: Seattle Day One, a time frame we’ve already lived from Ellie’s point of view.

What the hell just happened?

[Laughs] I don’t know. I have no idea.

It looks like the show just reset and we’ll be starting Season 3 following Abby for three days, leading up to her confrontation with Ellie.

Advertisement

One would think, yes. But [“The Last of Us” co-creator] Craig [Mazin] hasn’t talked to me about what he’s doing. All he said to me was, “Just get ready for what’s to come because it’s going to be crazier.” He always said he wanted to make Season 2 bigger than Season 1, and he said Season 3 is going to be even bigger. I’m like, “OK. I’ll be ready.”

How did he pitch you on doing the show in the first place?

At my first meeting with Craig and Neil [Druckmann, co-creator of “The Last of Us” game] they told me that their plan for Season 2 was Abby’s introduction to “The Last of Us” world. They told me the number of episodes, so I wasn’t super surprised about that, though I wasn’t thinking that the entire season was going to end on me. [Laughs]

So when you got the script and read that ending …

I was like, “We’re really doing this. Wow.” It’s a lot of pressure. I always think about the times in my past when I’ve done things and I’ve had one line in a scene, and it’s the most nerve-racking thing to do. Everyone else has dialogue, and you’re just thinking about your one line and how you’re going to say it and if you screw it up, the whole scene is screwed up because of your one line. It’s pretty terrifying — but thrilling too.

Advertisement

You’re talking about Abby telling Ellie, “You wasted it”? You really spit it out with some heat.

That’s good to know. I was going back and forth between Vancouver and L.A., so I constantly had to recalibrate and get back into the emotional intensity of Abby. That was actually the last scene I shot.

How did you find your way back into Abby’s anger?

Well, the very first scene I shot was the killing of Joel. The light one. [Laughs] So getting back into it, I’d always go back to that and Abby’s monologue, what she says to Joel before shooting him. Those words are so visceral and heartbreaking and really paint a picture. So I just kept bringing myself back to that place, how I’d been thinking about saying those words for five years.

Abby’s brutal encounter with Ellie in Seattle was the last scene Dever shot on “The Last of Us” Season 2.

Advertisement

(Liane Hentscher / HBO)

Did you watch that Joel episode when it aired or had you already seen it?

I did watch it with my partner. But the first time I watched it, I was by myself. And before that, I had gone to do ADR [automated dialogue replacement] with Craig, and he asked, “Can I just show you a little bit of it?” And I was on the floor because I was so overwhelmed. That is the most intense episode of television I’ve ever seen. And then when I watched it later, I couldn’t believe it, even though I had experienced it myself.

You had experienced it, but you’ve said you don’t really remember filming it because it was four days after your mother’s funeral. [Dever’s mother, Kathy, died from breast cancer in February 2024.] In some ways, it must have been like you were watching it for the first time.

Advertisement

I had to fly out three days after her funeral. And the fourth day was that scene in the chalet with the Fireflies and Joel on the floor. So, yeah, it’s all a blur, and it felt like I got to experience it as a first-time viewer. I’d see things and go, “Oh, yeah.” Grief does a really interesting thing with your brain. It messes with your memory.

Filming the scene where you brutally kill one of the most beloved characters on television goes back to what you were saying about pressure. And to do it under those circumstances must have been overwhelming.

I was terrified. I had spent so much time contemplating my mom’s death before she died, thinking about how I wouldn’t be able to go on. I couldn’t imagine. And then it’s a heartbreaking thing to think about, how life moves on. And you have the choice to keep going or not go to Vancouver and do the show that she was so excited about me doing. And then after she passed, I realized there’s no part of me that couldn’t not do this. I had to do it for her.

How did you fight past the fear?

My dad really encouraged me. I really was terrified. And he was like, “You got this. Mom was so excited that you got to be in this show.” And luckily, the crew was so understanding and supportive. Everyone took care of me.

Advertisement

Then it’s 15 months later and the episode finally airs, which I’d imagine brings about a different set of worries. Did you go online to check out the reaction?

Of course I did! I kill everyone’s favorite character, the love of everyone’s life. I’d never been part of anything this massive before. Like, the whole world is watching this. I had no idea what to expect.

And what did you find?

It was more positive than I thought it would be.

I didn’t play the game, so one of my first thoughts after watching it was: Wow, gamers can keep a secret.

Advertisement

They can. I loved watching all those TikTok videos where people were filming their parents or partners watching and showing their reactions.

Having played the game, you’ve known about Abby and Joel for years.

My dad was playing the second game and handed me the controller and said, “Kaitlyn, you’ve got to see this.” In the game, it’s so jarring and shocking.

On TV too!

[Laughs] But with the game, after they kill Joel, all of a sudden you’re playing as a woman. And my first reaction was, “Is this Ellie? Am I playing as Ellie?” It is interesting how they take these two characters who are mirrors of each other in many ways.

Advertisement
Dever's Abby surveys the action inside T-Mobile Park on "Seattle Day One."

