Entertainment
Review: In 'Vulcanizadora,' the limits of guilt and anxiety are probed
The sardonic meme phrase “Are men okay?” gets a bleakly amusing yet quietly devastating workover in Joel Potrykus’ “Vulcanizadora,” about a pair of downtrodden dudes on a disturbingly consequential journey into the woods near Lake Michigan. In its focused glimpse into a strange, funny-sad friendship, it’s almost mesmerizingly nonjudgmental as it treks to a very dark place.
That doesn’t mean “Vulcanizadora” lacks a point of view. Potrykus’ cinematic playground — forged in small-scale curios like “Buzzard” and “Relaxer” — is the stagnant air of failure surrounding a certain kind of shameless, embittered, immature guy for whom life’s richest challenges are video-game levels and petty pranks. Mel Brooks famously contextualized our perspective on misfortune when he said, “Tragedy is when I cut my finger, comedy is when you fall into an open sewer and die.” But Potrykus, whose oeuvre of slacker micro-apocalypses has become as distinctive as anyone’s in the DIY indie realm, seems intent on finding a discomfiting if poetic space between those poles, where your snickers might be colored by a slight repugnance, and at times you’ll stare as you would at a half-squished insect still trying to move.
“Vulcanizadora” is a 10-years-later follow-up to “Buzzard” — because the word “sequel” almost sounds too materialistically mercenary for such lo-fi fare as this. But knowing that may not be necessary, because as the story’s humans come into view from the leafy serenity of Adam J. Minnick’s 16mm cinematography, it doesn’t take long to grasp who Marty, played by longtime Potrykus collaborator Joshua Burge, and motormouth Derek (Potrykus) are: inexperienced campers, committed weirdos, close pals, stunted juveniles and men on a mission to fulfill an obligation they’ve made to each other.
The details of their pact aren’t initially clear, but the journey seems tilted toward appeasing Derek’s junky pleasures: bottle rockets, martial arts play-acting, swigging Jaeger from a canteen, porn mags. Marty, meanwhile, hollow-eyed and churlish about straying from their objective, seems haunted with guilt after a recent stint in jail for setting a building on fire. (Marty’s deteriorating life of small-time criminality was the loose narrative of “Buzzard,” although it’s best known for a long take of him messily eating spaghetti that could almost qualify as dirtbag performance art.)
Burge is a singular screen presence, like an R. Crumb misfit made real, and it’s almost touching how much faith Potrykus has in the awkward majesty of staying on his face so that Marty’s sour desperation tips us over from wanting to laugh at him to feeling sorry for his misery. But Potrykus, whose character was mostly a punching bag in “Buzzard,” also gives himself a chance to make this a real two-hander when the vibrating Derek’s own regrets eventually come to the surface — he’s got a 5-year-old son he knows he’s ill-suited to be a real father to — and we see the lost man inside the arrested adolescent. Potrykus makes a psychologically revealing meal out of every nervous interjection of Derek’s until they become animalistic and eventually sorrowful.
Flush with emotion after expressing some of that deep-set pain and perhaps trying to stave off a no-turning-back reality, Derek tries to convince his friend he feels better getting everything out. But Marty’s right there to let him know that tomorrow he’ll feel bad all over again. And that feels real too, as if it were this fable’s slap-you-awake moral.
But then, on the lake’s gleaming shore, “Vulcanizadora” reveals its truest colors with a horrifying, absurd twist of fate for these two that, if not exactly unpredictable, kicks off a final act of smudgy, eccentric, farcical grace about the complicated bonds of friendship. The ending’s a downer, all right, but you might just smile too. Then feel bad about it. Then chuckle. Which is when you realize Potrykus has you right where he wants you.
‘Vulcanizadora’
Not rated
Running time: 1 hour, 25 minutes
Playing: Laemmle Noho 7
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‘Clayface’ trailer teases DC Studios’ first proper horror movie
The DC universe is going full on body horror.
DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.
Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.
The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.
According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”
“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.
Who is Clayface?
Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”
Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.
Other versions of Clayface have been introduced in various media since.
Who is in ‘Clayface’?
The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.
Who are the ‘Clayface’ filmmakers?
Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).
The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.
Movie Reviews
Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC
Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.
As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.
During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.
Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.
“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.
“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”
As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.
While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.
The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.
Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.
“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.
“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.
“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”
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