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Paramount, YouTube TV strike deal, averting CBS outage

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Paramount, YouTube TV strike deal, averting CBS outage

Google’s YouTube and Paramount Global have struck a new distribution contract, averting a threatened blackout of CBS and other television channels for nearly 8 million YouTube TV customers.

The deal was clinched Saturday night, about 48 hours after the previous pact had expired. The two sides then extended a deadline to allow negotiations to continue, keeping nearly two dozen Paramount channels, including CBS Sports, BET, Comedy Central, Nickelodeon, TV Land and Los Angeles broadcast stations KCBS-TV Channel 2 and KCAL-TV Channel 9 available to YouTube TV customers.

“With this agreement, YouTube TV will continue to offer 100+ channels and add-ons including Paramount+ with Showtime and will enable more user choice in the future,” YouTube said in a statement. “To our subscribers, we appreciate your patience while we negotiated on your behalf.”

Contract terms were not disclosed.

Negotiators spent days haggling over terms and fees that Google would pay for the rights to carry Paramount channels. Neither side appeared eager to let their squabble disrupt viewing for YouTube’s subscribers.

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As part of the agreement, YouTube will begin offering Paramount’s streaming services, including BET+ and Paramount+ with Showtime, as an add-on channel on the streaming service.

“We look forward to extending our long-standing partnership and giving audiences greater access to their favorite programming,” Paramount said in a statement.

Clashes between programmers and distributors have become increasingly common amid the fraying of television’s economic model. Three years ago, a dispute between Google and the Walt Disney Co. prompted a brief blackout of ESPN and other Disney networks on YouTube TV.

Pay-TV providers, including Google, are motivated to control costs to attract and retain fickle subscribers who have an abundance of viewing options. Millions of customers have dropped traditional pay-TV subscriptions in the past decade; many have switched to streaming platforms including YouTube TV and Hulu+ Live TV.

At the same time, Paramount and other Hollywood companies are struggling to maintain their revenue streams amid ratings declines and cable customer defections. Programmers are motivated to preserve the lucrative pay-TV distribution fees.

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YouTube TV has grown into a major player in television, appealing to younger viewers and sports fans.

It is the fourth-largest multichannel distributor in the U.S., behind Charter’s Spectrum, Comcast Xfinity and DirecTV, based in El Segundo.

YouTube TV took over the NFL’s “Sunday Ticket” subscription offering in 2023 after it became too expensive for longtime rights-holder, DirecTV. However, the nearly $2-billion-a-year bill for Sunday afternoon NFL games has increased the cost of operating YouTube TV, prompting Google to scrutinize other contract expenditures.

Last month, YouTube TV raised its charge to customers to $82.99 a month, up from $72.99 a month.

Paramount also was eager to avoid a nasty showdown.

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The media company’s controlling shareholder Shari Redstone struck a deal last summer to sell her family’s business of four decades to the Larry Ellison family. The plan is for David Ellison’s Skydance Media to absorb the larger entertainment company, Paramount, in a deal valued at $8 billion. Executives are racing to complete the transaction by early April.

But the Skydance deal has encountered turbulence at the Federal Communications Commission, which must sign off on the transfer of the CBS television licenses to Ellison for the sale to close.

The company also is trying to fend off a $20-billion lawsuit filed by President Trump over edits made to a “60 Minutes” interview of former Vice President Kamala Harris last fall.

CBS is separately sparring with Sony Pictures Television to retain distribution rights for Sony’s hugely popular game shows “Jeopardy!” and “Wheel of Fortune.”

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Movie Reviews

‘Christmas Karma’ movie review: A Bollywood Carol with little cheer

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‘Christmas Karma’ movie review: A Bollywood Carol with little cheer

Kunal Nayyar in ‘Christmas Karma’
| Photo Credit: True Bit Entertainment/YouTube

Christmas jumpers are all I can remember of this film. As this reimagining of Charles Dickens’ A Christmas Carol dragged on with sickly-sweet sentimentality and song, my eyes constantly tried to work out whether those snowflakes and reindeer were printed on the jerseys or, if knitted, how complicated the patterns would have been.

Christmas Karma (English)

Director: Gurinder Chadha

Starring: Kunal Nayyar, Leo Suter, Charithra Chandran, Pixie Lott, Danny Dyer, Boy George, Hugh Bonneville, Billy Porter, Eva Longoria, Mia Lomer

Storyline: A miserly businessman learns the true meaning of Christmas when visited by ghosts of Christmas past, present and future

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Runtime: 114 minutes

Gurinder Chadha, who gave us the gorgeous Bend it Like Beckham (who wants to make aloo gobi when you can bend the ball like Beckham indeed) has served up an unappetising Bollywood song-and-dance version of Dickens’ famous Christmas story.

