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'The Last of Us': Kaitlyn Dever breaks down explosive finale, teases 'crazier' Season 3

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'The Last of Us': Kaitlyn Dever breaks down explosive finale, teases 'crazier' Season 3

It’s 6 a.m. in Brisbane, Australia, and Kaitlyn Dever is thinking about going to the beach. Except it’s pouring rain outside, which is the only reason she had the option to check out the waves in the first place. The deluge has delayed her call time for “Godzilla x Kong: Supernova,” the monster movie she’s been shooting for the past couple of months.

Just how hard is it raining? Like a normal downpour? Or is it the kind of deluge we see in the final minutes of the season finale of “The Last of Us”?

“It’s actually pouring like the finale of ‘The Last of Us,’” Dever says, laughing.

With the beach off the menu, we have plenty of time to settle in and talk about the bruising (and possibly confusing) season finale of “The Last of Us.” Anyone thinking that the finale might feature a showdown between Dever’s character, Abby Anderson, the young woman who killed Joel (Pedro Pascal) to avenge her father’s death, and Ellie (Bella Ramsey), who has been hunting Abby to exact her own revenge, might be disappointed.

Abby doesn’t turn up until the episode’s last three minutes. When she does finally arrive, she ambushes Ellie. It’s not a tender reunion.

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“I let you live,” Abby hisses. “And you wasted it!”

Then we hear the sound of a gunshot and the screen goes black. After a reset, we see Abby lying on a sofa in an entirely different environment, being beckoned from her respite to meet with militia leader Isaac (Jeffrey Wright). She strides to a balcony in Seattle’s T-Mobile Park, the stadium now being used as a base for the Washington Liberation Front. Her entrance is positively papal, and as Abby surveys the scene, a graphic lands on the screen: Seattle Day One, a time frame we’ve already lived from Ellie’s point of view.

What the hell just happened?

[Laughs] I don’t know. I have no idea.

It looks like the show just reset and we’ll be starting Season 3 following Abby for three days, leading up to her confrontation with Ellie.

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One would think, yes. But [“The Last of Us” co-creator] Craig [Mazin] hasn’t talked to me about what he’s doing. All he said to me was, “Just get ready for what’s to come because it’s going to be crazier.” He always said he wanted to make Season 2 bigger than Season 1, and he said Season 3 is going to be even bigger. I’m like, “OK. I’ll be ready.”

How did he pitch you on doing the show in the first place?

At my first meeting with Craig and Neil [Druckmann, co-creator of “The Last of Us” game] they told me that their plan for Season 2 was Abby’s introduction to “The Last of Us” world. They told me the number of episodes, so I wasn’t super surprised about that, though I wasn’t thinking that the entire season was going to end on me. [Laughs]

So when you got the script and read that ending …

I was like, “We’re really doing this. Wow.” It’s a lot of pressure. I always think about the times in my past when I’ve done things and I’ve had one line in a scene, and it’s the most nerve-racking thing to do. Everyone else has dialogue, and you’re just thinking about your one line and how you’re going to say it and if you screw it up, the whole scene is screwed up because of your one line. It’s pretty terrifying — but thrilling too.

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You’re talking about Abby telling Ellie, “You wasted it”? You really spit it out with some heat.

That’s good to know. I was going back and forth between Vancouver and L.A., so I constantly had to recalibrate and get back into the emotional intensity of Abby. That was actually the last scene I shot.

How did you find your way back into Abby’s anger?

Well, the very first scene I shot was the killing of Joel. The light one. [Laughs] So getting back into it, I’d always go back to that and Abby’s monologue, what she says to Joel before shooting him. Those words are so visceral and heartbreaking and really paint a picture. So I just kept bringing myself back to that place, how I’d been thinking about saying those words for five years.

Abby’s brutal encounter with Ellie in Seattle was the last scene Dever shot on “The Last of Us” Season 2.

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(Liane Hentscher / HBO)

Did you watch that Joel episode when it aired or had you already seen it?

I did watch it with my partner. But the first time I watched it, I was by myself. And before that, I had gone to do ADR [automated dialogue replacement] with Craig, and he asked, “Can I just show you a little bit of it?” And I was on the floor because I was so overwhelmed. That is the most intense episode of television I’ve ever seen. And then when I watched it later, I couldn’t believe it, even though I had experienced it myself.

You had experienced it, but you’ve said you don’t really remember filming it because it was four days after your mother’s funeral. [Dever’s mother, Kathy, died from breast cancer in February 2024.] In some ways, it must have been like you were watching it for the first time.

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I had to fly out three days after her funeral. And the fourth day was that scene in the chalet with the Fireflies and Joel on the floor. So, yeah, it’s all a blur, and it felt like I got to experience it as a first-time viewer. I’d see things and go, “Oh, yeah.” Grief does a really interesting thing with your brain. It messes with your memory.

Filming the scene where you brutally kill one of the most beloved characters on television goes back to what you were saying about pressure. And to do it under those circumstances must have been overwhelming.