Dever’s Abby surveys the action inside T-Mobile Park on “Seattle Day One.”

(Liane Hentscher / HBO)

I was thinking about how it’d be great if Season 3 would have an episode with Abby and her father that mirrored the one with Ellie and Joel.

That’s a really good idea. I hope we get to do something like that.

I have a feeling you might. Maybe you even know something about that. [Laughs]

Advertisement

Honestly, I can keep a secret too! I knew about Joel dying long before even Season 1 because I had met with Neil years ago when they were talking about making a movie from the game. And he was showing me the making of the second game and asked, “You want to know what happens?” And I’m like, “Oh, my God!” So I’ve been keeping this in a long time.

So you’re good at keeping a secret. Gamers know how Season 3 is likely to develop. You’ve played the game. Are you being coy?

[Laughs] We don’t know what Craig’s plans are. He has been playing with dynamics, even in that first episode of the season where we see Abby taking charge and being a leader.

She sure looks like she’s a leader in the finale’s last scene.

That scene plays at the idea that Abby is sitting in her power. And whatever that means, I will keep to myself for now. People who have played the game will have a few guesses.

Advertisement

When you went to work on “Godzilla x Kong: Supernova” the day after the Abby/Joel episode aired, did people treat you a little differently? Maybe keep their distance a bit? Hide the golf clubs?

It was pretty wild to go to work that day. Everyone wanted to talk about it. And all they could really get out was, “Oooooof, that episode.”

One thing I kept looking for all season was where they used CGI to remove a spider bite from your face. I couldn’t find it.

[Laughs] It’s in the first episode with the Fireflies. I had gone home for a few weeks and got a spider bite on my cheek. I thought it was a pimple. It was not a pimple. It was a huge spider bite and … I hate to use this word, but it was oozing. And the CGI is amazing. You can’t even tell it is there. I still have a scar on my face because they had to cut it out.

So, to summarize: a very eventful shoot for you.

Advertisement

For many reasons. I’ll never forget it.

Movie Reviews

Movie review: A24’s “Marty Supreme” is a mixed bag of humor and intensity

Published

on

Movie review: A24’s “Marty Supreme” is a mixed bag of humor and intensity

Josh Safdie’s “Marty Supreme” arrives with all the energy and confidence of an aspiring athlete – even one of the table tennis variety. 

The film is packed with vivid period detail and striking cinematography that brings 1950s New York to life. On a purely technical level, the movie succeeds. It’s visually inventive, rhythmically paced and often laugh-out-loud funny.

The plot is also engaging, moving at a fast pace to keep up momentum for over two hours. Safdie builds a world where table tennis is more than a game; instead becoming a stage for obsession, ego and ambition. Even as the story dips further and further into chaos, the narrative stays entertaining and unpredictable enough to keep audiences invested.

But as strong as the filmmaking is, the movie’s impact is limited by its abrasive lead. Timothée Chalamet’s Marty Mauser is undeniably watchable, yet consistently unlikable. His selfishness, impulsive decisions and willingness to steamroll everyone around him creates a major disconnect between Mauser and the audience.

Chalamet’s performance is committed and his intensity drives several of the film’s most engaging scenes. Still, it is difficult to root for a character who rarely shows the vulnerability or growth needed to anchor a story this ambitious. For many viewers (myself included), that emotional detachment will shape the entire experience.

Advertisement

The film’s tone may also catch audiences off guard. For a movie centered on table tennis, “Marty Supreme” is extraordinarily vulgar. Its R rating is well earned, with explicit sexual content, coarse language and several violent scenes that land with surprising force. From consensually dubious spanking scenes to Holocaust jokes, the film more than toes the line between bold and unsettling. The contrast between the lightness of the sport and the heaviness of the film’s content is intentionally jarring, but the shock factor can overshadow the story’s strengths.

Even so, “Marty Supreme” remains a compelling watch. Safdie’s direction is inventive, the pacing is tight and the supporting cast (including Gwenyth Paltrow and Tyler, The Creator) bring welcome depth to the film’s darker impulses. 

The result is a movie that is engaging and frequently funny – but also brash and not particularly easy to love.

Whether viewers leave impressed or unsettled will depend on their tolerance for its unlikable hero and its unexpectedly graphic approach. For all its craft and confidence, “Marty Supreme” is the kind of film that invites debate and, for some, a fair amount of discomfort.

If nothing else, it proves that a table tennis movie can surprise you – for better and for worse.

Advertisement

“Marty Supreme” is set for a public release on Dec. 25, with specific times varying by theatre. If you are interested in attending a showing, consider taking advantage of discounted AMC tickets, available for reservation through the Center for Leadership and Engagement here at Simmons.

Continue Reading

Entertainment

‘South Park’ creators clash with performers at their Colorado restaurant

Published

on

‘South Park’ creators clash with performers at their Colorado restaurant

“South Park” creators Matt Stone and Trey Parker, who this summer landed one of the richest TV deals ever, are being called Scrooges by performers at their Casa Bonita restaurant near Denver.

