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Sissy Strolls bring queer people of color together in WeHo

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Sissy Strolls bring queer people of color together in WeHo

On Sunday nights in West Hollywood, the stretch of gay bars lining Santa Monica Boulevard look mighty different when a Sissy Stroll is underway. The monthly bar crawl, which includes the hot spots Revolver, Mickey’s and Heart, was created by dynamic trio the Sissy Squad. The mission? Curate a social hangout that prioritizes genuine connection among queer Black people, queer people of color and those who support them, while joyfully taking up space in WeHo’s notoriously white nightlife scene.

The Sissy Squad consists of Matthew Brinkley, a.k.a. Dr. Brinkley, a psychotherapist who focuses on relationship and queer life coaching; Neville, a.k.a. Aunt Jackie, an event producer and founder of Obtaining Mental Wellness Inc.; and David Brandyn, a writer and sex educator. In an effort to satisfy their appetite for stepping out on the town while at the same time addressing the lack of comfortable social spaces for queer people of color in West Hollywood, the group channeled their creativity and community-building skills into creating the change they wanted to see with support from partners House of Love Cocktails, Impulse Los Angeles and Obtaining Mental Wellness.

“When I first moved to L.A., I asked a friend of mine who grew up in L.A., ‘Where are the Black spaces where I can see myself?’” Brandyn says. “He said, ‘There are none. … It’s been a long time since we’ve had a space. But what you do is, you gather all the Black people and you infiltrate the space that you want to be in’ and I never forgot that.”

Sissy Strolls satisfy the group’s appetite for stepping out on the town while at the same time addressing the lack of comfortable social spaces for queer people of color in West Hollywood.

(Annie Noelker / For The Times)

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“What I’ve always loved about the Sissy Strolls was that it was a curated safe space for queer people of color and their allies. It’s not exclusive,” Neville says, noting that people of all different racial and ethnic backgrounds, sexualities and gender expressions have enjoyed themselves on a Sissy Stroll. “It shows that ‘sissy’ can come in any form. Come drink these free drinks and pop around with us and dress how you wanna dress and tonight, we all sissies. It’s just a fun word and I love that we have led this renaissance with the word sissy.”

“Now personally, I wasn’t really called a sissy as a kid, I was called the f-word,” laughs Brandyn. “Sissy, to me, spoke to the f-word in a lighter way. It spoke to the way that folks have treated us, the damage that folks have done to us because of who we are, and reclaiming it just feels really good.”

It’s a moment when people attending a Sissy Stroll show up at the meetup location — and it’s an absolute vibe when the group enters a bar as a unit. “Those clubs look so different when we’re there. And when we leave those places, you get to see this storm of people of color walking down Santa Monica,” Neville says. “It’s really impactful. It’s like, OK, the Sissy Stroll is here.”

For regular attendees like Roy Covington, a musician and Virginia native who relocated to Los Angeles a year ago, the feeling is exhilarating: “Once you make it into the bar, everyone is there and people are there to greet you and they’re so happy to see you and it just feels so good.” Covington credits the genuine warmth of the Sissy Squad, whether they’re hosting the Sissy Stroll, a game night or another local event, with helping him make organic friendships while building a foundation in a new city. “Any event that the three fellas host is a very warm, loving and just come-as-you-are kind of experience. It’s so great and they just want everyone to have a good time.”

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Man standing in the middle of a club

Matthew Brinkley, a.k.a. Dr. Brinkley, a psychotherapist who focuses on relationship and queer life coaching.

(Annie Noelker / For The Times)

The ritual of dressing for a Sissy Stroll is special for the three co-creators: thoughtfully applying glam, adorning oneself with feel-good accessories and being seen while each Sissy sparkles in their authenticity.

For Brinkley, serving a look is a mixture of feeling fabulous, important and powerful. “I feel like Sailor Moon when she transforms into herself to fight crime, or do whatever, that’s how I feel.” Brinkley’s aesthetic in a nutshell? “Something furry but sexy, tight — and I know my ass looks great.”

For Neville, who brings the maternal, auntie energy to the group, his fashion taste leans more modest. A statement hat with a big brim and in a variety of colors is a must. Flourishes like a rhinestone fringe or a leopard pattern peeking out underneath is to be expected, alongside a chunky heel or raised moon boot and an array of vibrant glasses and earrings.

