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Naomi Watts gets frank about menopause in new book that draws on her own experience

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Naomi Watts gets frank about menopause in new book that draws on her own experience

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‘Dare I Say It: Everything I Wish I’d Known About Menopause’

By Naomi Watts
Crown: 256 pages, $29
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“This will definitely end my career.” That was Naomi Watts’ initial response to the prospect of writing her first book, “Dare I Say It: Everything I Wish I’d Known About Menopause.”

Through her menopause-focused wellness brand, Stripes Beauty, and openness about her experiences with perimenopause in her late 30s while also trying to conceive her children with then-partner Liev Schreiber, Watts was already one of the foremost celebrities to address the aging process for women. “Dare I Say It,” to be published by Crown on Jan. 21, builds on her earlier efforts. It melds expert medical opinion, case studies from other women and Watts’ own experience.

“I hope it feels like an honest, cozy chat with a girlfriend and that will lead them to having that conversation in real time if they’re too scared to open up,” Watts says.

She’s candid about getting “baby Botox” (a small dose of the injectable) between jobs to preserve her facial expressions onscreen. The actor recently received Emmy and Golden Globe nominations for her performance as Babe Paley in Ryan Murphy’s “Feud: Capote vs. the Swans,” which she calls “a role of a lifetime. One of if not my best role.”

In her book, she shares an endearing anecdote about husband Billy Crudup, whom she married in 2023, assuaging her fears about exposing her hormone patch during their first tryst by pointing out the gray hairs on his testicles. “Those to date remain the most romantic words I’ve ever heard,” Watts writes.

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That levity was intentional. “I was always wanting to bring humor into it because we know the pain points,” she tells The Times.

After overcoming her fear of the unknown as it relates to being a debut author, Watts aimed to write the kind of book she wished she had when she was struggling through symptoms alone. Watts’ mother entered menopause early too, at the age of 45, but they never spoke about it until Watts mustered up the courage to bring it up with her.

“I guess these are the conversations I didn’t have with you because my mother never had them with me,” Watts recalls her mother responding in “Dare I Say It.”

“I wished there was a book when I was suffering through it, flailing and filled with shame and doubt and confusion,” Watt says.

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Perhaps the strongest part of “Dare I Say It” is when the book tackles HRT, or hormone replacement therapy, which got a bad rap in 2002 when a Women’s Health Initiative study asserted that HRT caused breast cancer and cardiovascular disease, among other health concerns. Watts writes that the study was actually commissioned to see whether HRT decreased risk of heart disease — it didn’t — and that it was stopped after researchers observed a slight increase in risk of breast cancer. Subsequent research has suggested that the benefits of the drug outweigh risks, especially for younger perimenopausal women. Advocates says HRT has been proven to help with bone density and to prevent or lower the risk of Alzheimer’s disease. This is not to mention the symptoms of menopause and perimenopause it’s most commonly used to treat.

“Women have been taught not to complain. To suck it up, this is a natural process, you must go through it,” Watts says. “But you don’t have to suffer. The bad studies that happened in 2002 just left us with so much fear.”

Watts stresses that she is not a doctor, and that everyone should discuss the best options for them with their own physician.

“But some doctors just say no without exploring that person’s medical history, and that is not OK. It’s because they’re not educated themselves,” she maintains.

“Dare I Say It” and other resources can act as a stop-gap for those without adequate support dealing with their symptoms.

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“I tried to put together these doctors that I trusted, and it’s up to the reader to draw out of it the information they feel suits them,” Watts says. “If you come in with some preparation you can have a very nuanced conversation about what you’re experiencing, what your needs are and if this is right for you.”

Watts continues: “As one of the doctors says, we are still very connected to the misogynistic, patriarchal messaging that women are at our expiration date once our eggs are gone. That’s still there, no matter how far we’ve moved as a society. It’s just ingrained.”

Watts declines to directly respond to a question about incoming Vice President JD Vance’s seeming past endorsement of the view that the purpose of postmenopausal women is to look after their grandkids, simply saying: “Let the fact that I’m saying nothing say everything.

“We’re not going off to the corner and pulling out our knitting needles,” she says, “although I do love to knit.

“We have a lot left to do and it’s up to us to alter that messaging,” Watts continues. “Experience and time on the clock really matters. Women at this point in time have more experience, and we have something to offer to the younger generations.”

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Other than grandchild care.

Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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Entertainment

Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

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He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

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Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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