I was terrified. I had spent so much time contemplating my mom’s death before she died, thinking about how I wouldn’t be able to go on. I couldn’t imagine. And then it’s a heartbreaking thing to think about, how life moves on. And you have the choice to keep going or not go to Vancouver and do the show that she was so excited about me doing. And then after she passed, I realized there’s no part of me that couldn’t not do this. I had to do it for her.

How did you fight past the fear?

My dad really encouraged me. I really was terrified. And he was like, “You got this. Mom was so excited that you got to be in this show.” And luckily, the crew was so understanding and supportive. Everyone took care of me.

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Then it’s 15 months later and the episode finally airs, which I’d imagine brings about a different set of worries. Did you go online to check out the reaction?

Of course I did! I kill everyone’s favorite character, the love of everyone’s life. I’d never been part of anything this massive before. Like, the whole world is watching this. I had no idea what to expect.

And what did you find?

It was more positive than I thought it would be.

I didn’t play the game, so one of my first thoughts after watching it was: Wow, gamers can keep a secret.

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They can. I loved watching all those TikTok videos where people were filming their parents or partners watching and showing their reactions.

Having played the game, you’ve known about Abby and Joel for years.

My dad was playing the second game and handed me the controller and said, “Kaitlyn, you’ve got to see this.” In the game, it’s so jarring and shocking.

On TV too!

[Laughs] But with the game, after they kill Joel, all of a sudden you’re playing as a woman. And my first reaction was, “Is this Ellie? Am I playing as Ellie?” It is interesting how they take these two characters who are mirrors of each other in many ways.

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Dever's Abby surveys the action inside T-Mobile Park on "Seattle Day One."

Dever’s Abby surveys the action inside T-Mobile Park on “Seattle Day One.”

(Liane Hentscher / HBO)

I was thinking about how it’d be great if Season 3 would have an episode with Abby and her father that mirrored the one with Ellie and Joel.

That’s a really good idea. I hope we get to do something like that.

I have a feeling you might. Maybe you even know something about that. [Laughs]

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Honestly, I can keep a secret too! I knew about Joel dying long before even Season 1 because I had met with Neil years ago when they were talking about making a movie from the game. And he was showing me the making of the second game and asked, “You want to know what happens?” And I’m like, “Oh, my God!” So I’ve been keeping this in a long time.

So you’re good at keeping a secret. Gamers know how Season 3 is likely to develop. You’ve played the game. Are you being coy?

[Laughs] We don’t know what Craig’s plans are. He has been playing with dynamics, even in that first episode of the season where we see Abby taking charge and being a leader.

She sure looks like she’s a leader in the finale’s last scene.

That scene plays at the idea that Abby is sitting in her power. And whatever that means, I will keep to myself for now. People who have played the game will have a few guesses.

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When you went to work on “Godzilla x Kong: Supernova” the day after the Abby/Joel episode aired, did people treat you a little differently? Maybe keep their distance a bit? Hide the golf clubs?

It was pretty wild to go to work that day. Everyone wanted to talk about it. And all they could really get out was, “Oooooof, that episode.”

One thing I kept looking for all season was where they used CGI to remove a spider bite from your face. I couldn’t find it.

[Laughs] It’s in the first episode with the Fireflies. I had gone home for a few weeks and got a spider bite on my cheek. I thought it was a pimple. It was not a pimple. It was a huge spider bite and … I hate to use this word, but it was oozing. And the CGI is amazing. You can’t even tell it is there. I still have a scar on my face because they had to cut it out.

So, to summarize: a very eventful shoot for you.

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For many reasons. I’ll never forget it.

Movie Reviews

Movie Review – Desert Warrior (2026)

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Movie Review – Desert Warrior (2026)

Desert Warrior, 2026.

Directed by Rupert Wyatt.
Starring Anthony Mackie, Aiysha Hart, Ben Kingsley, Ghassan Massoud, Sharlto Copley, Sami Bouajila, Lamis Ammar, Géza Röhrig, Numan Acar, Nabil Elouahabi, Hakeem Jomah, Ramsey Faragallah, Saïd Boumazoughe, and Soheil Bostani.

SYNOPSIS:

An honorable and mysterious rogue, known as Hanzala, makes himself an enemy of the Emperor Kisra after he helps a fugitive king and princess in the desert.

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With aspirations of being a historical epic harkening back to the sword and sandal blockbusters of yesteryear, Rupert Wyatt’s seventeenth-century Arabia tale is about as generic and epically dull as one would expect from a film plainly titled Desert Warrior. Yes, there appear to be real locations here, and there are some admittedly sweeping shots of various tribes storming into battle on horseback and camels, but it’s all in service of a mess that is both miscast and questionable as the work of a filmmaking team of mostly white creatives.