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“I’m more of the cool, rich auntie vibe. Like, you can go over to Auntie’s house and drink. You get to go to Auntie’s house and you might get to hit that blunt for the first time or if you’re not allowed to eat bacon at home, Auntie Jackie gon’ make sure to slip you a little piece of bacon,” Neville says. “During the Sissy Strolls, it’s like when Aunt Jackie puts on her good outfit to go find an uncle. Rich Auntie is stepping out and putting on her Sunday best, but in the gay way.”

Gay men dancing in a bar in WeHo

Scenes from the black, queer bar crawl Sissy Stroll in WeHo – includes hotspots Revolver, Mickey’s and Heart. Created by the dynamic trio The Sissy Squad.

(Annie Noelker / For The Times)

Brandyn, on the other hand, enjoys rocking his signature combo of a masculine chain paired with a short mini skirt. Plus “an unconventional hat like a beret or cowboy hat,” an abundance of sparkles and rhinestones and a boot with a 5- or 6-inch heel. Something “tight on the top and loose on the bottom” is the motto.

Getting dressed for a Sissy Stroll can be an opportunity for playful experimentation when it comes to fashion, but it’s also a sacred form of inner child healing, explains Brandyn. “I dress for the little boy in me that really wanted to wear these clothes so badly but felt like he could not do it. That’s why my style is very late ’90s, early 2000s, ’cause that’s the age I grew up in,” he says. “When I’m with the Sissy Squad I know I can wear anything I want, I can behave any way I want, ethically of course. It gives us permission to truly just be whatever we want and that feels really good for us — and I’m assuming it feels that good for the folks who come on the stroll.”

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For Ty White, 28, the Sissy Strolls have been an affirming space to make both personal and professional connections. “They cultivated a really nice space for people to network. I’ve met people who are hairstylists, some people do makeup, some people are producers for shows,” White says. A queer get-together with people who possess an understanding and a certain degree of cultural fluency from navigating the world as a fellow openly queer Black person has been a major plus for White.

“Even though places have the reputation of being occupied by a certain demographic and catering to a certain demographic even, it doesn’t have to be so lonely,” White says, referring to the prioritization of men who are “white, muscular, and under 130 pounds” in numerous gay spaces. “I encourage others to put themselves out there in any capacity for community-building because you never know how many people are having the same experience that you’re having,” he says. “I think the Sissy Stroll has done a great job of putting themselves out there … and pulling people in to create a community within a larger community and making people feel like they belong.”

Gay men smiling and hugging at a bar in WeHo

“What I’ve always loved about the Sissy Strolls was that it was a curated safe space for queer people of color and their allies. It’s not exclusive,” Neville says.

(Annie Noelker / For The Times)

Beyond the Sissy Squad’s impact in Los Angeles, the group continues to leave its mark around the globe thanks to its show “Sissy That Psyche,” which streams worldwide on WOW Presents Plus. In the eight-episode series, the three hosts revisit and analyze “RuPaul’s Drag Race” meltdowns through a mental health lens — in fabulous outfits — and provide self-care tools viewers can apply in their day-to-day.

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It’s not lost on the three Sissy Squad members that they are, as Neville puts it, navigating the world as “three chocolate men.” Colorism and the many other branches of racism and white supremacist culture are real and omnipresent. “It’s always kinda like, the extra stigma. We have a really cool way of representing three different points of view but looking like we’re together,” Neville says. “We are three chocolate men who play with androgyny, wear feminine clothes but still have this masculine edge to it and it’s really inspiring. People have literally come up to us and said thank you all for showing up this way.”

When you Google the word “sissy,” you’re sure to find a handful of definitions that list the word as a derogatory term for boys and men who are perceived as feminine, gay and existing outside patriarchal imaginings of acceptable masculinity. But as the Sissy Squad regularly affirms, a wealth of nuance and subversive power exists within the word.

“Basically, what they’re really saying is a person who has feminine qualities or who is femme-presenting [isn’t positive],” Brinkley says. “Actually that can be really great. That can be so amazing to have those qualities. Being soft can be very powerful and so I do think reclaiming it to make sense for us and the people who use it is really, really powerful. I hate the definition that’s in the dictionary [for the word sissy], but I’m so glad that we can look beyond that and create our own definition.”