A still from the film

A still from the film
| Photo Credit:
True Bit Entertainment/YouTube

A curmudgeonly Indian businessman, Ishaan Sood (Kunal Nayyar), fires his entire staff on Christmas Eve—except his accountant, Bob (Leo Suter)—after catching them partying at the office. Sood’s nephew, Raj (Shubham Saraf) invites him for a Christmas party which he refuses to attend.

He returns home after yelling at some carol singers for making a noise, the shopkeeper (Nitin Ganatra) at the corner for his business decisions and a cabbie (Danny Dyer) for being too cheerful.

His cook-housekeeper, Mrs. Joshi (Shobu Kapoor) tells him to enjoy his dinner in the dark as he has not paid for heat or electricity. He is visited by the spirit of his dead business partner, Marley (Hugh Bonneville), who is in chains with the spirits of all the people he wronged. Marley’s spirit tells Sood that he will be visited by three spirits who will reveal important life lessons.

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A still from the film

A still from the film
| Photo Credit:
True Bit Entertainment/YouTube

The Ghost of Christmas Past (Eva Longoria), with Day of the Dead makeup and three mariachis providing musical accompaniment, shows Sood his early, happy days in Uganda as a child and the trauma of being expelled from the country by Idi Amin.

Sood comes to Britain where his father dies of heartbreak and decides the only way out is to earn a lot of money. He meets and falls in love with Bea (Charithra Chandran) but loses her when he chooses paisa over pyaar even though he tries to tell her he is being ruthless only to earn enough to keep her in luxury.

The Ghost of Christmas Present (Billy Porter) shows Bob’s twee house full of Christmas cheer, despite the roast chicken past its sell-by date, and his young son, Tim, bravely smiling despite his illness.

The Ghost of Christmas Future (Boy George, Karma is sure a chameleon!) shows Sood dying alone except for Bob and Mrs. Joshi. He sees the error of his ways and throws much money around as he makes everything alright. He even ends up meeting up with his childhood friend in Uganda.

Apart from the mixed messages (money makes everything alright, let us pray for the NHS but go to Switzerland to get well) and schmaltzy songs, Christmas Karma suffers from weak writing and wooden acting.

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Priyanka Chopra’s Hindi rendition of George Michael’s ‘Last Christmas’ runs over the end credits featuring Chadha and the crew, bringing back fond memories of Bina Mistry’s ‘Hot Hot Hot’ from Bend it Like Beckham. Even a sitar version by Anoushka Shankar is to no avail as watching this version of A Christmas Carol ensures bad karma in spades.

Christmas Karma is currently running in theatres

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What happens to CNN is President Trump gets his way?

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What happens to CNN is President Trump gets his way?

President Trump wants a very different kind of CNN if the cable news channel’s parent Warner Bros. Discovery changes hands.

As details emerge on the battle between Netflix and Paramount over control of the historic movie studio and its streaming and TV assets, Trump acknowledged he’s made it clear he wants new ownership and leadership at the network that has been the prime target in his attacks on the mainstream media over the last decade.

“I think the people that have run CNN for the last long period of time are a disgrace,” Trump told reporters Wednesday. “I don’t think they should be entrusted with running CNN any longer. So I think any deal should — it should be guaranteed and certain that CNN is part of it or sold separately.”

White House Press Secretary Karoline Leavitt echoed Trump’s sentiment Thursday from her lectern after a testy exchange with CNN anchor Kaitlan Collins. “Their ratings have declined, and I think the president rightfully believes that network would benefit from new ownership with respect to this deal,” Leavitt said.

Trump has said he will be “involved” in the government‘s regulatory review of a WBD deal. Injecting the president’s animus toward CNN — which goes back to his presidential campaign in 2016 — into the process has insiders at the network worried that journalistic independence will be sacrificed for the sake of a Warner Bros. Discovery deal.

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CNN declined to comment.

A Wall Street Journal report said Paramount Chief Executive David Ellison has signaled to Trump administration officials he would make “sweeping changes” to CNN if his company took control. (A representative for Ellison declined comment.)

Ellison has said he would combine CNN’s newsgathering operations with Paramount’s CBS News, where conservative-friendly Bari Weiss has been installed as editor in chief. Such a move would follow the $16-million settlement Paramount reached with Trump earlier this year resolving a dispute over a “60 Minutes” interview featuring then-Vice President Kamala Harris.

But Trump said he wants to see a new CNN owner even if Netflix prevails. Netflix’s $72 billion offer does not include CNN or WBD’s other basic cable properties. Paramount has countered with a $78 billion offer.