The story of Emperor Kisraa (Ben Kingsley, a distracting presence even with only one or two scenes) rounding up women from other tribes to be his concubines, which inevitably became the catalyst for a revolution led by Princess Hind (Aiysha Hart), uniting all the divided clans and strategizing battle plans for flanking and poisoning, is undeniably ripe for cinematic treatment. The problem is that what’s here from Rupert Wyatt (and screenwriters Erica Beeney, Gary Ross, and David Self) is less than nothing in the primary creative process; no one seems to have a connection to Arabic heritage or culture, but they have made a flat-out boring film that is often narratively incoherent.

Following the death of her father and escaping the clutches of oppression, the honorable Princess Hind joins forces with a troubled, nameless bandit played by Anthony Mackie (he totally belongs here…), who seems to be here solely to give the movie some star power boost without running the risk of white savior accusations. Whatever the case may be, it’s jarring, but not quite as disorienting as how little screen time he has despite being billed as the lead and how little characterization he has. It is, however, equally disorienting as some of the other names that show up along the way.

As for the other factions, Princess Hind talks to them one by one, giving the film an adventure feel that fails to capitalize on using beautiful scenery in striking or visually poignant ways at almost every turn; the leaders of these tribes also often have no character. There also isn’t much of an understanding of why these tribes are at odds with one another. This movie is filled with dialogue that consistently and shockingly amounts to vague nothingness. Nevertheless, each tribe doesn’t take much convincing to begin with, meaning that not only is the film repetitive, but it’s also lifeless when characters are in conversation.

That Desert Warrior does occasionally spring to life, and a bloated 2+ running time is a small miracle. This is typically accomplished through the occasional fight scene between factions that also serves to demonstrate Princess Hind coming into her own as a warrior. When the tribes are united in a massive-scale battle, and that plan is unfolding step by step, one certainly sees why someone would want to tell this story and pull it off with such spectacle. However, this film is as dry as the desert itself.

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Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★

Robert Kojder

https://www.youtube.com/watch?v=embed/playlist

 

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Eddie Murphy’s son and Martin Lawrence’s daughter welcome first child: ‘That baby gonna be funny!’

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Eddie Murphy’s son and Martin Lawrence’s daughter welcome first child: ‘That baby gonna be funny!’

Eddie Murphy is celebrating not just his lifetime achievement award, but also the arrival of his third granddaughter, perhaps the funniest baby alive.

Murphy’s son Eric and Martin Lawrence’s daughter Jasmin have welcomed their first child together, baby Ari Skye.

On Saturday, Murphy was honored with the 51st AFI Life Achievement Award at a gala in Hollywood and told reporters that he had recently celebrated back-to-back milestones.

“I just had my first grandson two months ago, and I had my third granddaughter two weeks ago. And I turned 65 a month ago,” he told “Entertainment Tonight” ahead of the gala. “It’s raining blessings on me.”

The ceremony celebrated his storied career across comedy and film, and featured tributes from fellow funnyman Dave Chappelle and “Shrek” co-star Mike Myers. The special will premiere May 31 on Netflix.

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The “Dr. Dolittle” star also gushed about his new grandbaby to E! News, and told the outlet that being honored for his work was “a wonderful thing” but that his legacy wasn’t his work.

“My legacy to me is my children,” he said.

Asked whether he or Lawrence offered their kids any parenting advice as they prepared to welcome Ari Skye, Murphy said he’s more of a lead-by-example kind of dad.

“You don’t give advice like that,” he told the outlet. “Your kids don’t go by your advice. Your kids go by the example you set. They watch you. Stuff you be saying, they don’t even pay that no mind. They watch and see what you do.”

In March, Jasmin and Eric posted photos from their lavish baby shower on social media. The shindig included a three-tiered pink cake, pink cocktails garnished with meringue that looked like clouds and balloons galore. “The most beautiful and special celebration for our baby girl,” the couple captioned the post. “Thank you to our parents and everyone that made this day so magical! Ari Skye Murphy, you are SO loved already!!”

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Excitement around Ari Skye’s arrival had been brewing in the media long before the couple even announced they were expecting. Murphy joked about a potential grandbaby when Jasmin and Eric were dating back in 2024, during an interview with Gayle King.

“They’re both beautiful,” he said. “They look amazing together. And it’s funny — everybody’s like, ‘That baby gonna be funny!’ Like our gene pool is just going to make this funny baby.”

Murphy agreed, saying: “If they ever get married and have a child, I’m expecting the child to be funny.”

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Movie Reviews

Movie Review: ‘Agon’ is a Somber Meditation on the Athletic Grind

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Movie Review: ‘Agon’ is a Somber Meditation on the Athletic Grind
Director: Giulio BertelliWriters: Giulio Bertelli, Pietro Caracciolo, Pietro CaraccioloStars: Yile Vianello, Alice Bellandi, Michela Cescon Synopsis: As the fictional Olympic Games of Ludoj 2024 approaches, Agon shows the stories of three athletes as they prepare and then compete in rifle shooting, fencing and judo. In his contemplative and visually rigorous film Agon, director Giulio Bertelli
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