Keep up with upcoming events hosted by the Sissy Squad on their Instagram @sissysquadla

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Movie Reviews

Jeremy Schuetze’s ‘ANACORETA’ (2022) – Movie Review – PopHorror

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Jeremy Schuetze’s ‘ANACORETA’ (2022) – Movie Review – PopHorror

PopHorror had the chance to check out Anacoreta (2022) ahead of its streaming release! Does this meta-horror flick provide interesting story telling or is it a confusing mess.

 

Let’s have a look…

Synopsis

A group of friends heads to a secluded woodland cabin for a weekend getaway, planning to film an experimental horror movie. As the shoot progresses, the project begins to fall apart—until a real and terrifying presence emerges from the darkness.

Anacoreta is directed by Jeremy Schuetze. It was written by Jeremy Schuetze and Matt Visser. The film stars Antonia Thomas (Bagman 2024), Jesse Stanley (Raf 2019), Jeremy Schuetze (Jennifer’s Body 2009), and Matt Visser (A Lot Like Christmas 2021)

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My Thoughts

Antonia Thomas delivered an outstanding performance as the female lead in Anacoreta. It was remarkable to watch her convey such a wide range of emotions with authenticity and depth. I was continually impressed by her ability to switch seamlessly between different dialects. I absolutely loved her delivery of the dialogue of telling The Scorpion and the Frog fable.

Anacoreta employs a distinctive, meta-horror style of storytelling. The narrative follows a group of friends creating a “scripted reality” horror film, and as the plot unfolds, the boundary between their staged production and their actual lives becomes increasingly blurred. This was interesting, but at the same time frustrating as a viewer.

Check out Anacoreta on Prime Video and let us know your thoughts!

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Todd Meadows, ‘Deadliest Catch’ deckhand, dies at 25

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Todd Meadows, ‘Deadliest Catch’ deckhand, dies at 25

Todd Meadows, a crewmember on one of the fishing vessels featured on the long-running reality series “Deadliest Catch,” has died. He was 25.

Rick Shelford, the captain of the Aleutian Lady, announced in a Monday post on Facebook and Instagram that Meadows died Feb. 25. He called it “the most tragic day in the history of the Aleutian Lady on the Bering Sea.”

“We lost our brother,” Shelford wrote in his lengthy tribute. “Todd was the newest member of our crew, he quickly became family. His love for fishing and his strong work ethic earned everyone’s respect right away. His smile was contagious, and the sound of his laughter coming up the wheelhouse stairs or over the deck hailer is something we will carry with us always.

“He worked hard, loved deeply, and brought joy to those around him,” he added. “Todd will forever be part of this boat, this crew, and this brotherhood. Though we lost him far too soon, his legacy will live on through his children and in every memory we carry of him.”

A fundraiser set up in Meadows’ name described the deckhand from Montesano, Wash., as a father to “three amazing little boys” who died “while doing what he loved — crabbing out on Alaskan waters.”

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According to the Associated Press, Meadows died after he was reported to have fallen overboard around 170 miles north of Dutch Harbor, Alaska.

“He was recovered unresponsive by the crew approximately ten minutes later,” Chief Petty Officer Travis Magee, a spokesperson with the Coast Guard’s Arctic District, told the AP. The Coast Guard is investigating the incident.

Meadows was a first-year cast member of “Deadliest Catch,” the Discovery Channel reality series that follows crab fishermen navigating the perilous winds and waves of the Bering Sea during the Alaskan king crab and snow crab fishing seasons. The show debuted in 2005. No episodes from Meadows’ season has aired.

Deadline reported that the show was in production on its 22nd season when the incident occurred, with the Shelford-led Aleutian Lady being the last of the vessels still out at sea at the time. Production has subsequently concluded, per the outlet.

“We are deeply saddened by the tragic passing of Todd Meadows,” a Discovery Channel spokesperson said in a statement that has been widely circulated. “This is a devastating loss, and our hearts are with his loved ones, his crewmates, and the entire fishing community during this incredibly difficult time.”

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Meadows is the latest among “Deadliest Catch” cast members who have died. Previous deaths include Phil Harris, a captain of one of the ships featured on the show, who died after suffering a stroke while filming the show’s sixth season in 2010. Todd Kochutin, a crew member of the Patricia Lee, died in 2021 from injuries he sustained while aboard the fishing vessel, according to an obituary. Other cast members have died from substance abuse or natural causes.