What Trump desires is more favorable news coverage. But pandering to the White House could have a dubious outcome from a business standpoint for the next CNN owner.

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The cable news landscape has evolved over the last decade as the country’s politics have become more polarized and tribal.

The trend helped the conservative-leaning Fox News and progressive MS NOW (formerly MSNBC), both of which have seen their audiences grow over that time even as the number of pay-TV homes has declined dramatically.

CNN has tried to stake out the middle ground, although its aggressive coverage of Trump’s first term created a perception it had moved left, especially as more commentary was added to its prime time programs.

CNN already saw the impact of attempting to bring more right-leaning voices to its program under Chris Licht, the executive brought in to run the network in 2022. He was under a mandate from Warner Bros. Discovery Chief Executive David Zaslav, who publicly said the network needed to appeal more to conservative audiences.

The network experienced an immediate exodus of viewers, putting it in third place behind MS NOW. CNN was generating $1.2 billion in profit earlier in the decade. This year, the figure is expected to be in the range of $675 million.

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Jon Klein, a digital entrepreneur and former CNN president, said it would be folly for his former network to blatantly court conservatives again.

“You’re not going to convince all those Fox News viewers that suddenly CNN is friendly to them and their way of life,” he said. “These are much older viewers who don’t change their habits so easily. There has been mistrust that has been fostered over many years.”

Klein noted that even upstart right-wing networks that provide unwavering support of Trump — Newsmax and OAN — haven’t made a dent in Fox News’ dominance. MS NOW would be the beneficiary of any rightward shift by CNN, he added.

“It would accelerate the ratings slide and they become completely irrelevant,” said another former CNN executive who did not want to comment publicly.

Fox News does more than provide largely sympathetic coverage and commentary for Trump. Rupert Murdoch’s network has worked at forging a deep connection with viewers, which has made it the ratings leader since 2002.

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The lineup of highly paid Fox News personalities is reliably in sync with the audience’s values and the hot-button issues that keep them tuned in. Viewer loyalty has helped the network attract hundreds of new advertisers in recent years, with some integrating patriotic messages into their marketing efforts.

“Fox is an incredibly well-oiled machine,” Klein said.

Klein said CNN and other legacy news organizations are better off focusing on developing an effective digital strategy to insure their future as traditional TV viewing declines, instead of chasing ideological balance.

Attempting to satisfy Trump’s desire for more positive coverage is a slippery slope. While Paramount appointed an ombudsman to CBS News and brought in Weiss — moves aimed at clearing the regulatory path for its merger with Skydance Media — Trump is still lashing out at coverage he doesn’t like.

After a “60 Minutes” interview with Rep. Marjorie Taylor Greene (R-Ga.) aired Dec. 7, in which she was highly critical of Trump, the president said the program is “worse” under new ownership.

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The only significant move to attract conservative viewers under Weiss is her prime time interview with the widow of slain right-wing activist Charlie Kirk that airs Saturday.

“I think the prevailing wisdom over there is this notion that at least if they stay out of the clutches of Paramount, some rich philanthropist will buy them and they’ll be fine,” said the former CNN executive.

But if Netflix gets WBD without CNN, there is no guarantee it would not end up with a Trump-friendly owner if the network were spun off separately. The rank and file may wish for Laurene Powell Jobs, chair of the Atlantic, but could end up with a deep-pocketed right winger.

CNN Chairman Mark Thompson’s message to the troops is keep calm and carry on. “I know this strategic review has been a period of inevitable uncertainty across CNN and indeed the whole of WBD,” Thompson told staff in a recent memo. “Of course, I can’t promise you that the media attention and noise around the sale of our parent will die down overnight. But I do think the path to the successful transformation of this great news enterprise remains open.”

Trump’s anger toward CNN has become more personal as time has gone on. He has insulted reporters during press briefings and reportedly has told people he wants to see the firing of anchors Erin Burnett and Brianna Keilar.

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Oddly enough, it was Burnett’s journalism that provided Trump with video for his most effective commercial of his 2024 campaign.

Burnett conducted the 2020 interview with Kamala Harris where the former vice president expressed her support for providing medical care to prisoners undergoing gender-affirming care. A clip of the segment was used in the commercial that said “Kamala’s for they/them, President Trump is for you.”

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Movie Reviews

Dust Bunny

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Dust Bunny

An orphaned girl hires her hitman next-door neighbor to kill the monster under her bed. This R-rated action/horror movie mashup has lots of violence but surprisingly little gore. However, there are still many gruesome moments, even if they’re just offscreen. And some language and a strange portrayal of Christian worship come up, too.

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