In late October, the performers, including the famed cliff divers, went on a three-day strike, citing unsafe working conditions and stalled negotiations over their first contract. The performers voted unanimously to unionize with Actors’ Equity Assn. a year ago.

The strike ended when the restaurant’s management agreed to bring in a mediator to assist in the negotiations.

But the standoff has continued, prompting Actors’ Equity to take out an ad in the Denver Post this week that depicts a “South Park” cartoon-like Parker and Stone awash in hundred-dollar bills while their staff, including a gorilla and a person clad in a swimsuit, shivers outside in the Colorado cold.

The union said its goal is to prod the star producers to resolve the labor tensions by giving about 60 Casa Bonita performers, including magicians and puppeteers, a pay increase and other benefits along with their first contract.

Advertisement

A full page ad is running in the Denver Post on Dec 24.

(Actors’ Equity Association)

Other Casa Bonita workers voted earlier this month to join the International Alliance of Theatrical Stage Employees Local 7.

“At Casa Bonita, we value all of our team members and their well being,” the restaurant management said in a statement. “We are negotiating in good faith with our unionized team members in the hopes of concluding fair collective bargaining agreements.”

Advertisement

Parker and Stone declined to comment through a spokesperson.

The pair, who also created the hit Broadway play “The Book of Mormon,” rescued the kitschy, bright-pink Mexican-themed eatery in Lakewood, Colo., from bankruptcy in 2021 and have since plowed more than $40 million into the restaurant to upgrade and correct unsafe electrical, plumbing and structural issues after the facility had fallen into disrepair.

For “South Park” super-fans, the venue has become something of a mecca since first being featured in the seventh season of the long-running Comedy Central cartoon.

In that episode, Cartman flips out when Kyle invites Stan, Kenny and Butters Stotch to his birthday party at Casa Bonita (not Cartman), where they are serenaded by the restaurant’s ubiquitous mariachi bands.

Along with legions of other kids who grew up in Colorado, Parker and Stone fondly remember making the trek to the Casa Bonita of their 1980s youth. Restoring the restaurant has become a passion project for the writers, a journey that became grist for a documentary, “¡Casa Bonita Mi Amor!,” which streams on Paramount+.

Advertisement

In July, Paramount managers were eager to tie up loose ends to facilitate the company’s sale to David Ellison’s Skydance Media and RedBird Capital Partners. The incoming management team also became involved in the protracted negotiations to strike a new deal with Parker and Stone’s production company, Park County, to avoid having the situation unravel, possibly tripping up their corporate takeover.

Paramount ultimately agreed to extend the overall deal for Park County as well as lock up the show’s exclusive global streaming rights for $300 million a year over five years. Until this year, the show streamed exclusively on HBO Max.

The overall deal is slated to bring Parker and Stone’s firm $1.25 billion through 2030.

As part of the pact, the team agreed to create 50 new “South Park” episodes for Paramount. The series has enjoyed a ratings bounce and increased cultural resonance this year as it routinely roasts President Trump.

Actors’ Equity, which also represents Broadway performers, is seeking pay raises for its members at Casa Bonita. Union representatives said performers’ wages there average $21 to $26 an hour.

Advertisement

“Matt and Trey have become fabulously wealthy by pointing out the hypocrisy of rich and powerful people,” said David Levy, communications director for Actors’ Equity. “And now they are behaving exactly like the people they like to take down.”

Continue Reading

Movie Reviews

Movie Review 2025 with 11 Films of the Year

Published

on

Movie Review 2025 with 11 Films of the Year

Image: Wicked: For Good – Movie Poster

Another year is drawing to a close, and it’s time for our cinema review! In 2025, we saw many franchises return to the big screen, along with sequels to cult classics and new adaptations of legendary stories. From sci-fi and horror to musical adaptations, a wide range of genres offered fresh releases. Whether all of it was truly great is for everyone to decide individually – here is our trailer recap!

While Disney continues to push its live-action remake strategy (Snow White, Lilo & Stitch), Pixar at least delivered a brand-new animated feature with Elio.

When it comes to video game adaptations, several titles were released this year – most notably the Minecraft adaption A Minecraft Movie starring Jack Black and Jason Momoa, the second installment of Five Nights at Freddy’s, and the Until Dawn film, which was heavily criticized by the community.

Advertisement

In Germany, Bully Herbig delivered a sequel to his comedy Der Schuh des Manitu with Das Kanu des Manitu, bringing the characters from one of his most successful films back to the big screen.

Just before Christmas, James Cameron launched the third part of his hit film series Avatar. Sequels also arrived for Jurassic World, the DCU, the Conjuring universe, and the popular animated film Zootopia.

Advertisement

Advertisement

Director Guillermo del Toro took on a new adaptation of the absolute sci-fi horror cult classic and novel by Mary Shelley: Frankenstein has now been brought back to life by the creator of films such as Pacific Rim and The Shape of Water.

When it comes to adaptations, arguably the most popular musical of the year: with Part 2, the Wicked hype has returned once again.

Advertisement
Continue Reading

Trending