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‘Hoppers’ review: Pixar’s best original movie in years

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‘Hoppers’ review: Pixar’s best original movie in years

“So it’s like Avatar?” one character quips in Disney and Pixar’s “Hoppers,” bluntly translating the film’s high-concept premise for the sugar-fueled kids in the audience. And yes, the comparison is apt. The story follows a nature-obsessed teenage girl who manages to quite literally “hop” her consciousness into the body of a robotic beaver in order to spark an animal rebellion against a greedy mayor determined to bulldoze their forest for a freeway. 

It’s a clever hook. The kind of big, elastic idea Pixar used to make look effortless. “Hoppers” does not reach the rarified air of “Up,” “Wall-E,” or “Inside Out,” but after a stretch of uneven originals like “Turning Red” and “Luca,” and outright misfires such as “Elemental” and “Elio,” this feels like a genuine course correction. The environmental messaging is clear without being preachy, the animals are irresistibly anthropomorphized, and the studio’s once-signature emotional sincerity is back in sturdy form.

Pixar can afford to gamble on originals when it has a guaranteed cash cow like this summer’s “Toy Story 5” waiting in the wings, but “Hoppers” earns its place in the catalogue. Director Daniel Chong crafts a warm, heartfelt film that occasionally strains under the weight of its own ambition, yet remains grounded by character and theme. Its meditation on conservation and animal displacement feels timely in a way that never tips into after-school-special territory.

We meet Mabel, voiced with bright conviction by Piper Curda, as a child liberating her classroom pets and returning them to the wild. Her moral compass is shaped by her grandmother, voiced by Karen Huie, who imparts wisdom about nature’s sanctity. True to both Pixar tradition and the broader Disney playbook, this beacon of guidance does not survive past the opening act. Loss, after all, is Pixar’s favorite inciting incident.

Years later, Mabel is still fighting the good fight, squaring off against the smarmy Mayor Jerry, voiced with slick menace by Jon Hamm. He plans to flatten the glade where Mabel and her grandmother once found solace. Mabel’s resistance feels noble but futile. The animals have already mysteriously vanished, the machinery is coming, and her last-ditch plan involves luring a beaver back to the abandoned forest in hopes of jumpstarting the ecosystem.

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That’s when the film gleefully pivots into mad-scientist territory. At Beaverton University, Mabel discovers her professor, voiced by Kathy Najimy, has developed a device that can project human consciousness into synthetic animals. The process, dubbed “hopping,” allows Mabel to inhabit a robotic beaver and infiltrate the forest from within. It’s an inspired escalation that keeps the film buoyant even when the plotting grows predictable.

Her new posse includes King George, a lovably beaver voiced by Bobby Moynihan with distinct Bing Bong energy; a sharp-tongued bear voiced by Melissa Villaseñor; a regal bird king voiced by the late Isiah Whitlock Jr.; and a fish queen voiced by Ego Nwodim. As is often the case with Pixar, even in its lesser efforts, the world-building is meticulous. The animal hierarchy, complete with titles like “paw of the king,” is layered with jokes that play for kids while slyly winking at adults.

The plot ultimately follows a familiar template. Scrappy underdog rallies community. Corporate villain twirls metaphorical mustache. Emotional third-act sacrifice looms. At times, you can feel the machinery working a little too cleanly. Pixar, and Disney at large, has grown increasingly reliant on sequels and established IP, and “Hoppers” does not radically reinvent the wheel. In an animated landscape where films like “K-Pop: Demon Hunters,” “Across the Spider-Verse,” and “Goat” are pushing stylistic and narrative boundaries, being safe and sturdy may not always be enough.

And yet, there is something refreshing about a Pixar original that remembers how to tug at the heart without squeezing it dry. “Hoppers” is playful, peppered with cheeky needle drops, and builds to a sweet emotional catharsis that may or may not have left this critic a little misty-eyed. It feels earnest and engaged. 

“Hoppers” may not be top-tier Pixar. But it is a welcome return to form, a reminder that the studio still knows how to marry big ideas with a bigger heart.

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HOPPERS opens in theaters Friday, March 6th.

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