Entertainment
'The Apprentice' team fires back after Trump campaign threatens legal action
“It’s time to make movies political again,” director Ali Abbasi said after unveiling his Donald Trump biopic “The Apprentice” at the Cannes Film Festival on Monday — and he swiftly got his wish.
“This garbage is pure fiction which sensationalizes lies that have been long debunked,” the Trump campaign said in a statement to Variety, threatening legal action. “This ‘film’ is pure malicious defamation, should not see the light of day, and doesn’t even deserve a place in the straight-to-DVD section of a bargain bin at a soon-to-be-closed discount movie store[.] [I]t belongs in a dumpster fire.”
Abbasi, whose film depicts attorney and Trump mentor Roy Cohn (Jeremy Strong) teaching the young real-estate scion (Sebastian Stan) that the first rule of engagement is “attack, attack, attack,” isn’t fazed.
“Everybody talks about him suing a lot of people,” he said Tuesday at the film’s Cannes press conference, to laughter and applause from many in the room. “They don’t talk about his success rate, though.”
“We encourage them to actually see the film,” added producer Daniel Bekerman. “Clearly they haven’t yet.”
Abbasi went on to offer Trump a private screening and conversation about the film, should he be interested, even venturing that the 45th president would not dislike the film if he gave it a chance. That seems unlikely, given “The Apprentice’s” depiction of Trump as a venal, cruel social climber who turns out his alcoholic brother shortly before his death and rapes first wife Ivana (Maria Bakalova) on the floor of their New York penthouse. (The character also undergoes liposuction, receives surgery for hair loss and suffers from erectile dysfunction, details practically designed to enrage the notoriously vainglorious Trump.)
But the Iranian-Danish filmmaker was also adamant that Trump is simply the lens through to view a broader issue.
“This is really not a movie about Donald Trump,” he said, calling the notion of a partisan divide between conservative and liberal elites in the U.S. “a fantasy.” “This is a movie about a system and the way the system works, and the way the system is built and the way the power runs through the system.”
Strong, currently performing in Henrik Ibsen’s “An Enemy of the People” in New York, prepared a lengthy, pointed statement about the film’s politics that Abbasi read from the dais to open the press conference.
“‘An enemy of the people’ is a phrase that has been used by Stalin, by Mao, by Goebbels and most recently by Donald Trump, when he denounced the free press and called CNN, NBC, ABC, CBS [and the] New York Times ‘fake news media.’ We’re living in a world where truth is under assault and in America, that assault on truth in many ways began [during] Donald Trump’s apprenticeship under Roy Cohn. Cohn was called “an assault specialist” by the National Law Journal and at this perilous moment in history, we are experiencing Roy Cohn’s long, dark shadow. His legacy of lies, of outright denialism, of manipulation, of flagrant disregard for truth has reached a terrible [culmination].”
Written by former journalist Gabe Sherman, “The Apprentice” tracks Trump’s rise to prominence in 1970s and 1980s New York, where, under Cohn’s wing, he develops the ruthlessness that will make him a power broker and media darling. But despite its unflinching view of the lead pair, and the entertainment industry’s reputation for progressive politics, Sherman said he struck out in his attempts to have the film made in Hollywood. (A Canadian, Danish and Irish co-production, “The Apprentice” has not yet sold for U.S. distribution; Abbasi joked that, with the “promotional event” of the presidential election coming up, he’s hoping for a mid-September release date.)
“‘This movie will never be made. Who wants to watch a movie about Donald Trump?’” Sherman recalled hearing from executives he met with, including one who expressed interest in boarding the project only if Trump lost the election. “Making a film like this is very challenging because Hollywood in many ways doesn’t want to rock certain boats.”
To prepare to play the young Trump, Stan said he immersed himself in the extraordinary amount of material the never-press-shy impresario has left behind over the years, though he tried to avoid appearances from Trump’s years in politics. Instead, he focused on an interview Trump gave to Rona Barrett in 1980, which is recreated in the film, along with other audio and video clips. “If I was in the bathroom I was listening to him,” Stan said.
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‘Clayface’ trailer teases DC Studios’ first proper horror movie
The DC universe is going full on body horror.
DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.
Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.
The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.
According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”
“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.
Who is Clayface?
Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”
Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.
Other versions of Clayface have been introduced in various media since.
Who is in ‘Clayface’?
The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.
Who are the ‘Clayface’ filmmakers?
Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).
The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.
Movie Reviews
Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC
Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.
As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.
During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.
Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.
“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.
“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”
As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.
While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.
The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.
Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.
“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.
“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.
“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”
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